DOCSLIB.ORG

LEGISLATIVE RESOLUTION Paying Grateful Tribute to the Distinguished and Remarkable Life of Eartha Kitt, Noted Singer, Entertainer and Anti-War Activist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LEGISLATIVE RESOLUTION Paying Grateful Tribute to the Distinguished and Remarkable Life of Eartha Kitt, Noted Singer, Entertainer and Anti-War Activist LEGISLATIVE RESOLUTION paying grateful tribute to the distinguished and remarkable life of Eartha Kitt, noted singer, entertainer and anti-war activist WHEREAS, It is the sense of this Legislative Body to honor the memory of cherished citizens of the State of New York who distinguished themselves in their profession and whose talent, charm, intellect and unique personality permeated all they did; and WHEREAS, It is with great sorrow and deep regret that this Legislative Body records the passing of Eartha Kitt on Thursday, December 25, 2008, at the age of 81; and WHEREAS, Born on January 17, 1927, in South Carolina, as Eartha Mae Keith, she danced, sang, and acted her way into the hearts of millions; and WHEREAS, For generations, the name Eartha Kitt was synonymous with sexy, sultry, and outspoken; since the tender age of 14, she worked the stage, and for nearly seven decades, she left her indelible imprint by her work on the big screen, television and recordings; and WHEREAS, Eartha Kitt's career-long persona, that of the seen-it-all sybarite, was set when she performed in Paris cabarets in her early 20s, singing songs that became her signatures, like "C'est Si Bon" and "Love for Sale"; and WHEREAS, Ms. Kitt, who began performing in the late 1940s as a dancer in New York, went on to achieve success and acclaim in a variety of mediums long before other entertainment multi-taskers like Julie Andrews, Barbra Streisand and Bette Midler; and WHEREAS, An international star who gave new meaning to the word versa- tile, she was one of only a handful of performers to be nominated for a Tony three times; and both a Grammy and an Emmy Award two times; she regularly enthralled New York nightclub audiences during her extended stays at The Cafe Carlyle; and WHEREAS, Those who want to see her as a seductive chanteuse should watch the 1958 film "St. Louis Blues," starring Nat King Cole, Ruby Dee, Pearl Bailey and the gospel great, Mahalia Jackson; for a slightly comic turn, one can see Eartha Kitt as an amorous entrepreneurial cougar on the hunt for a young Eddie Murphy in the 1992 film "Boomerang" starring Halle Berry as the principal love interest; and WHEREAS, Although she was known as the quintessential sex kitten for her acting, Eartha Kitt's public outspokenness came at quite a cost; her comings, goings, doings and sayings were tracked by both the FBI and the CIA; and WHEREAS, On January 18, 1968, she dared speak out at a luncheon held at the White House by the then First Lady, Lady Bird Johnson against the Vietnam War and was both blacklisted and harassed for doing so; for daring to speak her mind at the heart of the empire, and for denouncing an Imperial war, the media and the state tried to disappear her; she had to go abroad to find her freedom of speech, where she remained for near- ly a decade; and WHEREAS, President Kennedy, Malcolm X, and Dr. Martin Luther King, Jr. were all slain by 1968; with Robert Kennedy's assassination mere month's away, his candidacy, much like Barack Obama's, was seen as a beacon of hope in a sea of troubles; and WHEREAS, Eartha Kitt moved through life with an intelligence, wit and nerve that made her distinctive and unforgettable; in addition, her role as an anti-war activist won her a place in the history of American civil rights; and WHEREAS, In 1978, then President Jimmy Carter invited Eartha Kitt back to the White House, and that year she earned her first Tony nomination for her work in "Timbuktu!," an all-black remake of "Kismet"; by now a diva and legend, Ms. Kitt dabbled in dance music, scoring her biggest hit in 30 years with "Where Is My Man" in 1984, the same year she was roundly criticized for touring South Africa; and WHEREAS, The third of her three autobiographies, I'M STILL HERE: CONFESSIONS OF A SEX KITTEN, was published in 1989, and she earned a Grammy nomination for BACK IN BUSINESS, a collection of cabaret songs released in 1994; and WHEREAS, As Eartha Kitt began the sixth decade of her career, she was still active; in 2000, she received her second Tony nomination for best featured actress in a musical in "The Wild Party"; branching out into children's programming, she won two Daytime Emmy Awards, in 2007 and 2008, as outstanding performer in an animated program for her role as the scheming empress-wannabe Yzma in "The Emperor's New School"; and WHEREAS, All the while, she remained a fixture on the cabaret circuit, having maintained her voice and shapely figure; in September of 2007, she opened the newly renovated Cafe Carlyle in New York; and WHEREAS, Eartha Kitt was married to her one husband, Bill McDonald, a real-estate developer, from 1960 to 1965; their daughter, Kitt Shapiro, survives her, as do two grandchildren; and WHEREAS, Armed with a humanistic spirit, imbued with a sense of compassion, and comforted by numerous admirers, Eartha Kitt leaves behind a legacy which will long endure the passage of time, and will remain as a comforting memory to all she befriended; now, therefore, be it RESOLVED, That this Legislative Body pause in its deliberations to pay grateful tribute to the distinguished and remarkable life of Eartha Kitt, noted singer, entertainer and anti-war activist; and be it further RESOLVED, That a copy of this Resolution, suitably engrossed, be tran- smitted to the family of Eartha Kitt..
