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HB STUDIO OFRECE SU PRIMER TALLER DE TEATRO EN ESPAÑOL Práctica a Través De Monólo- Por Manolo García Oliva Gos O Soliloquios Que Previa- IMPACTO Mente Habrán Elegido 28 DEL 23 AL 29 DE JUNIO DEL 2016 DE TODO UN POCO IMPACTO LATIN NEWS IMPACTONY.COM HB STUDIO OFRECE SU PRIMER TALLER DE TEATRO EN ESPAÑOL práctica a través de monólo- Por Manolo García Oliva gos o soliloquios que previa- IMPACTO mente habrán elegido. María de Barcelona, Es- os destacados acto- paña y Pablo de Venezuela, res de nuestra área, son dos nuevos rostros en DMaría Fontanals y nuestro panorama en espa- Pablo Andrade, han sido se- ñol, pero pese a eso su talen- leccionados para impartir el to se ha hecho sentir al haber primer taller de actuación en recibido varios reconoci- el afamado HB Studio que mientos –ACE y HOLA-- fundara en 1945 el actor y por sus respectivas labores director vienés Herbert Ber- en diferentes grupos teatrales ghof, reconocido por enseñar de nuestro circuito de teatro la técnica de la prominente y hispano. respetada actriz y profesora Actores de la talla de de Uta Hagen, mundialmen- Robert De Niro, Al Pacino, te conocida por sus textos: Sara Jessica Parker, Whoopi “Respect for Acting” y “A Goldberg y John Leguizamo, Challenge for the Actor”. han pasado por las aulas de Durante este taller que se HB Studio cuyo nombre es extenderá por 4 días del mes altamente reconocido a nivel de julio, 9 y 10, 16 y 17, se internacional. indagará en las aplicaciones Para los interesados de prácticas de la técnica de la obtener información ade- Hagen y a la vez los estu- más de inscripciones con- diantes explorarán algunos tactar: http:hbstudio.org/ de los ejercicios básicos de classes/workshops/exploran- esta forma de actuación tea- do-monologos-con-la-tecni- tral, que serán puestos en María Fontanals y Pablo Andrade. (Foto Anthony Sbarra) ca-de-uta-hagen/ “NI TAN DIVAS NI TAN MUERTAS”, “3 VECES DE GRANDY”, UN VIAJE A LA GLORIA EMPACHO DE RISAS arlota y Aurora son ue mejor manera tan diferentes como para celebrar el día Cel aceite y el vinagre, Qdel padre – para en este mundo terrenal nunca aquellos que lo tienen y hicieron migas y al pasar a también para los que no-- y mejor vida y re-encontrárse si en este caso es el asistir en los predios de Papá Dios, a una representación de 3 resultaría lo mismo, por ló- obras cortas de la excelen- gica. Ambas damas, madre te artísta Julie de Grandy, e hija pasan al paraíso de los ¡vaya se te hizo el domíngo! ángeles, arcángeles y todas Y en esto es en lo que em- las deidades celestiales, don- pleamos la tarde del pasado de las dos llevan consigo los día 19, al asistir al cierre del problemas que desarrollaron Broadway Blackbox Thea- durante su vida en ese valle ter de “3 Veces De Grandy”. de lágrimas. Tuvimos mucha suerte el Carlota, actriz y diva con Alejandro Martínez, Leonel Marrasco, Héctor Luis Rivera, podernos reír a pierna suelta Fernando Vieira, Kathy Tejada e Yvette Quintero mayúsculas y fallecida a los de las ocurrencias tan acer- 40 años y Aurora, mocha, tadas, que nos presenta Julie Fernando Vieira, debu- su Madame Olga Igorovna conservadora, reprimida por De Grandy es sus tan reales causas del destino y muer- tante entre nosotros, en su Petrovskaya, nos hizo reir María Fontanals textos. Tal vez algunos pien- doble intervención como hasta la saciedad, tiene buen ta por un fulminante infarto Maite Uzal sen de que nos pasamos en también con 40, son el bino- la dependienta y el genio talante para la comedia la elogios para esta magnífica no pudo estar más acerta- Quintero, género donde mio en cuestión. Este es el elemento cen- un director de primera línea, escritora, actriz y directo- Las dos mujeres han esta- do, seguro y simpático, un creemos debiera incursio- tral de “Ni tan divas ni tan presentándonos una produc- ra, pero a veces creemos prometedor intérprete. Ka- nar con más frecuencia. do separadas por espacio de muertas”, excelente texto ción de mucha calidad. El quedarnos cortos en como 20 años y su re-encuentro era thy Tejada, si siempre de- Y por último las enco- de la dramatúrga venezolana fastuoso elenco compuesto destacar las cualidades ar- cimos que sale airosa cada miables labores realizadas inevitable, en el lugar donde Indira Páez, quien logra dar Maite Uzal, María Fontanals tísticas de esta gran mujer todas las almas pululan a su vez que pisa un escenario, por Leonel Carrasco y Ale- brillantez con sus parlamen- y Andreina Carvo, compo- de teatro. por su profesionalísmo y jandro Martínez que con antojo tan solo cumpliendo tos simpáticos, divertidos nen un cohesionado reparto “3 Veces De Grandy”, es las legalidades impuestas por seguridad aquí no seríamos su grata presencia y natu- y jocosos pero no por eso que se deja conducir por el una triología de obras cortas diferentes, por