Exhibit Designs for Girls' Engagement a Guide to the EDGE Design Attributes
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Tipped Over the Edge
Tipped Over The edge Gender Inequity in the Restaurant Industry BY THE RESTAURANT OPPORTUNITIES CENTERS UNITED AND FAMILY VALUES @ WORK HERvotes COALITION INSTITUTE FOR WOMEN’S POLICY RESEARCH MOMSRISING NATIONAL COALITION ON BLACK CIVIC PARTICIPATION’S BLACK WOMEN’S ROUNDTABLE NATIONAL COUNCIL FOR RESEARCH ON WOMEN NATIONAL ORGANIZATION FOR WOMEN Foundation NATIONAL PARTNERSHIP FOR WOMEN & FAMILIES NATIONAL WOMEN’S LAW CENTER WIDER OPPORTUNITIES FOR WOMEN February 13, 2012 WOMEN OF COLOR POLICY NETWORK, NYU WAGNER 9TO5, National Association OF WORKING WOMEN RESEARCH SUPPORT The Ford Foundation The Moriah Fund The Open Society Foundations The Rockefeller Foundation February 13, 2012 Tipped Over The edge Gender Inequity in the Restaurant Industry AND FAMILY VALUES @ WORK HERvotes COALITION INSTITUTE FOR WOMEN’S POLICY RESEARCH MOMSRISING NATIONAL COALITION ON BLACK CIVIC PARTICIPATION’S BLACK WOMEN’S ROUNDTABLE NATIONAL COUNCIL FOR RESEARCH ON WOMEN NATIONAL ORGANIZATION FOR WOMEN Foundation NATIONAL PARTNERSHIP FOR WOMEN & FAMILIES NATIONAL WOMEN’S LAW CENTER WIDER OPPORTUNITIES FOR WOMEN WOMEN OF COLOR POLICY NETWORK, NYU WAGNER 9TO5, National Association OF WORKING WOMEN RESEARCH SUPPORT The Ford Foundation The Moriah Fund The Open Society Foundations The Rockefeller Foundation February 13, 2012 Tipped Over The edge Gender Inequity in the Restaurant Industry BY THE RESTAURANT OPPORTUNITIES CENTERS UNITED AND FAMILY VALUES @ WORK HERvotes COALITION INSTITUTE FOR WOMEN’S POLICY RESEARCH MOMSRISING NATIONAL COALITION ON BLACK CIVIC PARTICIPATION’S -
SONG ACTIVITY – Beautiful Day by U2
SONG ACTIVITY – Beautiful Day by U2 Name: Group: Date: / / 1. Work in small groups. Read the definition for the word “resilient”. Discuss the questions. resilient /rɪˈzɪliənt/ adj 1 able to become strong, healthy or successful again after something bad happens. 2 able to return to an original shape after being pulled, stretched, pressed, bent, etc. Adapted from: https://www.merriam-webster.com/dictionary/resilient a. Can you think of a situation in your life when you or a person you know were resilient? Talk about it. b. What can teenagers do to develop resilience? c. What do you usually do when you are having a difficult day? 2. Work with a partner. You are going to listen to the song Beautiful Day, by U2. The words in the cloud are in the lyrics of the song. How do you associate them with a beautiful day? Discuss your ideas and take notes in the lines below. ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ 3. Now listen to the song. Were the words in Activity 2 associated to the idea of a beautiful day in the way you imagined? SONG ACTIVITY – Beautiful Day by U2 4. Listen to the song again. Check (✓) the alternative that best explains the lines in italics, in the context of the song. a. The heart is a bloom / Shoots up through the stony ground. [ ] Love is resilient and can overcome all difficulties. [ ] Love is blind to all problems and difficulties. b. The traffic is stuck / And you’re not moving anywhere. [ ] Traffic jams can ruin even the most beautiful day. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Extending the Enterprise to the Edge Your Guide to Converging Operational and Information Technology
Extending the Enterprise to the Edge Your Guide to Converging Operational and Information Technology Traditionally, agencies have approached information technology as a separate discipline from operational technology, which includes data acquisition systems, control systems, industrial-class networks, and a wide variety of internet-connected devices that operate far beyond the walls of the data center. However, it is increasingly clear that the data gathered at the edge of operations can provide in- sights that agencies can use to improve the efficiency of their operations and deliver new services to support the mission. The key? Converging OT capabilities with enterprise-class IT systems in single box and deploying them at the edge. GovLoop, Affigent and Hewlett Packard Enterprise (HPE) collaborated on this worksheet to help you take advantage of this new