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The Blank Slate – Toby Young and Social Mobility Pp
Dorling, D. (2018) The Blank Slate – Toby Young and Social Mobility pp. 69-79 In Brown, L. (Ed) Move on up? Social mobility, opportunity and equality in the 21st century, London: IPPR, December https://www.ippr.org/research/publications/move-on-up Copy as submitted: 23rd October 2018 The Blank Slate – Toby Young and Social Mobility Danny Dorling is the Halford Mackinder Professor of Geography at the University of Oxford. His work concerns issues of housing, health, employment, education, wealth and poverty. Just a few days before his well-documented fall from grace – in response to the publication of an academic paper Sally Tomlinson and I had had published a year earlier1 – the Conservative government’s advisor,2 Toby Young, posted this Tweet: New co nvers ation 1 Dorling D and Tomlinson S (2016) The Creation of Inequality: Myths of Potential and Ability, Journal of Critical Education Policy, 14, 3, 56-79. http://www.jceps.com/archives/3204 2 Member of the Board of the Office for Students, 2 January 2018 to 9 January 2018 1 Toby Young Verified account @toadmeister 24 Dec 2017 Mor e Replying to Wow! Didn’t know about the Danny Dorling paper. Incredible how robust the myth of the Blank Slate is! 1 reply 0 reTweets 3 likes Reply1 ReTweet Like3 Direc t m essag e https://twitter.com/toadmeister/status/944958537809186818 Three people liked it. A few days later Toby was spending his Christmas holidays desperately deleting thousands of his Tweets,3 but he left this one up, maybe for posterity.4 The blank slate is the idea that children are all born alike. -
Fashioning Gender Fashioning Gender
FASHIONING GENDER FASHIONING GENDER: A CASE STUDY OF THE FASHION INDUSTRY BY ALLYSON STOKES, B.A.(H), M.A. A THESIS SUBMITTED TO THE DEPARTMENT OF SOCIOLOGY AND THE SCHOOL OF GRADUATE STUDIES OF MCMASTER UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY c Copyright by Allyson Stokes, August 2013 All Rights Reserved Doctor of Philosophy (2013) McMaster University (Sociology) Hamilton, Ontario, Canada TITLE: Fashioning Gender: A Case Study of the Fashion Industry AUTHOR: Allyson Stokes BA.H., MA SUPERVISOR: Dr. Tina Fetner NUMBER OF PAGES: xii, 169 ii For Johnny. iii Abstract This dissertation uses the case of the fashion industry to explore gender inequality in cre- ative cultural work. Data come from 63 in-depth interviews, media texts, labor market statistics, and observation at Toronto’s fashion week. The three articles comprising this sandwich thesis address: (1) processes through which femininity and feminized labor are devalued; (2) the gendered distribution of symbolic capital among fashion designers; and (3) the gendered organization of the fashion industry and the “ideal creative worker.” In chapter two, I apply devaluation theory to the fashion industry in Canada. This chap- ter makes two contributions to literature on the devaluation of femininity and “women’s work.” First, while devaluation is typically used to explain the gender wage gap, I also address symbolic aspects of devaluation related to respect, prestige, and interpretations of worth. Second, this paper shows that processes of devaluation vary and are heavily shaped by the context in which work is performed. I address five processes of devaluation in fash- ion: (1) trivialization, (2) the privileging of men and masculinity, (3) the production of a smokescreen of glamour, (4) the use of free labor and “free stuff,” and (5) the construction of symbolic boundaries between “work horses” and “show ponies.” In chapter three, I use media analysis to investigate male advantage in the predomi- nantly female field of fashion design. -
Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University
John Carroll University Carroll Collected 2018 Faculty Bibliography Faculty Bibliographies Community Homepage 6-2018 From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University Kristen Tobey John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/fac_bib_2018 Part of the Religion Commons, and the Television Commons Recommended Citation Collins, Brian and Tobey, Kristen, "From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture" (2018). 2018 Faculty Bibliography. 55. https://collected.jcu.edu/fac_bib_2018/55 This Article is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2018 Faculty Bibliography by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. From Middlemarch to The Da Vinci Code: Portrayals of Religious Studies in Popular Culture TEMPLE MIDDLEMARCH Directed by Michael Barrett Television serial Screen Media, 2017. 78 minutes Directed by Anthony Page BBC, 1994 DEXTER. SEASON SIX Created by James Manos Jr. MIDDLEMARCH: THE SERIES Showtime, 2011 Directed by Rebecca Shoptaw DEATH DU JOUR YouTube, 2017 By Kathy Reichs New York: Pocket Books, 1999 ANGELS & DEMONS Pp. 480. $17.19 By Dan Brown New York: Washington Square Press, 2006 [2000] THE BLACK TAPES Pp. 496. $17.00 Podcast. Created by Paul Bae and Terry Miles 2015–2017 THE DA VINCI CODE By Dan Brown. THE REAPING New York: Anchor Books, 2009 [2003] Directed by Stephen Hopkins Pp. 597. $9.99 Warner Brothers, 2007. 99 minutes THE LOST SYMBOL SINISTER By Dan Brown Directed by Scott Derickson New York: Anchor Books, 2012 [2009] Blumhouse Productions, 2012. -
