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A Quick Guide to HDR Photography
A quick guide to HDR photography PUBLISHED - 15 AUG 2017 Make sure that what your eye sees is what your camera captures, by using HDR in contrasty light situations. HDR – high dynamic range – imaging enables your camera to create an image that captures all the range of contrast in a scene, from the depths of the shadows to the highlights of the brightest areas. This is essentially how your eyes see, but it's a tall order for a camera to record the furthest ends of such a drastic range – if you meter for the highlights (the bright areas), you might lose detail in the shadow areas of the scene, while the other way round you risk 'blown-out' highlights. A common example is a well-exposed room interior flooded with light from the windows. If you expose to capture what's outside those windows, the room's details will be lost in shadow. Another is when shooting outdoors: the sunlight that creates bright highlights will also create dark shadows, but expose for one and you'll lose detail in the other. When you make an HDR image, on the other hand, what you see is what you're going to get, because you create it with a series of bracketed exposures to capture both the highlights and the shadow detail. 1 of 3 © NIKON SCHOOL Built-in HDR Some Nikon DSLRs have a built-in HDR mode that does it for you. Available when shooting JPEG only, it automatically takes two quick shots – the first slightly underexposed (darker) and the second exposure slightly overexposed (brighter) – then combines them in-camera to create one well-balanced, tonally wide-ranging image. -
Piet Van Den Eynde Thank You for Downloading This Little Ebook
tips for better 10travel photographs Piet Van den Eynde Thank you for downloading this little eBook. I hope you’ll find these tips useful. Although they will work with every type of camera, you’ll notice that the sample shots were made with mirrorless cameras by Fujifilm. To me, these cameras offer the best possible combination of image quality and weight, two essential criteria for the discerning travel photographer. If you want to find out more about these cameras, I have a couple of blog posts about them over at my blog www.morethanwords.be. FUJIFILM X-E2 | XF 14mm F2.8 R | 1/240 sec @ f/10 | ISO 200 1. Go wide and move closer I’m sure you’ve heard this Although I like a classical, telephoto head- quote by Robert Capa shot of a strong face as much as the next before: “If your pictures person, the downside of these pictures is that aren’t good enough, you’re there’s very little context in them: they say not close enough”. As with very little about the person’s life. So, next all quotes, this one has a lot time you photograph someone, take the ob- of truth in it, also with regards to travel vious telephoto shot at f/1.2 or f/1.4 (I use photography. Moving in closer has rarely Fujifilms excellent 56 mm f/1.2 for that, which hurt an image. My favorite lenses are wide is equivalent to a fullframe 85 mm) but don’t angle ones, in the case of Fujifilm, it used to rest on your laurels yet. -
Digital Camera Basics Slides
DIGITAL CAMERA BASICS BRIC AGENDA • Part 1: Camera Basics • Part 2: Composition PART 1: CAMERA BASICS • The exposure triangle • Depth of field, macro, focus • Shooting modes: Automatic, AV, TV, Manual • White balance • Holding the camera, angles, position THE EXPOSURE TRIANGLE LIGHT METER THE EXPOSURE TRIANGLE: ISO • Film speed, sensor sensitivity: 100, 200, 400, 800, 1600, 3200 • Each setting is double or half the brightness than the previous • Low ISO = sharper pictures • High ISO = lowers the light you need • Trade off: while it offers more flexibility, the higher the ISO, the grainier the picture THE EXPOSURE TRIANGLE: ISO ISO 100 ISO 3200 from digital photography school THE EXPOSURE TRIANGLE: ISO A few questions to ask yourself: 1. Do I have a tripod? 