Tomorrowland Around the World, the Digital Festival Submitted By: Global Publicity Thursday, 4 June 2020

Total Page:16

File Type:pdf, Size:1020Kb

Tomorrowland Around the World, the Digital Festival Submitted By: Global Publicity Thursday, 4 June 2020 Tomorrowland Around The World, the digital festival Submitted by: Global Publicity Thursday, 4 June 2020 A spectacular two-day digital music festival experience, bringing together the biggest names in electronic dance music and the world’s best technology in 3D design, video production and special effects. A dazzling new Tomorrowland location has been crafted over the past few months, in a place far away from anyone, a place that you would normally never visit... but one that is set to open its doors, welcoming everyone from all corners of the world, for one weekend only... Taking place on Saturday July 25 and Sunday July 26, Tomorrowland Around The World, the digital festival will be a spectacular entertainment experience open to people of all ages and places, unfazed by borders or boundaries – a world premiere and a major step in the future of digital music festivals. Discover the Official Tomorrowland Around The World Trailer here (https://www.youtube.com/watch?v=JP3lH6l6Hsw). Over recent months, Tomorrowland has received many requests from its worldwide community to do something special during the two sold-out weekends of Tomorrowland Belgium. This global connection has inspired Tomorrowland to introduce and create a brand new platform through which visitors can participate in an unprecedented two-day festival experience. Festival visitors will be able to navigate easily through a magical and newly created Tomorrowland location with a PC, laptop, smartphone or tablet – you don’t need special VR goggles – and explore the entire festival site in an interactive way together with friends. The two-day festival weekend will offer its guests a packed schedule with plenty of things to do, see and experience. As with the other editions of Tomorrowland, music and spectacular shows will be central to this event. The festival will feature plenty of signature Tomorrowland stages – 8 different stages in total – including Atmosphere, Core, Freedom Stage and Elixir, joined by 3 new stages, which have been specially created and designed by the creative team and 3D artists behind Tomorrowland. Each stage will feature music from the world’s best artists in dance and electronic music – from all genres – and a large portion of the fireworks and laser shows characteristic of Tomorrowland. As icing on the cake this year’s iconic Mainstage, embodying the theme of 2020 ‘The Reflection of Love – Chapter 1’, will be unveiled to the world during Tomorrowland Around The World. Besides the performances there will be all kinds of interactive experiences to choose from, including inspirational webinars, games and workshops related to lifestyle, food, fashion and the Tomorrowland Foundation. Together with the performances, Tomorrowland Around The World will be a full day/weekend experience between 15h00–01h00 CEST. There will be a ‘time-zone-friendly’ option for visitors from Asia and North or South America. Tomorrowland is using the world’s leading technologies in 3D design, video production, gaming and special effects to bring together 8 different stages with a stellar line-up of the most prominent artists in dance music, all of them premiering brand new content to be discovered exclusively on tomorrowland.com over the course of the weekend. Page 1 Michiel Beers, co-founder of Tomorrowland: “Tomorrowland Around The World is the result of a gigantic team effort of hundreds of people who are working around the clock to create a never-before-seen interactive entertainment experience. Since we started this project and all ideas came together, we immediately felt an enormous energy and lots of positivity from everybody involved. For us it’s a bit re-inventing the festival experience, but we truly believe that we can bring the spirit of Tomorrowland and entertainment at the highest level to people and homes around the globe. We hope that hundreds of thousands of people will unite in a responsible way and that small Tomorrowland gatherings at people’s homes – from Canada to Australia, from Japan to Brazil and everywhere in between – will be organised. Especially during the weekend where normally Tomorrowland Belgium would take place, we really have the power to unite the world.” The People of Tomorrow are invited to experience this unique event together with friends: dressing up with your best festival outfit, putting up tents in your back garden to create your own DreamVille, setting up a big screen, inviting your beloved ones for a nice barbecue with music and an amazing festival experience, decorating your balcony or throwing a party in your living room – this weekend is all about uniting through the power of music in a responsible and safe way. More about this all-new Tomorrowland location will be revealed in the coming weeks. Tomorrowland Around The World, the digital festival •Saturday July 25 and Sunday July 26, 2020. •Between 15h00–01h00 CEST. •‘Time-zone-friendly’ for visitors from Asia and North and South America. •Open for people of all ages and places. •Accessible exclusively on tomorrowland.com. •Line-up will be announced on Monday June 15. •Ticket sales start on Thursday June 18 via tomorrowland.com. •Day ticket costs €12.50. •Weekend ticket costs €20.00 and includes a week of video-on-demand content to relive the entire experience. •Special People of Tomorrow packages and Home Party packages will be available. •Info and updates: tomorrowland.com •Please find Tomorrowland images here (https://tomorrowland2020.press.tomorrowland.com/media). Contact: Nikki McNeill, Global Publicity [email protected] 07957 434517 Page 2 Distributed via Press Release Wire (https://pressreleases.responsesource.com/) on behalf of Global Publicity Copyright © 1999-2021 ResponseSource, The Johnson Building, 79 Hatton Garden, London, EC1N 8AW, UK e: [email protected] t: 020 3426 4051 f: 0345 370 7776 w: https://www.responsesource.com.
