DOCSLIB.ORG

Microsoft Windows XP Microsoft Windows Vista Microsoft Windows 7

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Microsoft Windows XP Microsoft Windows Vista Microsoft Windows 7 Microsoft Windows XP Microsoft Windows Vista Microsoft Windows 7 Microsoft Windows 8 Arial Aharoni Bold Aharoni Bold Aharoni Bold Version 5.02 Arial Black Andalus Andalus Aldhabi Version 1.00 Arial Bold Angsana New Angsana New Andalus Version 5.99 Arial Bold Italic Angsana New Bold Angsana New Bold Angsana New Version 5.00 Arial Italic Angsana New Bold Italic Angsana New Bold Italic Angsana New Bold Version 5.00 Comic Sans MS Angsana New Italic Angsana New Italic Angsana New Bold Italic Version 5.00 Comic Sans MS Bold AngsanaUPC Angsana UPC Angsana New Italic Version 5.00 Courier 10, 12, 15 AngsanaUPC Bold Angsana UPC Bold AngsanaUPC Version 5.00 Courier New AngsanaUPC Bold Italic Angsana UPC Bold Italic AngsanaUPC Bold Version 5.00 Courier New Bold AngsanaUPC Italic AngsanaUPC Italic AngsanaUPC Bold Italic Version 5.00 Courier New Bold Italic Arabic Typesetting Aparajita AngsanaUPC Italic Version 5.00 Courier New Italic Arial Aparajita Bold Aparajita Version 5.92 Estrangelo Edessa Arial Black Aparajita Bold Italic Aparajita Bold Version 5.92 Franklin Gothic Medium Arial Bold Aparajita Italic Aparajita Bold Italic Version 5.92 Franklin Gothic Medium Italic Arial Bold Italic Arabic Typesetting Aparajita Italic Version 5.92 Gautami Arial Italic Arial Arabic Typesetting Version 5.92 Georgia Batang Arial Black Arial Version 6.80 Georgia Bold BatangChe Arial Bold Arial Black Version 5.21 Georgia Bold Italic Browallia New Arial Bold Italic Arial Bold Version 6.80 Georgia Italic Impact Browallia New Bold Arial Italic Arial Bold Italic Version 6.80 Latha Browallia New Bold Italic Batang Arial Italic Version 6.80 Lucida Console Browallia New Italic BatangChe Batang Version 5.00 Lucida Sans Unicode BrowalliaUPC Browallia New BatangChe Version 5.00 Microsoft Sans Serif Modern BrowalliaUPC Bold Browallia New Bold Browallia New Version 5.00 MS Sans Serif 8, 10, 12, 14, 18, 24 BrowalliaUPC Bold Italic Browallia New Bold Italic Browallia New Bold Version 5.00 MS Serif 8, 10, 12, 14, 18, 24 BrowalliaUPC Italic Browallia New Italic Browallia New Bold Italic Version 5.00 Mv Boli Calibri BrowalliaUPC Browallia New Italic Version 5.00 Palatino Linotype Calibri Bold BrowalliaUPC Bold BrowalliaUPC Version 5.00 Palatino Linotype Bold Calibri Bold Italic BrowalliaUPC Bold Italic BrowalliaUPC Bold Version 5.00 Palatino Linotype Bold Italic Calibri Italic BrowalliaUPC Italic BrowalliaUPC Bold Italic Version 5.00 Palatino Linotype Italic Cambria Calibri BrowalliaUPC Italic Version 5.00 Roman Cambria Bold Calibri Bold Calibri Version 5.72 Script Cambria Bold Italic Calibri Bold Italic Calibri Bold Version 5.72 Small Fonts Cambria Italic Calibri Italic Calibri Bold Italic Version 5.72 Symbol Cambria Math Cambria Calibri Italic Version 5.72 Symbol 8, 10, 12, 14, 18, 24 Candara Cambria Bold Calibri Light Version 2.00 Tahoma Candara Bold Cambria Bold Italic Calibri Light Italic Version 2.00 Tahoma Bold Candara Bold Italic Cambria Italic Cambria Version 6.80 Times New Roman Candara Italic Cambria Math Cambria Bold Version 6.80 Times New Roman Bold Comic