RELX Group Annual Reports and Financial Statements 2015
Annual Reports and Financial Statements 2015 Annual Reports and Financial Statements 2015 RELX Group is a world-leading provider of information and analytics for professional and business customers across industries. We help scientists make new discoveries, lawyers win cases, doctors save lives and insurance companies offer customers lower prices. We save taxpayers and consumers money by preventing fraud and help executives forge commercial relationships with their clients. In short, we enable our customers to make better decisions, get better results and be more productive. RELX PLC is a London listed holding company which owns 52.9 percent of RELX Group. RELX NV is an Amsterdam listed holding company which owns 47.1 percent of RELX Group. Forward-looking statements The Reports and Financial Statements 2015 contain forward-looking statements within the meaning of Section 27A of the US Securities Act of 1933, as amended, and Section 21E of the US Securities Exchange Act of 1934, as amended. These statements are subject to a number of risks and uncertainties that could cause actual results or outcomes to differ materially from those currently being anticipated. The terms “estimate”, “project”, “plan”, “intend”, “expect”, “should be”, “will be”, “believe”, “trends” and similar expressions identify forward-looking statements. Factors which may cause future outcomes to differ from those foreseen in forward-looking statements include, but are not limited to competitive factors in the industries in which the Group operates; demand for the Group’s products and services; exchange rate fluctuations; general economic and business conditions; legislative, fiscal, tax and regulatory developments and political risks; the availability of third-party content and data; breaches of our data security systems and interruptions in our information technology systems; changes in law and legal interpretations affecting the Group’s intellectual property rights and other risks referenced from time to time in the filings of the Group with the US Securities and Exchange Commission. -
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008 Broadcasting Act 1990 Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Contents Introduction Scale and impact Chairman’s introduction 04 Viewer impact 60 Chief Executive’s introduction 06 Top tens 64 Output and spend 66 Channel 4’s public impact 08 Creative economy impact 68 Talent ladder 70 Nurture Partnerships 71 Awards 72 Film4 Productions and Slumdog Millionaire 12 Comedy Lab 14 Final comments on public impact report 76 The Devil’s Whore 16 Assurance statement 77 City of Vice 18 Key measures 20 Finance Challenge Operating and financial review 80 Report of the members 84 Saving Africa’s Witch Children 24 Report of the auditors 86 Dispatches and Unreported World 26 Consolidated income statement 88 Channel 4 News 28 Balance sheets 89 The Family 30 Cashflow statements 90 Key measures 32 Significant accounting policies 91 Notes to the financial statements 95 Champion Corporate governance 121 Members 127 Islam Unveiled 36 Report on members’ remuneration 128 Big Brother 38 Programmes and the licence 132 Hunger 40 Historical record 134 Disarming Britain 42 Key measures 44 Inspire Secret Millionaire 48 Embarrassing Bodies and The Sex Education Show 50 Big Food Fight 52 Battlefront 54 Key measures 56 Chairman’s introduction Luke Johnson Chairman The media establishment is undergoing its most violent In recent months, Channel 4 has demonstrated its creative upheaval since Channel 4 was founded 26 years ago. The credentials in spades. With Slumdog Millionaire, Film4 won digital revolution, combined with a severe economic downturn, a spectacular array of Oscars and BAFTAs, and enjoyed a true means all commercial broadcasters are under significant international box office smash. -
The Profit Motive in Education: Continuing the Revolution the Profit Motive in Education: Continuing the Revolution