Load more

Recommended publications
  • FY14 Tappin' Study Guide
    Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is .
    [Show full text]
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Lesson Plan Part 1
    Protest and Pride: The Entertainment Industry Response to the Vietnam War Rick Jackson Discovery Alternative High School Summer 2012 Call Number: LC-U9- 18528, frame 26 [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 Teaching with Primary Sources Illinois State University The Vietnam War was a controversial and divisive conflict in American history. Even today, decades later, we debate whether or not American soldiers should have been a part of the conflict. The response of the public on both sides was vocal and sometimes violent. Students will explore the American public’s response to the Vietnam War through the prism of members of the entertainment industry. In groups, they will examine primary sources from both side of the controversy. Overview/ Materials/Historical Background/LOC Resources/Standards/ Procedures/Evaluation/Rubric/Handouts/Extension Overview Back to Navigation Bar Objectives Students will: gain a sense of the divisiveness of the Vietnam war explore the varying positions within the reaction to the war critically think about primary sources and what they can tell us constructively share their own understandings learn and practice teamwork skills Recommended time frame Three 55 minute class periods Grade level High School Curriculum fit US History – Vietnam War Materials Internet access Data projector Print copies of: Eartha Kitt photos, John Wayne letter, Bob Hope photo, Bob Hope letter, Jane Fonda Photo, Haymarket Square letter Primary source analysis handouts for Advertisements, Photos, and Letters 4 medium flip charts Access to word processing Michigan State Learning Standards Back to Navigation Bar 8.2 Domestic Policies Examine, analyze, and explain demographic changes, domestic policies, conflict, and tensions in Post-WWII America.
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Eden Ahbez TITLE Wild Boy The Lost Songs Of Eden Ahbez LABEL Bear Family Productions CATALOG # BAF 18018 PRICE-CODE BAF EAN-CODE ÇxDTRBAMy180187z FORMAT VINYL-album with gatefold sleeve • 180g vinyl GENRE Rock 'n' Roll / Tiki TRACKS 14 PLAYING TIME 37:26 G Hippie #1 G 14 rare/unreleased recordings G Guest appearances by Paul Horn, Eartha Kitt, and more G 180 gram vinyl G Fully annotated, with never before seen pictures INFORMATION By now psychedelic music is a mainstay of popular taste. But questions of its origins still linger. As such, BEAR FAMILY RECORDS now submits 'Wild Boy: The Lost Songs Of Eden Ahbez' as fresh evidence in the quest for answers. Over the past twenty years Ahbez has gone from cult figure to harbinger of the Sixties flower-power movement. This notion is born out largely by his 1948 ant- hem of universal love, Nature Boy, and his rare solo album from 1960, titled 'Eden's Island' – one of popular music's earliest con- cept albums. 'Wild Boy: The Lost Songs Of Eden Ahbez' both expands the Ahbez catalog and deepens the notion of a psychedelic movement having roots in the 1950s. Side one acts as a compilation of music that Ahbez wrote in the aftermath of Nature Boy. Inclusion of songs like Palm Springs by the Ray Anthony Orchestra and Hey Jacque by Eartha Kitt give listeners the chance to hear obscure cuts by big-name artists in the context of Ahbez for the first time.
