DOCSLIB.ORG

Doctor of Vbil000pbp

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Doctor of Vbil000pbp DAILY LIFE IN PRE-HISTORIC INDIAN PAINTING THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF doctor of vbil000pbp IN FINE ARTS Submitted by <r' Sanju Verma Under the Supervision of / Dr. Madhu Rani H DEPARTMENT OF FINE ARTS ALIGARH MUSLIM UNIVERSITY ALIGARH 2013 'r- • I /~ OJ 1 1 r T9034 Dedicated to My Parents PBX : 0571-2700920 Extn. : 1455 C W DEPARTMENT OF FINE ARTS ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 Ref. No ......................... Date O4.c.O3...2Q13 Certificate This is to certify that Ms. Sanju Verma has completed her Ph.D. thesis entitled "Daily Life in Prehistoric Indian Painting" under my supervision. To the best of my knowledge, this an original work based on her own study of the subject and on the investigation made through research material collected from original sources. This Ph.D has been submitted as partial fulfillment for the degree of Doctor of Philosophy in Fine Art. (Dr. adh %Rani) Contents ACKNOWLEDGEMENT ABSTRACT PREFACE REVIEW OF LITERATURE INTRODUCTION 1-10 ROCK ART AND RESEARCH IN INDIA 11-24 PRE-HISTORIC PAINTING AND ENGRAVINGS 25-89 Kumaon Himalaya Uttar Pradesh (Mirzapur) Madhya Pradesh (Bhimbetka : A world Heritage Site) Bihar (Kaimur Hills) Orissa (Sambalpur, Sundargarh and Suvarnpir) Kerala (Ezhuthu Cave, Edakkal Cave and Attala) METHODS AND TECHNIQUES OF ROCK PAINTING 90-105 DAILY LIFE IN PRE-HISTORIC INDIAN PAINTING 106-115 HISTORICAL SIGNIFICANCE AND CONSERVATION 116-126 OF ROCK ART CONCLUSION 127-134 BIBLIOGRAPHY 135-150 ILLUSTRATIONS Plates including line drawings, paintings and engravings Acknowledgement "'nrotling is ever Cost by courtesy. It is the cheapest of the pleasures costs nothing and conveys much. It pleases him who gives auf him who receives and thus, h'ke mercy, it is twice 6Cessed. 'Erastus'Wiman In the praise of Almighty god" who 6estowed on me the divine guidance to em6arkupon this taskof keeping in realms of facts rind events. One plus one make's rECeven, a famous saying became true, with the submission of this work under the able guidance and support of my seniors, coffeagues, juniors; staff and family members. First and foremost, I gladly acknowledge my debt to my supervisor Dr.. 9,1aAu 4'pni, (Department of 'Fine Arts, ,Ugarh !Muslim rVniversity, Ilgarri. Her ability to probe beneath the test is a true gift, and her insight has strengthened this study Signi icantCy. I will always be thankf u(for her wisdom, knowledge, deep concerq enEightenedguidance, constructive cnticism, constant encouragement, help and keen interest throughout the course of this investigation. it has been an lmnor to work with her I am grateful to 4'rof..Seema yavedChairman, Dept. of Tinc)1rts, A.M. `0., it Figar/ii amf aCC the faculty members of the @Uepanrnent for encouraging me to work on this dissertation. I wish to convey grateful regards to Prof S.T derma for providing mtfait-ng support and inspiration for his expert opinion we vaCua6fe hints during this research work. 