The Profit Motive in Education: Continuing the Revolution The Profit Motive in Education: Continuing the Revolution EDITED BY JAMES B. STANFIELD The Institute of Economic Affairs First published in Great Britain in 2012 by CONTENTS The Institute of Economic Affairs 2 Lord North Street Westminster London sw1p 3lb in association with Profile Books Ltd The authors 9 The mission of the Institute of Economic Affairs is to improve public understanding of the fundamental institutions of a free society, with particular Foreword 14 reference to the role of markets in solving economic and social problems. Summary 22 List of tables and figures 25 Copyright © The Institute of Economic Affairs 2012 The moral right of the author has been asserted. PART 1: BASIC CONCEPTS 1 Introduction 29 All rights reserved. Without limiting the rights under copyright reserved above, James B. Stanfield no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, Questioning the anti-profit mentality 29 mechanical, photocopying, recording or otherwise), without the prior written Things seen and not seen in education 34 permission of both the copyright owner and the publisher of this book. Policy lessons 38 Four simple policy proposals 41 A CIP catalogue record for this book is available from the British Library. A vision of the liberal ideal of education 45 ISBN 978 0 255 36646 5 References 49 eISBN 978 0 255 36678 6 Many IEA publications are translated into languages other than English or 2 Profit is about learning, not just motivation 51 are reprinted. -
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manusya 23 (2020) 286-304 brill.com/mnya A Dominant Global Translation Strategy in Thai Translated Novels: The Translations of Religious Markers in Dan Brown’s Thriller Novels Wiriya Inphen (วิริยะ อินทร์เพ็ญ) Doctoral Student, Faculty of Humanities and Social Sciences, University of Jyväskylä, Jyväskylä, Finland [email protected] Abstract When translation is considered as an integral part of larger social systems (Even-Zohar 1990), the ways in which translations are produced to serve readers’ specificity could be affected. This paper examines whether there is a preference for a specific global trans- lation strategy due to a readership that is specialized in terms of education level. Adopting Venuti’s (1995/2008) division of global translation strategies into exoticizing and domesticating translation, it examines the frequency of local translation strate- gies, which are part of a global translation strategy, used in translating English-Thai religious markers in Dan Brown’s Angels and Demons, The Da Vinci Code, The Lost Sym- bol, Inferno and Origin. The religious markers cover words/phrases of belief systems in either Eastern or Western culture. The results show that exoticizing translation is a dominant global translation strategy that translation agents, such as translators and editors, use in literary translations of Anglo-American novels. Keywords translated Anglo-American popular fiction – Thai literary translation – global translation strategy – local translation strategy – religious markers – specialized readership © Wiriya -
Titletweeting for Brexit: How Social Media Influenced the Referendum
Max Hänska and Stefan Bauchowitz TitleTweeting for Brexit: how social media influenced the referendum Book section Original citation: Originally published in Hänska-Ahy, Max and Bauchowitz, Stefan (2017) Tweeting for Brexit: how social media influenced the referendum. In: Mair, John and Clark, Tor and Fowler, Neil and Snoddy, Raymond and Tait, Richard, (eds.) Brexit, Trump and the Media. abramis academic publishing, Bury St Edmunds, UK, pp. 31-35. ISBN 9781845497095 © 2017 The Authors This version available at: http://eprints.lse.ac.uk/84614/ Available in LSE Research Online: October 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Tweeting for Brexit: How social media shaped the Referendum campaign Eurosceptic Twitter users outnumbered and out-tweeted pro-Europeans in the EU Referendum campaign, but were more confined into their own echo-chambers than Remainers. -
Annual Reports and Financial Statements 2014 Statements Financial and Reports Annual
Annual Reports and Financial Statements 2014 Annual Reports and Financial Statements www.relxgroup.com 2014 21654 Reed AR 2014 Cover Outer and Inner.indd 1-3 05/03/2015 18:52 RELX Group is a world-leading provider of information solutions for professional customers Credits across industries. Designed and produced by We help scientists make new discoveries, lawyers mslgroup.com Board photography by win cases, doctors save lives, and executives forge Douglas Fry, Piranha Photography Printed by commercial relationships with their clients. We help Pureprint Group, ISO14001, FSC® certified and CarbonNeutral® The 2014 Annual Reports and Financial Statements is printed insurance groups offer customers lower prices using paper containing a minimum of 75% recycled content, of which 100% is de-inked post-consumer waste. All of the pulp by assessing risk better, and save taxpayers and is bleached using an elemental chlorine free process (ECF). Printed in the UK by Pureprint using their environmental printing technology; vegetable inks were used throughout. Pureprint is a consumers money by enabling governments and CarbonNeutral® company. Both manufacturing mill and printer are ISO14001 registered and are Forest Stewardship Council® financial groups to detect fraud. (FSC) chain-of-custody certified. RELX Group is owned by two parent companies: Reed Elsevier PLC is the London Stock Exchange listed vehicle for holding shares in RELX Group. Shareholders in Reed Elsevier PLC own a 52.9% economic interest in the Group. Reed Elsevier NV is the Amsterdam Stock Exchange listed vehicle for holding shares in RELX Group. External shareholders in Reed Elsevier NV own a 47.1% economic interest in the Group. -