    [Show full text]
  • WALSH DRUG CO. Commander Who Trades His Gasoline for Danny Kaye’S 3853 E
    Friday, May 2, 1958 THE ARIZONA POST Page Seven Hollywood Report: iiiiiiiiiiiuiiiiiiiiii:iiiiiiiiiiiiiiiiiiiii:iii:iiiiiii!iiiiiiiiiiiiiiiiiiiiniiii 13-Meet Slate Sports Club lis Formed Bas Mitzvah Not Set For Center IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIU Jewish Producer Is The busiest and most ambi- Evelyn Weiss, daughter of tious swimming schedule ever For Adults att Center Mr. and Mrs. Herman Weiss Permitted On Location attempted by the Tucson Jew- was Bas Mitzvah April 25 Adult sports enthusiasts wiill get together to swap stories Cong. HOLLYWOOD—In “Bitter Victory,” a Colum- ish Center has been an- at Anshei Israel. and make plans for the new Center Athletic Club Evelyn is a seventh grade nounced by Keith Meenan, r Men’s bia picture in its entirety photographed on location Sunday, May 4 9:30 student at Mansfeld Junior aquatic director. on at a.m. ait the Center. in North Africa, the philosophy is advanced Ed athletic High and is an honor student that the The Center swim team will Jones, Center c director, says the purpose A reception was held April men who died destroy the Nazi system died fu- of the group is to enable th(le sports-minded male of the to compete in 13 meets this sum- 2G at Con. Anshei Israel. tilely. The yarn deals with the campaign against mer, beginning with the Na- family “to get away from it tional Jewish Board sports Marshall Rommel in such a peculiar way that the Welfare all’’ and talk over a meet which is conducted by hot breakfast once a month. enemy comes off much better than our war-time airmail of Major films Mil comparing results sports figures, Allies, the British.
    [Show full text]
  • Hooray for Hollywood the Sequel
    Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66).
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Eartha Kitt
    Biographical Description for The HistoryMakers® Video Oral History with Eartha Kitt PERSON Kitt, Eartha Alternative Names: Eartha Kitt; Life Dates: January 17, 1927-December 25, 2008 Place of Birth: North, South Carolina, USA Work: Scarsdale, New York Occupations: Actress; Singer Biographical Note Eartha Kitt was an international star who gave new meaning to the word versatile. She distinguished herself in film, theater, cabaret, music, and on television. Kitt was one of only a handful of performers to be nominated for a Tony (three times), a Grammy (twice), and an Emmy Award (twice). She enthralled New York nightclub audiences during her extended stays at the Café Carlyle. These intimate performances have been captured in, Eartha Kitt, Live at The Carlyle. at The Carlyle. Eartha Mae Kitt was born on January 17, 1927. She was ostracized at an early age because of her mixed- race heritage. At eight years old, Kitt was given away by her mother and sent from the South Carolina cotton fields to live with an aunt in Harlem. In New York, her distinct individuality and flair for show business manifested itself, and on a friend's dare, the shy teen auditioned for the famed Katherine Dunham Dance Troupe. She won a spot as a featured dancer and vocalist, and before the age of twenty, toured worldwide with the company. During a performance in Paris, Kitt was spotted by a nightclub owner and booked as a featured singer at his club. Her unique persona earned her fans and fame quickly, including Orson Welles. Welles was so taken with her talent that he cast her as “Helen of Troy” in his fabled production of Dr.
    [Show full text]
  • Context: Palm Springs Between the Wars (1919-1941)
    48 Context: Palm Springs between the Wars (1919-1941) O’Donnell House, Ojo del Desierto, 447 W. Alejo Road, 1925. Listed in the National Register; HSPB- 19. Source: Steve Vaught, Paradise Leased. FINAL DRAFT – FOR CITY COUNCIL APPROVAL City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 49 CONTEXT: PALM SPRINGS BETWEEN THE WARS (1919-1941) Overview This context explores the transformation of Palm Springs from a modest spa town into a luxury winter resort in the years between the First and Second World Wars. By 1918 Nellie Coffman and her sons, George Roberson and Earl Coffman, understood the town’s potential, not as a health spa for asthmatics and consumptives, but as an exclusive winter resort for the well-to-do, and set about transforming their sanatorium into the luxurious Desert Inn, one of the most renowned hostelries in the country. Their success inspired the development of two equally spectacular hotels in the 1920s and cemented the town’s growing reputation as one of the country’s premier luxury winter resorts. These were the Oasis Hotel (121 S. Palm Canyon Drive; HSPB-10), designed by Frank Lloyd Wright, Jr. (known as Lloyd Wright) and opened in 1925 by Pearl McCallum McManus;97 and the grand Hotel El Mirador (1150 N. Indian Canyon Drive), designed by Walker and Eisen in a sumptuous Spanish Colonial Revival style and opened in 1927.98 El Mirador Hotel, photographed c. 1933. Source: Security Pacific National Bank Collection, Los Angeles Public Library. 97 The Oasis Hotel opened on a provisional basis in 1924, but the official opening was in 1925.