'With due regards, I feet immense pleasure in expressing my deepest gratitude to Dr. Narayan 'Czyas ( rchaeologist) Archaeologist Survey of India,Bhopal Dr. 4runaShnvastava Librarian BhartBFiava, Bhopa[M.Y, Dr. Ashok 7zwan; Indira G'adhi PSgshtnyat14anavSangrehafaya, Sfu+mi(a 7Cif(s, 63hop4 Mr. Tapas Kumar sVisvash Phvtogrnphy Officer, I.G.RS%1S, (Bhopal, for their immense support. They have opened their hearts and their doors, supplying me with resources andproviding me the opportunity to do a part of my work, My gratitude and indebtedness to 'Dr. y'iriraj 7(umar, faculty of Arts, Dayafbagh, 44iucationafltutitute, (JJaya(hagh, Agra and all the fzcufty members of the (Department of Fine)1rt, Educationallnstitute IDayafbagfi, for being a constant source of inspiration, inva(uahfe suggestions and research oriented approach that had helped me a t t in accomplishing my work,, I am also thankful to the staff of >Mau&ana Azad Library, .A l4.'U, Lahtkafa Library, New NeU(ii, Library of 9lodern Art Gallery, Library of National R4useum, Indira (jandhi 7(p(a Sangfarafaya, New q)elhy Library of I3hart Phavan, 4hopab, 9 AII, Library of National tMvseum of Man Bhopal M.P., Library of &fanavSangraha(aya, Shamifa, Xi&G Bhopal very sincere thanks are also due to Inc/large, Seminar Library and Staff members of the Department of 'History, A.;K%tk, Afzgarb for the their sympathetic and prompt co-operation, providing facilities, relevant and demandng nwtenafandsuggestions frui fully. ackzwwfedge the happy moments spent with my fn'end. aM , ShabanaRpze from the bottom of my heart. She is especia1Cy thanked for her care, attention, understanding, all the emotional support, comraderie, entertainment, endless help and encouragement when it was most required. My fieartfeG and special thanks are also due to Soya 5famid, DDr. 'Farah Plan, Q'una S. Banc, (Dr çshmi b padkaya, Dr. 7(enn, iYr. Yahatab for their academic suggestions, help support and inspiration in preparation at various stages in my thesis. I must attend a special than to Dr. alunira 2 for her creative ftel i in finalizing and giving a finishing touch to nzy thesis. Lifer strength and her faith in me, drove Inc to strive higher and to to better than what I hat p(anned rfrom the beginning of this work I owe my personal reckoning of gratitude and benevolence to my family. A heartfelt note of gratitude you goes to my wonderful cEA4i .qzS. For always being there when I neededthem most andnever once complaining about my ignorance for thiern, they deserve far more credit than 1 can ever give them. N'o words can appropriately reflect the guidance andsacnfice of my mother 9vfrs. Nidhya. A special thought is denoted to my father 5&.. MarYNiGas6 who is a constant source of inspiration for my journey in nfe andfonned the base of my vision and taught me the goad things that reaQfy matter in life. Their deep prayers, emotional and pbysicaf support have always been my guiding lights. If at a/TI have achievedanything in my career, I arse it to them totally. At this moment, I cannot forget the moral support offered to me 6y my brothers 2Ii1B.TC 'Verma , Mr .fl?(, Verna my sisters 5btrs. Asia, Mrs, ritaeha and their family. I am espedally thankful to Late 41r, Kailash Shankar and .Yitrs. Sakuutala for their cooperation and help. I also extend my sincere thanks to off members of my in-law side for their support. My final and most heartfelt, acknowledgement must go to my husband Mr.'Yate,u ra Kumar thankyou for your Cove anti support and for your unsLiakea6(e 6efrf that no matter what new hurdle appeared that I would eventually finish. One of the best experiences that we lived through in this period was tte birth of our daughter Yashasvi Sai, who provided an additional andloyful dlnension to our Cfe mission In my opinion, doing a 2h.cD, is a sacred taskand this was definitely one of the best decisions of my Ife. Additional energy and vitafi-ty for this research was provided internal y by 'SA1 BABA'. 