wave of edge computing. Three Ways to Leverage OT-IT Convergence The benefits of converging OT and IT systems fall into three main categories: Physical systems Software and data Process convergence convergence convergence IT systems (compute, storage, Enterprise IT applications IT and OT teams agree to collaborate management, and security) collaborating with OT applications on end-to-end workflows and integrate in the same system chassis are applied to both traditional dataflows. with OT systems (data acquisition enterprise data and data derived systems, control systems, and at the edge. industrial networks). Leveraging Data at the Edge: A Framework By integrating OT and IT systems, agencies can create a flow of data from the enterprise out to the edge. By integrating this data, agencies can see greater insights into their operations and services. -
U2 3D Talent: Bono, the Edge, Larry Mullen, Adam Clayton. Directors
U2 3D Talent: Bono, The Edge, Larry Mullen, Adam Clayton. Directors: Mark Pellington and Catherine Owens Duration: 85 minutes Classification: G We rate it: 3 and a half stars. There’s no denying that Irish rock band U2 are probably still the biggest live musical act in the world, even after twenty-odd years of touring. Aside from maybe the great outdoor extravaganzas mounted during the 1970s and 80s by Pink Floyd, U2’s live gigs are renowned as dazzling, cutting-edge spectacles, as politically and ideologically provocative as they are musically engaging. Bono, the acknowledged master of making fame itself humanely useful, still struts his stuff as if he’s a 25-year- old, and the band that supports him is as skilled as rock bands get. To see this chart- topping foursome filmed playing before staggeringly large crowds in state-of-the-art digital 3D and surround sound is, admittedly, quite a spectacle. The peculiar thing, however, about sitting in a cinema and watching U2 3D is that throughout the experience, stunning as it is, one can’t help but reflect upon the fact that one is sitting in a darkened room watching film of a band playing live in front of crowds of a hundred thousand people. There’s something decidedly strange about sitting passively and observing (through the suitably nerdy polarising 3D glasses) this massive rock show, whose actual filmed audiences just don’t stop screaming and waving for a second. As one ruminatively chews one’s popcorn and sips one’s soft- drink, one can’t help but feel faintly left out, to say the least. -
2013-Present Utah Valley University- 2012-2013 Keene State Univ
curriculumvitae Education: MFA in Graphic Design DESIGN University of Utah BFA in Graphic Design University of Utah 838 N 900 E Completed Graphic Design Pleasant Grove, UT 84062 program at BYU-I Cell: 801.718.6056 [email protected] Teaching Experience: 17 years Utah Valley University- 2013-Present Adjunct Utah Valley University- 2012-2013 Lecturer-One year appointment Courses ART1410-Typography ART2430-Graphic Design 1 ART4990-Senior Studio ART499R-BFA Project Keene State University- Spring 2012 Adjunct Courses Branding Ethics in Graphic Design University of Utah- 2003-2005, 2013 Teaching Assistantship, Adjunct Courses 2D Design Photoshop Franklin Pierce University- 2005-2012 Associate Professor, tenure track Courses Design 1 for Non-Majors and Majors Graphic Design 2 Graphic Design 3 Typography Graphic Production for Majors Intro to Internship Internship Capstone Basic Digital Photo Manipulation Book Design curriculumvitaecontinuedpg2 IC101 Individual and Community (freshman lecture class) IC205 Experiencing the Arts (VPA core course) Professional Work Experience: 23 years Xactware–Lehi, UT Art Director/Graphic Designer-2015 to present Responsibilities include graphic design and art direction encompassing all aspects of the industry. Including, but not limited to, branding, advertising, UX/UI, collateral, exhibit design, and environmental design. Love Communications–Salt Lake City, UT Art Director/Graphic Designer-2013 to 2015 Responsibilities include graphic design and art direction for local and regional clientele including Zion’s Bank, Huntsman Cancer Institute, BioFire Diagnostics, Nicolas Foods, Les Olsen Company, Utah Department of Health and the Lt. Governor’s office. Projects include ad campaigns, posters, tv spots, brochures, identity development, etc. Freelance Graphic Designer–all over the country Designer, Art Director, Production Artist, Creative Director-1997 to present I have always freelanced, even while working for agencies. -
