An American Podcast Episode #12: He Started Retreatin' and Readin' Every Treatise on the Shelf Hosts: Gillian
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
INDIA Transcript of D. Sharifa Interviewe
GLOBAL FEMINISMS: COMPARATIVE CASE STUDIES OF WOMEN’S ACTIVISM AND SCHOLARSHIP SITE: INDIA Transcript of D. Sharifa Interviewer: C.S. Lakshmi Location: Pudukkottai, Tamilnadu, India Date: 9-12 July, 2004 Language of Interview: Tamil SPARROW Sound & Picture Archives for Research on Women B-32, Jeet Nagar, J.P. Road, Versova, Mumbai-400061 Tel: 2824 5958, 2826 8575 & 2632 8143 E-mail: [email protected] Website: www.sparrowonline.org Acknowledgments Global Feminisms: Comparative Case Studies of Women’s Activism and Scholarship was housed at the Institute for Research on Women and Gender at the University of Michigan (UM) in Ann Arbor, Michigan. The project was co-directed by Abigail Stewart, Jayati Lal and Kristin McGuire. The China site was housed at the China Women’s University in Beijing, China and directed by Wang Jinling and Zhang Jian, in collaboration with UM faculty member Wang Zheng. The India site was housed at the Sound and Picture Archives for Research on Women (SPARROW) in Mumbai, India and directed by C.S. Lakshmi, in collaboration with UM faculty members Jayati Lal and Abigail Stewart. The Poland site was housed at Fundacja Kobiet eFKa (Women’s Foundation eFKa) in Krakow, Poland and directed by Slawka Walczewska, in collaboration with UM faculty member Magdalena Zaborowska. The U.S. site was housed at the Institute for Research on Women and Gender at the University of Michigan in Ann Arbor, Michigan and directed by UM faculty member Elizabeth Cole. Graduate student interns on the project included Nicola Curtin, Kim Dorazio, Jana Haritatos, Helen Ho, Julianna Lee, Sumiao Li, Zakiya Luna, Leslie Marsh, Sridevi Nair, Justyna Pas, Rosa Peralta, Desdamona Rios and Ying Zhang. -
Hamilton at the Paramount Seattle
SPECIAL EDITION • FEBRUARY 2018 ENCORE ARTS PROGRAMS • SPECIAL EDITION HAMILTON FEBRUARY 2018 FEBRUARY PROGRAMS • SPECIAL EDITION HAMILTON ARTS ENCORE HAMILTON February 6 – March 18, 2018 Cyan Magenta Yellow Black Inks Used: 1/10/18 12:56 PM 1/11/18 11:27 AM Changes Prev AS-IS Changes See OK OK with Needs INITIALS None Carole Guizetti — Joi Catlett Joi None Kristine/Ethan June Ashley Nelu Wijesinghe Nelu Vivian Che Barbara Longo Barbara Proofreader: Regulatory: CBM Lead: Prepress: Print Buyer: Copywriter: CBM: · · · · Visual Pres: Producer: Creative Mgr Promo: Designer: Creative Mgr Lobby: None None 100% A N N U A L UPC: Dieline: RD Print Scale: 1-9-2018 12:44 PM 12:44 1-9-2018 D e si gn Galle r PD y F Date: None © 2018 Starbucks Co ee Company. All rights reserved. All rights reserved. ee Company. SBX18-332343 © 2018 Starbucks Co x 11.125" 8.625" Tickets at stgpresents.org SKU #: Bleed: SBUX FTP Email 12/15/2017 STARBUCKS 23 None 100% OF TICKET SALES GOOF TOTHE THE PARTICIPATING MUSIC PROGRAMS HIGH SCHOOL BANDS — FRIDAY, MARCH 30 AT 7PM SBX18-332343 HJCJ Encore Ad Encore HJCJ blongo014900 SBX18-332343 HotJavaCoolJazz EncoreAd.indd HotJavaCoolJazz SBX18-332343 None RELEASED 1-9-2018 Hot Java Cool Jazz None None None x 10.875" 8.375" D i sk SCI File Cabinet O t h e r LIVE AT THE PARAMOUNT IMPORTANT NOTES: IMPORTANT Vendor: Part #: Trim: Job Number: Layout: Job Name: Promo: File Name: Proj Spec: Printed by: Project: RELEASE BEFORE: BALLARD | GARFIELD | MOUNTLAKE TERRACE | MOUNT SI | ROOSEVELT COMPANY Seattle, 98134 WA 2401 Utah Avenue South2401 -