1 am thank shower of hlessings and strength for completion of my research work., Sanju ` %ma Abstract Prehistoric art is the mother of all art. Indian art and culture arose out of the prehistoric art. Our festivals, living style all are inspired by prehistoric art. This work is an attempt to re-look at the Indian prehistoric daily lives, art and its importance in our daily lives. India is a country rich in the field of art and crafts. It is a country with diverse cultures, traditions, and hence a great diversity in art. Each state of India has different forms of art. The origin of art is attributed to religion, because religion plays a great role in the universalizing of art. It can also be said that art developed out of the need for human beings to communicate and to express themselves. Even when he lived in caves, the prehistoric man expressed his thoughts through the paintings and engravings that he made on the rocks and in the caves where he dwelled. This research "Daily life in prehistoric Indian Painting" is an attempt to look at prehistoric art and to identify the elements of daily life depicted in these paintings. The thesis is divided into five chapters and also has an introducing chapter, which talks of the origins of prehistoric art. The first chapter on rock art research in India, looks at the history of prehistoric art because it is necessary to know about the discovery and history of prehistoric art. The second chapter describes the different rock art sites of India. It details five rock art sites and focuses on the following sites: iv 1. Kumaon Himalaya 2. Mirzapur 3. Bhimbetka 4. Kaimur Hills 5. Sambalpur, Sundargarh and Suvarnpir 6. Ezhuthu cave, Edakkal cave and Attala These places are very rich in rock art. Inspite of being very different from each other they seem to share a lot of similarities. These have been discussed in detail in this chapter. The third chapter is very important to this study as it details the methods and techniques of rock painting. It talks of how laymen could paint on their walls using simple techniques. It also gives a detailed description of the nature of pigments and colours used in prehistoric art and the brushes used for painting on rocks and caves. This chapter also looks at the subject matter of these rock paintings and goes on to look at the various motifs, forms, lines and figures used in these paintings. Nature is the central theme as these prehistoric beings were close to nature and were also inspired by it.
Load more

Recommended publications
  • Post Offices
    Circle Name Po Name Pincode ANDHRA PRADESH Chittoor ho 517001 ANDHRA PRADESH Madanapalle 517325 ANDHRA PRADESH Palamaner mdg 517408 ANDHRA PRADESH Ctr collectorate 517002 ANDHRA PRADESH Beerangi kothakota 517370 ANDHRA PRADESH Chowdepalle 517257 ANDHRA PRADESH Punganur 517247 ANDHRA PRADESH Kuppam 517425 ANDHRA PRADESH Karimnagar ho 505001 ANDHRA PRADESH Jagtial 505327 ANDHRA PRADESH Koratla 505326 ANDHRA PRADESH Sirsilla 505301 ANDHRA PRADESH Vemulawada 505302 ANDHRA PRADESH Amalapuram 533201 ANDHRA PRADESH Razole ho 533242 ANDHRA PRADESH Mummidivaram lsg so 533216 ANDHRA PRADESH Ravulapalem hsg ii so 533238 ANDHRA PRADESH Antarvedipalem so 533252 ANDHRA PRADESH Kothapeta mdg so 533223 ANDHRA PRADESH Peddapalli ho 505172 ANDHRA PRADESH