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Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
Iran Business Guide
Contents Iran Chamber of Commerce, Industries & Mines The Islamic Republic of IRAN BUSINESS GUIDE Edition 2011 By: Ramin Salehkhoo PB Iran Chamber of Commerce, Industries & Mines Iran Business Guide 1 Contents Publishing House of the Iran Chamber of Commerce, Industries & Mines Iran Business Guide Edition 2011 Writer: Ramin Salehkhoo Assisted by: Afrashteh Khademnia Designer: Mahboobeh Asgharpour Publisher: Nab Negar First Edition Printing:June 2011 Printing: Ramtin ISBN: 978-964-905541-1 Price: 90000 Rls. Website: www.iccim.ir E-mail: [email protected] Add.: No. 175, Taleghani Ave., Tehran-Iran Tel.: +9821 88825112, 88308327 Fax: + 9821 88810524 All rights reserved 2 Iran Chamber of Commerce, Industries & Mines Iran Business Guide 3 Contents Acknowledgments The First edition of this book would not have been possible had it not been for the support of a number of friends and colleagues of the Iran Chamber of Commerce, Industries & Mines, without whose cooperation, support and valuable contributions this edition would not have been possible. In particular, the Chamber would like to thank Mrs. M. Asgharpour for the excellent job in putting this edition together and Dr. A. Dorostkar for his unwavering support . The author would also like to thank his family for their support, and Mrs. A. Khademia for her excellent assistance. Lastly, the whole team wishes to thank H.E. Dr. M. Nahavandian for his inspiration and guidance. Iran Chamber of Commerce, Industries & Mines June 2011 2 Iran Chamber of Commerce, Industries & Mines Iran Business Guide 3 -
KGE Prostitute Tate Press Release2 14.11.17.Pages
Kaveh Golestan Estate Press Release: Kaveh Golestan at Tate Modern Kaveh Golestan at Tate Modern Kaveh Golestan Estate Vali Mahlouji / Archaeology of the Final Decade Kaveh Golestan Estate and Vali Mahlouji / Archaeology of the Final Decade (AOTFD) are delighted to announce the opening of a room at Tate Modern dedicated to Kaveh Golestan, featuring twenty vintage silver gelatin prints from the Prostitute series (1975-77). AOTFD’s curatorial and documentary material from Recreating the Citadel is displayed alongside the photographs. The display marks the first time in its history that Tate Modern has dedicated a room in its permanent collection to an Iranian artist for a period of a year. The Prostitute series had only ever been publicly exhibited for two weeks in 1978 until they were unearthed by Vali Mahlouji and exhibited at Foam Fotografiemuseum Amsterdam (2014); Musée d’Art Moderne de la Ville de Paris (2014); MAXXI Museo nazionale delle arti del XXI secolo, Rome (2014-15); and Photo London (2015). AOTFD has also placed works by Kaveh Golestan at Musée d’art Moderne de la Ville de Paris and Los Angeles County Museum of Art (LACMA). The curatorial and documentary materials discovered by AOTFD via Recreating the Citadel has shed new light upon historical facts about Tehran's former red light district, from its formation in the 1920s to its torching and subsequent forced destruction by religious decree in 1979. Notes for Editors Biography - Kaveh Golestan (1950-2003) Kaveh Golestan was an important and prolific Iranian pioneer of documentary photography. His photographic practice has hugely informed the work of future generations of Iranian artists, but until now remained seriously over-looked by institutions inside and outside of his home country. -
In the United States District Court for the Eastern District of Texas Marshall Division
Case 2:18-cv-00343-JRG Document 24 Filed 12/12/18 Page 1 of 32 PageID #: 142 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF TEXAS MARSHALL DIVISION EVS CODEC TECHNOLOGIES, LLC and § SAINT LAWRENCE COMMUNICATIONS, § LLC, § § Plaintiffs, Case No. 2:18-cv-00343-JRG § v. § § JURY TRIAL DEMANDED LG ELECTRONICS, INC., LG § ELECTRONICS U.S.A., INC., and LG ELECTRONICS MOBILECOMM U.S.A., § INC., § § Defendants. § § FIRST AMENDED COMPLAINT FOR PATENT INFRINGEMENT Case 2:18-cv-00343-JRG Document 24 Filed 12/12/18 Page 2 of 32 PageID #: 143 EVS Codec Technologies, LLC (“ECT”) and Saint Lawrence Communications, LLC (“SLC”) (collectively “Plaintiffs”) hereby submit this First Amended Complaint for patent infringement against Defendants LG Electronics, Inc. (“LGE”), LG Electronics U.S.A., Inc. (“LGUSA”), and LG Electronics Mobilecomm U.S.A., Inc. (“LGEM”) (collectively “LG” or “Defendants”) and state as follows: THE PARTIES 1. ECT is a Texas limited liability company with a principal place of business at 2323 S. Shepherd, 14th floor, Houston, Texas 77019-7024. 2. SLC is a Texas limited liability company, having a principal place of business at 6136 Frisco Square Blvd., Suite 400, Frisco, Texas 75034. 3. On information and belief, Defendant LGE is a Korean corporation with a principal place of business at LG Twin Towers, 128 Yeoui-daero, Yeongdungpo-gu, Seoul, 07366, South Korea. On information and belief, LGE is the entity that manufactures the LG-branded products sold in the United States, including the accused products in this case. On information and belief, in addition to making the products, LGE is responsible for research and development, product design, and sourcing of components. -
