NARRATIVES / AESTHETICS / CRITICISM THE MECHA THAT THEREFORE WE ARE (NOT): AN ECO-PHENOMENOLOGICAL READING OF NEON GENESIS EVANGELION1 GIUSEPPE GATTI Name Giuseppe Gatti peculiar synergy between themes, forms of storytelling Academic centre Roma Tre University and “out-of-joint” consumption, the Japanese robotic E-mail address
[email protected] animation series thematized and popularized content and perspectives on mediated experience that I define as KEYWORDS “eco-phenomenological”: “phenomenological” because (i) Anime; enactivism; presence; ecophenomenology; narrative it reevaluates the quality of the subjective experience in its ecosystem. historical and biocultural context; “ecological” because (ii) it look at the environment as an intelligent system; and (iii) it proposed a multidisciplinary approach between the human ABSTRACT sciences and the life sciences. In the late 1960s, Japanese animation inaugurated a The article proposes an analysis of the forms of prolific science fiction strand which addressed the topic narration and reception of the anime series Neon of mediated experience. In a context of transnational Genesis Evangelion (1995-1996), in its ability to have reception and consumption of anime, the “robotic” subgenre intercepted, synthesized and internationally popularized (particularly the one that will be called “mecha” in the in an innovative and almost unparalleled way, the 1980s, i.e., narratives of giant robots piloted by a human complexity of the eco-phenomenological perspective. within) occupies a strategic place. By highlighting the Views and epistemological approaches at the center of the contemporary scientific and cultural debate will 1 The author thanks Ilaria De Pascalis, Jacopo Nacci and the anonymous referees for be reconstructed, discussed and analyzed through the their valuable comments and suggestions.