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Australian SF News 28
NUMBER 28 registered by AUSTRALIA post #vbg2791 95C Volume 4 Number 2 March 1982 COW & counts PUBLISH 3 H£W ttOVttS CORY § COLLINS have published three new novels in their VOID series. RYN by Jack Wodhams, LANCES OF NENGESDUL by Keith Taylor and SAPPHIRE IN THIS ISSUE: ROAD by Wynne Whiteford. The recommended retail price on each is $4.95 Distribution is again a dilemna for them and a^ter problems with some DITMAR AND NEBULA AWARD NOMINATIONS, FRANK HERBERT of the larger paperback distributors, it seems likely that these titles TO WRITE FIFTH DUNE BOOK, ROBERT SILVERBERG TO DO will be handled by ALLBOOKS. Carey Handfield has just opened an office in Melbourne for ALLBOOKS and will of course be handling all their THIRD MAJIPOOR BOOK, "FRIDAY" - A NEW ROBERT agencies along with NORSTRILIA PRESS publications. HEINLEIN NOVEL DUE OUT IN JUNE, AN APPRECIATION OF TSCHA1CON GOH JACK VANCE BY A.BERTRAM CHANDLER, GEORGE TURNER INTERVIEWED, Philip K. Dick Dies BUG JACK BARRON TO BE FILMED, PLUS MORE NEWS, REVIEWS, LISTS AND LETTERS. February 18th; he developed pneumonia and a collapsed lung, and had a second stroke on February 24th, which put him into a A. BERTRAM CHANDLER deep coma and he was placed on a respir COMPLETES NEW NOVEL ator. There was no brain activity and doctors finally turned off the life A.BERTRAM CHANDLER has completed his support system. alternative Australian history novel, titled KELLY COUNTRY. It is in the hands He had a tremendous influence on the sf of his agents and publishers. GRIMES field, with a cult following in and out of AND THE ODD GODS is a short sold to sf fandom, but with the making of the Cory and Collins and IASFM in the U.S.A. -
SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
Catalogue XV 116 Rare Works of Speculative Fiction
Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. The Commonplace Within the Fantastic: Terry Bisson's Art in the Diversified Science Fiction Genre Jane Powell Campbell A dissertation presented to the Graduate Faculty of Middle Tennessee State University in partial fulfillment of the requirements for the degree of Doctor of Arts May ]998 Reproduced with permission of the copyright owner. -
Birmingham Science Fiction Group Newsletter
(Honorary Presidents: Brian W. Aldiss Birmingham and Harry Harrison) Science Fiction Group NEWSLETTER 129 MAY 1982 The Birmingham Science Fiction Group has its formal meeting on the third Friday of each month in the upstairs room of THE IVY BUSH pub on the cor ner of Hagley Road and Monument Road, Edgbaston, Birmingham 16. There is also an informal meeting on the first Tuesday of each month at THE OLD ROYAL pub, on the corner of Church Street and Cornwall Street, Birmingham 3. (Church Street is off Colmore Row.) New members are always welcome. Our treasurer is Margaret Thorpe, 36 Twyford Road, Ward End, Birmingham 8. The 12-month subscription is £3.50. MAY MEETING - Friday 21st May at 7.45 pm is a very prolific writer, with over 70 SF and fantasy novels to his credit (many of KEN BULMERthem published under pseudonym s such as Alan Burt Akers and Tully Zetford). That would be enough for one man, you might think, but he has also written many non-speculative novels (mainly histor ical adventure) under a variety of names. He has been an editor of SF, taking over New Writings in SF series after the death of John Carnell. Above all, Ken has been a great fan of SF since his youth, attending a lot of conventions and passing on his enthusiasm for the genre to hundreds of other fans. He has been guest-of-honour at the 1968 Eastercon and at Novacon 3, Admission the month: Members 60p, non-members £1.00 APRIL MEETING Anne Page gave us a promotional talk on Blade Runner, the forthcoming film based on Philip K.Dick's novel Do Androids Dream of Electric Sheep? She was aided by a video film and slides, The Group took £.29.80 at the meeting, comprising: Raffle -£5.20, at the door - £24.60. -
Scratch Pad 14
Scratch Pad 14 Based on ✳brg✳ No. 12, a magazine written and published by Bruce Gillespie, 59 Keele Street, Victoria 3066, Australia (phone (03) 9419-4797; email: [email protected]) for the December 1994 ANZAPA (Australian and New Zealand Amateur Publishing Association) mailing. Contents 1 THE NOT-QUITE CAREER OF KEITH ROBERTS 7 CD REVIEWS by Bruce Gillespie by Bruce Gillespie THE NOT-QUITE CAREER OF KEITH ROBERTS by Bruce Gillespie (Delivered as a paper to the October 1994 meeting of the illustrator, rather than science fiction writer. I can’t Nova Mob, which is Melbourne’s sf discussion group.) discover whether he actually earned a living from paint- ing at any time, or whether he’s ever earned much of a It’s all Race Mathews’ fault. Race attended the Nova Mob living