Lucas Richman Symphony's THIS WILL BE OUR REPLY to Make West Coast Premiere
West End Off-Broadway United States International Entertainment Log In Los Angeles Los Angeles Sections Shows Chat Boards Jobs Students Video Industry Lucas Richman Symphony's THIS WILL BE Hot Stories BroadwayWorld TV OUR REPLY to Make West Coast Premiere by BWW News Desk Jul. 28, 2019 Tweet Share Reviews: INTO THE WOODS at the Hollywood Bowl GRAMMY award-winning conductor/composer Lucas Richman's three-movement symphony, This Will Be Our Reply will make its West Coast debut on August 17 in Los COME FROM AWAY's Beck Angeles. Conductor Noreen Green will lead the Los Angeles Jewish Symphony in Welcomes Chicago To Th performance of the piece as part of the Friendship & Harmony concert at 8 p.m., Saturday, August 17, at the Walt Disney Concert Hall in Los Angeles. EXCLUSIVE: Inside Rehearsal LOS ANGELES SHOWS For INTO THE WOODS at the Symphony: This Will Be Our Reply is inspired by Leonard Bernstein's "An Artist's Hollywood Bowl Choice Response to Violence." After President John F. Kennedy was assassinated in 1963, Beverly Hills composer and conductor Leonard Bernstein spoke at the United Jewish Appeal of 9/29) PHO CAST Greater New York's annual fundraising event, the twenty-fth "Night of Stars" in New TBT: FIRST DATE Makes Its Firs York. The event became a memorial to President Kennedy. Bernstein's words included On Broadway! (mostly) the remarks, "This will be our reply to violence: to make music more intensely, more Photos: Inside Opening DOG DAY beautifully, more devotedly than ever before." Night of INTO THE WOODS at the Hollywood Bowl Summer Upstairs at V Lucas Richman received special permission from the Leonard Bernstein Ofce to 8/12) PHO compose the three-movement symphony inspired by Bernstein's words, which resonate just as much today as they did more than a half-century ago. -
153 Theater, Memory, and the HIV Crisis of the 1990S: an Analysis of the Musical RENT Jessica Grossman in the Second Act Of
Theater, Memory, and the HIV Crisis of the 1990s: An Analysis of the Musical RENT Jessica Grossman In the second act of RENT, a main character named Mark proclaims, “Why am I the witness?”1 The outburst, although somewhat dramatic, certainly brings forth the question: not only why, but how are we “the witness”? What are we witnessing, and why is it important to remember? These questions, explored throughout both the plot and external events surrounding RENT, allow for a greater understanding of the ways in which memory is a pervasive motif throughout Jonathan Larson’s 1997 musical. Although it is rarely explicitly addressed, the task of remembering, acknowledging, and memorializing people who were previously absent, silenced, and erased drives the plot of RENT forward perhaps more than the musical numbers. However, the story of RENT’s creation is just as unique as the musical itself. Larson had been working on a reboot of Puccini’s opera La Bohème for years, but after all of his work, the playwright never saw his show come to fruition. Larson died the night of the first performance from a sudden aortic dissection. Essentially, the show became Larson’s legacy. His contemporaries claimed that he would “change the American musical theater,”2 and his rock opera certainly did. RENT was the first musical since Hair (1967) to address drug addiction. It arguably was the first musical to address drug addiction honestly, mostly avoiding the typical pitfalls of romanticizing drug abuse. The show, set in Alphabet City during the 1990s, follows a group of friends as they encounter love, death, disease, and addiction. -
Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary. -
AXS TV Schedule for Mon. January 5, 2015 to Sun. January 11, 2015 Monday January 5, 2015 Tuesday January 6, 2015
AXS TV Schedule for Mon. January 5, 2015 to Sun. January 11, 2015 Monday January 5, 2015 5:30 PM ET / 2:30 PM PT 8:00 AM ET / 5:00 AM PT Gene Simmons Family Jewels Baltic Coasts Face Your Demons - While on tour in Amsterdam, Gene and Shannon spend some quality time The Bird Route - Every spring and autumn, thousands of migrating birds over the Western with a young fan writing a school report. Pomeranian bodden landscape deliver one of the most breathtaking nature spectacles. 6:30 PM ET / 3:30 PM PT 9:00 AM ET / 6:00 AM PT Gene Simmons Family Jewels Smart Travels Europe What Happens In Vegas... - Gene and Shannon get invited to the premiere of the new Cirque du Out of Rome - We leave the eternal city behind by way of the famous Apian Way to explore the Soleil show “Viva Elvis” in Las Vegas. environs of Rome. First it’s the majesty of Emperor Hadrian’s villa and lakes of the Alban Hills. Next, it’s south to the ancient seaport of Ostia, Rome’s Pompeii. Along the way we sample olive 7:30 PM ET / 4:30 PM PT oil, stop at the ancient’s favorite beach and visit a medieval hilltop town. Our own five star villa Gene Simmons Family Jewels is a retreat fit for an emperor. God Of Thund - An exhausted Shannon reaches her limit with Gene’s snoring and sends him packing to a sleep doctor. 9:30 AM ET / 6:30 AM PT The Big Interview Premiere Alan Alda - Hollywood’s Mr. -
Mujersita Youth Pedagogies: Race, Gender, and (Counter)Surveillance in the New Latnx South
MUJERSITA YOUTH PEDAGOGIES: RACE, GENDER, AND (COUNTER)SURVEILLANCE IN THE NEW LATNX SOUTH Esmeralda Rodríguez A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Education. Chapel Hill 2018 Approved by: Claudia Cervantes-Soon George Noblit Juan F. Carrillo Sherick Hughes Luis Urrieta, Jr. © 2018 Esmeralda Rodríguez ALL RIGHTS RESERVED ii ABSTRACT ESMERALDA RODRIGUEZ: Mujerista Youth Pedagogies: Race, Gender, and (Counter)Surveillance in the New Latinx South (Under the direction of Claudia Cervantes-Soon and George Noblit) Though there is a body of research that deconstructs essentialized perspectives on Latinx youth (Cervantes-Soon, 2012; 2017; Cammarota, 2008; 2011; Denner & Guzman, 2006; Garcia, 2012: Stanton-Salazar, 2001; Valdes, 2001; Valenzuela, 1999) a large body of research has failed to perceive Latina girls in nuanced ways. Additionally, mainstream research and broader discourses on Latina adolescents have been dominated by a hyper-focus on the “problem of [Latinx] adolescent behavior” (Akom, Cammarota, & Ginwright, 2008, p. 1). In the face of this, however, Chicana and Latina feminist writers use academic research and narrative writing to testify against deficit portrayals of Latinas. However, a review of these works has also spotlighted the reality that even this critical body of work has ignored the wisdoms and lived experiences of Latina youth. There has been much work that focuses on the perspectives of adult women who tend to look back to their youth in order to make sense of their adulthood. Conversely, this research age-gap has elucidated the importance of youth experiences and the need to for nuanced scholarship that centers their experiential knowledge. -
PDF Download Hamilton: the Revolution
