CHOICES of TACT’S Founding Members and a Former Long-Time Artistic Director of the Company (See Page 6)
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
The Evolving Perception of Controversial Movies
ARTICLE Received 6 Jul 2015 | Accepted 2 Nov 2015 | Published 8 Dec 2015 DOI: 10.1057/palcomms.2015.38 OPEN The evolving perception of controversial movies Luca Amendola1, Valerio Marra2 and Miguel Quartin3 ABSTRACT Polarization of opinion is an important feature of public debate on political, social and cultural topics. The availability of large internet databases of users’ ratings has permitted quantitative analysis of polarization trends—for instance, previous studies have included analyses of controversial topics on Wikipedia, as well as the relationship between online reviews and a product’s perceived quality. Here, we study the dynamics of polarization in the movie ratings collected by the Internet Movie database (IMDb) website in relation to films produced over the period 1915–2015. We define two statistical indexes, dubbed hard and soft controversiality, which quantify polarized and uniform rating distributions, respec- tively. We find that controversy decreases with popularity and that hard controversy is relatively rare. Our findings also suggest that more recent movies are more controversial than older ones and we detect a trend of “convergence to the mainstream” with a time scale of roughly 40–50 years. This phenomenon appears qualitatively different from trends observed in both online reviews of commercial products and in political debate, and we speculate that it may be connected with the absence of long-lived “echo chambers” in the cultural domain. This hypothesis can and should be tested by extending our analysis to other forms -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Summer 2019 Calendar of Events
summer 2019 Calendar of events Hans Christian Andersen Music and lyrics by Frank Loesser Book and additional lyrics by Timothy Allen McDonald Directed by Rives Collins In this issue July 13–28 Ethel M. Barber Theater 2 The next big things Machinal by Sophie Treadwell 14 Student comedians keep ’em laughing Directed by Joanie Schultz 20 Comedy in the curriculum October 25–November 10 Josephine Louis Theater 24 Our community 28 Faculty focus Fun Home Book and lyrics by Lisa Kron 32 Alumni achievements Music by Jeanine Tesori Directed by Roger Ellis 36 In memory November 8–24 37 Communicating gratitude Ethel M. Barber Theater Julius Caesar by William Shakespeare Directed by Danielle Roos January 31–February 9 Josephine Louis Theater Information and tickets at communication.northwestern.edu/wirtz The Waa-Mu Show is vying for global design domination. The set design for the 88th annual production, For the Record, called for a massive 11-foot-diameter rotating globe suspended above the stage and wrapped in the masthead of the show’s fictional newspaper, the Chicago Offering. Northwestern’s set, scenery, and paint shops are located in the Virginia Wadsworth Wirtz Center for the Performing Arts, but Waa-Mu is performed in Cahn Auditorium. How to pull off such a planetary transplant? By deflating Earth. The globe began as a plain white (albeit custom-built) inflatable balloon, but after its initial multisection muslin wrap was created (to determine shrinkage), it was deflated, rigged, reinflated, motorized, map-designed, taped for a paint mask, primed, painted, and unpeeled to reveal computer-generated, to-scale continents. -
Everybody Loves Raymond” Let’S Shmues--Chat
THANKSGIVING WITH THE CAST OF “EVERYBODY LOVES RAYMOND” LET’S SHMUES--CHAT The Yiddish word for “turkey” is “indik.” “Dankbar” is the Yiddish word for “thankful.” By MARJORIE GOTTLIEB WOLFE 46 “milyon” turkeys are eaten each Thanksgiving. Turkey consumption has increased 104% since 1970. And 88% of Americans surveyed by the National Turkey Federation eat turkey on this holiday. Marie Barone (Doris Roberts) is devoted to making sure her boys are well-fed. She gets her adult children back with food. It’s like a culinary hostage trade-off. Marie wants Debra, her daughter-in-law, to be a better cook. She calls her “cooking-challenged” and thinks that she should live directly opposite Zabar’s. Marie want the children to have better food. She says, “A mother’s love for her sons is a lot like a dog’s piercing bark: protective, loyal, and impossible to ignore. Many episodes of “Everybody Loves Raymond” dealt with Thanksgiving. Grab a #2 pencil and see if you can identify which of the following story lines is real or fabricated. Good luck. EPISODE 1. Thanksgiving has arrived. Marie is on a “diete.” She has just returned from a residential treatment facility for weight (“vog”) loss at Duke University in North Carolina. It was an expensive (“tayer”) program. The lockdown began: Low-Fat, No-Sugar (“tsuker”), No Taste foods, and 750 calories a day. (That’s the equivalent of a slice of chocolate cake.) One woman in the program sent herself “Candygrams” each week (“vokh”). Doris eats very little (“a bisl”) at the Thanksgiving table, but as she is preparing to leave Debra’s house, she asks for a little leftover turkey and apple (“epl”) chutney. -