from anything. meeting at which this year’s topics were decided. Stuck Roberts was editor of Science Fantasy during the for ideas for my 1994 talk, I asked which author merited mid-1960s, and of SF Impulse for the entire year of its writing about. Race’s suggestion was English writer existence. More importantly, Roberts is best remem- Keith Roberts, mainly because Roberts’ book Pavane bered as the cover artist for the digest-sized SF Impulse had stayed in his memory as a fine achievement of and the Mike Moorcock-edited New Worlds. In the En- science fiction. cyclopedia of Science Fiction, John Clute comments: Vague memories can make you careless and trap you into doing things you really should have avoided. I His boldly Expressionist covers, line-oriented, agreed to write about Keith Roberts because I also paralleled the shift in content of these magazines remembered Pavane with some affection. -
Artist Showcase 2014
ARTIST SHOWCASE 2014 Edited by Colin Harris and Sara Felix available now at the Forbidden Planet stand The Art of The Art of The Art of JIM BURNS JOHN HARRIS FRED GAMBINO The Art of Hardware: The Defi nitive Sirens IAN MILLER SF Works of CHRIS FOSS CHRIS ACHILLÉOS fantastic art books from titan TITANBOOKS.COM Artist Showcase - Introduction Welcome to the 2013 Worldcon Artist Showcase - with more pages and more artists represented than ever before! We are again delighted to present this year’s Art Show participants and their work. Science fiction and fantasy art has long been an important part of orldcon,W through the Art Show and Art Programme, the Artist Guest of Honour, the Best Professional and Best Fan Artist Hugos, and the Chesley Awards given by ASFA (the Association of Science Fiction & Fantasy Artists). Loncon 3 is proud to continue this tradition and to present the work of almost one hundred artists in our Art Show, from multiple Hugo Award winners to those just starting out on their own creative journeys. We are also proud to feature three Guests of Honour who between them reflect the full diversity of the art field. • Chris Foss’s ground-breaking science fiction art revolutionised paperback covers from the early 1970s. Raising the bar for realism and invention, his trademark battle-weary spacecraft, dramatic alien landscapes and crumbling brutalist architecture irrevocably changed the aesthetic of science fiction art and cinema. • Graphic storyteller Bryan Talbot has been published in over twenty countries recognized with an Eisner award, the Prix SNCF and several Eagles, having worked in the medium for over thirty years. -
Noumenon to 20 Or 40 Or 60% - to a More Traditional Style (Carthy Is a Superstar in I Enjoy Producing It
Lot. of change, thf iWU.-Hvo experimented wrth a new typesetting measure last iuue whmh gives us 10% more type per page. A. it work.,we III use it.. And now that we're up to issue 20 (after 23 months of publication) I've decided that 10 issues per year is a good optimum (yes, it s the new metric Noumenon folks!). So taking the page count, extra type increased airmail postage (now 704 per issue to the USA, 854 to the UK) and new five-weekly Noumenon la published monthly, usually In the third or fourth schedule into account, the adjusted sub rates appear week of the month. at left. Subscriptions are: Of course, 1 0 issues per year upsets my volume NZ [incl. postage] ............. 34.75/10 issues numbering. To simplify, this will be Volume 2 America [Airmail] ......... $10.75/10 issues Number 8, and next issue will be Volume 3 Number 1 [Surface] ............ $5.50/10 issues (with 10 issue volumes hereafter). And I think we Britain [Airmail] ............ $11.75/10 issues can manage an issue every 5.2 weeks now, especially [Surface] ................ $5.50/10 issues as our new studio/library/workshop is nearly finished Trade terms are: (*Tve got blisters on my fingers!"). Retail [New Zealand] ..................60c/copy On the personal front, Deb and I are going over to Trade Discount ......................................... Less ’/a Aussie for UniCon. We'll be in Melbourne from Noumenon is edited and published by: March 18 to April 2, combining business with eating Brian Th uro good and pleasure and eating and holidaying and eating (no, Wilma Road, Ostend there aren't many good European restaurants in NZ - Walheke Island Haurnkl Gulf Phone 8502 let alone on Waihekel I) and sf and film-going (oh, NEW ZEALAND Waiheke mostly porn actually) and eating and, hopefully, lots of partying with wallabyfen. -
Learning from Science Fiction
HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
Foundational Studies—Upper Division Integrative Elective English 335
