FOX TV's Baskets Season 2, Paul Newman, James
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The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
Peter Cullen and Frank Welker Are More Than Meets the Eye
Peter Cullen and Frank Welker Are More Than Meets the Eye Few cartoons and actions figures are as iconic, popular and recognizable as Transformers. Whether you grew up with the ’80s TV series, the original 1988 film or even the current blockbuster franchise, you most likely know the difference between an Autobot and a Decepticon. The original voices behind the eternal foes Optimus Prime and Megatron, Peter Cullen and Frank Welker, each have been doing voice work for over 50 years, and I was excited to talk with them in advance of their appearance at RI Comic Con. Rob Duguay (Motif): When you were approached to do the voices for the Transformers cartoon in the ’80s, what was your reaction? Peter Cullen: I remember being very curious about it. It was so new, so different from anything I had ever done or seen before. That is because there were no cute funny characters of all sorts of voice ranges, but simply an assortment of metal robots that fought for good or evil. It was more real life than cartoons. I was asked to read a few characters including Prime, and that opportunity proved to be a once in a lifetime. The words were perfect, some advice from my brother Larry — who is also a personal hero of mine — and the rest is history. Frank Welker: I was not familiar with the franchise at all, but loved the characters and the art. They were different than anything I was working on at the time. It was fun to play so many characters and of course I had the opportunity to be the big bad boy and I loved doing him and still do. -
FILMS FANTASTIC 11 the Journal of the NFFF Film Bureau
FILMS FANTASTIC 11 The Journal of the NFFF Film Bureau This Issue OUTWARD BOUND Films Fantastic number 11 is published by Eric Jamborsky for the N3F Film Bureau. [email protected] The 1920s are often remembered as The Jazz Age, for Flappers, Sheiks, and Vamps. For genre fans Fritz Lang's METROPOLIS and WOMAN IN THE MOON may come to mind. Then we have the films of Lon Chaney, the Man Of A Thousand Faces, such as PHANTOM OF THE OPERA or the now lost LONDON AFTER MIDNIGHT. This was also the decade where Hugo Gernsback published the first magazine devoted to Science Fiction. But there was another side to the decade. Following the unprecedented number of deaths in the First World War, followed by the Spanish Flu pandemic of 1918-1919. Of the Flu pandemic, according to the CDC, “The 1918 influenza pandemic was the most severe pandemic in recent history. It was caused by an H1N1 virus with genes of avian origin. Although there is not universal consensus regarding where the virus originated, it spread worldwide during 1918-1919. In the United States, it was first identified in military personnel in spring 1918. It is estimated that about 500 million people or one-third of the world’s population became infected with this virus. The number of deaths was estimated to be at least 50 million worldwide with about 675,000 occurring in the United States.” As a result this decade witnessed the growth of Spiritualism and other doctrines by people who had undergone losses during that period. -
The Student Newspaper of North Carolina State University Since 1920
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 w WEDNESDAY MARCH 2005 technicianonline.com ” ’ ‘"“"“"““"§.1‘;;;i;i bitHCQrBfifiQ Homecoming committee begins work First meeting discusses The Pack Howl subcommit- Pack Howl entertainment tee was the largest ofthe night, and Williams believes the size choices will result in a greater array of opinions. ' Iosh Harrell “I think a lot of the people StaffWriter interested in this event are in it for the band, it is arguably Homecoming chair Amanda the biggest event ofthe week,” Lilley and the rest of the sub— Williams said. “But there are so committee chairs said they many other things thatwe have were hoping for a good turn to take care of, such as the pep out Tuesday night. rally, getting prizes donated They got it. for the raffle and other kinds About 50 people, both old of performances that go on and new members, turned out during the week.” JEFF REEVES/TECHNIQAN at the Alumni Building to let The committee also feels Football players Marcus Stone and Brian Clarkjoust in the Brickyard Tuesday. Service Raleigh set up thejousting platform to promote their their voices be heard for next that a balance must be struck service project which takes place on April 2. Service Raleigh is an organization supported by Parks Scholars and Student Government. year’s Homecoming, sched- between pleasing students and uled for the week of Oct. 23— alumni alike. 