DOCSLIB.ORG

Anthea Morritt Acting 2014 Graduate 44 Anthea Morritt Acting 2014 Amorritt[At]Gmail[Dot]Com

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anthea Morritt Acting 2014 Graduate 44 Anthea Morritt Acting 2014 Amorritt[At]Gmail[Dot]Com Studio 58 PROFESSIONAL THEATRE TRAINING ANTHEA MORRITT ACTING 2014 Graduate 44 Anthea Morritt Acting 2014 Amorritt[at]gmail[dot]com ROLES IN STUDIO 58 PRODUCTIONS Year Role Play Author Director 2014 Mrs. Harper/ Nurse/Olive Innocence Lost Beverley Cooper Sarah Rodgers Ms. Lynch Grease Jim Jacobs & Warren Casey Peter Jorgensen 2013 Jess Karaoke: The Musical Mabberley/Hoffman Cameron Mackenzie Titania A Midsummer Nights Dream Shakespeare Scott Bellis Kay Balm in Gilead Lanford Wilson Bob Frazer Anna Spring Awakening Duncan Sheik/Steven Sater David Hudgins TRAINING AT STUDIO 58 - under the direction of Kathryn Shaw Acting: Kathryn Shaw, David Hudgins, Wendy Gorling, Alison Kelly, Bob Frazer, Katrina Dunn Voice: Dale Genge, Brad Gibson Movement: Brad Gibson, Catherine Lee, Kathleen McDonagh Physical Theatre: Wendy Gorling Choir and Singing: Diane Speirs, Brian Tate, Andy Toth, Courtenay Ennis Tap: Frankie Kerr Film and Television: Kerry Sandomirsky Michelle Bjornson Speech: Ian Raffel Solo Show: David Bloom Playwriting: Aaron Bushkowsky Production: Bruce Kennedy, Carol Chrisjohn, Sherri Sadler, Daniel Dolan OTHER ROLES AND EXPERIENCES Year Role Play Author Director 2011 Shelia A Chorus Line James Kirkwood, Jr./Nicholas Dante Lori Mazey 2010 Tess Crazy for You Ken Ludwig Lindsay Sterk/Lori Mazey 2009 Daisy Biloxi Blues Neil Simon Lori Mazey Feature chorus The Producers Mel Brooks/Thomas Meehan Brian Kruse Chorus Fiddler on the Roof Joseph Stein Brian Kruse 2008 Suessical Thing 2 Lynn Ahrens and Stephen Flaherty Lori Mazey AWARDS AND ACHIEVEMENTS 2011 Graduate Seacoast Studios Acting Program 2009 Theatre BC Provincial ‘Best Youth Performance’ Award 2009 & 2010 Canadian Improv Games National Champion (team captain) 2010 GP Vanier Theatre Award GP Vanier Improv Award RELATED SKILLS AND/OR INTERESTS Dance: Ballet, Basic Pointe, Jazz, Contemporary, Musical Theatre, Tap Music: Singing (alto), Accordion, Piano Other: Hyper Flexibility, Improv, Mime, Mask, Advanced Sailing. Studio 58, Langara College n 100 West 49th Ave. Vancouver, British Columbia, Canada V5Y 2Z6 n 604-323-5652 n [email protected] n www.studio58.ca 45.
Load more

Recommended publications
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • PLAYHOUSE SQUARE January 12-17, 2016
    For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut.
    [Show full text]
  • JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
    Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer.
    [Show full text]
  • December Newsletter Draft 1
    Volume I No. 6 December, 2018 6320 Domingo Rd, NE, Suite B, Albuquerque, NM 87108 (505) 265-9119 Inside This Issue… 2019 Season Tickets Now on Sale You can now order tickets for the 60th Anniversary Season. Shows and details for ordering are inside. See p. 2 Celebrate 60 Years of MTS MTS Presents Elf Join us for an evening celebrating 60 years of great musical theatre Musical Theatre Southwest is proud to present Elf - The Musical at on February 2. the African American Performing Arts Center (AAPAC) December See p. 2 14-30. The delightful musical is based on the 2003 New Line Cinema film, HAIR Sells Out and tells the story of how Buddy, an orphaned baby crawls into November Run Santa’s bag one Christmas Eve and is taken to the North Pole to be raised by the elves. But Buddy’s inability to make toys - and his Hair has sold out all of its height - finally leads Santa to tell him that he is actually human. performances, thanks to great Buddy goes in search of his birth father, Walter, in New York City. audiences and reviews. But when Buddy finds out that Walter is a man who is on Santa’s See p. 2 naughty list, he decides to help his dad find the true meaning of Christmas. Save the Dates Elf is wonderful entertainment for the whole family! Elf features songs by Tony Award nominees, Matthew Sklar and Chad Beguelin (Disney’s Aladdin on Broadway, The Wedding Singer), with a book December 1 @ 6:15 PM – Ushers by Tony Award winners, Thomas Meehan (Annie, The Producers, for Eddie Money at Route 66 Casino Hairspray) and Bob Martin (The Drowsy Chaperone).