International Research Workshop of the Israel Science Foundation Rethinking Political Theatre in Western Culture
The Yolanda and David Katz Faculty of the Arts Department of Theatre Arts International Research Workshop of The Israel Science Foundation Rethinking Political Theatre in Western Culture March 2-4, 2015 | Tel Aviv University, Fastlicht Auditorium, Mexico Building | First Dayֿ | Second Dayֿ | Third Dayֿ Monday March 2, 2015 Tuesday March 3, 2015 Wednesday March 4, 2015 09:00 - 09:30 | Registration 09:00 - 10:00 | Keynote Lecture 09:00 - 10:00 | Keynote Lecture Chair: Shulamith Lev-Aladgem Chair: Madelaine Schechter 09:30 - 10:00 | Greetings Carol Martin, New-York University Imanuel Schipper, Zurich University of the Arts Zvika Serper, Dean of the Yolanda and David Katz Faculty of the Arts, On Location: Notes Towards a New Theory of Political Theatre Tel Aviv University Staging Public Space – Producing Neighbourship Respondent: Sharon Aronson-Lehavi Shulamith Lev-Aladgem, Chair of the Department of Theatre Arts, Respondent: Ati Citron Tel Aviv University 10:00 - 10:15 | Coffee Break 10:00 - 10:15 | Coffee Break 10:00 - 11:00 | Keynote Lecture Shulamith Lev-Aladgem and Gad Kaynar (Kissinger) 10:15 - 12:15 | Practical Workshop 10:15 - 11:45 | Workshop Session: Performance and Peacebuilding in Israel Rethinking Political Theatre: Introductory Notes Peter Harris, Tel Aviv University The Tami Steinmetz Center for Peace Research Playing with “Others” in a “Neutral Zone” 11:00 - 11:15 | Coffee Break Chair: Lee Perlman The Politics of Identity, Representation and Power - Relations 11:15 - 13:15 | Workshop Session 12:15 - 12:30 | Coffee Break Aida -
Download PDF Version of Issue 87
Cambridge Alumni Magazine Issue 87 — Easter 2019 A hitchhiker’s guide to Douglas Adams’s Cambridge Tax policy might not be sexy but it determines the character of society Why sport is good for students – and for their academic results EASTER 2019 | CAM 87 1 2 CAM 87 | EASTER 2019 Editor Mira Katbamna Managing editor Steve McGrath Design and art direction Rob Flanagan University of Cambridge Bruce Mortimer Charis Goodyear Cambridge Alumni Magazine Issue 87 Easter 2019 02 INBOX Publisher The University of Cambridge Development & Alumni Relations Campendium 1 Quayside, Bridge Street 20 Cambridge CB5 8AB Tel +44 (0)1223 332288 07 DON’S DIARY Dr JD Rhodes. Editorial enquiries Tel +44 (0)1223 332288 08 MY ROOM, YOUR ROOM [email protected] Josie Rourke (Murray Edwards 1995). 11 SOCIETY Alumni enquiries Tel +44 (0)1223 332288 Cambridge University Brass Band. [email protected] 13 BRAINWAVES alumni.cam.ac.uk facebook.com/cambridgealumni Professor Stephen J Toope. @Cambridge_Uni #camalumni Contents Advertising enquiries Features Tel +44 (0)20 7520 9474 [email protected] 14 WHY TAX IS GOOD FOR YOU Services offered by advertisers Tax policy might not be sexy but it is at are not specifically endorsed the heart of determining the character by the editor, YBM Limited of a society. CAM investigates. or the University of Cambridge. The publisher reserves the right to 20 COMPLEXITY. BEAUTY. MYSTERY. decline or withdraw advertisements. Dr Ross Waller says that we know very Cover little about single-celled organisms. Illustration: Holly Exley. 24 DOWN THE RABBIT HOLE The Hitchhiker’s Guide to the Galaxy is Whether it’s a response to the digital published by Penguin Random House. -
The Walking Dead,” Which Starts Its Final We Are Covid-19 Safe-Practice Compliant Season Sunday on AMC