Sans MS Candara Cambria Bold Italic Version 6.80 Times New Roman Bold Italic Comic Sans MS Bold Candara Bold Cambria Italic Version 6.80 Times New Roman Italic Consolas Candara Bold Italic Cambria Math Version 6.80 Trebuchet MS Consolas Bold Candara Italic Candara Version 5.61 Trebuchet MS Bold Consolas Bold Italic Comic Sans MS Candara Bold Version 5.61 Trebuchet MS Bold Italic Consolas Italic Comic Sans MS Bold Candara Bold Italic Version 5.61 Trebuchet MS Italic Constantia Consolas Candara Italic Version 5.61 Tunga Constantia Bold Consolas Bold Comic Sans MS Version 5.11 Verdana Constantia Bold Italic Consolas Bold Italic Comic Sans MS Bold Version 5.11 Verdana Bold Constantia Italic Consolas Italic Comic Sans MS Bold Italic Version 5.11 Verdana Bold Italic Corbel Constantia Comic Sans MS Italic Version 5.11 Verdana Italic Corbel Bold Constantia Bold Consolas Version 5.32 Webdings Corbel Bold Italic Constantia Bold Italic Consolas Bold Version 5.32 WingDings Corbel Italic Constantia Italic Consolas Bold Italic Version 5.32 WST_Czech Cordia New Corbel Consolas Italic Version 5.32 WST_Engl Cordia New Bold Corbel Bold Constantia Version 5.90 WST_Fren Cordia New Bold Italic Corbel Bold Italic Constantia Bold Version 5.9 WST_Germ Cordia New Italic Corbel Italic Constantia Bold Italic Version 5.90 WST_Ital CordiaUPC Cordia New Constantia Italic Version 5.90 WST_Span CordiaUPC Bold Cordia New Bold Corbel Version 5.61 WST_Swed CordiaUPC Bold Italic Cordia New Bold Italic Corbel Bold Version 5.61 CordiaUPC Italic Cordia New Italic Corbel Bold Italic Version 5.61 Courier New CordiaUPC Corbel Italic Version 5.61 Courier New Bold CordiaUPC Bold Cordia New Version 5.00 Courier New Bold Italic CordiaUPC Bold Italic Cordia New Bold Version 5.00 Courier New Italic CordiaUPC Italic Cordia New Bold Italic Version 5.00 DaunPenh Courier New Cordia New Italic Version 5.00 David Courier New Bold CordiaUPC Version 5.00 David Bold Courier New Bold Italic CordiaUPC Bold Version 5.00 DFKai-SB Courier New Italic CordiaUPC Bold Italic Version 5.00 DilleniaUPC DaunPenh CordiaUPC Italic Version 5.00 DilleniaUPC Bold David Courier New Version 6.80 DilleniaUPC Bold Italic David Bold Courier New Bold Version 6.80 DilleniaUPC Italic DFKai-SB Courier New Bold Italic Version 6.80 DokChampa DilleniaUPC Courier New Italic Version 6.80 Dotum DilleniaUPC Bold DaunPenh Version 5.00 DotumChe DilleniaUPC Bold Italic David Version 5.02 Estrangelo Edessa DilleniaUPC Italic David Bold Version 5.02 EucrosiaUPC DokChampa DFKai-SB Version 5.00 EucrosiaUPC Bold Dotum DilleniaUPC Version 5.01 EucrosiaUPC Bold Italic DotumChe DilleniaUPC Bold Version 5.01 EucrosiaUPC Italic Ebrima DilleniaUPC Bold Italic Version 5.01 Euphemia Ebrima Bold DilleniaUPC Italic Version 5.01 FangSong Estrangelo Edessa DokChampa Version 5.00 Franklin Gothic Medium EucrosiaUPC Dotum Version 5.00 Franklin Gothic Medium Italic EucrosiaUPC Bold DotumChe Version 5.00 FrankRuehl EucrosiaUPC Bold Italic Ebrima Version 5.06 FreesiaUPC EucrosiaUPC Italic Ebrima Bold Version 5.06 FreesiaUPC Bold Euphemia Estrangelo Edessa Version 5.00 FreesiaUPC Bold Italic FangSong EucrosiaUPC Version 5.01 FreesiaUPC Italic Franklin Gothic Medium EucrosiaUPC Bold Version 5.01 Gautami Franklin Gothic Medium Italic