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In the National Hockey League Protocol Number 12-425 Unwritten Rules: An Examination of the “Code” or “Code of Conduct” in the National Hockey League by John Buxcey Bachelor of Arts, University of Victoria, 1994 A Master’s Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE in the School of Exercise Science, Physical and Health Education © John S. Buxcey 2014 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or by other means, without permission of the author. ii Unwritten Rules: An Examination of the “Code” or “Code of Conduct” in the National Hockey League by John Buxcey Bachelor of Arts, University of Victoria, 1994 Supervisory Committee Dr. John Meldrum, School of Exercise Science, Health and Physical Education Supervisor Dr. Tim Hopper, School of Exercise Science, Health and Physical Education Departmental Member iii Abstract Supervisory Committee Dr. John Meldrum (School of Exercise Science, Health and Physical Education) Supervisor Dr. Tim Hopper (School of Exercise Science, Health and Physical Education) Departmental Member Professional Ice Hockey, as it is played in the National Hockey League (NHL), has rules of engagement termed the “code” or “code of conduct” that govern the conduct and interaction of players during games that is separate from the rules as written in the National Hockey League Official Rules 2012-2013 (© Copyright 2012 National Hockey League). The research examined and interpreted the “rules and meanings” implicit in the “code” by reviewing and identifying themes in the popular media, academic literature and in depth interviews with two former NHL players. At the core of the research is a focus on the idea or concept of interpretation. The results and ideas presented were interpreted through the lens of the primary researcher. It was interpreted inductively from the interviews, transcript text, audio recordings, life experience and self-reflection. The ideas and themes developed were co-constructed somewhere within the relationship between the researcher, the recorded data, society, and the participants. In the fourth chapter, the research was interpreted, written and presented in the form of a play or ethnodrama. It was the intention of the research to present and explore themes surrounding violence in a non- polarizing manner. As a play, ideas that are usually sensationalized by the media can be expressed and identified through the life experience of “real” characters. The play form allows for a window into the motivation behind sanctioned and unsanctioned violence in the NHL, sport, and aspects of daily lives that are governed by unwritten rules. Key Words: sport, code, ice hockey, masculinity, identity, and violence. iv Table of Contents Supervisory Committee ................................................................................................................ ii Abstract ......................................................................................................................................... iii Table of Contents ......................................................................................................................... iv Acknowledgements ...................................................................................................................... ix Dedication ...................................................................................................................................... x Chapter 1 Introduction................................................................................................................. 1 Working Definitions: Code, Code of Conduct, Unwritten Rules, Enforcer, and Honour .... 4 Code, code of conduct, and unwritten rules. .......................................................................... 5 Enforcer ..................................................................................................................................... 5 Honour ....................................................................................................................................... 6 Purpose........................................................................................................................................... 7 Research Questions ....................................................................................................................... 7 R1 ................................................................................................................................................ 7 Sub questions:........................................................................................................................ 7 R2 ................................................................................................................................................ 7 Sub questions:........................................................................................................................ 7 Summary ........................................................................................................................................ 7 Chapter 2: Literature review ....................................................................................................... 9 The “code” ................................................................................................................................. 9 v Masculinity .............................................................................................................................. 12 Violence .................................................................................................................................... 14 Identity Construction.............................................................................................................. 16 Ethnodramatic Representation.............................................................................................. 17 Research Gap .............................................................................................................................. 18 Summary .................................................................................................................................. 18 Chapter 3: Methodology............................................................................................................. 19 Introduction ............................................................................................................................. 19 Sample ...................................................................................................................................... 20 Researcher’s Background ...................................................................................................... 21 Data Collection ........................................................................................................................ 23 Data Analysis ........................................................................................................................... 24 Participant Biographies .......................................................................................................... 26 Participant 1. ....................................................................................................................... 26 Participant 2. ....................................................................................................................... 26 Pilot Study................................................................................................................................ 26 Summary ...................................................................................................................................... 28 Chapter 4: Play (Ethnodrama) .................................................................................................. 29 Rationale ...................................................................................................................................... 29 Identity Construction.................................................................................................................. 31 vi Act One ........................................................................................................................................ 31 Cast: ............................................................................................................................................. 31 Scene 1 ...................................................................................................................................... 32 Soliloquy One – Introduction and Rationale .................................................................... 33 Scene 2 ...................................................................................................................................... 35 Soliloquy Two – George begins identity construction ..................................................... 42 Scene 3 ...................................................................................................................................... 43 Soliloquy Three – John’s self-reflection and challenges audience ................................. 61 Scene 4 ...................................................................................................................................... 62 Soliloquy Four – Summary of first participant’s interview ............................................ 79 Act Two .......................................................................................................................................
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