Huzurabad ho 505468 ANDHRA PRADESH Fertilizercity so 505210 ANDHRA PRADESH Godavarikhani hsgso 505209 ANDHRA PRADESH Jyothinagar lsgso 505215 ANDHRA PRADESH Manthani lsgso 505184 ANDHRA PRADESH Ramagundam lsgso 505208 ANDHRA PRADESH Jammikunta 505122 ANDHRA PRADESH Guntur ho 522002 ANDHRA PRADESH Mangalagiri ho 522503 ANDHRA PRADESH Prathipadu 522019 ANDHRA PRADESH Kothapeta(guntur) 522001 ANDHRA PRADESH Guntur bazar so 522003 ANDHRA PRADESH Guntur collectorate so 522004 ANDHRA PRADESH Pattabhipuram(guntur) 522006 ANDHRA PRADESH Chandramoulinagar 522007 ANDHRA PRADESH Amaravathi 522020 ANDHRA PRADESH Tadepalle 522501 ANDHRA PRADESH Tadikonda 522236 ANDHRA PRADESH Kd-collectorate 533001 ANDHRA PRADESH Kakinada 533001 ANDHRA PRADESH Samalkot 533440 ANDHRA PRADESH Indrapalem 533006 ANDHRA PRADESH Jagannaickpur
    [Show full text]
  • KERALA SOLID WASTE MANAGEMENT PROJECT (KSWMP) with Financial Assistance from the World Bank
    KERALA SOLID WASTE MANAGEMENT Public Disclosure Authorized PROJECT (KSWMP) INTRODUCTION AND STRATEGIC ENVIROMENTAL ASSESSMENT OF WASTE Public Disclosure Authorized MANAGEMENT SECTOR IN KERALA VOLUME I JUNE 2020 Public Disclosure Authorized Prepared by SUCHITWA MISSION Public Disclosure Authorized GOVERNMENT OF KERALA Contents 1 This is the STRATEGIC ENVIRONMENTAL ASSESSMENT OF WASTE MANAGEMENT SECTOR IN KERALA AND ENVIRONMENTAL AND SOCIAL MANAGEMENT FRAMEWORK for the KERALA SOLID WASTE MANAGEMENT PROJECT (KSWMP) with financial assistance from the World Bank. This is hereby disclosed for comments/suggestions of the public/stakeholders. Send your comments/suggestions to SUCHITWA MISSION, Swaraj Bhavan, Base Floor (-1), Nanthancodu, Kowdiar, Thiruvananthapuram-695003, Kerala, India or email: [email protected] Contents 2 Table of Contents CHAPTER 1. INTRODUCTION TO THE PROJECT .................................................. 1 1.1 Program Description ................................................................................. 1 1.1.1 Proposed Project Components ..................................................................... 1 1.1.2 Environmental Characteristics of the Project Location............................... 2 1.2 Need for an Environmental Management Framework ........................... 3 1.3 Overview of the Environmental Assessment and Framework ............. 3 1.3.1 Purpose of the SEA and ESMF ...................................................................... 3 1.3.2 The ESMF process ........................................................................................
    [Show full text]
  • 2015-16 Term Loan
    KERALA STATE BACKWARD CLASSES DEVELOPMENT CORPORATION LTD. A Govt. of Kerala Undertaking KSBCDC 2015-16 Term Loan Name of Family Comm Gen R/ Project NMDFC Inst . Sl No. LoanNo Address Activity Sector Date Beneficiary Annual unity der U Cost Share No Income 010113918 Anil Kumar Chathiyodu Thadatharikathu Jose 24000 C M R Tailoring Unit Business Sector $84,210.53 71579 22/05/2015 2 Bhavan,Kattacode,Kattacode,Trivandrum 010114620 Sinu Stephen S Kuruviodu Roadarikathu Veedu,Punalal,Punalal,Trivandrum 48000 C M R Marketing Business Sector $52,631.58 44737 18/06/2015 6 010114620 Sinu Stephen S Kuruviodu Roadarikathu Veedu,Punalal,Punalal,Trivandrum 48000 C M R Marketing Business Sector $157,894.74 134211 22/08/2015 7 010114620 Sinu Stephen S Kuruviodu Roadarikathu Veedu,Punalal,Punalal,Trivandrum 48000 C M R Marketing Business Sector $109,473.68 93053 