Recommended publications
  • Stageco Netherlands Chooses Bricscad® to Assure the Organizers of Big Musical Tours and Festivals That the Show Will Go On, On
    Stageco Netherlands chooses BricsCAD® to assure the organizers of big musical tours and festivals that the Bricsys Customer Story show will go on, on time and on budget Focus on Stageco Netherlands Industry: Staging and Structures Engineering Headquarters: Aalsvoort 14, 7241MA Lochem, The Netherlands Number of employees: 30 For more information www.stageco.com Rockin’ the globe with BricsCAD Stageco may not be a household name, but you’ve almost certainly seen their work: stunning indoor and outdoor stages for some of the world’s most famous musicians, such as Bon Jovi, U2, the Rolling Stones. Stageco has offices worldwide, including the Netherlands. For the technical drawings of their structures and platforms, Stageco Netherlands relies on BricsCAD Pro and supports renowned European events like Lowlands Festival, Tomorrowland, Sensation, and Mysteryland. OPEN STRUCTURE Stageco makes use of a lot of custom 3rd party applications, Paul Schijfsma is a Senior Engineer and Head of R&D so it’s important to them to have control of their software. Paul department of Stageco Netherlands. He believes “it is very Schijfsma is a fan of the Communicator for BricsCAD, which important for a company like ours to own our software and CAD allows Stageco to export to a wide range of file formats. licenses because literally everything relies on the drawings - and “Another distinctive advantage of BricsCAD is that it has an therefore, on our CAD system - from the first basic sketches to the ‘open’ structure. We can run other applications on the software, load list, or the designs and plans for the people who are going to customizing BricsCAD to our own specific needs.” says Paul.
    [Show full text]
  • Sourcing Sustainable Energy at Music Festivals
    Sourcing Sustainable Energy at Music Festivals Item Type text; poster; thesis Authors Esparza, Jordan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the College of Architecture, Planning and Landscape Architecture, and the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 01:27:16 Link to Item http://hdl.handle.net/10150/636389 Sourcing Sustainable Energy at Music Festivals Jordan Esparza Abstract Concern for carbon emissions is growing and every day that the world uses fossil fuels pushes us closer to irreparable damage. This paper focuses on the impact of outdoor music festivals, their carbon footprints, where they source energy from, and how to make it more environmentally friendly. Thousands of large music events take places around the globe each year, and with a growing population, this issue will only get worse. Working with Relentless Beats of Arizona, this paper uses Decadence Arizona as a case study. Decadence Arizona is an annual 2-day music festivals taking place on New Year’s Eve and New Years Day, in Chandler, Arizona. This paper will determine how, and what resources are needed to power Decadence through solar panels alone. All costs calculated are based on averages of the Phoenix metropolitan area at the time of review. Table of Contents Abstract ........................................................................................................................................................