2. Do I want a grainy shot? 3. How is the light? 4. Is the subject still or moving around? Situations where you may need a higher ISO: 1. Indoor sporting events 2. Concerts, galleries, churches 3. Birthdays, or dinners THE EXPOSURE TRIANGLE: ISO Rules of thumb: Use a tripod if you can Try to shoot with the lowest ISO possible Rest camera on a solid surface if there's no tripod Hold your breath LET'S TRY IT! Set your camera to the following manual settings: Shutter Speed: 1/60 Aperature: 2.8 ISO: Shoot the same object four times with four different ISO settings, write down which picture has which ISO. What do you notice? THE EXPOSURE TRIANGLE: SHUTTER SPEED THE EXPOSURE TRIANGLE: SHUTTER SPEED Refers to how much time the shutter is open (in seconds) 1/4000, 1/2000, 1/1000, 1/500, 1/250, -
Making the Transition from Film to Digital
TECHNICAL PAPER Making the Transition from Film to Digital TABLE OF CONTENTS Photography became a reality in the 1840s. During this time, images were recorded on 2 Making the transition film that used particles of silver salts embedded in a physical substrate, such as acetate 2 The difference between grain or gelatin. The grains of silver turned dark when exposed to light, and then a chemical and pixels fixer made that change more or less permanent. Cameras remained pretty much the 3 Exposure considerations same over the years with features such as a lens, a light-tight chamber to hold the film, 3 This won’t hurt a bit and an aperture and shutter mechanism to control exposure. 3 High-bit images But the early 1990s brought a dramatic change with the advent of digital technology. 4 Why would you want to use a Instead of using grains of silver embedded in gelatin, digital photography uses silicon to high-bit image? record images as numbers. Computers process the images, rather than optical enlargers 5 About raw files and tanks of often toxic chemicals. Chemically-developed wet printing processes have 5 Saving a raw file given way to prints made with inkjet printers, which squirt microscopic droplets of ink onto paper to create photographs. 5 Saving a JPEG file 6 Pros and cons 6 Reasons to shoot JPEG 6 Reasons to shoot raw 8 Raw converters 9 Reading histograms 10 About color balance 11 Noise reduction 11 Sharpening 11 It’s in the cards 12 A matter of black and white 12 Conclusion Snafellnesjokull Glacier Remnant. -
Owner's Manual Read Before Using
Preparation Basic Advance Read before using Owner’s Manual this camera. Mode Thank you for purchasing this product. Please follow the instructions given in this manual carefully. Features d The 28mm F2.8 and 38mm F2.8 SUPER-EBC FUJINON lens delivers high quality images. d The program AE mode offers beginners easy photo taking while the aperture AE mode widens the range of expression. d High-speed shutter up to 1/500 sec. with aperture setting of F2.8 enables various photos to be taken. d The viewfinder display shows all functions you need such as shutter speed (in 1/2 step) and the exposure modes. d Versatile aperture techniques realized with the easy-to-use exposure compensation dial and AEB (Auto Exposure Bracketing) function. d The separate AF lock button best suitable for snapshot photography d The film sensitivity mode enables you to set the film speed (ISO) manually. d N mode generates “natural” photos with non-flash shooting while using an ultra-sensitive film. Accessories The product includes following accessories. Make sure to check the contents of the package. Lithium battery CR2 (1) Owner’s Manual (this document) (1) Neck Strap (1) Warranty Certificate (1) 2 Contents Features ......................................... 2 Mode Important Safety Notice .......................... 4 Selecting Modes ............................. .40 Part Names. ..................................... 6 List of Modes ................................ .43 Preparation Selecting Flash Mode ........................ .44 e AEB (Auto Exposure Bracketing) Attaching the Strap........................... .12 Photography . 48 Loading the Battery .......................... .12 m Manual-Focus Photography . 52 Turning the Camera ON ...................... 14 b Bulb Photography . 56 Turning the Camera OFF..................... 14 T Self Timer Photography . -