HAMILTON: THE REVOLUTION PDF, EPUB, EBOOK Lin-Manuel Miranda | 288 pages | 14 Nov 2016 | Little, Brown Book Group | 9781408709238 | English | London, United Kingdom Hamilton: The Revolution PDF Book I can proudly say that I can spit off every single line of Angelica Schuyler's "Satisfied" and many, many more. His finger is in so many pies he must have stolen a couple extra hands. How am I supposed to write a review for Hamilton: The Revolution , if all I want to do is hug it to my chest and never let go? Jeremy McCarter. I adored Lin's comments and insights on the songs, but I think I actually ended up enjoying Jeremy McCarter's essays more than Lin's notes. Actually, I didn't expect it to be emotional at all. A hip hop twist Say No To This, she pleaded. The thick paper. In addition, Miranda has written more than funny, revealing footnotes for his award-winning libretto, the full text of which is published here. Throughout his life, like so many leaders of the time, he allowed or used slavery to advance his I hereby award this book ten million stars and a book hangover. The only people who are calling for one are those who support the hate and the racism in the first place. More books by Lin- Manuel Miranda. The double-sided gold badge bears enamel decorations. The Hairy Dieters: Fast Food. Everything this man does is smart, thoughtful, and complex. Treasury, Hamilton built a financial foundation for the new nation, against fierce opposition from arch rival Thomas Jefferson. -
On the Main Stage Friday, Saturday Dec. 4, 5 at 7:30Pm Sunday Dec. 6 at 2:00Pm Thursday, Friday Sunday, Dec. 10, 11, 13 at 7:30
ON THE MAIN STAGE FRIDAY, SATURDAY DEC. 4, 5 AT 7:30PM SUNDAY DEC. 6 AT 2:00PM THURSDAY, FRIDAY SUNDAY, DEC. 10, 11, 13 AT 7:30PM FULLY COMMITTED By Becky Mode Based on characters created by Becky Mode and Mark Setlock *Revised Edition Performed by special arrangement with DRAMATISTS PLAY SERVICES INC. Produced on Broadway by Barbara Whitman and Patrick Catullus and Marcia Goldberg, Tom Casserly, Aaron Glick and David Binder The Off-Broadway Production of “Fully Committed” was produced by David Stone, Adam Pascal, Jesse L. Martin and Susan Quint Gallin “Fully Committed” received its World Premiere September 1999 at the Vineyard Theatre, New York City Originally developed at the Adirondack Theatre Festival, Glens Falls, New York, In June 1998 (Martha Bant, Artistic Director; David Turner, Producing Director) “The Lady is a Tramp” Music by Richard Rodgers, Lyrics by Lorenz Hart Copyright 1937 (Renewed) Chappel & Co. and Williamson Music, Inc. All Rights Reserved This selection is used by special arrangement with The Rodgers and Hammerstein Organization, 1065 Avenue of the Americas, Suite 2400, New York, NY 10018 and with Warner/Chappell Music Inc. 10585 Santa Monica Boulevard, Los Angeles, CA 90025 Fully Committed is a work of fiction. Any resemblance to actual persons living of dead is purely coincidental. While some of the characters bear the names of famous people, the portrayal of them in this play is entirely fictitious. PRODUCED BY............................................................Barry Lew DIRECTED BY.............................................................Ruthe Lew TECH DIRECTOR AND STAGE MANAGER...............Erin Trainor CAST OF CHARACTERS Ari Lew…..................................................……Sam and others PLACE An office in the basement of a world-renowned, ridiculously red-hot Manhattan restaurant TIME Early December Ari Lew (Sam and others) Ari is thrilled to be bringing Fully Committed to the main stage after having two successful runs in the black box. -
Cozy up with a Movie Musical!
