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Senior Musical Theater Recital Assisted by Ms
THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Joy Kenyon Senior Musical Theater Recital assisted by Ms. Maggie McLinden, Accompanist Belhaven University Percussion Ensemble Women’s Chorus, Scott Foreman, Daniel Bravo James Kenyon, & Jessica Ziegelbauer Monday, April 13, 2015 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert Please turn off all cell phones and electronics. PROGRAM Just Leave Everything To Me from Hello Dolly Jerry Herman • b. 1931 100 Easy Ways To Lose a Man from Wonderful Town Leonard Bernstein • 1918 - 1990 Betty Comden • 1917 - 2006 Adolph Green • 1914 - 2002 Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist The Man I Love from Lady, Be Good! George Gershwin • 1898 - 1937 Ira Gershwin • 1896 - 1983 Love is Here To Stay from The Goldwyn Follies Embraceable You from Girl Crazy Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist; Scott Foreman, Bass Guitar; Daniel Bravo, Percussion Steam Heat (Music from The Pajama Game) Choreography by Mrs. Kellis McSparrin Oldenburg Dancer: Joy Kenyon He Lives in You (reprise) from The Lion King Mark Mancina • b. 1957 Jay Rifkin & Lebo M. • b. 1964 arr. Dr. Owen Rockwell Joy Kenyon, Soprano; Belhaven University Percussion Ensemble; Maddi Jolley, Brooke Kressin, Grace Anna Randall, Mariah Taylor, Elizabeth Walczak, Rachel Walczak, Evangeline Wilds, Julie Wolfe & Jessica Ziegelbauer INTERMISSION The Glamorous Life from A Little Night Music Stephen Sondheim • b. 1930 Sweet Liberty from Jane Eyre Paul Gordon • b. -
Primary Music Previously Played
THE AUSTRALIAN SCHOOL BAND & ORCHESTRA FESTIVAL MUSIC PREVIOUSLY PLAYED HELD ANNUALLY THROUGH JULY, AUGUST & SEPTEMBER A non-competitive, inspirational and educational event Primary School Concert and Big Bands WARNING: Music Directors are advised that this is a guide only. You should consult the Festival conditions of entry for more specific information as to the level of music required in each event. These information on these lists was entered by participating bands and may contain errors. Some of the music listed here may be regarded as too easy or too difficult for the section in which it is listed. Playing music which is not suitable for the section you have entered may result in you being awarded a lower rating or potentially ineligible for an award. For any further advice, please feel free to contact the General Manager of the Festival at [email protected], visit our website at www.asbof.org.au or contact one of the ASBOF Advisory Panel Members. www.asbof.org.au www.asbof.org.au I [email protected] I PO Box 833 Kensington 1465 I M 0417 664 472 Lithgow Music Previously Played Title Composer Arranger Aust A L'Eglise Gabriel Pierne Kenneth Henderson A Night On Bald Mountain Modest Moussorgsky John Higgins Above the World Rob GRICE Abracadabra Frank Tichelli Accolade William Himes William Himes Aerostar Eric Osterling Air for Band Frank Erickson Ancient Dialogue Patrick J. Burns Ancient Voices Michael Sweeney Ancient Voices Angelic Celebrations Randall D. Standridge Astron (A New Horizon) David Shaffer Aussie Hoedown Ralph Hultgren -
2015 Aphc Yearbook
2015 ApHC Yearbook 1 The Best of 2015— RACING ACCOLADES ALL THE CAREFUL breeding selections, training decisions and early morning work- outs bring so much anticipation on race day. The thrill of the start—the thunder of hooves and the roar of the crowd when a horse crosses the wire into the record books and becomes part of the great tradition that is Appaloosa racing. Please join the Ap- paloosa Horse Club and Appaloosa Journal in congratulating the racing leaders of 2015. HY P OGRA T S PHO N EYER M Images ‘N The Le BY D. HORSE OF THE YEAR CANT BE CAUGHT Sire: WITH INTENT Dam: UNIQUE FORM (AQHA) APPALOOSA RAcing’s HORSE of the Year award was be- stowed upon the incredible seal brown gelding Cant Be Caught. The three-year-old gelding was on the board every race in 2015 and unanimously earned this title with big wins in the Speedhorse Gra- ham Farms Derby (G2), Mister Lewie Memorial Stake (G2), and National Cowboy & Western Museum Stake (G2) and was stakes placed in the Lewis Wartchow Memorial Stake, Lorelei Derby and Don Drake Memorial Handicap. The Champion Three-Year-Old Gelding title was also awarded to Cant Be Caught. He is sired by the Appaloosa With Intent and out of the Quarter Horse mare Unique Form by Rare Form. His lifetime earnings amount to an outstanding $156,728. Cant Be Caught was bred and is owned by John Diediker of Kansas and trained by Trainer of the Year, Dee Keener. Congratula- tions on yet another outstanding year Cant Be Caught! By WITH INTENT SI 85 (2003). -