"Agfaphoto DC-833M", "Alcatel 5035D", "Apple Ipad Pro", "Apple Iphone
"AgfaPhoto DC-833m", "Alcatel 5035D", "Apple iPad Pro", "Apple iPhone SE", "Apple iPhone 6s", "Apple iPhone 6 plus", "Apple iPhone 7", "Apple iPhone 7 plus", "Apple iPhone 8”, "Apple iPhone 8 plus”, "Apple iPhone X”, "Apple QuickTake 100", "Apple QuickTake 150", "Apple QuickTake 200", "ARRIRAW format", "AVT F-080C", "AVT F-145C", "AVT F-201C", "AVT F-510C", "AVT F-810C", "Baumer TXG14", "BlackMagic Cinema Camera", "BlackMagic Micro Cinema Camera", "BlackMagic Pocket Cinema Camera", "BlackMagic Production Camera 4k", "BlackMagic URSA", "BlackMagic URSA Mini 4k", "BlackMagic URSA Mini 4.6k", "BlackMagic URSA Mini Pro 4.6k", "Canon PowerShot 600", "Canon PowerShot A5", "Canon PowerShot A5 Zoom", "Canon PowerShot A50", "Canon PowerShot A410", "Canon PowerShot A460", "Canon PowerShot A470", "Canon PowerShot A530", "Canon PowerShot A540", "Canon PowerShot A550", "Canon PowerShot A570", "Canon PowerShot A590", "Canon PowerShot A610", "Canon PowerShot A620", "Canon PowerShot A630", "Canon PowerShot A640", "Canon PowerShot A650", "Canon PowerShot A710 IS", "Canon PowerShot A720 IS", "Canon PowerShot A3300 IS", "Canon PowerShot D10", "Canon PowerShot ELPH 130 IS", "Canon PowerShot ELPH 160 IS", "Canon PowerShot Pro70", "Canon PowerShot Pro90 IS", "Canon PowerShot Pro1", "Canon PowerShot G1", "Canon PowerShot G1 X", "Canon PowerShot G1 X Mark II", "Canon PowerShot G1 X Mark III”, "Canon PowerShot G2", "Canon PowerShot G3", "Canon PowerShot G3 X", "Canon PowerShot G5", "Canon PowerShot G5 X", "Canon PowerShot G6", "Canon PowerShot G7", "Canon PowerShot -
Aperture Digital Photography Fundamentals
Aperture Digital Photography Fundamentals K Apple Computer, Inc. © 2005 Apple Computer, Inc. All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this publication or for providing paid for support services. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, Apple Cinema Display and ColorSync are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Aperture is a trademark of Apple Computer, Inc. 1 Contents Preface 5 An Introduction to Digital Photography Fundamentals Chapter 1 7 How Digital Cameras Capture Images 7 Types of Digital Cameras 8 Digital Single-Lens Reflex (DSLR) 9 Digital Rangefinder 11 Camera Components and Concepts 11 Lens 12 Understanding Lens Multiplication with DSLRs 14 Understanding Digital Zoom 14 Aperture 15 Understanding Lens Speed 16 Shutter 17 Using Reciprocity to Compose Your Image 17 Digital Image Sensor 20 Memory Card 20 External Flash 21 Understanding RAW, JPEG, and TIFF 21 RAW 21 Why Shoot RAW Files? 22 JPEG 22 TIFF 22 Shooting Tips 22 Reducing Camera Shake 23 Minimizing Red-Eye in Your Photos 25 Reducing Digital Noise Chapter 2 27 How Digital Images Are Displayed 27 The Human Eye’s Subjective View of Color 29 Understanding How the Eye Sees Light and Color 30 Sources of Light 30 The Color Temperature of Light 31 How White Balance Establishes Color Temperature 3 31 Measuring the Intensity of Light 32 Bracketing the Exposure of an Image 33 Understanding How a Digital Image Is Displayed 33 Additive vs. -
E-M10 Mark III Instruction Manual