Barometer of Mobile Internet Connections in Indonesia Publication of March 14Th 2018
Barometer of mobile Internet connections in Indonesia Publication of March 14th 2018 Year 2017 nPerf is a trademark owned by nPerf SAS, 87 rue de Sèze 69006 LYON – France. Contents 1 Methodology ................................................................................................................................. 2 1.1 The panel ............................................................................................................................... 2 1.2 Speed and latency tests ....................................................................................................... 2 1.2.1 Objectives and operation of the speed and latency tests ............................................ 2 1.2.2 nPerf servers .................................................................................................................. 2 1.3 Tests Quality of Service (QoS) .............................................................................................. 2 1.3.1 The browsing test .......................................................................................................... 2 1.3.2 YouTube streaming test ................................................................................................ 3 1.4 Filtering of test results .......................................................................................................... 3 1.4.1 Filtering of devices ........................................................................................................ 3 2 Overall results 2G/3G/4G ............................................................................................................ -
Case 5:18-Cv-06739-VKD Document 27 Filed 07/02/18 Page 1 of 11
Case 5:18-cv-06739-VKD Document 27 Filed 07/02/18 Page 1 of 11 IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF TEXAS DALLAS DIVISION § UNILOC USA, INC. and § UNILOC LUXEMBOURG, S.A., § Civil Action No. 3:18-cv-00560-DCG § Plaintiffs, § § v. § PATENT CASE § LG ELECTRONICS U.S.A., INC., § LG ELECTRONICS MOBILECOMM § U.S.A. INC. and § LG ELECTRONICS, INC., § § Defendant. § JURY TRIAL DEMANDED § FIRST AMENDED COMPLAINT FOR PATENT INFRINGEMENT Plaintiffs, Uniloc USA, Inc. (“Uniloc USA”) and Uniloc Luxembourg, S.A. (“Uniloc Luxembourg”) (together, “Uniloc”), for their First Amended Complaint against defendant, LG Electronics U.S.A. (“LGE”), Inc., LG Electronics Mobilecomm U.S.A., Inc., and LG Electronics, Inc., (“LG Korea”) (together “LG”), allege as follows:1 THE PARTIES 1. Uniloc USA is a Texas corporation having a principal place of business at Legacy Town Center I, Suite 380, 7160 Dallas Parkway, Plano Texas 75024. Uniloc USA also maintains a place of business at 102 N. College, Suite 603, Tyler, Texas 75702. 1 An amended complaint supersedes the original complaint and renders it of no legal effect, King v. Dogan, 31 F.3d 344. 346 (5th Cir. 1994), rendering a motion to dismiss the original complaint moot. See, e.g., Mangum v. United Parcel Services, No. 3:09-cv-0385, 2009 WL 2700217 (N.D. Tex. Aug. 26, 2009). 2988606.v1 Case 5:18-cv-06739-VKD Document 27 Filed 07/02/18 Page 2 of 11 2. Uniloc Luxembourg is a Luxembourg public limited liability company having a principal place of business at 15, Rue Edward Steichen, 4th Floor, L-2540, Luxembourg (R.C.S. -
Electronic 3D Models Catalogue (On July 26, 2019)
Electronic 3D models Catalogue (on July 26, 2019) Acer 001 Acer Iconia Tab A510 002 Acer Liquid Z5 003 Acer Liquid S2 Red 004 Acer Liquid S2 Black 005 Acer Iconia Tab A3 White 006 Acer Iconia Tab A1-810 White 007 Acer Iconia W4 008 Acer Liquid E3 Black 009 Acer Liquid E3 Silver 010 Acer Iconia B1-720 Iron Gray 011 Acer Iconia B1-720 Red 012 Acer Iconia B1-720 White 013 Acer Liquid Z3 Rock Black 014 Acer Liquid Z3 Classic White 015 Acer Iconia One 7 B1-730 Black 016 Acer Iconia One 7 B1-730 Red 017 Acer Iconia One 7 B1-730 Yellow 018 Acer Iconia One 7 B1-730 Green 019 Acer Iconia One 7 B1-730 Pink 020 Acer Iconia One 7 B1-730 Orange 021 Acer Iconia One 7 B1-730 Purple 022 Acer Iconia One 7 B1-730 White 023 Acer Iconia One 7 B1-730 Blue 024 Acer Iconia One 7 B1-730 Cyan 025 Acer Aspire