22/08/2015 8 010114661 Biju P Thottumkara Veedu,Valamoozhi,Panayamuttom,Trivandrum 36000 C M R Welding Business Sector $105,263.16 89474 13/05/2015 2 010114682 Reji L Nithin Bhavan,Karimkunnam,Paruthupally,Trivandrum 24000 C F R Bee Culture (Api Culture) Agriculture & Allied Sector $52,631.58 44737 07/05/2015 2 010114735 Bijukumar D Sankaramugath Mekkumkara Puthen 36000 C M R Wooden Furniture Business Sector $105,263.16 89474 22/05/2015 2 Veedu,Valiyara,Vellanad,Trivandrum 010114735 Bijukumar D Sankaramugath Mekkumkara Puthen 36000 C M R Wooden Furniture Business Sector $105,263.16 89474 25/08/2015 3 Veedu,Valiyara,Vellanad,Trivandrum 010114747 Pushpa Bhai Ranjith Bhavan,Irinchal,Aryanad,Trivandrum
    [Show full text]
  • Payment Locations - Muthoot
    Payment Locations - Muthoot District Region Br.Code Branch Name Branch Address Branch Town Name Postel Code Branch Contact Number Royale Arcade Building, Kochalummoodu, ALLEPPEY KOZHENCHERY 4365 Kochalummoodu Mavelikkara 690570 +91-479-2358277 Kallimel P.O, Mavelikkara, Alappuzha District S. Devi building, kizhakkenada, puliyoor p.o, ALLEPPEY THIRUVALLA 4180 PULIYOOR chenganur, alappuzha dist, pin – 689510, CHENGANUR 689510 0479-2464433 kerala Kizhakkethalekal Building, Opp.Malankkara CHENGANNUR - ALLEPPEY THIRUVALLA 3777 Catholic Church, Mc Road,Chengannur, CHENGANNUR - HOSPITAL ROAD 689121 0479-2457077 HOSPITAL ROAD Alleppey Dist, Pin Code - 689121 Muthoot Finance Ltd, Akeril Puthenparambil ALLEPPEY THIRUVALLA 2672 MELPADAM MELPADAM 689627 479-2318545 Building ;Melpadam;Pincode- 689627 Kochumadam Building,Near Ksrtc Bus Stand, ALLEPPEY THIRUVALLA 2219 MAVELIKARA KSRTC MAVELIKARA KSRTC 689101 0469-2342656 Mavelikara-6890101 Thattarethu Buldg,Karakkad P.O,Chengannur, ALLEPPEY THIRUVALLA 1837 KARAKKAD KARAKKAD 689504 0479-2422687 Pin-689504 Kalluvilayil Bulg, Ennakkad P.O Alleppy,Pin- ALLEPPEY THIRUVALLA 1481 ENNAKKAD ENNAKKAD 689624 0479-2466886 689624 Himagiri Complex,Kallumala,Thekke Junction, ALLEPPEY THIRUVALLA 1228 KALLUMALA KALLUMALA 690101 0479-2344449 Mavelikkara-690101 CHERUKOLE Anugraha Complex, Near Subhananda ALLEPPEY THIRUVALLA 846 CHERUKOLE MAVELIKARA 690104 04793295897 MAVELIKARA Ashramam, Cherukole,Mavelikara, 690104 Oondamparampil O V Chacko Memorial ALLEPPEY THIRUVALLA 668 THIRUVANVANDOOR THIRUVANVANDOOR 689109 0479-2429349
    [Show full text]
  • Foundation Document Petroglyph National Monument New Mexico August 2017 Foundation Document
    NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Petroglyph National Monument New Mexico August 2017 Foundation Document To Rio Rancho To Rio Rancho B ou North e l dis ev 0 1 2 Kilometers ara a P rd Piedras Marcadas 0 1 2 Miles Canyon Paseo del Norte R To Rio a Universe Boulevard rd Rancho i va n e Information ul b o Jill o B w Patricia Restrooms r St e d s a del Norte n o o e B as Picnic area U P l R v d Parking Northern To 25 Geologic Hiking trails Window e Pets on leash T s a r y u d l r o o a r C v e l u Bo Butte R d a v Volcano n l c B Boca Negra h Southern olf s G r Canyon Geologic oo Bond C Window Volcano a t D s i r i V v h e Double t r Eagle II Montaño o Ro ad N Airport U o c n s i s er r t A B o u l Vulcan e v Volcano a r d d r a d v r To 25 e Volcanoes Visitor Center l a u v PETROGLYPH e Volcanoes o l B u Access Road o B Wes tern Trai e NATIONAL Rinconada l Black A d D tr Canyon Volcano ri i n sc e v a d e o MONUMENT n r a s r r G G Shooting JA Volcano seph Avenu o Jo e Range Road St.