Table of Contents Quick task index 1. Preparation DIGITAL CAMERA 2. Shooting 3. Playback 4. Menu functions Instruction Manual Connecting the camera to a 5. smartphone Connecting the camera to a 6. computer and a printer 7. Cautions 8. Information 9. SAFETY PRECAUTIONS Model No. : IM006 Thank you for purchasing an Olympus digital camera. Before you start to use your new camera, please read these instructions carefully to enjoy optimum performance and a longer service life. Keep this manual in a safe place for future reference. We recommend that you take test shots to get accustomed to your camera before taking important photographs. The screen and camera illustrations shown in this manual were produced during the development stages and may differ from the actual product. If there are additions and/or modifications of functions due to firmware update for the camera, the contents will differ. For the latest information, please visit the Olympus website. Indications used in this manual The following symbols are used throughout this manual. $ Notes Points to note when using the camera. Useful information and hints that will help you get the most out of % Tips your camera. g Reference pages describing details or related information. 2 EN Table of Contents Quick task index 7 Choosing shutter speed (Shutter Priority mode) .............47 of Contents Table Choosing aperture and Names of parts 10 shutter speed (Manual mode)...48 Shooting with long exposure time Preparation 12 (BULB/LIVE TIME) ...................49 Unpacking the box contents .....12 -
"Agfaphoto DC-833M", "Alcatel 5035D", "Apple Ipad Pro
"AgfaPhoto DC-833m", "Alcatel 5035D", "Apple iPad Pro", "Apple iPhone SE", "Apple iPhone 6s", "Apple iPhone 6 plus", "Apple iPhone 7", "Apple iPhone 7 plus", "Apple iPhone 8”, "Apple iPhone 8 plus”, "Apple iPhone X”, "Apple QuickTake 100", "Apple QuickTake 150", "Apple QuickTake 200", "ARRIRAW format", "AVT F-080C", "AVT F-145C", "AVT F-201C", "AVT F-510C", "AVT F-810C", "Baumer TXG14", "BlackMagic Cinema Camera", "BlackMagic Micro Cinema Camera", "BlackMagic Pocket Cinema Camera", "BlackMagic Production Camera 4k", "BlackMagic URSA", "BlackMagic URSA Mini 4k", "BlackMagic URSA Mini 4.6k", "BlackMagic URSA Mini Pro 4.6k", "Canon PowerShot 600", "Canon PowerShot A5", "Canon PowerShot A5 Zoom", "Canon PowerShot A50", "Canon PowerShot A410 (CHDK hack)", "Canon PowerShot A460 (CHDK hack)", "Canon PowerShot A470 (CHDK hack)", "Canon PowerShot A530 (CHDK hack)", "Canon PowerShot A540 (CHDK hack)", "Canon PowerShot A550 (CHDK hack)", "Canon PowerShot A570 (CHDK hack)", "Canon PowerShot A590 (CHDK hack)", "Canon PowerShot A610 (CHDK hack)", "Canon PowerShot A620 (CHDK hack)", "Canon PowerShot A630 (CHDK hack)", "Canon PowerShot A640 (CHDK hack)", "Canon PowerShot A650 (CHDK hack)", "Canon PowerShot A710 IS (CHDK hack)", "Canon PowerShot A720 IS (CHDK hack)", "Canon PowerShot A3300 IS (CHDK hack)", "Canon PowerShot D10 (CHDK hack)", "Canon PowerShot ELPH 130 IS (CHDK hack)", "Canon PowerShot ELPH 160 IS (CHDK hack)", "Canon PowerShot Pro70", "Canon PowerShot Pro90 IS", "Canon PowerShot Pro1", "Canon PowerShot G1", "Canon PowerShot G1 X", "Canon -
Bracketing Is a Procedure Whereby the Photographer Takes Multiple Exposures of the Same Scene at Different Exposure Values
Better Query Saul: A Different Way to Bracket I remember asking my brother why his camera would click 5 times every time he touched the shutter. His answer was that he always brackets all his shots. “Why do you bracket?” I asked. “Because I want to make sure I get the correct exposure!” Bracketing is a procedure whereby the photographer takes multiple exposures of the same scene at different exposure values. For some cameras, bracketing is a menu option so that, if selected, you only have to press the shutter once and the camera will take multiple images. My Sony a7RII, for example, has an option in the menu for bracketing. I select the number of images and the difference in exposure value between the images. If I select 2.0EV 3 Images, and I have set my camera to an aperture of f4.0, shutter speed of 1/125 and ISO of 400, the camera will take the next shot at f4.0, 1/30 and ISO 400 – this will be the brighter exposure – and the last shot at f4.0, 1/500 and ISO 400 – the darker shot.1 There are many reasons why a photographer would want to do this – to apply HDR techniques, not sure of the correct exposure, or simply exploring how the image would look over- and under- exposed. A photographer could try doing this manually by simply varying the shutter speed - assuming the camera is in the same position so that camera movement does not corrupt the results. Notice that ‘bracketing’ in the example just described is accomplished by varying shutter speeds. -