Switch 10 026 Acer Iconia Tab A1-810 Red 027 Acer Iconia Tab A1-810 Black 028 Acer Iconia A1-830 White 029 Acer Liquid Z4 White 030 Acer Liquid Z4 Black 031 Acer Liquid Z200 Essential White 032 Acer Liquid Z200 Titanium Black 033 Acer Liquid Z200 Fragrant Pink 034 Acer Liquid Z200 Sky Blue 035 Acer Liquid Z200 Sunshine Yellow 036 Acer Liquid Jade Black 037 Acer Liquid Jade Green 038 Acer Liquid Jade White 039 Acer Liquid Z500 Sandy Silver 040 Acer Liquid Z500 Aquamarine Green 041 Acer Liquid Z500 Titanium Black 042 Acer Iconia Tab 7 (A1-713) 043 Acer Iconia Tab 7 (A1-713HD) 044 Acer Liquid E700 Burgundy Red 045 Acer Liquid E700 Titan Black 046 Acer Iconia Tab 8 047 Acer Liquid X1 Graphite Black 048 Acer Liquid X1 Wine Red 049 Acer Iconia Tab 8 W 050 Acer -
Longing to Return and Spaces of Belonging
TURUN YLIOPISTON JULKAISUJA ANNALES UNIVERSITATIS TURKUENSIS SERIAL B, HUMANIORA, 374 LONGING TO RETURN AND SPACES OF BELONGING. IRAQIS’ NARRATIVES IN HELSINKI AND ROME By Vanja La Vecchia-Mikkola TURUN YLIOPISTO UNIVERSITY OF TURKU Turku 2013 Department of Social Research/Sociology Faculty of Social Sciences University of Turku Turku, Finland Supervised by: Suvi Keskinen Östen Wahlbeck University of Helsinki University of Helsinki Helsinki, Finland Helsinki, Finland Reviewed by: Marja Tiilikainen Marko Juntunen University of Helsinki University of Tampere Helsinki, Finland Helsinki, Finland Opponent: Professor Minoo Alinia Uppsala University Uppsala, Sweden ISBN 978-951-29-5594-7 (PDF) ISSN 0082-6987 Acknowledgments First of all, I wish to express my initial appreciation to all the people from Iraq who contributed to this study. I will always remember the time spent with them as enriching and enjoyable experience, not only as a researcher but also as a human being. I am extremely grateful to my two PhD supervisors: Östen Wahlbeck and Suvi Keskinen, who have invested time and efforts in reading and providing feedback to the thesis. Östen, you have been an important mentor for me during these years. Thanks for your support and your patience. Your critical suggestions and valuable insights have been fundamental for this study. Suvi, thanks for your inspiring comments and continuous encouragement. Your help allows me to grow as a research scientist during this amazing journey. I am also deeply indebted to many people who contributed to the different steps of this thesis. I am grateful to both reviewers Marja Tiilikainen and Marko Juntunen, for their time, dedication and valuable comments. -
Baromètre Des Connexions Internet Mobiles En Polynésie Française. Publication Du 12 Mars 2020
Baromètre des Connexions Internet Mobiles en Polynésie Française. Publication du 12 Mars 2020 Rapport 2019 nPerf est un service proposé par la société nPerf, située 87 rue de Sèze 69006 LYON – France. Table des matières 1 Synthèse des résultats annuels globaux ..................................................................................... 2 1.1 Scores nPerf, toutes technologies confondues ................................................................... 2 1.2 Notre analyse ........................................................................................................................ 3 2 Les résultats annuels globaux ..................................................................................................... 3 2.1 Taux de réussite .................................................................................................................... 4 2.2 Débits descendants .............................................................................................................. 4 2.3 Débits montants .................................................................................................................... 5 2.4 Temps de réponse (Latence) ................................................................................................ 6 2.5 Qualité de service .................................................................................................................. 6 2.5.1 Navigation ..................................................................................................................... -
Qualcomm® Quick Charge™ Technology Device List