    [Show full text]
  • Tomorrowland Presents Garden of Madness
    Tomorrowland Presents Garden Of Madness disqualifiableMartially hydrochloric, enough? Royce winced retroaction and craved Leighton. Costa dike upsides. Armigerous and tawie Prentiss elect: which Eddie is Good sign about Joseph Capriati! Did this answer your question? Those guys on the dancefloor really mean the world to us. Garden Of Madness concept. Garden of madness or any event concepts, venues and quintino. We use cookies to shave you record the birth experience building our website. Competition Gran Coupés as their tour vehicles as part off a promotional endeavour with world car company. Martin garrix shares photo of tomorrowland presents dimitri and. Set a loopy weekend has proved himself as the madness festival comes the beat of tomorrowland garden of him and michael thivaios are working on tixel is the other acts performing arts, you rate your services? And yet, in Ibiza, all things are possible. Sounds of madness promises to us by top of tomorrowland presents: garden of tomorrowland presents garden of madness. Have flash player enabled or conditions of tomorrowland presents garden of madness. Time to Fonk Things Up! Ben nicky who has not use eventful to tomorrowland presents garden of madness at a dj show. Dj Sets and Live Mixes. Please enter your comment! Tomorrowland presents dimitri vegas and reinvestment in three words, do not have dinner with tomorrowland and receive their garden of madness event with a browser that. The Website Push ID. Sounds of madness tickets for an extra special place you want to? Thanks for your feedback! How safe has Tomorrowland been present your career? Our professional video crew can understand you increase engagement, interaction and seat by presenting your business put a text audience member a creative, exciting promotional video for use even multiple online channels.
    [Show full text]
  • Isaac Onesheet
    About DJ Isaac is at the forefront of harder dance music; a position he now holds for over 20 years. Always sticking his head out for new revolutions in sound. Roel Schutrups is one of the founders of Hardstyle. This background and his continuing efforts in the studio make him a regular headliner at the world’s biggest dance festivals and events like Tomorrowland, Electric Daisy Carnival, Defqon.1 Festival, Qlimax and Decibel Outdoor). Besides that he also runs one of the best known and longest existing podcasts within the genre called "Isaac's Hardstyle Sessions". Still Isaac’s own focus has always been an international career which ultimately brought him everywhere in the world. Furthermore he is responsible for big hits like ’DJ, Ease My Mind’, ‘B*tches, ‘power hour‘, 'Burn’ and remixes for Martin Garrix, Dash Berlin, Yellow Claw & Showtek. Still coming up this year are another World tour, exciting productions and much more. A bright future for an artist who has created his own world. Music streams worldwide 25 Million+ Monthly streams 2.2 Million Monthly listeners 530K+ Remixes FOR Martin Garrix, Showtek, Yellow Claw & Dash berlin Collaborations with D-Block & S-Te-fan, TNT, Sound Rush & Wildstylez Isaac’s hardstyle sessions Monthly episodes for over a decade Live Social Electric Daisy Festival Facebook 293k+ Tomorrowland Instagram 53k+ Defqon. 1 Festival Spotify 40k+ Qlimax YouTube 87k+ Decibel Outdoor Soundcloud 73k+ Contact Bookings [email protected] Social links *picture on the left is interactive.
    [Show full text]
  • A “Media Events” Perspective on Music in Mediated Life Les Vidéos De Festivals De Musique : Une Approche « Cérémonielle » De La Musique En Contexte Médiatique
    Volume ! La revue des musiques populaires 14 : 2 | 2018 Watching Music Music Festival Video: A “Media Events” Perspective on Music in Mediated Life Les vidéos de festivals de musique : une approche « cérémonielle » de la musique en contexte médiatique Fabian Holt Electronic version URL: http://journals.openedition.org/volume/5702 DOI: 10.4000/volume.5702 ISSN: 1950-568X Publisher Association Mélanie Seteun Printed version Date of publication: 26 April 2018 ISBN: 978-2-913169-44-9 ISSN: 1634-5495 Electronic reference Fabian Holt, “Music Festival Video: A “Media Events” Perspective on Music in Mediated Life”, Volume ! [Online], 14 : 2 | 2018, Online since 01 January 2021, connection on 11 February 2021. URL: http:// journals.openedition.org/volume/5702 ; DOI: https://doi.org/10.4000/volume.5702 This text was automatically generated on 11 February 2021. L'auteur & les Éd. Mélanie Seteun Music Festival Video: A “Media Events” Perspective on Music in Mediated Life 1 Music Festival Video: A “Media Events” Perspective on Music in Mediated Life Les vidéos de festivals de musique : une approche « cérémonielle » de la musique en contexte médiatique Fabian Holt 1 FOLLOWING DEVELOPMENT of popular forms of house and techno music from clubs into the much larger “dancefloor” of festivals in the 2000s, the EDM festival industry further exploited consumer desire for this mass culture ritual through the new media environment of online social media video. Along with the musical orientation towards medleys of house music with various hit song elements rather than African American groove aesthetics in minimal techno, for instance, the industry developed the visual design of festival worlds and their digital mediation in the form of promotional videos.