Fall 2016 the City Of
Buckham Center Presort STD 15 W. Division Street, Faribault, MN 55021 U.S. Postage Paid #15 Faribault, MN 55021 b a u l r i t, m ECRWSS fa n Postal Customer a ct de ivity gui September, October & November Fall 2016 The City of Brian Anderson, City Administrator 4 Steeples & Towers Faribault City Hall Steeples are composed of several parts-- 507.334.2222 - 208 NW 1st Avenue The cover of this issue pays homage to the grand architecture that an integral part of religious architecture. stands proudly in our city and to the steeples and towers that grace these Spires and bell towers project from the www.faribault.org buildings. The vertical embellishments are an important part of these re- steeple, and are a symbolic connection to ligious, governmental, educational, and residential structures. heaven. In an earlier day, the steeple zzzzzzzzz 1 zzzzzzzzzzz Architects over the years in Faribault utilized steeples and towers as served as a signpost to promote the loca- adornments and rendered the designs in a variety of building materials. tion of a church. Local examples show steeples and towers built of limestone, wood, and Not every town has the variety and brick, some of which are capped with copper, tile or roofed with slate, abundance of fine architecture Faribault shingles or cedar shakes. Regardless of their construction, steeples and has! Take time in the near future to gaze towers send a message of strength, aesthetic, and affluence. at and appreciate the steeples and towers Some towers have built-in clocks and bells that work in conjunction. -
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors/Partners Paul Hardt, Christine McKenna-Tirella, CSA Casting Director Ian Subsara, Emily Ludwig Casting Assistant Resume as of 3.15.2019 _________________________________________________________________ CURRENT & ONGOING: HADESTOWN Theater, Broadway – Walter Kerr Theater March 2019 – Open Ended Mara Isaacs, Hunter Arnold, Dale Franzen (Prod.) Rachel Chavkin (Dir.), David Newmann (Choreo.) By: Anais Mitchell CHICAGO THE MUSICAL Theater, Broadway – Ambassador Theater May 2008 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb CHICAGO THE MUSICAL Theater, West End – Phoenix Theater March 2018 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb ZOEY’S EXTRAORDINARY PLAYLIST NBC Lionsgate TV Pilot March 2019 Richard Shepard (Dir.), Austin Winsberg (Writer) NY Casting AUGUST RUSH Theater, Regional – Paramount Theater January 2019 – June 2019 Paramount Theater (Prod.) John Doyle (Dir.), JoAnn Hunter (Choreo.) By: Mark Mancina, Glen Berger, David Metzger PARADISE SQUARE: An American Musical Theater, Regional – Berkeley Repertory Theatre December 2018 – March 2019 Garth Drabinsky (Prod.) ________________________________________________________________________ 1 Stewart/Whitley 213 West 35th Street Suite 804 New York, NY 10001 212.635.2153 Moisés Kaufman (Dir.), Bill T. Jones (Choreo.) By: Marcus Gardley, Jason Howland, Larry Kirwan, Craig Lucas, Nathan -
Popular Music and Violence This Page Has Been Left Blank Intentionally Dark Side of the Tune: Popular Music and Violence
DARK SIDE OF THE TUNE: POPULAR MUSIC AND VIOLENCE This page has been left blank intentionally Dark Side of the Tune: Popular Music and Violence BRUCE JOHNSON University of Turku, Finland Macquarie University, Australia University of Glasgow, UK MARTIN CLOONAN University of Glasgow, UK © Bruce Johnson and Martin Cloonan 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Bruce Johnson and Martin Cloonan have asserted their moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the authors of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington, VT 05401-4405 Surrey GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data Johnson, Bruce, 1943– Dark side of the tune : popular music and violence. – (Ashgate popular and folk music series) 1. Music and violence 2. Popular music – Social aspects I. Title II. Cloonan, Martin 781.6'4 Library of Congress Cataloging-in-Publication Data Johnson, Bruce, 1943– Dark side of the tune : popular music and violence / Bruce Johnson and Martin Cloonan. p. cm.—(Ashgate popular and folk music series) Includes bibliographical references. ISBN 978-0-7546-5872-6 (alk. paper) 1. Music and violence. 2. Popular music—Social aspects. I. Cloonan, Martin. II. Title. -
Disney's the Lion King Opens This Week!