EucrosiaUPC Bold Italic Version 5.01 Georgia FrankRuehl EucrosiaUPC Italic Version 5.01 Georgia Bold FreesiaUPC Euphemia Version 5.05 Georgia Bold Italic FreesiaUPC Bold FangSong Version 5.01 Georgia Italic FreesiaUPC Bold Italic Franklin Gothic Medium Version 5.01 Gisha FreesiaUPC Italic Franklin Gothic Medium Italic Version 5.00 Gisha Bold Gabriola FrankRuehl Version 5.02 Gulim Gautami FreesiaUPC Version 5.01 GulimChe Gautami Bold FreesiaUPC Bold Version 5.01 Gungsuh Georgia FreesiaUPC Bold Italic Version 5.01 GungsuhChe Georgia Bold FreesiaUPC Italic Version 5.01 Impact Georgia Bold Italic Gabriola Version 5.92 IrisUPC Georgia Italic Gadugi Version 1.03 IrisUPC Bold Gisha Gadugi Bold Version 1.03 IrisUPC Bold Italic Gisha Bold Gautami Version 5.94 IrisUPC Italic Gulim Gautami Bold Version 5.94 Iskoola Pota GulimChe Georgia Version 5.51 JasmineUPC Gungsuh Georgia Bold Version 5.51 JasmineUPC Bold GungsuhChe Georgia Bold Italic Version 5.51 JasmineUPC Bold Italic Impact Georgia Italic Version 5.51 JasmineUPC Italic IrisUPC Gisha Version 5.01 KaiTi IrisUPC Bold Gisha Bold Version 5.01 Kalinga IrisUPC Bold Italic Gulim Version 5.01 Kartika IrisUPC Italic GulimChe Version 5.00 KodchiangUPC Iskoola Pota Gungsuh Version 5.00 KodchiangUPC Bold JasmineUPC GungsuhChe Version 5.00 KodchiangUPC Bold Italic JasmineUPC Bold Impact Version 5.10 KodchiangUPC Italic JasmineUPC Bold Italic IrisUPC Version 5.01 Latha JasmineUPC Italic IrisUPC Bold Version 5.01 Leelawadee KaiTi IrisUPC Bold Italic Version 5.01 Leelawadee Bold Kalinga IrisUPC Italic Version 5.01 Levenim MT Kalinga Bold Iskoola Pota Version 5.94 Levenim MT Bold Kartika Iskoola Pota Bold Version 5.94 LilyUPC Kartika Bold JasmineUPC Version 5.01 LilyUPC Bold Khmer UI JasmineUPC Bold Version 5.01 LilyUPC Bold Italic Khmer UI Bold JasmineUPC Bold Italic Version 5.01 LilyUPC Italic KodchiangUPC JasmineUPC Italic Version 5.01 Lucida Console KodchiangUPC Bold KaiTi Version 5.01 Lucida Sans Unicode KodchiangUPC Bold Italic Kalinga Version 5.95 Malgun Gothic KodchiangUPC Italic Kalinga Bold Version 5.95 Malgun Gothic Bold Kokila Kartika Version 5.95 Mangal Kokila Bold Kartika Bold Version 5.95 Marlett Kokila Bold Italic Khmer UI Version 5.02 Meiryo Kokila Italic Khmer UI Bold Version 5.02 Meiryo Bold Lao UI KodchiangUPC Version 5.01 Meiryo Bold Italic Lao UI Bold KodchiangUPC Bold Version 5.01 Meiryo Italic Latha KodchiangUPC Bold Italic Version 5.01 Microsoft Himalaya Latha Bold KodchiangUPC Italic Version 5.01 Microsoft JhengHei Leelawadee Kokila Version 5.92 Microsoft JhengHei Bold Leelawadee Bold Kokila Bold Version 5.92 Microsoft Sans Serif Levenim MT Kokila Bold Italic Version 5.92 Microsoft Uighur Levenim MT Bold Kokila Italic Version 5.92 Microsoft YaHei LilyUPC Lao UI Version 5.01 Microsoft YaHei Bold LilyUPC Bold Lao UI Bold Version 5.01 Microsoft Yi Baiti LilyUPC Bold Italic Latha Version 5.94 MingLiU LilyUPC Italic Latha Bold Version 5.94 MingLiU-ExtB Lucida Console Leelawadee Version 5.05 MingLiU_HKSCS Lucida Sans Unicode Leelawadee Bold Version 5.05 MingLiU_HKSCS-ExtB Malgun Gothic Levenim MT Version 5.03 Miriam Malgun Gothic Bold Levenim MT Bold Version 5.03 Miriam Fixed Mangal LilyUPC Version 5.01 Mongolian Baiti Mangal Bold LilyUPC Bold
Load more

Recommended publications