    [Show full text]
  • Annual Review 2018-19
    ANNUAL REVIEW 2018-19 Aarohi Annual Review 2018-19 | 1 INDEX About Aarohi 5 This Past Year's Highlights 8 Programme Overview 11 Health 13 Education 27 Livelihoods 43 From the Heart 52 Financial Overview 55 Appendices 59 Aarohi Annual Review 2018-19 | 2 Aarohi Annual Review 2018-19 | 3 ABOUT AAROHI Committed to sustainable mountain development, Aarohi was founded by Oona Sharma, a development professional and Dr.Sushil Sharma, a medical professional in 1992. Keeping an integrated approach to development, Aarohi’s core areas of interventions include health, education and livelihoods. Working primarily in the Kumaon division of Uttarakhand, Aarohi covers 114 villages in Nainital, Almora and Bageshwar districts. A population of 65,000 benefits directly from various services provided by Aarohi. Aarohi Annual Review 2018-19 | 4 Aarohi Annual Review 2018-19 | 5 Aarohi Annual Review 2018-19 | 6 Aarohi Annual Review 2018-19 | 7 THIS PAST YEAR'S HIGHLIGHTS Having served Aarohi for 25 years, nurturing the organisation as the Executive Head, After a gap of a year, Aarohi Grameen Himalayan Haat was once again organized in all its Dr Sushil Sharma, Co- Founder of Aarohi, retired as part of the organisation’s succession grandeur. The Haat was well received by the community which not only exhibited their plan in June 2018. The year was a difficult one with the senior leadership changing in all the products, but enthusiastically participated in its organisation and management. sectors. Pramod Bisht, our Livelihoods Programme Manager, retired after serving Aarohi for The Livelihoods Programme broadened its scope of operations by systematically planning 25 years.
    [Show full text]
  • UNITED NATIONS DEVELOPMENT PROGRAMME Country: India
    1 UNITED NATIONS DEVELOPMENT PROGRAMME Country: India PROJECT DOCUMENT Project Title: India High Range Landscape Project - Developing an effective multiple-use management framework for conserving biodiversity in the mountain landscape of the High Ranges, the Western Ghats, India. UNDAF Outcome(s)/ Indicator(s): Inclusive and equitable growth policies and poverty reduction strategies of the Government are strengthened to ensure that most vulnerable and marginalized people in rural and urban areas have greater access to productive assets, decent employment, skill development, social protection and sustainable livelihoods. UNDP Strategic Plan Primary Outcome: Mainstreaming biodiversity conservation and sustainable use into production landscapes. Expected CPAP Outcome(s) /Output/Indicator(s): Sustainable management of biodiversity and land resource is enhanced. Executing Entity/ Implementing Partner: UNDP India Country Office Implementing Entity/ Responsible Partner: Department of Forests and Wildlife, Government of Kerala Brief description: The project will put in place a cross-sectoral land use management framework, and compliance monitoring and enforcement system to ensure that development in production sectors such as tea, cardamom and tourism is congruent with biodiversity conservation needs – to achieve the long term goal of conserving globally significant biological diversity in the High Ranges of the Western Ghats. It will seek to establish a conservation compatible mosaic of land uses, anchored in a cluster of protected areas, by
    [Show full text]
  • Munnar Landscape Project Kerala
    MUNNAR LANDSCAPE PROJECT KERALA FIRST YEAR PROGRESS REPORT (DECEMBER 6, 2018 TO DECEMBER 6, 2019) SUBMITTED TO UNITED NATIONS DEVELOPMENT PROGRAMME INDIA Principal Investigator Dr. S. C. Joshi IFS (Retd.) KERALA STATE BIODIVERSITY BOARD KOWDIAR P.O., THIRUVANANTHAPURAM - 695 003 HRML Project First Year Report- 1 CONTENTS 1. Acronyms 3 2. Executive Summary 5 3.Technical details 7 4. Introduction 8 5. PROJECT 1: 12 Documentation and compilation of existing information on various taxa (Flora and Fauna), and identification of critical gaps in knowledge in the GEF-Munnar landscape project area 5.1. Aim 12 5.2. Objectives 12 5.3. Methodology 13 5.4. Detailed Progress Report 14 a.Documentation of floristic diversity b.Documentation of faunistic diversity c.Commercially traded bio-resources 5.5. Conclusion 23 List of Tables 25 Table 1. Algal diversity in the HRML study area, Kerala Table 2. Lichen diversity in the HRML study area, Kerala Table 3. Bryophytes from the HRML study area, Kerala Table 4. Check list of medicinal plants in the HRML study area, Kerala Table 5. List of wild edible fruits in the HRML study area, Kerala Table 6. List of selected tradable bio-resources HRML study area, Kerala Table 7. Summary of progress report of the work status References 84 6. PROJECT 2: 85 6.1. Aim 85 6.2. Objectives 85 6.3. Methodology 86 6.4. Detailed Progress Report 87 HRML Project First Year Report- 2 6.4.1. Review of historical and cultural process and agents that induced change on the landscape 6.4.2. Documentation of Developmental history in Production sector 6.5.