    [Show full text]
  • Main Stage Theatre Season 2018-19 ***You Can Also Subscribe Online: Mycabaret.Org***
    MAIN STAGE THEATRE SEASON 2018-19 ***YOU CAN ALSO SUBSCRIBE ONLINE: MYCABARET.ORG*** Please Note Any Special Requirements: ____________________________________________________________ Name __________________________________________ ____________________________________________________________ Street Address ___________________________________ Calculate your total: Tickets must be purchased for all children, regardless of age. City _______________________ State _______ Zip Code________ (NOTE: We have eliminated the $10 Order Fee and the Facility Fee is built into the prices seen below.) Best Phone _______________________ ☐ Home ☐ Mobile ☐ Work # of ________ 5 Show Subscriptions @ $130.00 each = $ ____________ (Best phone to contact in case of Schedule Change/Payment Inquiry) ​ ​ # of _______ 4 Show Subscriptions @ $114.00 each = $ ____________ Email Address _________________________________________ ​ ​ NEW! # of ________ $5 Parking Passes @ $5.00 each = $ ____________ Choose your Series: ​ ​ ​ ☐ 5 Show Subscription Save 40%* ☐ 4 Show Subscription Save 37%* Subtotal = $ ____________ ​ ​ ​ Choose your Day/Time: (Indicate 1st, 2nd, and 3rd choice with numbers 1, 2 and 3) Please consider making a fully tax deductible donation $ ____________ Downtown Cabaret is a non-profit 501(c)(3) org. __ Friday 7:30pm __Saturday 5:00pm __Saturday 8:15pm __Sunday 6:00pm ​ ​ ​ ​ ​ ​ ​ Choose your Dates (Give your First and Second Choice) Grand Total $ _____________ First Choice Date Second Choice Date #1. Legally Blonde - September 21 - October 14 ​ ​ Friday 7:30pm - 9/ 21, 28. 10/5, 12. #1. Legally Blonde _______________ ________________ ​ ​ ​ ​ ​ ​ ​ Saturday 5:00pm & 8:15pm - 9/ 22, 29. 10/6, 13. ​ ​ ​ ​ Sunday 6pm - 9/ 23, 30. 10/7, 14. #2. Annie _______________ ________________ ​ ​ ​ ​ ​ ​ #2. Annie - November 30 - December 30 #3. 1984 _______________ ________________ ​ ​ ​ Friday 7:30pm - 11/30. 12/7, 14, 21, 28. ​ ​ ​ ​ Saturday 5:00pm & 8:15pm - 12/1, 8, 15, 22, 29.
    [Show full text]
  • The Broadway Musical Adaptation of Sean O'casey's Juno and the Paycock
    City University of New York (CUNY) CUNY Academic Works Publications and Research Kingsborough Community College 2002 Broadway and the Paycock: The Broadway Musical Adaptation of Sean O'Casey's Juno and the Paycock Julia M. Furay CUNY Kingsborough Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/kb_pubs/45 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] I' . f BROADWAY AND THE P AYCOCK The Broadway Musical Adaptation of Sean O'Casey's Juno and the Paycock By Julia Marguerite Furay In Partial Fulfillment of the Masters of Arts Degree in Modem Drama Studies Under the Supervision ofFinola Cronin Head of Department: Dr. Joseph Long University College Dublin Drama Studies Department August 2002 I " TABLE OF CONTENTS TITLE PAGE ......................................................................................................................... 1 TABLE OF CONTENTS ..................................................................................................... 2 ABSTRACT............................................................................................................................ 3 INTRODUCTION ................................................................................................................. 4 CHAPTER 1: MUSICALITY WITHIN O'CASEY'S JUNO AND THE PAYCOCK 6 O'CASEY'S SONGFUL CHARACTERS 7 SINGING WORDS
    [Show full text]
  • T Wentieth Centur Y North Amer Ican Drama
