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S Tephen R Osenbaum S TEPHEN ROSENBAUM P ROFILE • Award winning Visual Effects Supervisor. • Industry expert in Virtual Production and VFX animation pipelines. • Founder of a cloud-based digital human production start-up. EXPERIENCE PRESIDENT & CHIEF CREATIVE OFFICER ALCHEMIC LTD | 2017-2020 • Built and oversaw operations of an international virtual musician production company employing 50+ with funding from the band ABBA and music producer Simon Fuller. • Managed design, implementation, and use of a scalable cloud-first VFX production pipeline, including an asset management system that offered a continuous interface with in-house and remote artists across the world. • VFX Supervised photography, Virtual Production, Asset Development, and Shot Production of an eight minute music video short featuring virtual ABBA performing as their younger selves in dialogue and song sequences. VISUAL EFFECTS SUPERVISOR | Kong: Skull Island LEGENDARY PICTURES, WARNER BROS. | 2014-2016 • Supervised character design, directed storyboarding, pre-visualization, 2nd Unit photography and all visual effects and animation sequences in the movie. • Daily collaboration with the director, editors, and producers to break-down, develop, plan, shoot, and assemble the movie. • Provided daily creative and technical direction during development and shot production for six contracted visual effects vendors. VISUAL EFFECTS SUPERVISOR & PRODUCER | Michael Jackson: Slave to The Rhythm MICHAEL JACKSON ESTATE | 2013-2014 • Prepared Virtual Production breakdowns, budgets, schedules, and cost reports for the client, and provided weekly production reports to the Jackson Estate. • VFX Supervised creation and animation of virtual Michael Jackson posthumously singing and dancing to an original song live at the 2014 Billboard Music Awards. VISUAL EFFECTS SUPERVISOR | Jack The Giant Slayer DIGITAL DOMAIN | 2010-2012 • Redesigned and oversaw development and implementation of a company-wide character animation pipeline, including a Performance Capture workflow for humanoid characters. • VFX Supervised character design, Pre-visualization, Development, Virtual Production and Shot Production between three remote offices and one vendor for the “Giant” sequences. VISUAL EFFECTS SUPERVISOR | Avatar WETA DIGITAL | 2007-2009 • Supervised the 18 month Performance Capture phase, working daily with the director, editors, actors, and on-stage motion capture teams. • Supervised daily creative and technical operations of Virtual Production through VFX Post Production, including facial Performance Capture, facial Reflectance Capture, and facial muscle mapping. • Supervised the 6 month Live Action photography and Virtual Production phase, working daily with the director, actors, all department heads, and leading the on-set VFX teams. • Managed Asset Development and supervised Shot Production teams within Weta Digital during the final 11 months of the production. [email protected] | +1-415-259-8888 S TEPHEN ROSENBAUM EARLIER VISUAL EFFECTS SUPERVISOR | The Water Horse EXPERIENCE WETA DIGITAL | 2006 VISUAL EFFECTS SUPERVISOR | The Shaggy Dog WALT DISNEY PICTURES | 2004-2005 VISUAL EFFECTS SUPERVISOR | I, Robot WETA DIGITAL | 2003 VISUAL EFFECTS SUPERVISOR | X-men 2: X-men United CINESITE | 2002-2003 VISUAL EFFECTS SUPERVISOR | K-19: The Widowmaker PARAMOUNT PICTURES | 2001 ADDITIONAL VISUAL EFFECTS SUPERVISOR | The Perfect Storm INDUSTRIAL LIGHT & MAGIC | 2000-2001 VISUAL EFFECTS SUPERVISOR | Snow Falling on Cedars SONY PICTURES IMAGEWORKS | 1998-1999 VISUAL EFFECTS SUPERVISOR | Contact SONY PICTURES IMAGEWORKS | 1997-1998 COMPUTER GRAPHICS SUPERVISOR | The Indian in The Cupboard INDUSTRIAL LIGHT & MAGIC | 1996 COMPUTER GRAPHICS SUPERVISOR | Forrest Gump INDUSTRIAL LIGHT & MAGIC | 1994-1995 TECHNICAL DIRECTOR | Jurassic Park INDUSTRIAL LIGHT & MAGIC | 1992-1993 TECHNICAL DIRECTOR | Death Becomes Her INDUSTRIAL LIGHT & MAGIC | 1992 TECHNICAL DIRECTOR | Terminator 2: Judgement Day INDUSTRIAL LIGHT & MAGIC | 1990-1991 ASSISTANT TECHNICAL DIRECTOR | The Abyss INDUSTRIAL LIGHT & MAGIC | 1989-1990 AWARDS ACADEMY AWARD NOMINEE | 2017 BEST ACHIEVEMENT IN VISUAL EFFECTS | Kong: Skull Island ACADEMY AWARD WINNER | 2010 BEST ACHIEVEMENT IN VISUAL EFFECTS | Avatar BAFTA AWARD WINNER | 2010 BEST SPECIAL VISUAL EFFECTS | Avatar ACADEMY AWARD WINNER | 1995 BEST ACHIEVEMENT IN VISUAL EFFECTS | Forrest Gump BAFTA AWARD WINNER | 1995 BEST SPECIAL VISUAL EFFECTS | Forrest Gump AFFILIATIONS DIRECTOR’S GUILD OF AMERICA 2ND UNIT DIRECTOR ACADEMY OF MOTION PICTURE ARTS AND SCIENCES VISUAL EFFECTS BRANCH EDUCATION EPIC GAMES | 2020 GRADUATE | Unreal Engine Virtual Production Fellowship V1.0 UNIVERSITY OF CALIFORNIA, BERKELEY | 1987 BACHELOR’S DEGREE | Computer Graphics [email protected] | +1-415-259-8888.
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