  • Cloud Fonts in Microsoft Office
    APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ
    [Show full text]
  • Publication Notes – 3Nt.Xyz
    Publication Notes – 3nt.xyz Pete Matthews Jr – https://3nt.xyz – © June 19, 2021 Some of the material in this document originally appeared on the MIT/DL Bridge Club site, at http://web.mit.edu/mitdlbc/www/contrib.html. This article, at https://3nt.xyz/about/, is now the official home of this material. Look for updates here. Most of the MS Office documents about the game of bridge use the free Cards font. Starting in 2018, this font is also used in writing up deals with Bridge Composer. Many of the Portable Bridge Notation (PBN) files on this site were created or edited with BridgeComposer; some were created with Dealmaster Pro. The PDF files should be complete and need only Acrobat Reader. That is, all necessary font components are embedded in the files. Items are noted (I) when appropriate for Intermediate players, or (A) for Advanced or Advancing players. Titles of mainstream articles are bold, while more esoteric or less important titles are in italics. Media Codes To describe attributes of the intended media, PDF documents are noted with these Media Codes: Media Size Description Portrait orientation, 1-2 columns, US Letter, usually single column, best 8.5"W for printing and viewing on a moderate to large screen. Articles P x 11"H published before July 1, 2018 and most other bridge material is in this format. 11"W x Landscape orientation, 1-2 columns, US Letter. Only used fort the L 8.5"H occasional spreadsheet that is too wide for some other format. Portrait orientation, 1 column, US Junior (Half Letter).
    [Show full text]
  • Lushootseed Unicode Keyboard Help
    Lushootseed Unicode Keyboard 1.1 Overview Design This Keyman keyboard is designed for Lushootseed, a language of the Pacific Northwest spoken in Washington state. The arrangement of Lushootseed letters on this keyboard closely follow the arrangement of keys in a standard English QWERTY keyboard. On Screen Keyboard This keyboard includes an On Screen Keyboard view for easy reference. The On Screen Keyboard works best when associated with a QWERTY US layout. Fonts This is a Unicode keyboard and works with any Unicode font which has support for Lushootseed characters. Common fonts which work with Lushootseed are: Arial Consolas Arial Unicode MS Courier New Calibri Tahoma Cambria Times New Roman This keyboard also includes the following fonts which work well with Lushootseed: Lushootseed Sulad Gentium Plus Lushootseed School Keyboard Layout Lushootseed Unicode: Unshifted ` 1 2 3 4 5 6 7 8 9 0 - = Backspace © 1 2 3 4 5 6 7 8 9 0 - = Tab q w e r t y u i o p [ ] \ q w ə š t y u i ʷ p [ ] \ Caps Lock a s d f g h j k l ; ' Enter a s d ʔ g h ǰ k l ɬ ' Shift z x c v b n m , . / Shift & x c č b n m , . / Ctrl Alt Alt Ctrl Lushootseed Unicode: Shifted ~ ! @ # $ % ^ & * ( ) _ + Backspace © ! @ # $ % ^ & * ( ) _ + Tab Q W E R T Y U I O P { } ¦ ; < ;ʷ = > kʷ ? { } ¦ Caps Lock A S D F G H J K L : " Enter qʷ dᶻ gʷ Aʷ A B C " Shift Z X C V B N M < > ? Shift &ʷ xʷ E F G H I < > ? Ctrl Alt Alt Ctrl Keyboard Details You can find most keys on the Lushootseed keyboard by thinking of a similar letter in English.