    TWENTIETH CENTURY NORTH AMERICAN DRAMA, SECOND EDITION learn more at at learn more alexanderstreet.com Twentieth Century North American Drama, Second Edition Twentieth Century North American Drama, Second Edition contains 1,900 plays from the United States and Canada. In addition to providing a comprehensive full-text resource for students in the performing arts, the collection offers a unique window into the econom- ic, historical, social, and political psyche of two countries. Scholars and students who use the database will have a new way to study the signal events of the twentieth century – including the Depression, the role of women, the Cold War, and more – through the plays and performances of writers who lived through these decades. More than 1,250 of the works are in copyright and licensed Jules Feiffer, Neil LaBute, Moisés Kaufman, Lee Breuer, Richard from the authors or their estates, and 1,700 plays appear in Foreman, Stephen Adly Guirgis, Horton Foote, Romulus Linney, no other Alexander Street collection. At least 550 of the works David Mamet, Craig Wright, Kenneth Lonergan, David Ives, Tina have never been published before, in any format, and are Howe, Lanford Wilson, Spalding Gray, Anna Deavere Smith, Don available only in Twentieth Century North American Drama, DeLillo, David Rabe, Theresa Rebeck, David Henry Hwang, and Second Edition – including unpublished plays by major writers Maria Irene Fornes. and Pulitzer Prize winners. Besides the mainstream works, users will find a number of plays Important works prior to 1920 are included, with the concentration of particular social significance, such as the “people’s theatre” of works beginning with playwrights such as Eugene O’Neill, exemplified in performances by The Living Theatre and The Open Elmer Rice, Sophie Treadwell, and Susan Glaspell in the 1920s Theatre.
    [Show full text]
  • Mousical Trivia
    Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw.
    [Show full text]
  • Theatre & Performance
    CONTEMPORARY Theatre & Performance MULTICULTURALISM/ DIVERSITY • African-American Theatre • Global Theatre • LGBTQ • Performance • Asian-American • Performance Art Theatre • Experimental Theatre • Latino Theatre (LATC) AFRICAN-AMERICAN THEATRE • August Wilson (1945-2005) - Fences (1987) • Joe Turner’s Come and Gone (1988) • The Piano Lesson (1990) ASIAN-AMERICAN THEATRE • East/West Players (downtown LA) • David Henry Huang - M. Butterfly, Bondage, Yellow Face LGBTQ • Charles Ludlam (19431987) died of AIDS— founded The Ridiculous Theatre Company- The Mystery of Irma Vep (1984) with Everett Quinton • Tony Kushner- Angels in America (1993) • Larry Kramer -The Normal Heart (1985) • Terence McNally - Mothers and Sons (2014) • Split Britches (WOW Cafe)- Beauty and The Beast (1982), Belle Reprieve (1990), Lesbians Who Kill (1992) • The Tectonic Theatre Company (The Laramie Project) • Rent, Hedwig and The Angry Inch, Kinky Boots, Fun Home LATINO THEATRE • LATC (Latino Theatre Company- LA Theatre Center)- founded 1985 by Artistic Director, Jose Luis Valenzuela • Zoot Suit (1979) by Luis Valdez- made into a film (1981) • based on the Sleepy Lagoon Murder Trial (1942) and the Zoot Suit Riots in Los Angeles https://www.youtube.com/watch?v=M51xwySGNYc https://www.youtube.com/watch?v=dwINn5DEL1c GLOBAL THEATRE • Takarazuka Revue (Drag performance in Japan) https://www.youtube.com/watch?v=JLy2iOnBnsA https://www.youtube.com/watch?v=3Wccu0JjcLw • Handspring Puppet Company (South Africa) https://www.youtube.com/watch?v=SqAkQCbuvqg • Chinese Performance (spectacle)
    [Show full text]
  • Proudly Sponsored by Numerica Credit Union***
    ***PROUDLY SPONSORED BY NUMERICA CREDIT UNION*** The Pasco School District is proud to support this collaboration between the Pasco Players and Chiawana Stage Company. Both high schools have come together to bring you this fun, festive comedy featuring students from Chiawana and Pasco High School backstage, on stage and in the orchestra pit. The Production Team boasts a charismatic and gifted staff of cross-district Pasco School District Employees who have come together to help showcase these talented, hardworking students. Elf is a fast-paced musical based on the beloved holiday film. PERFORMANCE DETAILS DATES: December 6, 7, 12, 13, 14 TIME: 7 p.m. LOCATION: Chiawana High School TICKETS Presale Price: $12 Door Price: $14 (cash/check only) Presale Tickets are available @ www.schoolpay.com/link/elfthemusical OR at either PHS/CHS Box Office (Starting November 25) SPECIAL STUDENT NIGHT PRICING: Thursday December 12 ONLY $6 (Sponsored by Numerica) ***must present a valid student ID This performance will begin with an "Elf Tailgate Party" from 6-6:45 p.m. in the Chiawana Student Mall organized by the Chiawana and Pasco High School Leadership Teams. There will be activities, contests and prizes! Come join the