    [Show full text]
  • Prehistoric Cupule Site at Senetary: Recent Prehistoric Investigations in Kachchh District, Gujarat
    Prehistoric Cupule Site at Senetary: Recent Prehistoric Investigations in Kachchh District, Gujarat Shaik Saleem1 1. Department of Archaeology, Krantiguru Shyamji Krishna Verma Kachchh University, Bhuj – 370 001, Gujarat, India (Email: [email protected]) Received: 16 August 2014; Accepted: 12 September 2014; Revised: 14 October 2014 Heritage: Journal of Multidisciplinary Studies in Archaeology 2 (2014): 449‐456 Abstract: The present paper gives details of recent prehistoric investigations carried out by the author, which have revealed a Prehistoric site which has revealed cupules was found in the rock shelters of Senetary in Kachchh District of Gujarat. The artifacts of Prehistoric period were found at 3 localities of Senetary. Apart from the cupules a few engravings and large number of microliths and a few potsherds of Chalcolithic as well as early historic periods were also found in the rock shelters. Keywords: Cupule, Senetary, Kachchh, Prehistoric Period, Microliths, Chalcolithic, Early Historic Introduction The prehistoric investigations carried out around in Bhuj taluka in Kachchh District have revealed large number of rock shelters at Senetary (23° 10’ 01.9” N 069° 37’ 32.8” E). The main aim of these prehistoric investigations is intended to explore for the archaeological sites of different cultural phases as well as for the rock art sites as large number of rock shelters are found near Senetary in Bhuj taluka as well as in different parts of Kachchh region. Previous Work Very few people have worked on the prehistory of Kachchh region. Among them the work was carried out by H.D. Sankalia (1964; 1968), Z. D. Ansari and R.
    [Show full text]
  • Petroglyph National Monument: Geologic Resources Inventory Report
    National Park Service U.S. Department of the Interior Natural Resource Stewardship and Science Petroglyph National Monument Geologic Resources Inventory Report Natural Resource Report NPS/NRSS/GRD/NRR—2017/1547 ON THE COVER Photograph of Albuquerque volcanoes. Three spatter cones, known as the Sisters, form a distinctive skyline west of Albuquerque, New Mexico. These small volcanoes are part of the Albuquerque volcanic field and occur in the Volcanoes area of Petroglyph National Monument. The volcanic field was active about 156,000 years ago. NPS photograph by Chanteil Walter (Petroglyph National Monument). THIS PAGE Photograph of the West Mesa escarpment along the Rinconada Canyon Trail. Erosion of the Santa Fe Group sediments that underlie a basaltic cap rock has caused large blocks of rock to tumble down the eastern escarpment of the mesa. Most of the petroglyphs were chiseled into the dark patina of desert varnish on these large boulders, exposing the lighter colored basaltic rock beneath. NPS photograph by Dale Pate (Geologic Resources Division). Petroglyph National Monument Geologic Resources Inventory Report Natural Resource Report NPS/NRSS/GRD/NRR—2017/1547 Katie KellerLynn Colorado State University Research Associate National Park Service Geologic Resources Division Geologic Resources Inventory PO Box 25287 Denver, CO 80225 November 2017 U.S. Department of the Interior National Park Service Natural Resource Stewardship and Science Fort Collins, Colorado The National Park Service, Natural Resource Stewardship and Science office in Fort Collins, Colorado, publishes a range of reports that address natural resource topics. These reports are of interest and applicability to a broad audience in the National Park Service and others in natural resource management, including scientists, conservation and environmental constituencies, and the public.