    [Show full text]
  • Choosing Fonts – Quick Tips
    Choosing Fonts – Quick Tips 1. Choose complementary fonts – choose a font that matches the mood of your design. For business cards, it is probably best to choose a classic font. *Note: These fonts are not available in Canva, but are in the Microsoft Office Suite. For some good Canva options, go to this link – https://www.canva.com/learn/canva-for-work-brand-fonts/ Examples: Serif Fonts: Sans Serif Fonts: Times New Roman Helvetica Cambria Arial Georgia Verdana Courier New Calibri Century Schoolbook 2. Establish a visual hierarchy – Use fonts to separate different types of information and guide the reader - Use different fonts, sizes, weights (boldness), and even color - Example: Heading (Helvetica, SZ 22, Bold) Sub-heading (Helvetica, SZ 16, Italics) Body Text (Garamond, SZ 12, Regular) Captions (Garamond, SZ 10, Regular 3. Mix Serifs and Sans Serifs – This is one of the best ways to add visual interest to type. See in the above example how I combined Helvetica, a sans serif font, with Garamond, a serif font. 4. Create Contrast, Not Conflict: Fonts that are too dissimilar may not pair well together. Contrast is good, but fonts need a connecting element. Conflict Contrast 5. Use Fonts from the Same Family: These fonts were created to work together. For example, the fonts in the Arial or Courier families. 6. Limit Your Number of Fonts: No more than 2 or 3 is a good rule – for business cards, choose 2. 7. Trust Your Eye: These are not concrete rules – you will know if a design element works or not! .
    [Show full text]
  • Alien Heads Found in Georgia
    Georgia Alien heads found in Georgia Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. The font is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface in the same style Carter was working on when contacted by Microsoft. Georgia were released by Microsoft in 1996 as part of the Core Fonts for the Web collection. The typeface's name referred to a tabloid headline claiming“Alien heads found in Georgia.” As a transitional serif design, Georgia shows a number of traditional features of rational serif typefaces from around the early 19th century, such as alternating thick and thin strokes, ball terminals, a vertical axis and an italic taking inspiration from calligraphy. It features a large x-height (tall lower-case letters) and its thin strokes are thicker than would be common on a typeface designed for display use or the higher resolution of print. Besides, Georgia's bold is also unusually bold and bolder than most bolds. Georgia Alien heads found in Georgia Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. The font is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface in the same style Carter was working on when contacted by Microsoft. Georgia were released by Microsoft in 1996 as part of the Core Fonts for the Web collection. The typeface's name referred to a tabloid headline claiming“Alien heads found in Georgia.” As a transitional serif design, Georgia shows a number of traditional features of rational serif typefaces from around the early 19th century, such as alternating thick and thin strokes, ball terminals, a vertical axis and an italic taking inspiration from calligraphy.
    [Show full text]
  • SHOPC Minutes
    · IOLu\f\ Clex-~ Kc.J 1 \) 1 Approved May 6, 2020 SJlo Izozo 2 I).' LI J'.W1 3 s 4 ~ ~ 5 THE SOUTHBOROUGH HOUSING OPPORTUNITY PARTNERSHIP COMMITTEE 6 (SHOPC) 7 MEETING MINUTES 8 Wednesday, April 29, 2020 8:30 AM 9 VIRTUAL MEETING/REMO E PARTICIPATION 10 11 Members present: Doriann Jasinski, Lisa Braccio, John Wood, Alex Frisch, Tom Bhisitkul, Tom Marcoulier 12 and Jesse Stein. Also present: Karina Quinn, Town Planner, Sarah Hoecker, Business Administrator I and 13 Kathleen Battles, Recording Secretary. Sarah Hoecker managed virtual connection through ZOOM 14 application. 15 16 CALL TO ORDER: The meeting was called to order at 8:44 AM. 17 18 Ms. Jasinski read the following statement: 19 Pursuant to Governor Baker's March 12, 2020 Order Suspending Certain Provisions of the Open Meeting 20 Law, G.L. c. 30A, &18, and the Governor's March 15, 2020 Order imposing strict limitations on the 21 number of people that may gather in one place, this meeting of the Southborough Housing Opportunity 22 Partnership Committee (SHOPC) is being conducted via remote participation to the greatest extent 23 possible. Specific information and the general guidelines for the remote participation by members of 24 the public and/ or parties with a right and/or requirement to attend this meeting can be found on the 25 Town of Southborough's website, at https://www.southboroughtown.com/. 26 For this meeting, members of the pubic who wish to listen to the meeting or participate in the public 27 hearing may do so in the following manner: 28 https://www.southboroughtown.com/remotemeetings 29 30 No in-person attendance of members of the public will be permitted, but every effort will be made to 31 ensure that the public can adequately access the proceedings in real time, via technological means.