Contact: Molly Sommerhalder For Immediate Release Marcus Performing Arts Center Phone: 414-273-7121 x399 Email: [email protected] DISNEY’S THE LION KING OPENS THIS WEEK! Performances Begin on February 5, 2020 And Play for Four Weeks at the Marcus Performing Arts Center through March 1, 2020 MILWAUKEE (February 3, 2020) – Disney’s The Lion King will leap onto the Marcus Performing Arts Center stage this Wednesday, February 5 for a four-week engagement through March 1st. The Lion King is part of the Johnson Financial Group Broadway at the Marcus Center and Broadway Across America-Milwaukee series. Tickets are available via lionking.com, MarcusCenter.org or Ticketmaster.com, by phone at 414-273-7206, and the Marcus Center Box Office at 929 North Water Street, Downtown Milwaukee. VIP Ticket Packages, which include a prime seat location, a commemorative souvenir program and an exclusive merchandise item, are also available. Groups of 10 or more may reserve seating by calling 414-273-7121 x210 or x213. Ticket buyers are reminded that the outlets listed above are the only official retail ticket outlets for all performances. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the Marcus Performing Arts Center is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance. The North American touring productions of The Lion King have been seen by more than 20 million theatergoers. Having already played more than 80 cities across North America, The Lion King now proudly makes its return to Milwaukee. -
Te Vaka U.S. Tour 2015
FOR IMMEDIATE RELEASE October 7, 2015 CONTACT: Skye Stoury, Marketing & Communications Manager [email protected]; (425) 828-0422 x 224 General Info: http://www.kpcenter.org/ Tickets: (425) 893-9900; http://www.kpcenter.org/performances/te-vaka The South Pacific adrenaline powered Opetaia’s Te Vaka U.S. Tour 2015 Saturday, October 17th, 8:00pm, Kirkland Performance Center Te Vaka News: Disney announced this August Te Vaka soundtrack for new animated feature Moana Te Vaka, which means “The Canoe”, is due to embark on its first major tour of the United States since 2011. Hailed by critics as "A stereotype-smashing glimpse into the soul of the South seas" (Wired Magazine), "the finest South Pacific roots band" (World Music Central) and “one of the greatest South Pacific bands of all time” (Fiji Times), Te Vaka is an original voice in the contemporary music of the Pacific. Led by award-winning singer-songwriter Opetaia Foa‘i, [pronounced OH-PEH-TIE-YA FOE- AYE], Te Vaka’s infectious melodies, Polynesian drums, and world beat rhythms draw on its roots in the cultures of Tokelau, Samoa, Cook Islands, and New Zealand Maori as well as today’s funk, pop, and rock sensibilities. On August 14, Disney announced at its sold-out fan expo D23 that Opetaia Foa‘i is composing the songs for the new Disney animated “princess” feature Moana (scheduled for November 2016 release). The musical team includes Tony-winner Lin-Manuel Miranda (lyrics) and Grammy-winning composer Mark Mancina (“Tarzan” “The Lion King”) (film score). Te Vaka started to record these songs for the soundtrack in August. -
Goldsmith 1929-2004
Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True. -
The Girl Who Grew Too Fast