One charging solution is all you need. Waiting for your phone to charge is a thing of the past. Quick Charge technology is ® designed to deliver lightning-fast charging Qualcomm in phones and smart devices featuring Qualcomm® Snapdragon™ mobile platforms ™ and processors, giving you the power—and Quick Charge the time—to do more. Technology TABLE OF CONTENTS Quick Charge 5 Device List Quick Charge 4/4+ Quick Charge 3.0/3+ Updated 09/2021 Quick Charge 2.0 Other Quick Charge Devices Qualcomm Quick Charge and Qualcomm Snapdragon are products of Qualcomm Technologies, Inc. and/or its subsidiaries. Devices • RedMagic 6 • RedMagic 6Pro Chargers • Baseus wall charger (CCGAN100) Controllers* Cypress • CCG3PA-NFET Injoinic-Technology Co Ltd • IP2726S Ismartware • SW2303 Leadtrend • LD6612 Sonix Technology • SNPD1683FJG To learn more visit www.qualcomm.com/quickcharge *Manufacturers may configure power controllers to support Quick Charge 5 with backwards compatibility. Power controllers have been certified by UL and/or Granite River Labs (GRL) to meet compatibility and interoperability requirements. These devices contain the hardware necessary to achieve Quick Charge 5. It is at the device manufacturer’s discretion to fully enable this feature. A Quick Charge 5 certified power adapter is required. Different Quick Charge 5 implementations may result in different charging times. Devices • AGM X3 • Redmi K20 Pro • ASUS ZenFone 6* • Redmi Note 7* • Black Shark 2 • Redmi Note 7 Pro* • BQ Aquaris X2 • Redmi Note 9 Pro • BQ Aquaris X2 Pro • Samsung Galaxy -
Protest Visual Arts in Iran from the 1953 Coup to the 1979 Islamic Revolution
International Journal of Criminology and Sociology, 2020, 9, 285-299 285 Protest Visual Arts in Iran from the 1953 Coup to the 1979 Islamic Revolution Hoda Zabolinezhad1,* and Parisa Shad Qazvini2 1Phd in Visual Arts from University of Strasbourg, Post-Doc Researcher at Alzahra University of Tehran 2Assisstant Professor at Faculty of Arts, University of Alzahra of Tehran, Iran Abstract: There have been conducted a few numbers of researches with protest-related subjects in visual arts in a span between the two major unrests, the 1953 Coup and the 1979 Islamic Revolution. This study tries to investigate how the works of Iranian visual artists demonstrate their reactions to the 1953 Coup and progresses towards modernization that occurred after the White Revolution of Shāh in 1963. The advent of the protest concept has coincided with the presence of Modern and Contemporary art in Iran when the country was occupied by allies during the Second World War. The 1953 Coup was a significant protest event that motivated some of the artists to react against the monarchy’s intention. Although, poets, authors, journalists, and writers of plays were pioneer to combat dictatorship, the greatest modernist artists of that time, impressed by the events after the 1953 Coup, just used their art as rebellious manifest against the governors. Keywords: Iranian Visual Artists, Pahlavi, Political Freedom, Persian Protest Literature, the Shāh. INTRODUCTION Abrahamian 2018). The Iranian visual arts affected unconstructively by Pahlavi I (1926-1942) contradictory The authors decided to investigate the subject of approaches. By opening of Fine Arts School, which protest artworks because it is almost novel and has became after a while Fine Arts Faculty of the University addressed by the minority of other researchers so far. -
Weapons of Mass Deception
UPDATED. EMBEDDEDCOVER THE WAR ON IRAQ HOW THE TO MEDIA FAILED . WEAPONS OF MASS DECEPTIONDANNY SCHECHTER NEWS DISSECTOR / MEDIACHANNEL.ORG ColdType WHAT THE CRITICS SAID This is the best book to date about how the media covered the second Gulf War or maybe miscovered the second war. Mr. Schecchter on a day to day basis analysed media coverage. He found the most arresting, interesting , controversial, stupid reports and has got them all in this book for an excellent assessment of the media performance of this war. He is very negative about the media coverage and you read this book and you see why he is so negative about it. I recommend it." – Peter Arnett “In this compelling inquiry, Danny Schechter vividly captures two wars: the one observed by embedded journalists and some who chose not to follow that path, and the “carefully planned, tightly controlled and brilliantly executed media war that was fought alongside it,” a war that was scarcely covered or explained, he rightly reminds us. That crucial failure is addressed with great skill and insight in this careful and comprehensive study, which teaches lessons we ignore at our peril.” – Noam Chomsky. “Once again, Danny Schechter, has the goods on the Powers The Be. This time, he’s caught America’s press puppies in delecto, “embed” with the Pentagon. Schechter tells the tawdry tale of the affair between officialdom and the news boys – who, instead of covering the war, covered it up. How was it that in the reporting on the ‘liberation’ of the people of Iraq, we saw the liberatees only from the gunhole of a moving Abrams tank? Schechter explains this later, lubricious twist, in the creation of the frightening new Military-Entertainment Complex.” – Greg Palast, BBC reporter and author, “The Best Democracy Money Can Buy.” "I'm your biggest fan in Iraq.