Buddy Guy - Live in Concert

Total Page：16

File Type：pdf, Size：1020Kb

BUDDY GUY - LIVE IN CONCERT Presented by NC Productions * * * * * Tuesday, November 15, 2016 | 7:30 p.m. Indiana University Auditorium in Bloomington, IN Tickets On Sale Friday, September 16 For Release September 13, 2016 BLOOMINGTON, Ind.– Seven-time Grammy Award winner and legendary Electronic Blues musician Buddy Guy will perform live in concert on Tuesday, November 15, 2016 at 7:30 p.m. at Indiana University Auditorium in Bloomington, Indiana located at 1211 E 7th Street. TICKETS: Tickets are on sale Friday, September 16 at IUauditorium.com, in person at the IU Auditorium box office, charge-by-phone at (800) 745-3000, or online at Ticketmaster.com. ABOUT BUDDY GUY: Buddy Guy is among the most notable historic catalysts for evolution of the Electronic Blues genre, and has continued to influence the world of music since his career began with Chicago’s Chess Records in the late ‘50s. This marked the time period of iconic change in the world of Blues and led to the creation of the well-known West Side sound of Chicago, which Guy pioneered with Magic Sam and Otis Rush. Guy can also be seen in the Foo Fighter’s documentary series, Sonic Highways, which features a compilation of interviews and footage from his journey that emphasize his ability to “make something from nothing” as the son of a sharecropper from Lettsworth, Louisiana. In the beginning, recording alongside Muddy Waters, Howlin’ Wolf, and the rest of Chess Records’ label helped Guy explore his abilities and gain recognition that would lead to his faithful following of over 50 years. Buddy Guy is ranked 23rd on the Rolling Stones’ list of 100 Greatest Guitarists of All Time, and has received such prestigious awards as the 2015 Lifetime Achievement Grammy Award, a record 34 Blues Music Awards, seven Grammy Awards and the 2012 Kennedy Center Honor Award. He has performed with countless well-known artists, namely the Rolling Stones, and is seen performing with them in archive footage included in the 2008 documentary film, Shine a Light. Guy’s most recently released albums, Rhythm & Blues (2013) and Born to Play Guitar (2015), both debuted as No. 1 on the Billboard Top Blues Albums Chart, with Born to Play Guitar comprising of collaborations with icons Van Morrison, Joss Stone, Kim Wilson and Billy Gibbons. For more information, please visit: www.buddyguy.com www.IUauditorium.com # # # Media Contact: Andy Wilson Bohlsen Group PR [email protected] .