Foundational Studies—Upper Division Integrative Elective English 335: Science Fiction as Social Criticism 335 Science Fiction as Social Criticism—This course investigates the historical tendency of science fiction as a genre to question the relation of individuals to the social and political structures that shape their identities and govern their lives, thereby enacting social and political criticism. It is not a chronological or historical survey. Instead, the course examines science fictional addresses to technology and progress, conquest and colonization, and the role of the individual in society. Following Ursula K. Le Guin’s belief that a well-written science fiction is never really predictive, but is always about the author’s present, always a displacement of a concern relevant to the here and the now, the goal of the course is to expose complex relations among popular texts and scientific, social, economic, and political forces in culture, to effect a cultural critique. To ease into this process of complex critical analysis, the course begins with genre definition and then examines how 1940s and 1950s science fictions represent identity issues and social structures before investigating more complicated issues of cultural critique in contemporary science fiction. Foundational Studies Credit: Upper Division Integrative Elective. After students complete English 335, they should be able to provide a historical overview of the development of science fiction while emphasizing science fiction’s tendency to enact cultural and political critique. [UDIE Skills 4 & 5] connect the works studied to cultural and historical contexts through interpretive analysis and discussion of narrative structure, displacement, and the common themes and emphases of science fiction. -
A Portrait of the Artist As a Future Man: Technology, Memory, and the Künstlerroman in Science Fiction
A PORTRAIT OF THE ARTIST AS A FUTURE MAN: TECHNOLOGY, MEMORY, AND THE KÜNSTLERROMAN IN SCIENCE FICTION By REBECCA L. MCNULTY A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2014 1 © 2014 Rebecca L. McNulty 2 ACKNOWLEDGMENTS For this project, I cannot give enough thanks to Dr. R. Brandon Kershner and Dr. Phillip Wegner, for their time, help, and guidance. Thank you Dr. Wegner for your willingness to join this project on such short notice, for your invaluable suggestions, and for you background explanations of the Künstlerroman that I could not have gathered on my own. Thank you Dr. Kershner for allowing me to begin this project last summer, for following it through so closely, and for your invaluable, incomparable knowledge of Joycian text, scholarship, and culture. It has been a privilege to work with each of you. 3 TABLE OF CONTENTS page ACKNOWLEDGEMENTS...............................................................................................3 ABSTRACT.....................................................................................................................5 CHAPTER 1 INTRODUCTION.................................................................................................7 2 AN OVERVIEW OF THE KÜNSTLERROMAN IN SCIENCE FICTION BEFORE THE FUTURE SHOCK.....................................................................................21 3 AN OVERVIEW OF THE KÜNSTLERROMAN IN SCIENCE FICTION AFTER THE -
Journey Planet #9
Journey Planet 9! 1 Contents Cover by Dave Hicks Editorial - Chris Garcia ...............................................................................3 Editorial - James Bacon ..............................................................................4 Editorial - Yvonne Rowse ............................................................................4 Abdul-Aziz al Atreides by Julian Headlong .................................................6 The next 5 books or the Arrakeen Rap by Ian Sorensen .............................10 Dune for Today by Miranda Ramey & Maura Taylor ..................................11 Covers of Dune by James Bacon ...............................................................13 Dune by Steven Silver ..............................................................................16 Dune v Dune Herbert’s book vs Lynch’s movie by Chris Garcia ...................17 Dune (no 17 in the series Stories James Cameron Ripped Off) by Andy Trembley .......19 Alternate Dunes by Chris Garcia ..............................................................22 Seeking Recognition, or, Parodies Lost by Ian Sorensen .............................26 Frank Encounters by howeird ....................................................................30 Advance Apologies by Yvonne Rowse .......................................................31 Mailorderfandombride.com or Fandom 101 by Sian K. Martin ..................33 Influences: Full Circle by David A. Hardy ..................................................34 Illustrations Baron Harkonnen