Utah State University DigitalCommons@USU The Caine College of the Arts Music Program All Music Department Programs Archives 11-2016 The Girl Who Grew Too Fast USU Opera Theatre Follow this and additional works at: https://digitalcommons.usu.edu/music_programs Part of the Music Commons Recommended Citation USU Opera Theatre, "The Girl Who Grew Too Fast" (2016). All Music Department Programs. 21. https://digitalcommons.usu.edu/music_programs/21 This USU Symphony is brought to you for free and open access by the The Caine College of the Arts Music Program Archives at DigitalCommons@USU. It has been accepted for inclusion in All Music Department Programs by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. About USU Opera Theatre: The USU Opera Theatre is the Caine College of the Art’s performing USU OPERA THEATRE PRESENTS dramatic musical ensemble. Under the direction of Prof. Dallas Heaton, the ensemble produces full shows and scenes of opera, operetta, and musical theater, providing developing singers the opportunity to acquire and refine the skills that singing actors need to be successful, THE GIRL WHO versatile performers and multi-faceted pedagogues. We invite you to join us Feb. 2-4 as we present Mozart’s rarely heard opera La finta giardiniera. Find more details online: http://opera.usu.edu GREW TOO FAST By Gian Carlo Menotti WITH DISNEY CABARET! favorites from The Lion King, The Little Mermaid, and Tangled NOVEMBER 18-19, 2016 7:30PM CHASE FINE ARTS CENTER, ROOM FA 214 -
Never Been Human I Am Bird: on the Shape of Love
This is a repository copy of Never been human I am bird: on the Shape of Love. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/134433/ Version: Accepted Version Article: Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2018) Never been human I am bird: on the Shape of Love. Performance Research, 23 (4-5). pp. 100-106. ISSN 1352-8165 https://doi.org/10.1080/13528165.2018.1514781 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Never Been Human I am Bird: On the Shape of Love Nicolas Salazar Sutil Susan Sontag famously wrote that an erotics of art ought to take the place of hermeneutics. Love should replace the search for interpretation of content and true meaning that supposedly characterizes art criticism. Instead of trying to interpret art, assuming art is all about content and meaning, commentators ought to feel it. -
ABC News Reporter to Address Graduates~
Del DOT hopes to re-route New skate makes ~ sweep Towson rush-hour traffic around Newark jumping safer @~· · B~Iu_e_H_e_n_s --~] .\ ~.,,.• ;: i u..a e 11 page 2 page 7 .. ·;, ; 's y .) n TUESDAY ABC news reporter to address graduates ~ By Nancy Nonne they preferred and the final selection was Gulf. DUSC, in response to the dismay of many students because of her Middle East Staff Reporter made based on the availability of the top Compton's speaking fee is still being seniors, led a campaign to hire an outside exposure." Ann Compton, an ABC News White choices from the poll. negotiated , Davis said, but it will be within person to deliver the gmduation address. Compton is covering her fourth House correspondent, has been selected to Robert R. Davis, director of University the $7,000 to $10,000 range. DUSC President Mike DiFebbo (BE 91) presidential administration. Her daily replace President David P. Roselle as this Relations, said 388 students participated in Marc Davis (BE 91), vice president of appreciated Roselle's concern for student assignments are to cover President George year's spring commencement speaker, the poll. Delaware Undergraduate Studem Congress opinion. "When we went to Roselle, he really Bush and Vice President Dan Quayle. officials said. "This was a greater than average (DUSC) said, "It is much fairer to students to wanted to help us," DiFebbo said. From 1984 until January 1989, Compton After students requested an outside response," he said. "Last year, only 76 ballots have an outside speaker." Roselle said that he does not feel slighted was chief House of Representatives speaker, university officials printed a ballot of were received." The students' displeasure at the choice of by of the change.