29, capped off by the football “We’re really trying to con- game against the Golden Eagles centrate on more mainstream of Southern Mississippi. -
Hyperobjects for Artists
Hyperobjects for Artists A reader, edited by Timothy Morton and Laura Copelin with Peyton Gardner Table of Contents: 01 Timothy Morton 02 Brenda Hillman * 03 Ester Partegas 04 Kim Stanley Robinson 05 Heather Davis 06 TVGOV 07 Joan Naviyuk Kane * 08 Charles Mary Kubricht 09 Marc von Schlegell 10 Olafur Eliason * 11 Ester Partegas 12 Candice Lin 13 Joan Naviyuk Kane 14 Beatriz Cortez * 15 Ester Partegas 16 Lynn Xu 17 Jennifer Walshe 18 Timothy Donnelley 19 Ursula K. Le Guin 20 Kathelin Gray Contributors Acknowledgements Sources and Copyright *Artworks Chapter One Timothy Morton Hyperobjects and Creativity A hyperobject is a name I invented for something that is so vastly distributed in time and space, relative to the observer, that we might not think it’s even an object at all. It’s good to have a word for things that are now only too thinkable, if not totally visible—global warming, radiation, the biosphere… Words enable you to think. Stabilizing all kinds of intense and novel feelings and sensations in a word allows for a release of (creative) energy, because you don’t have to keep on figuring the basic coordinates out—you have a word, which means things are capable of being figured out, seen… This doesn’t make everything all right, of course, but it does mean that the way you undergo the gigantic things that structure your life, from hurricanes to the mass mobilization algorithms we call social media (a phrase that begins to sound like “military intelligence”), doesn’t take up all your spare psychic processing power. -
Cowboy Chronicle August 2015 Page 1
Cowboy Chronicle August 2015 Page 1 VISIT US AT SASSNET .COM Cowboy Chronicle Page 2 August 2015 The Cowboy Chronicle CONTENTS 5 SASS CONVENTION ((( SIGN-U P TODA Y!! ! ))) Editorial Staff 6 FROM THE EDITOR Skinny Skinny’s Soapbox . We Will Miss Slipnoose . Editor-in-Chief 8-11 COVER FEATURE Misty Moonshine Texas Senior Games 2015 . 12-15 NEWS Managing Editor Hall of Fame Thirteenth SASS Convention 2015 . Tex and Cat Ballou 16-29 ON THE RANGE Editors Emeritus Thunder In Paradise . Mississippi Fandango . 30-35 CLUB REPORTS Adobe Illustrator A Pair Of Jewels . Pine Mountain Posse Match . Layout & Design 36 THE WILD BUNCH CORNER Wild Bunch New Hampshire . Mac Daddy 38-45 GUNS & GEAR Graphic Design Dispatches From Camp Baylor . Square Deal Jim 46-50 HISTORY Advertising Manager The Sultana Disaster . Little Known Famous People . (703) 764-5949 • Cell: (703) 728-0404 51 REVIEWS BOOKS [email protected] Fighting For Air (Young Doc Holliday) . 54-57 PROFILES Staff Writers 2015 Scholarship Recipients . Big Dave, Capgun Kid 58-67 ARTICLES Capt. George Baylor One Pot Chuck . Comic Book Corner . Col. Richard Dodge 68 ARTICLES TM Jesse Wolf Hardin, Joe Fasthorse Cowboy Action Shooting (Shooting The Stage) . Larsen E. Pettifogger, Palaver Pete 70-73 STRAIGHT SHOT Tennessee Tall and Rio Drifter Wyatt Earp (pt. I) The Fighting Pimp . Texas Flower 74 GENERAL STORE /CLASSIFIEDS Whooper Crane and the Missus The Cowboy Chronicle 76, 77 SASS MERCANTILE is published by Nice Collectibles . The Wild Bunch, Board of Directors of SASS NEW MEMBERS The Single -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
NEW BLOOD in CONTEMPORARY CINEMA W OMEN DIRECTORS and the POETICS of HORROR New Blood in Contemporary Cinema