Notations Spring 2011
The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting. -
Museum Exhibition Design
MUSEUM EXHIBITION DESIGN Ceren KARADENİZ, PhD Museum – “An organization in the service of society and its development, open to the public, which researches, communicates and exhibits things and ideas, for the purposes of education, study and enjoyment.” 01 02 03 Many museums Some museums Some museums are non are “for profit”, don’t have a collecting, so a so a museum building or a museum is not can’t be defined “home”, so it is not about displaying by tax status… about a location… a collection… • Exhibition: “An event at which displays are put out in a public space for people to view and interact”… • Design – “The making of a plan for the construction of an object or a system”… Definition: • Museum Exhibition Design: “The making of a plan for the construction of public displays for the purposes of education, study and enjoyment, in the service of society and its development.” The Naval museum exhibition. Madrid 2015 Exhibition Design Process — Phases The museum exhibition design process can be divided into five distinct phases: • Concept Development • Schematic Design • Design Development • Final Design • Construction Documents Exhibition Design Process – Concept Development Concept Development provides the “road map” for the project, where is the project going?, how will it get there? and a definition of the resources available to complete the project. Concept Development is culminated with the signing of a Project Charter outlining of the components of the project. •Project Objectives •Project Filters The output of the design process: •Project Charter •Fabrication •Initial Budget •Installation •Initial Schedule •Project Narrative, included in the Project Charter •Front End Evaluation Umbrella Concept •“Look and Feel” PLANNING ???? • Who is the visitor? Someone will need to make a decision to visit the exhibition. -
Exhibit Planning Outline Markus Dohner
Exhibit Planning Outline Markus Dohner 1. Define Goals/Purpose of Exhibit. A. Define objectives for the entire exhibition and for specific components B. Establish exhibit themes and desired visitor experience C. Curators develop preliminary exhibit concepts and techniques, in collaboration with designer and larger exhibit team 2. Define Design Criteria with particular attention paid to: A. Curatorial objectives, including but not limited to sequencing or grouping of objects B. Ways to illustrate concepts C. Educational goals D. Conservation requirements E. Visitor’s experience in the gallery, comfort, and gallery fatigue F. Architectural and life safety issues, building codes, ADA compliance G. Marketing and Development goals for the exhibit 3. Preliminary Design A. Develop floor plan and traffic flow, considering proposed circulation in exhibit B. Create planning database that organizes and tracks all exhibit elements—labels, graphics, artworks, programs, floor plans C. Create design concepts that reinforce exhibit theme D. Produce key elevations and introduction wall E. Manage the creation or adaptation of maps for exhibit use F. Early identification of special items that take a long lead time (e.g. loans, major conservation). G. Write treatments for audiovisual programs, interactive exhibit, and other media elements H. Consult with conservators regarding proper display technique I. Write scopes of work for contracted elements of work J. Develop project budgets and work schedules 4. Exhibit Design Process A. Prepare bubble plans for exhibit spaces (planning the use of particular spaces in gallery) B. Utilize object and image database, use themes to organize layout C. Layout objects in an engaging and accessible manner D. -