    [Show full text]
  • 1946 NORTH TWENTY-THIRD STREET (HOUSE) HABS PA-6684-A (Pearl Bailey House) PA,51-PHILAJ47A- Philadelphia Philadelphia County Pennsylvania
    1946 NORTH TWENTY-THIRD STREET (HOUSE) HABS PA-6684-A (Pearl Bailey House) PA,51-PHILAJ47A- Philadelphia Philadelphia County Pennsylvania PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY National Park Service U.S. Department of the Interior 1849 C Street NW Washington, DC 20240-0001 HISTORIC AMERICAN BUILDINGS SURVEY PEARL BAILEY HOUSE (1946 N. Twenty-third Street) HABSNo. PA-6684-A LOCATION: 1946 N. Twenty-third Street, between Arlington and Berks Streets, Philadelphia, Pennsylvania. SIGNIFICANCE: The Pearl Bailey House has cultural significance as the residence of Pearl Mae Bailey (1918—1990), the show business great honored for her work as a jazz artist, stage actress, television and film star, and later a delegate to the United Nations. DESCRIPTION: The Pearl Bailey House survives as one-half of a twin of the two-bay, full three-story type on N. Twenty-third and Judson streets in North Philadelphia as described in HABS No. PA-6684. The house's exterior remains in fair condition. Changes include the addition of a large brick porch with a concrete floor and covered by an aluminum roof. An aluminum storm door covers the front door. The wooden cornice has begun to deteriorate. The condition of the interior is not known. HISTORY: For the general North Philadelphia and the N. Twenty-third Street histories, see report for the 1900 block, N. Twenty-third and Judson Streets, HABS No. PA-6684. PEARL BAILEY Pearl Mae Bailey was born on March 29, 1918 in Newport News, Virginia, the daughter of a Pentecostal minister who introduced her early in life to song and dance through his energetic services.
    [Show full text]
  • Send in More Cops LBJ's State of Union Message
    UntalftHINIIIHIItHIIIIUtiiHitiiUIIUIIIIIIIIIIIIIIIIIIIIIIlllllllllllllllllllllllllllllllllllllllnllltlllllllfHHINftiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiUIIIIIIIIIIIHIItllllllllllllllltllllllllllllllfiiiiiiiiiUIIIIIIIIUtllfllllllllllllllllttulllllltllllllllllllllllllllllllllllllllll. THE Holsteotl's Letter MILITANT To Amerimn Soldiers Published in the Interest of the Working People -See Page 4- Volume 32 -No. 5 Monday, January 29, 1968 Price lOc llllllllllllllllllllllllfllllllllllll1iH11tlllllllllllltlllllllllllltlln.tiiiiiii11111111111111111111111U111111111111111111111111111111111111liiiUIIUIIUIIIIII!IUHUIIHII!IIIIIIIHHIIIII!Itlii!HIIIIUIIIIIIIIIIIIIIIIIIIUIIIIIIIIUIIIIII!l!iUIIHHII11!11111111111111111111111111111111111111UI Escalate War; Send in More Cops LBJ's State of Union Message By Dick Roberts The longest and loudest ap­ plause Lyndon Johnson got from the gang of reactionaries on Cap­ itol Hill during his State of the Union message Jan. 17 was when he declared: "There is no more urgent business before this Con­ gress than to pass the safe streets acts." Every cheering racist pres­ ent knew he was really talking about cracking down on black people. The President spent more time on the subject of "law enforce­ ment" than on any other domestic or foreign policy issue, including the war in Vietnam. He promised: "To develop state and local mas­ ter plans to combat crime. "To provide better training and better pay for police. "To bring the most advanced technology to the war on crime in every city and every county in America." Only Answer For the second straight year, Johnson did not even pay lip service to the black struggle for human rights. His only answer to the demands expressed in last summer's ghetto uprisings was more guns, more cops, and even more FBI agents. One paragraph devoted to re· inforcing the FBI by 100 men took up more space in the State of the Union message than the plight of the nation's farmers, who have recently been hit by the sharpest drop in farm prices MORE WAR.
    [Show full text]
  • Kennedy Center Gala” of the Sheila Weidenfeld Files at the Gerald R
    The original documents are located in Box 8, folder “1/25/76 - Kennedy Center Gala” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. Digitized from Box 8 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library .. 5 I 77 n z z ;n n· :·rte oz 5 ;• ,. B CORRESPONDENtS•PKOTOS•TV: I 'fKi KENNEDY CENT£R 'S .,BICENTENNIAL SALUTE FOR TH~ PERFORMING ARlS" wlU. lAKE PLACE IN THE CEttTER ·s OPERA HOUSE SUNDAY~ THE_ . PRODUCT JON •11..L aE CHAIRED BY JACQUELINE KENNEDY ONASSIS AND . 1$ UNDER t PATR'ONAGE OF PRESIDENT . AND l'IRS. FORD AND VICE PRESIDENT;' AND s~ ROCXi.fELLf.R. THE SHOw wILL FEATURE STARS OF THE ST AG_E, SCRi.Etl·· Af4D TV , INCLUDING HENRY FONDA, CAROL .CHANNING, 1.ENA HORNE, 15,AAC STD», PRISCILLA LOPEN AND THE ALVIN AILEY CITY CEN:T£R DANCE · THEATftl.
    [Show full text]