    [Show full text]
  • Specifications for Your Presentation at ICOM Kyoto 2019
    Specifications for Your Presentation at ICOM Kyoto 2019 Access Time to Session Rooms Please ask your coordinator for your presentation when you should arrive at the session room and be aware that there are two sites for sessions. If you are making your presentation at the satellite venue, the Inamori Memorial Hall, do remember to have your conference ID badge issued at the main venue at the Kyoto International Conference Center (ICC Kyoto) beforehand. It takes about 20-30 minutes to travel between these two sites (refer to ICOM Kyoto 2019 website and programme book). So please take the travel time into account. Technical Requirements The size of the projection screen for your presentation will be 16:9 widescreen aspect ratio. Please prepare your slides in a 16:9 format, and store the data either on a USB memory device, CD-R or a laptop computer. You will be asked to check the operation of your laptop or upload the data onto the PC provided in the session room. Please be sure to have backups and arrive early enough to complete preparation of your presentation in time to avoid delays during the session. You can ask your coordinator or volunteers if you have any issues. Using USB memory devices All session rooms are equipped with a PC installed with Windows 10, and Microsoft PowerPoint Versions 2010, 2013, 2016 application software. To avoid display problems with your presentation, we recommend to use standard OS fonts. If you use fonts other than the following list, alternative fonts will be selected and layouts may be disrupted.
    [Show full text]
  • Style Guide: Best Practices in Formatting
    Style Guide: Best Practices in Formatting According to Colin Wheildon, author of Type & Layout: Are You Communicating or Just Making Pretty Shapes, it’s possible that 75% of your readers attempting to access your content (whether online, in print, or via email) will disregard what you’re saying based solely on the type of font you choose. That’s right—75%! That’s why it’s critically important to choose fonts that are clean and accessible and to choose a layout that is visual but not busy. Don’t try to pack too much into your layout, or else you may run the risk of your message being lost. First, let’s look at the differences between a “serif” and “sans serif” font. Serif fonts are more embellished, with small lines attached to the end of a stroke in a letter or symbol. Popular serif fonts include Times New Roman, Georgia, and Garamond. Many books, newspaper, and magazines use a serif font. In print mediums, serif fonts are often easier to read. Sans serif fonts don’t have the added embellishments. These fonts are often used in advertisements, and are generally easier to read. In print, sans serif fonts are often used as a headline, whereas serif fonts are used for the body text. Popular sans serif fonts include Helvetica, Arial, and Calibri. There are some simple best practices in formatting print, online, and email communications for your organization. These best practices will make your information easier to understand and more accessible to the average reader. When do I use a serif font like Times New Roman or Garamond? For print items, it’s suggested to utilize serif fonts for brochures, donation letters in the mail, etc.
    [Show full text]
  • Korean Style Guide
    Korean Style Guide Published: February, 2019 Microsoft Korean Style Guide Contents 1 About this style guide............................................................................................................................................... 4 1.1 Recommended style references .............................................................................................................. 4 2 Microsoft voice .............................................................................................................................................................. 5 2.1 Choices that reflect Microsoft voice ..................................................................................................... 6 2.1.1 Flexibility ........................................................................................................................................................ 6 2.1.2 Word choice................................................................................................................................................. 7 2.1.3 Word-to-word translation.................................................................................................................. 8 2.1.4 Words and phrases to avoid ............................................................................................................ 9 2.1.5 세요 instead of 십시오 ...................................................................................................................... 11 2.2 Sample Microsoft voice text...................................................................................................................