Modularity: the Solution for Green Tradeshow Exhibit Designs Purnima Swaharu Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2010 Modularity: The solution for green tradeshow exhibit designs Purnima Swaharu Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Art and Design Commons Recommended Citation Swaharu, Purnima, "Modularity: The os lution for green tradeshow exhibit designs" (2010). Graduate Theses and Dissertations. 11287. https://lib.dr.iastate.edu/etd/11287 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Modularity: The solution for green tradeshow exhibit designs by Purnima Swaharu A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Graphic Design Program of Study Committee: Lisa Fontaine, Major Professor Debra Satterfield Lori Brunner Iowa State University Ames, Iowa 2010 Copyright © Purnima Swaharu, 2010. All rights reserved. ii TABLE OF CONTENTS LIST OF FIGURES ................................................................................................................. iv LIST OF TABLES.................................................................................................................. vii ABSTRACT...........................................................................................................................viii -
X AMENDED COMPLAINT X JURISDICTION
Case 1:17-cv-01471-DLC Document 38 Filed 06/26/17 Page 1 of 11 THE LAW OFFICE OF THOMAS M. MULLANEY 489 5rH Avenue, 19rH FLooR New York, New York 10017 212-223-0800 Attorneys for Plaintiff Paul Rose UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEV/ YORK ---------x PAUL ROSE, Case No. : I :17 -cv-147 1 (DLC) Plaintiff, -against AMENDED COMPLAINT PAUL DAVID HEWSON p/k/a BONO, DAVID HOÌVELL EVANS p/k/a THE EDGE or EDGE, ADAM CLAYTON, LAURENCE JOSEPH MULLEN.TR., and UMG RECORDINGS, INC. Defendants X Plaintiff PAUL ROSE ("Plaintiff'or Rose), by his attorney, Thomas M. Mullaney, as and for his complaint against Defendants PAUL DAVID HEWSON p/k/a BONO, DAVID HOWELL EVANS p/k/a THE EDGE or EDGE, ADAM CLAYTON, LAURENCE JOSEPH MULLEN JR., and UMG RECORDINGS, INC., (collectively "Defendants"), alleges as follows: JURISDICTION AND VENUE 1. This is an action is brought and subject matter jurisdiction lies within this Court, pursuant to 28 U.S.C. Sections 1331 and 1338. This Court has federal question jurisdiction in this matter in that Plaintiff seeks damages and injunctive relief against Defendants under Sections 501,502,504 and 505 of the Copyright Act of 1976,17 U.S.C. Section 101 et seq. The Court has pendent jurisdiction over the claims asserted herein that arise under state law, including the claim for quantum meruit and unjust enrichment, in that such claims flow from a Case 1:17-cv-01471-DLC Document 38 Filed 06/26/17 Page 2 of 11 common nucleus of operative facts. -
Sam Smith Gives Fans an Unforgettable Night in Melbourne Powered by Optus, Kiis & Iheartradio
SAM SMITH GIVES FANS AN UNFORGETTABLE NIGHT IN MELBOURNE POWERED BY OPTUS, KIIS & IHEARTRADIO Saturday, January 20, 2018 - The excitement of the crowd was palpable as Grammy- winning singer-songwriter Sam Smith took to the stage in Melbourne last night and treated his fans to an unforgettable performance. High res photos and video available to download here – Photo credit Martin Philbey and Ian Laidlaw. More than 1,350 fans, media, celebrities, music and radio industry executives packed the Melbourne Town Hall for Sam Smith’s special live in Melbourne event powered by Optus, KIIS and iHeartRadio to witness the acclaimed UK artist perform new songs from his sophomore album, 'The Thrill of It All'. The exclusive event was hosted by Melbourne’s newest breakfast team, KIIS 101.1’s Jase & PJ aka Jason ‘Jase’ Hawkins and Polly ‘PJ’ Harding. After welcoming Sam on stage the duo did a short Q&A, with questions put forward from some of his biggest fans. The room then hushed as Sam began his first song, and was quickly greeted with cheers as he launched into his mega-hit ‘I’m Not The Only One’. Playing twelve songs over an hour, Sam chatted to the audience throughout the set, revealing stories behind the songs. ‘Palace’, he explained, was written after a song-writing session in Nashville, after realising that he’d never regretted any of the times he’d fallen in love. “True love is never a waste of time. Give your love away guys, every day”, he said, before beginning the song. His introduction to ‘Say It First’ was just as candid, explaining “This next one is the only positive love song I’ve ever written.