fun and see the show! ***Tickets for STUDENT NIGHT are only available for purchase at the ASB Office, from a student in the production or at the door (no online sales for this event). PRODUCTION TEAM COSTUME DESIGNER: Verna Schwilke (CHS) COSTUME ASSISTANT: Ruth Norman (PSD) ASSISTANT DIRECTOR (Props): Megan Forsythe (PHS) VOCAL DIRECTOR: Karl Hedlund (Emerson) SET DESIGNER/BUILDER: Will Thurston (PHS) MUSIC DIRECTORS: Matt Larsen and Heidi Hanes (PHS) CHOREOGRAPHER: Rob Hanson (Stevens), Assisted by Heather Johnson (PHS) LIGHTING DESIGNER: Eli Garza (PSD) DIRECTORS: Todd Westendorf (CHS) and Heather Johnson (PHS) SHOW INFORMATION "This hilarious fish-out-of-water comedy follows Buddy the Elf in his quest to find his true identity.
    [Show full text]
  • In Kindergarten with the Author of WIT
    re p resenting the american theatre DRAMATISTS by publishing and licensing the works PLAY SERVICE, INC. of new and established playwrights. atpIssuel 4,aFall 1999 y In Kindergarten with the Author of WIT aggie Edson — the celebrated playwright who is so far Off- Broadway, she’s below the Mason-Dixon line — is performing a Mdaily ritual known as Wiggle Down. " Tapping my toe, just tapping my toe" she sings, to the tune of "Singin' in the Rain," before a crowd of kindergarteners at a downtown elementary school in Atlanta. "What a glorious feeling, I'm — nodding my head!" The kids gleefully tap their toes and nod themselves silly as they sing along. "Give yourselves a standing O!" Ms. Edson cries, when the song ends. Her charges scramble to their feet and clap their hands, sending their arms arcing overhead in a giant "O." This willowy 37-year-old woman with tousled brown hair and a big grin couldn't seem more different from Dr. Vivian Bearing, the brilliant, emotionally remote English professor who is the heroine of her play WIT — which has won such unanimous critical acclaim in its small Off- Broadway production. Vivian is a 50-year-old scholar who has devoted her life to the study of John Donne's "Holy Sonnets." When we meet her, she is dying of very placement of a comma crystallizing mysteries of life and death for ovarian cancer. Bald from chemotherapy, she makes her entrance clad Vivian and her audience. For this feat, one critic demanded that Ms. Edson in a hospital gown, dragging an IV pole.
    [Show full text]
  • Musical Theatre Scene Study (Sections II, III) Syllabus: 2018-19 Oakland School for the Arts – School of Theatre Instructor: Mr
    Musical Theatre Scene Study (Sections II, III) Syllabus: 2018-19 Oakland School for the Arts – School of Theatre Instructor: Mr. Travisano Class Location: Room 202 Instructor Contact: [email protected] Class Meeting Times: Tues (Periods 7, 8) & Thurs (Period 7) Instructor Office Hours: lunch/after school _________________________________________________________________________________________________ ABOUT THE COURSE In this course we’ll explore methods and historical practice of musical theatre dating from the so-called Golden Age of the 1950s to next generation of musical creators who begin to push the genre in a new direction in the 1970s (creating what are referred to as “concept musicals”). Through a close examination of specific musicals you’ll gain an in depth knowledge of the acting theories and techniques required to create fully-realized characters. You’ll also gain practical knowledge of musical theatre performance by directing, choreographing, and performing scenes from musicals of this period. Based on student feedback, in this course we’ll focus more intently on acting as a component of the art of musical theatre performance. We’ll explore non-musicals from this period as the basis for exercises in theory and practice. In fact, we’ll begin the year in this particular section with an intensive acting workshop around the work of Tennessee Williams. As we align with CTE (Career Technical Education, Performing Arts Pathway Standards B.1-6) throughout this course we’ll think about how you can apply what you learn in this class to what you can expect in a career or in college. You’ll do frequent observations and critiques of each other’s work and the work of established professionals from whom we can all learn.
    [Show full text]