Copy Link

Recommended publications

Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band.
[Show full text]
Brevard Live Live March 2020
Brevard Live Live March 2020 - 1 2 - Brevard Live March 2020 Brevard Live Live March 2020 - 3 4 - Brevard Live March 2020 Brevard Live Live March 2020 - 5 6 - Brevard Live March 2020 Contents March 2020 FEATURES HOT PINK INDIAFEST Hot Pink has made a name for them- Columns Royal West India is the theme of this selves, not just as a good band but also Charles Van Riper year’s Indiafest held in Wickham Park. as great entertainers. One of the best It is a symbol of cultural enrichment in 22 Political Satire showmen in Brevard is vocalist James Dollar To Doghnuts Brevard and is celebrated with great en- Spiva who is also an actor. Matt Bretz thusiasm. got with Spiva for an in-depth interview. Page 11 Calendars Page 14 25 Live Entertainment, SOUND WAVES MUSIC FESTIVAL Concerts, Festivals This is the 4th annual Sound Waves Mu- GREG REINEL sic Festival held by 89.5 FM WFIT. The Reinel’s passion for art and music grew Brevard Love radio station features the winner of their as a young adult. The Screaming Igua- 30 by Matt Bretz garage band contest along with a nice nas of Love were one of the first Mel- Human Satire line-up of other bands. bourne based bands he was part of. But Page 12 it was his poster art that made him world Local Lowdown famous. 32 by Steve Keller BEERAPALOOZA Page 18 Beerapalooza is the first big event in CD Review 2020 held at Florida Beer Company in JAIMIE ENGLE 35 by Rob Pedrick Cape Canaveral.
[Show full text]
Development of a Literary Dispositif
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 4-5-2018 Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso Anna Ciamparella Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the African American Studies Commons, American Literature Commons, Comparative Literature Commons, Ethnic Studies Commons, European Languages and Societies Commons, French and Francophone Language and Literature Commons, Italian Language and Literature Commons, and the Literature in English, North America Commons Recommended Citation Ciamparella, Anna, "Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso" (2018). LSU Doctoral Dissertations. 4563. https://digitalcommons.lsu.edu/gradschool_dissertations/4563 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DEVELOPMENT OF A LITERARY DISPOSITIF: CONVENING DIASPORAN, BLUES, AND COSMOPOLITAN LINES OF INQUIRY TO REVEAL THE CULTURAL DIALOGUE AMONG GIUSEPPE UNGARETTI, LANGSTON HUGHES, AND ANTONIO D’ALFONSO A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdisciplinary Program in Comparative Literature by Anna Ciamparella M.A.
[Show full text]
August 2016 Washington Blues Society Calendar
In This Issue... Larry Williams Bobby Rush! Bobby Rush! Bobby Rush! Larry Williams and Suzanne Swanson (Photo Art by Dan Hill) (Photo by Suzanne Swanson) (Photo by Theresa Southwick) Letter from the President 2 On the Cover 4 2016 Blues Music Awards 9 Letter from the Editor 3 Honoring Larry Williams 6 July Blues Bash Review 12 Thanks to Our Advertisers 4 Preview: Taste of Music 8 August Blues Bash Reminder 14 Officers and Directors 4 Blues Bash Preview 8 Membership Opportunities 14 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, Mark Riley (Solo/Duo), and Brett Benton (Solo/ A new development with the Grammys! Thanks Duo). With the talent in the finals the state of to the hard the hard work of one of my Blues I’m sitting here at the Winthrop Rhythm & Blues Washington, the Washington Blues Society will Foundation board members, Michael Freeman, Festival as I write this month’s Letter from the be well represented once again! I highly recom- the “Blues” now has two different album catego- President, and going through the first half of the mend making plans ahead of time to see our finals ries! One for Traditional Blues Album and one for Blues Festival season in my mind. What a year at the very least if not the entire Taste of Music. Contemporary Blues album. This is big news for it’s been so far! From early in February at the At only $10 per day it will prove to be one of the our world. The Blues Music Awards are wonder- Coeur D’Alene Blues Festival, to the Walla Walla best values of the second half of the Blues Festi- ful and do a great job recognizing the musicians, Guitar Festival, on to the Untapped Music Fes- val season.
[Show full text]
Ronnie Baker Brooks------The Family Tree Is Bright Blue by Mark Hunter but Never Found the Right Chemistry
----------------------------------------- Feature • Ronnie Baker Brooks ----------------------------------------- The Family Tree Is Bright Blue By Mark Hunter but never found the right chemistry. “We decided to try it as a three-piece. When it came time for Chicago-based We went to Europe and they loved it. I have blues guitarist Ronnie Baker Brooks to de- to work harder, but that’s okay. The thing cide whether or not he wanted to enter col- with a three-piece is you can overdo it or lege after high school or go to work with his under-do it. You have to have good musi- father, he realized he had already made the cians to make it work.” choice many years earlier. Brooks grew up Good musicians and good songs. When in the family business. He learned the ropes Brooks was growing up, his friends were from his father and his father’s friends and into rap and funk and he listened to the worked hard to find out if following in the blues. But they also listened to each other’s very big footprints his dad made was the music. Brooks saw the way his father and right thing to do. He certainly had the feel- the other second- and third-generation blues ing it was something he should do. greats put their own stamp on the music of “My father left it to me to decide wheth- greats like Son House and Robert Johnson. er or not to go to college,” Brooks told me He learned that to keep the music alive it in a phone interview.
[Show full text]
Buddy Guy Florida Theatre New Date October 23