AXS ENTERTAINMENT / ARTS & ENTERTAINMENT / PERFORMING ARTS Snowed In, Cleveland? Cozy Up With a Movie Musical! December 13, 2010 6:13 PM MST Snowed in? Why not check out some movie musicals?! Here are just a few popcorn-by-the-fire movie musical picks from each decade to keep you entertained during our crazy Cleveland weather! What are YOUR favorites? Let us know in the Comments section. - Anything Goes (1936) - Ethel Merman, Bing Crosby - Shall We Dance (1937) - Ginger Rogers & Fred Astaire - The Wizard of Oz (1939) - Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan - Road to Singapore (1940) - Bing Crosby, Dorothy Lamour, Bob Hope - On the Town (1949) - Gene Kelly, Frank Sinatra, Ann Miller) - Singin' In the Rain (1952) - Gene Kelly, Donald O'Connor, Debbie Reynolds - A Star is Born (1954) - Judy Garland, James Mason - Guys and Dolls (1955) - Marlon Brando, Jean Simmons, Frank Sinatra Vivian Blaine - West Side Story (1961) - Natalie Wood, Rita Moreno, Richard Beymer - My Fair Lady (1964) - Audrey Hepburn, Rex Harrison - The Sound of Music (1965) - Julie Andrews, Christopher Plummer - Man of La Mancha (1972) - Peter O'Toole, Sophia Loren - Grease (1978) - John Travolta, Olivia Newton-John - The Wiz (1978) - Diana Ross, Michael Jackson, Lena Horne, Richard Pryor - Little Shop of Horrors (1986) - Rick Moranis, Ellen Greene, Steve Martin - Labyrinth (1986) - David Bowie, Jennifer Connelly - Sister Act (1992) - Whoopi Goldberg, Kathy Najimy, Maggie Smith - Newsies (1992) - Christian Bale, David Moscow, Bill Pullman - Moulin Rouge! (2001) - Ewan McGregor, Nicole Kidman - Chicago (2002) - Catherine Zeta-Jones, Renée Zellweger, and Richard Gere, also featuring Queen Latifah, John C. -
Act Ii Original Broadway Cast Recording
ACT II ORIGINAL BROADWAY CAST RECORDING ACT II Disc 2 1. WHAT’D I MISS 2. CABINET BATTLE #1 3. TAKE A BREAK 4. SAY NO TO THIS 5. THE ROOM WHERE IT HAPPENS 6. SCHUYLER DEFEATED 7. CABINET BATTLE #2 8. WASHINGTON ON YOUR SIDE 9. ONE LAST TIME 10. I KNOW HIM 11. THE ADAMS ADMINISTRATION 12. WE KNOW 13. HURRICANE 14. THE REYNOLDS PAMPHLET 15. BURN 16. BLOW US ALL AWAY 17. STAY ALIVE (REPRISE) 18. IT’S QUIET UPTOWN 19. THE ELECTION OF 1800 20. YOUR OBEDIENT SERVANT 21. BEST OF WIVES AND BEST OF WOMEN 22. THE WORLD WAS WIDE ENOUGH 23. WHO LIVES, WHO DIES, WHO TELLS YOUR STORY ENSEMBLE Ready to face ACT II Aaa-ooo! whatever’s awaiting JEFFERSON me in N.Y.C. Me in N.Y.C. 1. WHAT’D I MISS I helped Lafayette draft a declaration, JEFFERSON then I said, ‘I gotta go. But who’s waitin’ for me when I step in the COMPANY I gotta be in Monticello.’ Now the work at place? Seventeen. Se- se- seventeen... home begins… My friend James Madison, red in the face. Se- se- seventeen... ENSEMBLE JEFFERSON BURR Aaa-ooo! He grabs my arm and 1789. I respond, ENSEMBLE How does the bastard orphan, JEFFERSON “What’s goin’ on?” Aaa-ooo! immigrant decorated war vet So what’d I miss? unite the colonies through more debt? What’d I miss? MADISON Fight the other founding fathers til he has Virginia, my home sweet home, I wanna give Thomas, we are engaged in a battle for our to forfeit? you a kiss.