Symbology in “THE DΛ VINCI CODE"
Symbology in “THE DΛ VINCI CODE" Syrian Arab Republic Ministry of Education National center for the distinguished Course: English Supervised by: Ms. Bayan Soufi Presented by: Al-Abbass Mohamed 2014-2015 Research problematic Are the historical “facts” Dan Brown had mentioned true or not? Aims of this research To show that not everything we read is true. To lighten and discover some historical facts that we don’t know. 3 Preface Biography: Dan Brown was born on July 22, 1964 in Exeter, New Hampshire to Richard G. Brown (A mathematics teacher) and Connie Brown (Professional musician involved in performing sacred music). He grew up in a house where science and religion coexisted peacefully. While the foundation of science relied on proof, claims, equations and codes, religion relied on faith only, so Dan Brown had the best of both of them together. Educationally, Brown graduated from ‘Philips Exeter Academy’ after which he attempted ‘Amherst College’ and graduated with a degree in English and Spanish in 1986. Whilst in 1985, he went to Seville Spain to do an art history course from the University of Seville. Dan Brown had a short musical career as a songwriter and pianist in which he released four CDs. Then a switch in his happened when he read Sydney Sheldon’s (Doomsday conspiracy) and turned his interest into writing instead of music. He released “Digital Fortress” in 1998, after which he turned to full-time writing. Moreover, in 2000 “Angles & Demons” was published. It sat the stage for the best to come from Dan Brown, and was the first novel that introduced the character “Robert Langdon”, which was subsequently seen in the future works of Brown. -
CHAPTER I INTRODUCTION A. Background of the Study the Lost
CHAPTER I INTRODUCTION A. Background of the Study The Lost Symbol is a thriller fiction novel which has story about ancient organization and involve some historical buildings in America. This novel made by American author Dan Brown. The book consists of 133 chapters and 478 pages with prolog and epilog. This book was published in 2009. The Lost Symbol is the fifth novel of Dan Brown after his four best seller novels. Dan Brown is a famous author from America. He studied in Amherst College. After Graduated from Amherst College, he spent time as an English teacher before turning his efforts fully to writing. He wrote some bestseller novel. His novels are Digital Fortress, Angels and Demons, Deception Point, The Da Vinci Code, and The Lost Symbol. Brown's novels are thriller fiction, treasure hunts, set in a 24-hour time period, feature the recurring themes of cryptography, keys, symbols, codes, and conspiracy theories. Not only interesting for people around the world to read the novels, but the novels also caused some controversies. Dan Brown is the author of numerous bestselling novels, including the #1 New York Times bestseller, The Da Vinci Code is the one of the bestselling novels of all time. In early 2004, all four of Dan Brown's novels held spots on the New York Times bestseller list during the same week. 1 2 Recently named one of the World's 100 Most Influential People by TIME Magazine, Dan Brown has made appearances on CNN, The Today Show, National Public Radio, Voice of America, as well as in the pages of Newsweek, Forbes, People, GQ, The New Yorker, and others. -
'Noetic Science' in the Lost Symbol
SI Jan Feb 2010 pgs 11/12/09 11:06 AM Page 60 BOOK REVIEW ‘Noetic Science’ in The Lost Symbol JOE NICKELL The Lost Symbol. By Dan Brown, Doubleday, New York, 2009. ISBN: 978-0-385-50422-5. Hardcover, $29.95. an Brown has done it again. He’s ing retreats and workshops, IONS produced another page-turning, “explores the frontiers of consciousness” Dthrill-a-minute novel, offering and “researches subtle energies and the up more pseudohistory and pseudo- power of healing,” among other things. science in the process. Its vision stems from an “epiphany” Just like his earlier The Da Vinci Code that astronaut Edgar Mitchell had in (2003), The Lost Symbol (2009) begins 1971 when, on the Apollo 14 Moon with a gruesome discovery in a public mission, he saw planet Earth suspended gallery and proceeds—by solving devil- in space. According to Mitchell, “The ishly cryptic puzzles, analyzing artworks, presence of divinity became almost pal- and uncovering lost histories—on a quest pable, and I knew that life in the uni- for a fabled treasure, while the hero and verse was not just an accident based on heroine are dogged by both a freakish, random processes. The knowledge maniacal killer and equally relentless came to me directly” (Institute 2009). authorities. To borrow from Yogi Berra, In fact, Mitchell was already involved “It’s déjà vu all over again!” in the paranormal, conducting his own Brown claimed portions of The Da private unauthorized ESP experiment Vinci Code were based on fact. In particu- during the Apollo 14 mission.