    [Show full text]
  • Tomorrowworld!
    Chattahoochee Hills Dreamville SEPTEMBER 26TH 2013 THE GATHERING PEOPLE OF TOMORROWWORLD, YOU WILL BE PART OF HISTORY! You are invited to write the second chapter, and continue our fairy tale… Open up the Book of Wisdom! Hello, friends. Welcome to our second home. Here, we gether, will tell. Over the next four days, not a single one vibe. Yet every podium has its own style, each DJ his fans, shall re-open the Book of Wisdom. You will be part of a of you will be able to witness all the magic that Tomor- and so together, we will be there for every single mem- new, unique chapter, the first one told from the Chatta- rowWorld contains, yet each and every one of you will orable moment. By our combined experience, the next hoochee hillside. What was once local, now goes global; see, hear, taste and feel so much that it’ll be all you can chapter in the Book of Wisdom shall be written. Land becomes World. None of that, however, is of very do not to burst. Some of you will stick to the MainStage, much importance – what matters is the story that we, to- loyal to the end, while others roam freely and take in the Now go out and enjoy. Our story begins. ARE you READY FOR THE GATHERING? DREAMVILLE GATHERS, AND NOW OUR TALE BEGINS. IT SHALL NOT END UNTIL THE MUSIC STOPS. TOMORROWWORLD, GET READY FOR US! Dreamville, city of grass fields & can- be celebrated. For that purpose, the end’s first dancing steps.
    [Show full text]
  • Campingdraaiboek Mysteryland 2015 Versie 1.3-VR-ZO
    CAMPING DRAAIBOEK MYSTERYLAND 2015 Opgesteld door Mysteryland Netherlands BV - Marlous van Huisstede Versie 1.3 – 29 oktober 2014 1. ALGEMEEN 4 Inleiding 4 Ervaring ID&T 4 2. MYSTERYLAND 2015 5 Concept 5 Vermaak 5 Avondprogramma 6 Kaartverkoop 6 Algemene voorwaarden 7 Campinghuisregels 7 3. VEILIGHEID EN ZORG 8 Risico analyse 8 Beveiligingsinzet 8 Entree opzet 8 Verlaten van het terrein 9 Bezoekersregistratie 9 Cameratoezicht 9 Geneeskundige organisatie 9 Brandwachten 9 Politie 10 4. LOGISTIEK 11 Terrein indeling 11 Verkeer- en vervoer plan 11 Ingangen 12 5. CALAMITEITEN VOORZIENINGEN 13 Calamiteitenroutes 13 Brandvoorzieningen 13 Nood omroep voorziening 14 Geldtransport 15 Nooduitgangen 15 Noodopvang locatie 15 Verlichting 15 Slecht weer 15 Storingsmonteurs 16 CAMPING DRAAIBOEK - MYSTERYLAND 2015 – VERSIE 1.3 – 28 OKTOBER 2014 2 Stroomvoorzieningen 16 Bouw- en woningtoezicht 16 Communicatie 16 Afstemmingsoverleg 16 6. VOORZIENINGEN BEZOEKERS 18 Informatiestand 18 Kluisjes 18 Food & beverage en non food 18 Sanitaire voorzieningen 18 Afval 19 Barbecue/ kampvuur 19 CAMPING DRAAIBOEK - MYSTERYLAND 2015 – VERSIE 1.3 – 28 OKTOBER 2014 3 ALGEMEEN INLEIDING Voor u ligt het meerdaagse programma opgenomen in het camping draaiboek. In dit draaiboek staat omschreven welke voorzieningen en voorzorgsmaatregelen er zullen worden genomen om de camping en de muziek programmering tijdens Mysteryland 2015 veilig te laten verlopen. De camping wordt georganiseerd door ID&T vanuit Mysteryland Netherlands BV. Mysteryland Netherlands BV vraagt een vergunning
    [Show full text]
  • Breana Panaguiton UX Researcher: Jerome
    Innovative Design Co. for Project Manager: Breana Panaguiton LIVE NATION ENTERTAINMENT UX Researcher: Jerome Kendrick Business Analysis UX/UI Designer: Annie Zheng T H E P R O B L E M For Q1 of 2020, LiveNation was on track for a 31% revenue increase compared to the prior year.1 But with state mandated closures within the entertainment industry due to the COVID-19 global pandemic, that quickly changed into a 22% decrease instead by the end of March. Of the 65,000 shows that were impacted by the virus, 20% of them were cancelled and refunded back to customers, while 80% of them were rescheduled.1 While almost all of the rescheduled shows are offering refunds, 91% of ticket holders have opted to keep their ticket, and plan on attending their show.2 While live in-person events with typically large gatherings of people are not allowed at this time, many people have turned to live online streaming of their favorite artists from the comfort from their own home. However, 85% of livestream viewers say that digital performances can’t replace the live music experience.2 How might we be able to create a more impactful and desirable