Contact: Kathryn Wills, Director of Marketing 904-3562-5983/[email protected] For immediate release BUDDY GUY FLORIDA THEATRE NEW DATE OCTOBER 23 Buddy Guy Scores Fifth #1 Blues Album In The Country With Born To Play Guitar Legendary blues icon and six-time Grammy Award winning artist Buddy Guy claimed the #1 spot last week onBillboard's Top Blues Album charts with his latest masterpiece Born To Play Guitar, according to Nielsen SoundScan. Released July 31st on Silvertone/RCA Records, Born To Play Guitar marks Buddy's fifth #1 album on Billboard's Top Blues chart and twelfth Top 10 Billboard Blues album. Since its release, the album peaked at #1 on the overall Amazon music chart and remains #1 on the iTunes Blues Albums chart. Internationally, Born To Play Guitar debuts at #1 on the Australian ARIA Jazz & Blues Album chart and remains Top 5 on iTunes Blues Album charts in UK, France, Germany, Australia, Japan, Italy, Sweden, Finland, Portugal and more! The follow-up to his spectacular 2013 #1 Billboard Blues album Rhythm and Blues, Born To Play Guitar has brought Buddy back to the top of the charts while receiving critical praise from media and fans alike. Rolling Stone cites "he sings and solos with reliable ferocity" while Glide Magazine gave the album 9 out of 10 stars and states "Guy's seasoned voice and tasty licks on his '57 Stratocaster would satisfy any and all fans of his music and the genre itself." The Journal Starproclaims that Guy "delivered a fresh, fully alive album that keeps the blues alive and shows he remains the best at it," while Rambles.net declares "At 79, he generates more heat and energy than players half his age and, instead of being content to rest on his well-earned reputation, continues to lead the way toward the future of the blues, even as he keeps the past fresh and vibrant." ### .
[Show full text]
The Title of Buddy Guy's Latest Album Says It All: the Blues Is Alive and Well
The title of Buddy Guy's latest album says it all: The Blues Is Alive and Well. The legendary blues artist's eighteenth solo LP and follow-up to 2015's Born to Play Guitar showcases his raw and unadulterated sound, its fifteen tracks a true pleasure for aficionados and genre newcomers alike. "I got children and grandchildren who didn't know who I was, but nowadays we can play outdoor concerts and see kids that are eight, nine, twelve years old coming to me and saying, 'I didn't know who you was, but I read what Eric Clapton said about you,'" Guy explains when discussing his mindset around the new record. "I'm always trying to make an album that someone accidentally plays where some kid hears it, picks up a guitar, and helps keep the blues alive." And it only takes one listen to The Blues Is Alive and Well to realize that Guy's mission has been more than accomplished here. The record is arriving on the heels of a spate of high visibility for the 81-year-old performer: at the 2016 Grammys, he picked up a trophy for “Best Blues Album” honoring Born to Play Guitar, and that same year he hit the road for a U.S. tour opening for Jeff Beck. In addition to bringing the house down for a recent sold-out performance commemorating the closing of New York City's B.B. King's Blues Club and Grill, he recently appeared on David Letterman's Netflix talk show My Next Guest Needs No Introduction.
[Show full text]
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones
[Show full text]
The Theo Huff – Interview by Mike Stephenson
THEO HUFF INTERVIEW By Mike Stephenson Scott and Howard Scott. All of these people really encouraged me and nurtured me. They would pull me to the side and tell me to try this and that and they would bring ideas that have enhanced my performance. From having a first CD out, called ‘Now Is The Time’ in 2014 I’ve just released my new CD this year which is called ‘The New Beginning’ on T.M.P. Records and it’s a big title for me. I had the privilege to work with a great artist, Marzette Griffith, on the CD and the producer is Paul Richmond, who wrote hits for Tyrone Davis and Willie Clayton. Theo Huff, Chicago, 2016. Photo: Mike Stephenson. It was recorded in South Holland, hicago bluesman Theo Huff has had two CDs Illinois in the South suburbs of Chicago. I have had a couple of singles out : ‘Wet Creleased since 2014 and has now become a Pannies’ from 2013 on P.M.T. Records and ‘Just Enuff Rope’ from regular on the Chicago blues scene as well as 2015 on R.G.H. Records. touring the U.S.A. and Europe. Mike Stephenson I was on Brittney Records owned by Mel Waiters before he talked to him about his career so far. passed but when he passed we still went with the project. Mel also helped me with a couple of songs as well. It motivated me so I was born on the west side of Chicago, Illinois on July 10th much to have such talented people to work with.
[Show full text]
The Roots and Branches Courtesy Of
! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
[Show full text]
ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt.
[Show full text]
Finding Aid for the Renato Tonelli Collection (MUM00486)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Renato Tonelli Collection (MUM00486) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Renato Tonelli Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Renato Tonelli Collection (MUM00486) Questions? Contact us! The Renato Tonelli Collection is open for research. Users are encouraged to use the Blues Photographs digital collection to access the items. Finding Aid for the Renato Tonelli Collection Table of Contents Descriptive Summary Administrative Information Subject Terms User Information Related Material Arrangement Container List Descriptive Summary Title: Renato Tonelli Collection Dates: 1970s-1990s Collector: Tonelli, Renato Physical Extent: 1 box (.417 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00486 Location: Blues Archive Language of Material: English Abstract: Photographs of blues musicians and performances in Europe and the United States. Administrative Information Additions No further additions are expected to this collection. Alternative Formats The Renato Tonelli Collection has been digitized and made available in Blues Photographs. Subject Terms Blues (Music) Blues musicians Blues festivals Formats black-and-white prints (photographs) User Information Prefered Citation Renato Tonelli Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Access Restrictions The Renato Tonelli Collection is open for research.
[Show full text]