que sacó ralidad contribuyeron no- la suprema autoridad. carenetes de mucha profun- buen camino tocando el vir- compuesta por “El proba- Un ángel muy especial es muy bien la clienta pero fue tablemente al éxito de esta didad. La labor de direción tuosismo teatral. dor”, “Traducción libre” y soberbia como la sirvienta producción que siempre el mediador de esta batalla de Alfonso Rey es de mu- “Ni tan divas...”, resultó “Abra Kadabra”. campal que se avecina con de “Traducción libre”, una llevó por buen camino el cho atino y profesionalismo, una espléndida velada teatral Un elenco de 5 actores delicia su personaje de Ale- director artístico de Teatro la reunión de ambos caracte- y si siempre hemos gustado donde también la ficha técni- intervinieron en estas 3 pie- res, quien a toda costa desea jandra Patricia Contreras TEBA, Héctor Luis Rivera. de su labor actoral y técnica ca fue de la autoría del señor zas que nos hicieron reír por Martínez. También en esa No se lamente si no vió en evitar que ambas féminas en Repertorio Español, en Rey. Un logro total para la una hora y pico y donde es- rompan la paz celestial que misma pieza destaca de so- esta ocasión “3 Veces De estos nuevos menesteres en compañía teatral “Prosce- tos cómicos nos hicieron ol- bremanera Yvette Quintero, Grandy”, ya que está pro- impera en tan inmenso terri- el campo de la dirección, Al- nio”, dentro del V Festival vidar el mundo tan cruel que torio. que si siempre nos toca el gramada para regresar al fonso Rey se nos revela como de Teatro del Comisionado. nos rodea a través de la plu- corazón con sus interven- BBT a mediados del próxi- ma tan real que posee Julie. ciones dramáticas, aquí con mo septiembre. IMPACTO LATIN NEWS DESDE MI LUNETA DEL 23 AL 29 DE JUNIO DEL 2016 29 IMPACTONY.COM VI FESTIVAL DEL COMISIONADO: DOS OBRAS LA DANZA DE MINGÓ Por Carlos Navedo IMPACTO De Haffe Serulle. Con Angie Regina, Maité Bonilla y Fran- cis Mateo. Música original y efectos de sonido, Jorge Subervi. Vestuario y máscaras, Yelaine Rodríguez. Video, Víctor Díaz. Codirección y entrena- Angie Regina en el progra- miento, Arturo López. ma de mano de “La danza Luces y dirección, Billy de Mingó”. Angie Mejia penuria, y no sería posible Angie Regina y Billy Martín Mejía Martín Mejía. sino evaluarmos al máximo grandiosa heroína laboral de sa escena del asesinato de su el talento e ingenio de su di- la República Dominicana, compañero y esposo además Angie Regina, en el pa- cuadro actoral. rector Billy Martín Mejía. El pel titular y que le valiera en Luces, video, utilería y vocar el recuerdo Florinda Soriano, apodada de sus hijos, es comparable a nos enseña sus grandes dotes Mamá Tingó, en este mismo los elementos fundamentales Premio ATI como mejor ac- escenografía todas a tono del más genuíno hé- de dirección presentándonos triz principal en una edición para complementar una pro- roe de la revolución apartado. de la tragedia griega y esta, con mucha simpleza una E “La danza de Mingó”, pie- situada en medio del Caribe pasada, nos impacta de so- ducción de mucho contenido mexicana el líder agrarísta producción de gran enverga- za teatral de la autoría de Ha- entre palmeras y sol. bremanera con una actuación artístico y social donde se Emiliano Zapata, es por lo dura. tan intensa y bien lograda. muestra la lucha de clases que me permito reflexionar ffe Mejía, contiene todos los La expresividad que apor- Mejía mueve los actores elementos necesarios de ve- tan las mascaras en esta ex- Se debe añadir el apoyo de la década de los 70 en la manteniendo silencio por al- a su antojo y estos se sir- recibido por otra actriz de República Dominicana y la gunos minutos y compararle racidad para convertir esta en celente y magnífica puesta ven con gran maestría de una desgarradora tragedia. son elementos fundamenta- grandes cualidades, Maite de una gesta encabezada por al mismo tiempo que honrar una simple escenografía con Bonilla, ademáas de Francis una valiente mujer: Florinda la memoria de la trágica y Escenas llenas de dolor e les para la creación de una acierto y a sus anchas. injusticia tal como la doloro- atmósfera llena de dolor y Mateo, complementanto el Soriano, Mamá Tingó. “MÁXIMA SEGURIDAD”, DRAMA CARCELARIO Wilmar Saldarriaga, César Morales, Víctor H. Grajales, en Piedad Bonnett “Máxima seguridad”. de factura exponente y des- móticas de una situación ya tor H. Grajales, César Mora- carnada, como son todos los conocida de todos, como es les y Alejandro Gómez, son dramas carcelarios, pero en el abuso, la corrupción, el impactantes manifiestando el esta ocasión con una cuan- maltrato y la injustica dentro desarrollo teatral de Colom- tía de realísmo al rojo vivo y de los sistemas carcelarios de bia, y por supuesto de sus por supuesto con la excelente todo el planeta.
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