Las Cruces Transportation August 20 - 26, 2021 YOUR RIDE. YOUR WAY. Las Cruces Shuttle – Taxi Charter – Courier Veteran Owned and Operated Since 1985. Jeffrey Dean Morgan Call us to make is among the stars of a reservation today! “The Walking Dead,” which starts its final We are Covid-19 Safe-Practice Compliant season Sunday on AMC. Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com PHARMACY Providing local, full-service pharmacy needs for all types of facilities. • Assisted Living • Hospice • Long-term care • DD Waiver • Skilled Nursing and more Life for ‘The Walking Dead’ is Call us today! 575-288-1412 Ask your provider if they utilize the many benefits of XR Innovations, such as: Blister or multi-dose packaging, OTC’s & FREE Delivery. almost up as Season 11 starts Learn more about what we do at www.rxinnovationslc.net2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section August 20 - 26, 2021 What’s Available NOW On “Movie: We Broke Up” “Movie: The Virtuoso” “Movie: Vacation Friends” “Movie: Four Good Days” From director Jeff Rosenberg (“Hacks,” Anson Mount (“Hell on Wheels”) heads a From director Clay Tarver (“Silicon Glenn Close reunited with her “Albert “Relative Obscurity”) comes this 2021 talented cast in this 2021 actioner that casts Valley”) comes this comedy movie about Nobbs” director Rodrigo Garcia for this comedy about Lori and Doug (Aya Cash, him as a professional assassin who grapples a straight-laced couple who let loose on a 2020 drama that casts her as Deb, a mother “You’re the Worst,” and William Jackson with his conscience and an assortment of week of uninhibited fun and debauchery who must help her addict daughter Molly Harper, “The Good Place”), who break up enemies as he tries to complete his latest after befriending a thrill-seeking couple (Mila Kunis, “Black Swan”) through four days before her sister’s wedding but decide job. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
The Jerusalem Report February 6, 2017 Wikipedia Wikipedia
Books A traitor in Budapest Rudolf Kasztner was not a hero but an unscrupulous Nazi collaborator, insists British historian Paul Bogdanor in his new book By Tibor Krausz REZSŐ KASZTNER was a much-maligned Was Kasztner, the de facto head of the Bogdanor’s book is a meticulously re- hero of the Holocaust. Or he was a villain- Zionist Aid and Rescue Committee in Bu- searched, cogently argued and at times ous Nazi collaborator. It depends who you dapest, eagerly liaising with Adolf Eich- riveting indictment of Kasztner, which ask and how you look at it. Over 70 years mann and his henchmen so as to save any is bound to reopen debate on the wartime after the end of World War II and almost 60 Hungarian Jews he could from deportation Zionist leader’s role in the destruction of years after his death, the Jewish-Hungarian and certain death in Auschwitz-Birkenau? Hungary’s Jewish community. Zionist leader remains a highly controver- Or was he doing so out of sheer self-inter- sial figure. est in order to make himself indispensable IN APRIL and May 1944, the author To his defenders, like Israeli histori- to the Nazis by helping send hundreds of demonstrates at length, Kasztner knew an Shoshana Ishoni-Barri and Hungar- thousands of other Jews blindly to their fate full well that the Nazis were busy deport- ian-born Canadian writer Anna Porter, through willful deception? ing Hungarian Jews to Auschwitz, where the author of “Kasztner’s Train” (2007), In his book “Kasztner’s Crime,” Brit- the gas chambers awaited them. -
Everybody Loves Raymond
SHOW BIZ Maria Faisal Everybody Loves Raymond Based on the real-life experiences of Ray Romano, Everybody Loves Raymond, the popular sitcom ran from September 1996 to May 2005. Everybody Loves Raymond, a very popular American sitcom broadcast on CBS, ran from 1996 to 2005. The show revolved around the life of Ray Barone, a News Paper sportswriter from Long Island, his wife, Debra, daughter, Ally, and identical twin sons, Geoffrey and Michael. Ray has imposing parents and a jealous, insecure brother, Robert. They are found most of the time in the living room of Ray. Debra, Ray's wife is sick of this routine that had turned her in to a cranky yelling woman, but tolerates for the love of her husband. Ray’s parents and brother never give Ray or his family a moment of peace. Ray often finds himself in the middle of someone else's problems. He is usually the one blamed for everyone else's troubles. Based on the real-life experiences of Ray Romano, Everybody Loves Raymond premiered on September 13, 1996, on CBS. The series finale was broadcast on May 16, 2005, though old episodes are still rerun on cable network TBS and in daily syndication. The show can be watched Monday to Friday on Rogers channel 35, 835, 47 and 847. Paaras 1 Interesting Facts About the Show ·In an unusual turn for such a long-running show, ·Like Robert Barone in Everybody Loves Raymond, every episode featured a single plotline followed Ray Romano has a brother who works for the New throughout both acts.