    [Show full text]
  • CECS 470 Lab Assignment 3: HTML and CSS Due Date: Wednesday, 2/13/2019
    CECS 470 Lab Assignment 3: HTML and CSS Due date: Wednesday, 2/13/2019 40 points 1. [ 3 points] Use the embedded style, style the web page in the lab assignment 2 with the following styles: h1 - color: blue; background -color: yellow h1, h2, h3 - font family: "Trebuchet MS", "Lucida Grande", Tahoma, sans- serif body – font family: Georgia, Cambria, "Times New Roman", serif 2. [6 points] Use the separate CSS file, style the web page in the lab assignment 2 with the following styles: header, footer - color: white; background color: 213643; nav - background color: 728B96; h1, h2, h3 - font family: "Trebuchet MS", "Lucida Grande", Tahoma, sans-serif; body – font family: Georgia, Cambria, "Times New Roman", serif; Change the text Review to red Class first to color: 728B96; font style: italic; 1 3. [ 31 points] This problem updates your existing web page from the lab assignment 2 to add some visual stylistic improvements with CSS. Instructions Create an external style sheet called reset.css that removes all the browser formatting from the main HTML elements and reference inside the html file as follows: html, body, header, footer, main, nav, article, section, figure, figcaption, h1, h2, h3, ul, li, body, div, p, img { margin: 0; padding: 0; font-size: 100%; vertical-align: baseline; border: 0; } Create another external style sheet named lab3.css and link to it in your HTML file. Add styles to lab3.css so that it looks similar to that shown in Figure below. Do not modify the markup within the <body> element. 2 Be sure to group your style rules together in appropriate commented sections and to make your sizes scalable (i.e., try to avoid using pixels for font sizes, padding, or margins).
    [Show full text]
  • Fonts Installed with Each Windows OS
    FONTS INSTALLED WITH EACH WINDOWS OPERATING SYSTEM WINDOWS95 WINDOWS98 WINDOWS2000 WINDOWSXP WINDOWSVista WINDOWS7 Fonts New Fonts New Fonts New Fonts New Fonts New Fonts Arial Abadi MT Condensed Light Comic Sans MS Estrangelo Edessa Cambria Gabriola Arial Bold Aharoni Bold Comic Sans MS Bold Franklin Gothic Medium Calibri Segoe Print Arial Bold Italic Arial Black Georgia Franklin Gothic Med. Italic Candara Segoe Print Bold Georgia Bold Arial Italic Book Antiqua Gautami Consolas Segoe Script Georgia Bold Italic Courier Calisto MT Kartika Constantina Segoe Script Bold Georgia Italic Courier New Century Gothic Impact Latha Corbel Segoe UI Light Courier New Bold Century Gothic Bold Mangal Lucida Console Nyala Segoe UI Semibold Courier New Bold Italic Century Gothic Bold Italic Microsoft Sans Serif Lucida Sans Demibold Segoe UI Segoe UI Symbol Courier New Italic Century Gothic Italic Palatino Linotype Lucida Sans Demibold Italic Modern Comic San MS Palatino Linotype Bold Lucida Sans Unicode MS Sans Serif Comic San MS Bold Palatino Linotype Bld Italic Modern MS Serif Copperplate Gothic Bold Palatino Linotype Italic Mv Boli Roman Small Fonts Copperplate Gothic Light Plantagenet Cherokee Script Symbol Impact Raavi NOTE: Trebuchet MS The new Vista fonts are the Times New Roman Lucida Console Trebuchet MS Bold Script newer cleartype format Times New Roman Bold Lucida Handwriting Italic Trebuchet MS Bold Italic Shruti designed for the new Vista Times New Roman Italic Lucida Sans Italic Trebuchet MS Italic Sylfaen display technology. Microsoft Times
    [Show full text]
  • Lucida Sans the Quick Brown Fox Jumps Over a Lazy Dog
    Facing up to Fonts Richard Rutter “When the only font available is Times New Roman, the typographer must make the most of its virtues. The typography should be richly and superbly ordinary, so that attention is drawn to the quality of the composition, not the individual letterforms.” Elements of Typographic Style by Robert Bringhurst ≠ Times New Roman Times New Roman is a serif typeface commissioned by the British newspaper, The Times, in 1931, designed by Stanley Morison and Victor Lardent at the English branch of Monotype. It was commissioned after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. Arial Arial is a sans-serif typeface designed in 1982 by Robin Nicholas and Patricia Saunders for Monotype Typography. Though nearly identical to Linotype Helvetica in both proportion and weight, the design of Arial is in fact a variation of Monotype Grotesque, and was designed for IBM’s laserxerographic printer. Georgia Georgia is a transitional serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. It is designed for clarity on a computer monitor even at small sizes, partially due to a relatively large x-height. The typeface is named after a tabloid headline titled Alien heads found in Georgia. Verdana Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Tom Rickner. Bearing similarities to humanist sans-serif typefaces such as Frutiger, Verdana was designed to be readable at small sizes on a computer screen. Trebuchet A humanist sans-serif typeface designed by Vincent Connare for the Microsoft Corporation in 1996.
    [Show full text]