    [Show full text]
  • Art Masterpiece: Black Bull at the Lascaux Caves
    Art Masterpiece: Black Bull at the Lascaux Caves Pronunciation: (Lass-Kough) Keywords: Art, petroglyph, art: The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture Petroglyphs: An image that is carved or chipped into the rock using another stone or other tool, or may be painted on a rock using hand-made paints and brush tools. Grade: 1st Grade Activity: Prehistoric Cave Drawing Background of the Lascaux Caves in France: (5 min) In 1940, a cave was accidentally found by children and their dog. The children were playing fetch with the dog. The ball they were throwing was accidentally thrown into a complex under- ground cave. Looking for the ball in this cave, they found wonderful cave paintings on the walls. These walls had drawings of animals, people, and handprints on them. People believe this is the beginning of art since some of these caves that have been found are almost 20,000 years old. Scientists believe that the handprints were their signatures. Who were these first artists? Cavemen lived some 20,000 years ago. By the light of oil lamps, prehistoric artists drew wild animals that they hoped to capture. Using charcoal, they traced the outlines of bison and mammoths on the cave walls. For paint the cavemen ground lumps of earth into colored powder. They would then spread this powder with leaves or they would use wads of fur for a paintbrush. They would sometimes “sign” their art by including their hand- prints. Property of Knox Art Masterpiece Revised 6/26/13 Discussion: (10 min) · What do you see in this painting? · What is art? Briefly introduce the basics: · Color – three colors: red, yellow and blue are mixed to make all the other colors of the rainbow.
    [Show full text]
  • Searching for Rock Art Evidence for an Ancient Super Aurora by Marinus Anthony Van Der Sluijs and Anthony L
    Searching for Rock Art Evidence for an Ancient Super Aurora by marinus anthony van der sluijs and anthony l. peratt or tens of thousands of years, humans have expressed themselves artistically on their sur- roundings—painting, etching, carving, and mold- oglyphs ing designs, decorations, and imagery on surfaces ranging from portable, often hand-held objects (suchF as animal bone and stone) to more stationary features of the landscape, such as scattered rocks, caves, and cliffs. The most famous early examples of this so-called rock art are the fabulous etr Paleolithic cave paintings from southwestern France and north- ern Spain, which date to about 15,000 years ago (see Expedition p 47(3):20-24). Less well known, but far more common, are the petroglyphs (drawings or etchings carved on stone) that have been identified around the world. Besides a general human fascination with visual representation in different media, these rock art images can tell us not only about the people who made them—a broadly anthropological question—but also about environmental conditions of the past. To understand this, one must first appreciate the nature and variability of the subject matter. Rock art images are quite diverse, seemingly depicting everything from simple geometric shapes (lines, circles, triangles, squares) to more or less recog- nizable representations of creatures or elements from the local environment (such as humans, animals, plants, or tools). Less obvious representations of real or imagined phenomena (such as the sun, geographic features, natural forces like wind or run- ning water or creatures of fantasy) can also be identified as well as things that no two people would agree upon without having the artist there to explain what is being depicted.
    [Show full text]