experience for these customers so that they would feel fulfilled and confident in continuing to attend shows virtually? S T A K E H O L D E R S Stakeholders within Live Nation include, but are not limited to: O W N E R S Governance – board members and their positions E M P L O Y E E S Innovative Design Co, developers, performers, graphic designers C U S T O M E R S Generation x – Ages 4055 Generation Y – Ages 2439 Generation Z – Ages 1823 C O M P E T I T O R S Tomorrowland IG Live Youtube TwitchYoutube B U S I N E S S P R O C E S S There are three major segments in which Live Nation conducts their business and company: concerts, ticketing, and sponsorships & advertisements.
    [Show full text]
  • Pre-Task 3: Desk Research
    Belgium ACEEPT 2013 Pre-task 3 Pre-task 3: Desk research 1) Event marketing Event marketing is the use of traditional or new media to promote, market, or advertise an event. Various forms of marketing and advertising are used to entice people to attend an event. Event types could include anything from not for profit fundraisers to sporting events, conventions, fundraisers, seminars, festivals, workshops, air shows, and many more. 2) 5 criteria for an event Organized: an event is not just a random thing that happens, it takes a lot of preparation and organization. Every detail has to be prepared and scheduled. Promotion: an event has to promote the organization or the product; it is supposed to create a good image. Special venue: an event should be something that makes it worth participating, that makes it remarkable, special. Mostly the special venue is the location. Connecting: an event has to create a bond between the organization/the product and the costumer. New: it has to be something new and innovative; otherwise people will not feel the need or will not be interested in participation. 3) Flanders is a Festival ‘Flanders is a Festival’ was an international campaign from Tourism Flanders in the year 2012 to promote Flanders abroad as a great destination. Flanders is the northern part of Belgium, which hosts a lot of culture and nice cities like Brussels, Antwerp, Ghent and of course Mechelen. The way Tourism Flanders worked on this campaign has never been seen before, and in our opinion it is very good and clever. They invited 94 bloggers, key influencers in music, lifestyle travel or social media.
    [Show full text]
  • Análisis Comparativo De La Comunicación En Redes Sociales De Los Festivales De Música En Europa
    Trabajo de Fin de Grado - Universidad Pompeu Fabra Facultad de Comunicación - Publicidad y Relaciones Públicas Análisis comparativo de la comunicación en redes sociales de los festivales de música en Europa Autora: Lenina Blanes Batllori ​ Tutor: Carlos Alberto Scolari ​ Fecha: Junio 2020 ​ Trabajo de fin de grado - Lenina Blanes Resumen RESUMEN Vivimos en una sociedad donde las redes sociales han adquirido un papel importante a la hora de comunicar los bienes y servicios de una empresa u organización. Este trabajo se centra en los festivales de música y cómo éstos se comunican en Facebook, Instagram, Twitter y YouTube. Se ha hecho un análisis comparativo de 6 festivales europeos de música electrónica, profundizando en las narrativas que construyen así como la estrategia y valores que transmiten. Para ello se han analizado las diferentes publicaciones para promocionar la edición de 2019 en las redes sociales de cada festival. Como método se ha empleado un análisis de los relatos de marca (B. Remaury, 2005), el posicionamiento semiótico de la marca en el mapping de valores de consumo (A. Semprini, 1995) y la intertextualidad y relación con otros textos (Sorókina, 2006). Después del análisis se ha podido ver que los festivales que conforman la muestra presentan similitudes y diferencias a la hora de narrar y posicionarse pero que en la mayoría de casos predominan los relato de tiempo, lugar, personaje y saber hacer y los valores como la diversión, amistad, felicidad y unión. Palabras clave: Festivales de música, redes sociales, comunicación online, semiótica, ​ relato de marca, mapping semiótico, intertextualidad, storytelling. RESUM Vivim en una societat on les xarxes socials han adquirit un paper important a l'hora de comunicar els béns i serveis d'una empresa o organització.
