Jazzweek with Airplay Data Powered by Jazzweek.Com • June 20, 2011 Volume 7, Number 29 • $7.95
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Jazzweek with Airplay Data Powered by Jazzweek.Com • July 2, 2007 Volume 3, Number 32 • $7.95
JazzWeek with airplay data powered by jazzweek.com • July 2, 2007 Volume 3, Number 32 • $7.95 Jazz Genre No. 1: Michael Brecker, Smooth Album No. 1: Boney James, Shine Pilgrimage (Heads Up) (Concord) World Music No. 1: Angelique Kidjo, Djin Smooth Single No. 1: Paul Brown, “The Djin (Starbucks/Razor & Tie) Rhythm Method” (Peak) Jazz Genre Chart . 3 Jazz Add Dates. 7 Smooth Jazz Album Chart . 4 Jazz Radio Currents . 8 Smooth Singles Chart . 5 Smooth Jazz Current Tracks. 11 World Music Album Chart. 6 Smooth Jazz Station Panel. 12 Jazz Birthdays July 2 July 12 July 20 Herbie Harper (1920) Will Bradley (1912) Ernie Wilkins (1922) Richard Wyands (1928) Paul Gonsalves (1920) Charles Tyler (1941) Ahmad Jamal (1930) Conte Candoli (1927) July 21 July 3 John Patton (1935) Omer Simeon (1902) Johnny Hartman (1923) July 13 Billy Taylor (1921) Johnny Coles (1926) Leroy Vinnegar (1928) Helen Merrill (1930) Pete Fountain (1930) Pete Escovedo (1935) Sonny Clark (1931) John Klemmer (1946) Albert Ayler (1936) Plas Johnson (1931) John Blake (1947) July 15 July 22 July 5 Philly Joe Jones (1923) Al Haig (1924) Arthur Blythe (1940) Joe Harriott (1928) Bill Perkins (1924) July 7 July 16 Junior Cook (1934) Tiny Grimes (1916) Cal Tjader (1925) Don Patterson (1936) Doc Severinsen (1927) Bobby Previte (1957) Al Di Meola (1954) Joshua Breakstone (1955) Hank Mobley (1930) July 17 Joe Zawinul (1932) George Barnes (1921) July 23 July 8 Ray Copeland (1926) Richie Kamuca (1930) Louis Jordan (1908) Joe Morello (1928) Steve Lacy (1934) Billy Eckstine (1914) Ben Riley (1933) Khan Jamal (1946) July 9 Nick Brignola (1936) L Subramaniam (1947) Frank Wright (1935) Norman W. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
IN CONCERT: Formidable Jazz Foursome
Welcome, ANGIE | Logout SANTA BARBARA Wednesday, February 19, 2014 62°Full forecast Home Local Nation/World Editorials Opinions-Letters Obituaries Real Estate Classifieds Special Publications Archives Scene Share Tweet 0 Home » Scene IN CONCERT: Formidable Jazz Foursome - KICKING OFF THE NEW 'JAZZ AT THE LOBERO' SERIES, THE SPRING QUARTET BRINGS TO TOWN AN ALL- STAR GROUP WITH JOE LOVANO, JACK DEJOHNETTE, ESPERANZA SPALDING, AND LEO GENOVESE By Josef Woodard, News-Press Correspondent February 14, 2014 8:04 AM IN CONCERT Related Stories The Spring Quartet ACT 1, SCENE 2, CLO's show business Dec 14, 2000 When: 8 p.m. Tuesday IN CONCERT: The House of Swing in the House - Jazz at Lincoln Center, led by trumpeter-jazz Where: Lobero Theater, 33 E. Canon Perdido St. spokesman Wynton Marsalis, returns to Santa Barbara on Sunday at The Granada Cost: $40-$105 Mar 8, 2013 Information: 963-0761, lobero.com Balancing home budget the Gray Davis way May 29, 2003 As a fitting, grand-opener concert in the new "Jazz at the Lobero" IN CONCERT : A different Nashville skyline - series in the newly renovated, and distinctly jazz-friendly theater Veteran musician David Olney headlines Saturday's (a condition duly noted by Down Beat magazine), a special, all-star Sings like Hell show at Lobero Theatre group gives its musical blessing Tuesday night. Enter the stellar Aug 22, 2008 aggregation calling itself the Spring Quartet, and featuring some of the most rightfully and highly respected musicians on their IN CONCERT: Soul on the Rough Side - A 'garage respective instruments — tenor saxophone mater Joe Lovano, soul' band out of Austin, Texas, Black Joe Lewis & the drummer Jack DeJohnette, Grammy-kissed young bassist-singer Honeybears is spearheaded by the high energy, James dynamo Esperanza Spalding and, from the player deserving wider Brown-inspired Lewis recognition corner, pianist Leo Genovese. -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • October 24, 2011 Volume 7, Number 46 • $7.95
JazzWeek with airplay data powered by jazzweek.com • October 24, 2011 Volume 7, Number 46 • $7.95 Jazz Album No. 1: Poncho Sanchez and Smooth Album No. 1: Dave Koz, Hello Terence Blanchard, Chano y Dizzy (Concord Tomorrow (Concord) Jazz) World Music No. 1: Bill Frisell & Vinicius Smooth Single No. 1: Rick Braun, “Time Cantuaria, Lagrinas Mexicanas (eOne) after Time” (Artistry/Mack Avenue) Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays October 24 November 1 November 10 Odeon Pope (1938) Lou Donaldson (1926) Paul Bley (1932) October 25 Gabe Baltazar (1929) Houston Person (1934) Eddie Lang (1902) Roger Kellaway (1939) Andrew Cyrille (1939) Jimmy Heath (1926) Lee Ritenour (1952) Hubert Laws (1939) Robin Eubanks (1955) November 2 November 11 October 26 Bunny Berigan (1908) Hoagy Carmichael (1899) Charlie Barnet (1913) Herb Geller (1928) Gunther Schuller (1925) Wayne Marsh (1927) Phil Woods (1931) Ernestine Anderson (1928) Eddie Henderson (1940) Frank Kimbrough (1956) Marvin Hannibal Peterson (1948) October 27 November 3 November 12 George Wallington (1924) Billy Mitchell (1926) Buck Clayton (1911) Philip Catherine (1942) Henry Grimes (1935) Charlie Mariano (1923) John McPhee (1939) November 13 October 28 Azar -
Musical Worship As a Pentecostal Sacrament: Toward a Soteriological Liturgy Richard I
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Musical Worship as a Pentecostal Sacrament: Toward a Soteriological Liturgy Richard I. Griggs Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, and the Music Commons Recommended Citation Griggs, Richard I., "Musical Worship as a Pentecostal Sacrament: Toward a Soteriological Liturgy" (2017). Selected Honors Theses. 64. http://firescholars.seu.edu/honors/64 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. MUSICAL WORSHIP AS A PENTECOSTAL SACRAMENT: TOWARD A SOTERIOLOGICAL LITURGY by Richard Isaac Griggs Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 Griggs – Musical Worship as a Pentecostal Sacrament © Copyright by Richard Griggs 2017 All Rights Reserved 2 Griggs – Musical Worship as a Pentecostal Sacrament Dedication This thesis is dedicated to the incredible faculty of the College of Christian Ministries and Religion. Without your support and encouragement, I would never have been able to accomplish a work like this. Thank you for challenging me. Thank you for sticking with me through my hard questions, my doubts, and my disappointments. Thank you for seeing the call of God in each of your students and for drawing the best out of us. The world is better because of your determination and dedication to the truth. You have helped me to build and to rebuild. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
ART FARMER NEA Jazz Master (1999)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.