Enameling Techniques

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ENAMELING TECHNIQUES Basse-taille - French word meaning "low-cut". The surface of the metal is decorated with a low relief design which can be seen through translucent and transparent enamels. Champlevé- French for "raised field", where the surface is carved out to form pits in which enamel is fired, leaving the original metal exposed Cloisonné- French for "cell", where thin wires are applied to form raised barriers, which contain different areas of enamel. Grisaille- French term meaning "in grey", where a dark, often blue or black transparent enamel is painted on top, building up designs in a monochrome gradient, paler as the thickness of the layer of light color increases. Limoges - enamel, made at Limoges, France, the most famous European center of vitreous enamel production. Painted enamel, a design in enamel is painted onto a smooth metal surface. Grisaille Plique-à-jour- French for "braid letting in daylight" where the enamel is applied in cells, similar to cloisonné, but with no backing, so light can shine through the transparent or translucent enamel. It has a stained-glass like appearance Ronde bosse- French for "in the round", also known as "encrusted enamel". A 3D type of enameling where a sculptural form or wire, framework is completely or partly Stenciling, where a stencil is placed over the work and the powdered enamel is sifted over the top. The stencil is removed before firing, the enamel staying in a pattern, slightly raised. Sgrafitto- where an unfired layer of enamel is applied over a previously fired layer of enamel of a contrasting color, and then partly removed with a tool to create the design. Serigraph, where a silkscreen is used with 60-70in grade mesh. .

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A Brief History of the Art of Enameling Part I
MISE_Vox52_end:MISE_Vox52_end 29-01-2011 17:48 Pagina 66 AA BriefBrief HistoryHistory ofof thethe AArtrt ofof EnamelingEnameling PartPart II By Osvaldo Patrizzi Plaque: The Tree of Jesse, attributed to Leonard Limosin. Painted polychrome enamel, Limoges, mid 16th century. he art of enameling co- The production of each period is typical and clearly TTvers a wide range of recognizable. That of the 14th century, for example, historical periods. It is dis- is fundamentally different from that of the 12th or tinct from other analogous the 16th century. The only constants are the ma- arts, such as ceramics and terials employed: enamel and a metal base. glasswork, in that it is au- There are two categories of enamel. The first to be tonomous as concerns the developed, decorative enamel, was known to the materials used, its forms, Touranians and later to the Scythians. They intro- its fabrication processes, duced it into China during the reign of the Thai- and in its progress, remai- wanti, who transmitted it to the ancient civilizations ning isolated, in a sense, of the Indus, Egypt, Phoenicia, Assyria, the Etrus- from all the other indus- Osvaldo Patrizzi cans and the Eduans. The pieces comprise jewelry Chariman and watch expert trial arts. and decorative objects, whose forms are enhanced For several centuries, ena- by the harmonies and brilliance of the colored meling was considered a mere form of decoration enamel. subordinated to the goldsmith’s art. However, The enamel is inlaid, the contours of the design around the 15th century, it came to be considered being fashioned from the metal base itself.
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BM Tour to View
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Ebook Download Waddesdon Manor Catalogue: Savonnerie, The
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