FUJIFILM Y Del Software Suministrado
BL01600-500 ES DIGITAL CAMERA Antes de empezar X10 Primeros pasos Manual del propietario Fotografía básica y reproducción Le agradecemos haber adquirido este producto. En este manual se describe el uso Más sobre la fotografía de su cámara digital FUJIFILM y del software suministrado. Asegúrese de leer y entender completamente el contenido del manual y Más sobre la reproducción los avisos ubicados en “Notas y Precaucio- nes” (P ii) antes de utilizar la cámara. Vídeos Conexiones Para obtener información sobre productos relacionados, visite nuestro sitio web en http://www.fujifilm.com/products/digital_cameras/index.html Menús Notas técnicas Resolución de problemas Apéndice $00 X007_OM_50-ES.indb i 9/14/2011 9:43:31 Notas y Precauciones Asegúrese de leer estos avisos antes de utilizar el producto ADVERTENCIA Evite la entrada de agua o de cualquier objeto extraño dentro de la cámara. Instrucciones de seguridad Si entra agua o algún cuerpo extraño en la cámara, desconéctela, ex- • Asegúrese de que utiliza la cámara correctamente. No olvide leer estas notas traiga la pila y desconecte el transformador de corriente alterna. de seguridad y este manual de instrucciones con la máxima atención. Evite el contacto No continúe utilizando la cámara, ya que podría causar un incendio o • Después de leer estas notas de seguridad, guárdelas en un lugar seguro. con el agua una descarga eléctrica. • Póngase en contacto con su distribuidor FUJIFILM. Acerca de los iconos Los símbolos que se explican a continuación indican la gravedad y el peligro No utilice esta cámara en el cuarto de baño. No la utilice Si lo hace, podría causar un incendio o una descarga eléctrica. -
Capture One 12 12.1 Capture One Release Notes
Capture One 12 12.1 Capture One release notes Capture One is made by Phase One (the world’s leading manufacturer of high-end digital camera systems) in collaboration with the world’s leading professional photographers. Capture One is a professional RAW converter offering you ultimate image quality with beautiful colors and incredible detail for more than 500 high-end cameras. It offers state- of-the-art tethered capture, powerful digital asset management, extensive adjustment tools and a flexible workflow through customizable workspaces. All run modes are included in the one installer and the run mode is determined by the license key used. The trial is also included in the installer and is registered as the full product upon activation. Capture One is available in a number of modes: • Capture One Pro • Capture One Pro DB (Digital Back support only) • Capture One Pro Fujifilm (Fujifilm camera support only) • Capture One Pro (for Sony) (Sony camera support only) • Capture One Express Fujifilm (Fujifilm camera support only) • Capture One Express (for Sony) (Sony camera support only) • Capture One Studio (Enterprise) • Capture One CH (Cultural Heritage) The release notes include notes for all releases of Capture One. Previous release notes can be found in the Phase One download archive. Best regards, Team Phase One 2 Contents Lens support 12.1.4 Camera and Lens Support 4 Phase One Lens Profiles (645) 41 12.1.4 Bug Fixes 5 A-Series and Technical Lens Profiles 41 Mamiya Lens Profiles (645) 41 12.1.3 Camera and Lens Support 6 Phase One XT Lens