    [Show full text]
  • Tomorrowland Case Study
    Tomorrowland is one of the world’s biggest electronic music festivals, famed for being a magical experience Case study: with extravagant stages and globally celebrated DJs. In October 2015, the organisers opened their fi rst pop- up concept store, the Tomorrowland Boutique, to give tomorrowland shoppers a taste of Tomorrowland in Antwerp city centre. The store retails the Tomorrowland fashion collection and limited edition collectors’ items to festival fans and fashionistas alike. A raised ‘main stage’ area featured a bar, a TOMORROWLAND CHOOSES PIONEER PRO AUDIO Steampunk-inspired Pioneer DJ set-up in bronze and live sets from Belgium’s best DJs. And the History Room, set on a FOR ITS BOUTIQUE POP-UP STORE balcony running above the store, gave people the chance to plug in and relive the sights and sounds of previous festivals. Tomorrowland Boutique joins forces with Pioneer Pro Audio to recreate a festival sound in the heart of Antwerp INSTALLATION AT A GLANCE: the shop THE SOUND OF TOMORROWLAND “This confi guration gave a great • 3 x XY-101 10-inch, two-way speaker The organisers wanted to bring people a slice of the Tomorrowland experience, so low-frequency energy in the • 1 x XY-115S single 15-inch, bass refl ex subwoofer a professional sound system was essential. They wanted an energetic sound in the store without overpowering shop – but at a level that allowed sta to speak to customers comfortably. For the • 3 x Powersoft K2 DSP amp main stage area, they wanted a warm bass and a tight, punchy chest kick, to create shoppers and sta .
    [Show full text]
  • Beatport Announces Launch of New Podcast Series
    FOR IMMEDIATE RELEASE BEATPORT ANNOUNCES LAUNCH OF NEW PODCAST SERIES ● Interview series uploaded each week with guests from across the house / techno and drum & bass / bass music genres ● New episodes available every Thursday on SoundCloud and YouTube, hosted by DJ/producers Tigerlight (house and techno) and High Class Filter (D&B and bass music) ● Episode One available now with Roska; upcoming guests include Jazzuelle, DJ ​ ​ Taye (Teklife), DJ Bone, Riva Starr and Spencer Parker BERLIN, DE - October 10, 2018 - Beatport, a division of LiveStyle, Inc., announced the launch ​ ​ ​ ​ of its new podcast series, showcasing some of the most creative names in dance music each week. The weekly interview series is set to cover house and techno in its many forms and the world of drum & bass and bass music. On each podcast, a leading artist from across the genre spectrum will join Beatport for an in-depth conversation, intercut with music that represents their sound. New episodes will be available every Thursday via Beatport’s SoundCloud and YouTube feeds. Beatport has enlisted two experienced tastemakers as podcast hosts: Tigerlight (house and ​ techno) and High Class Filter (D&B and bass music). Producer, singer and DJ Tigerlight is a ​ self-described “production geek” who composes music for film and TV alongside her dance releases. High Class Filter also juggles DJing and producing, while repping bass music via his Scuffed Recordings label and shows for South London’s Reprezent Radio. Episode One, available now via Beatport’s SoundCloud and YouTube feeds, features High ​ ​ Class Filter’s conversation with UK bass music trailblazer Roska, with DJ Taye of legendary ​ ​ ​ footwork crew Teklife next in line.
    [Show full text]