PATRICIA PISTERS NEW BLOOD IN CONTEMPORARY CINEMA W OMEN DIRECTORS AND THE POETICS OF HORROR New Blood in Contemporary Cinema New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Patricia Pisters Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting- edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Patricia Pisters, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 6695 0 (hardback) ISBN 978 1 4744 6697 4 (webready PDF) ISBN 978 1 4744 6698 1 (epub) The right of Patricia Pisters to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents List of Figures vii Acknowledgements viii Introduction: Virginia’s Unruly Daughters and Carrie’s Crimson Sisters 1 Red Flags on the Red Carpet 1 The Bloody Difference: Virginia Woolf’s Unruly Daughters 5 Cinematic Poetics of Horror, Metaphors and Relations: A Note on Theory 11 Following a Trail of Blood: Carrie’s Crimson Sisters 16 Drop by Drop: Chapter Overview 18 1. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Expect Courts to Get Task of Redistricting
Red School Budget Gut SEE STORY PAGE % Sunny and Cool Sunny today, high in upper FINAL • _ '[ 49s, clear and cold tonight. Red Bank, Freehold Fair tomorrow, high around SO. Long Branch EDITION 22 PAGES Monmouth County's Outstanding Home Newspaper VOL.94 NO. 194 RED BANK, N.J. TUESDAY. MARCH 28,1972 TENCENTS! •••••••••••••••••••WMiiiuwii 1—iiiiiiiiiiiiiiiiiiiinniHaaitMiirwHniHinmHwmiimiiiiunmiiiiiiiiiinniiiiiniiHi iiiniiim Expect Courts to Get Task of Redistricting TRENTON (AP) - The put the possibility it would or. the court to extend its dead- row because of the religious Mercer, who said the Legisla- New Jersey Assembly, which der all 15 congressmen to run line by two weeks in hopes a lioldidays and because leaders ture "still has not fulfilled its is almost evenly divided be- at large. bipartisan agreement can be of both parties were uncertain responsibility" by enacting a tween the two parties, has The Legislature begins its reached. it would be worthwhile. new rcdistrictng plan as or- lived up to predictions and Easter recess today and will But after some discussion The possibility of a special dered by the court. failed to reach agreement on not reconvene until April 6. the Assembly decided against session was raised by Demo- During the long debate on bills to redraw the boundaries The Assembly voted to ask coming back in session tomor- crat S. Howard Woodson of See Courts, Page 2 of the state's 15 congressional districts. The action yesterday vir- tually assures that the matter will finally be settled by the Protest Strikes Bring federal courts. A Democratic redistricting plan fell two votes short of the .:' APWIrtplwfo required 41 votes necessary DOG RESCUERS DUNKED — Two Auburn Maine, firemen and the city's for passage. -
Jaime Gil De Biedma
·_IF ·-~ ------=::=--- --- ·---..c---- " A Jou rnal of International Litefature and "the Arts _,£. ~- r Painting by Jose Hernandez Munoz MUNDUS ARTIUM A Journal of International Literature and the Arts Spring 1969, Volume 11, Number 2 Department of English Ohio University Athens, Ohio USA. 1 THE IMMORTAL Photography by Lois Siegel MUNDUS ARTIUM STAFF Editor-in-Chief, Rainer Schulte Associate Editor, Roma A. King, Jr, Assistant to the Editors, Thomas J. Hoeksema ADVISORY BOARD Glauco Cambon Jack Morrison Wallace Fowlie Morse Peckham Otto Graf Joachim von Rintelen Walter Hollerer Austin Warren Mundus Artium is a journal of international literature and the arts, published three times a year by the Department of English, Ohio University. Annual subscription $4.00; single copies $1.50 for United States, Canada, and Mexico. All other countries: $4.50 a year, and $1.75 for single copies, obtainable by writing to The Editors, Mundus Artium, Department of English, Ellis Hall, Box 89, Ohio University, Athens, Ohio, U.S.A. 45701. Checks drawn on European accounts should be made payable to Kreissparkasse Simmern, 654 Simmern/Hunsriick, Germany, Konto Nr. 6047. Montreal distributor: Mansfield Book Mart, 2065 Mansfield St., Montreal, P.Q., Canada. Manuscripts should be sent to the editors and should be accompanied by a self-addressed envelope with the appropriate return postage. Mundus Artium will consider for publication poetry, fiction, short drama, essays on literature and the arts, photography, and photographic reproductions of paintings and sculpture. It will include a limited number of book reviews. Copyright, 1969. Rainer Schulte and Roma A. King, Jr. Design by Don F. -
Sherlock Holmes Films
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co.