21826 Hon. Bob Clement Hon. John T. Doolittle
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SENATE JOINT RESOLUTION 419 by Massey a RESOLUTION to Honor
<BillNo> <Sponsor> SENATE JOINT RESOLUTION 419 By Massey A RESOLUTION to honor and recognize The Chuck Wagon Gang on its illustrious and amazing eighty-year career in the field of gospel music. WHEREAS, it is fitting that this General Assembly pay tribute to those gifted singers and musicians who have withstood the capricious trends of popular culture to succeed and endure as gospel music performers of the greatest artistry; and WHEREAS, over the past eighty years, the original and present members of The Chuck Wagon Gang have distinguished themselves as talented country gospel artists who have inspired and entertained multiple generations with their close harmony style; and WHEREAS, the origins of The Chuck Wagon Gang date back to 1935 in Lubbock, Texas, where David Parker Carter and his wife, Carrie, were itinerant sharecroppers with nine children; and WHEREAS, the Carters were a musical family with a marginal existence, so patriarch Dave Carter decided to audition part of his clan for a fifteen-minute program on radio station KFYO; the quartet, which then consisted of David "Dad" Carter (baritone), Jim Carter (bass), Rose Carter (soprano), and Anna Carter (alto), greatly impressed the station's management, and the group was hired on the spot; and WHEREAS, Dad and Carrie grew up in the shape-note, singing-school tradition and subsequently taught their children to sing in four-part harmony; the use of a female lead vocal was unusual during this time, and thus the group's most distinctive feature was Rose's lead soprano, closely supported -
21824 Hon. Ellen O. Tauscher
21824 EXTENSIONS OF REMARKS October 6, 2000 and dedication to his community are evident in The first picture is of the Former Republic forming everything from how we commu- the dynamic growth and development the city of Yugoslavia. It is a picture of an entire nicate, to how we learn, to how we under- of Laredo has recently experienced. I want to people standing up and speaking out, of stand our universe. As Secretary [of Defense workers putting down their tools and walk- William] Cohen has said, information can in- send sincere thanks and best wishes to him, ing out of their factories, of truckers and deed be the great equalizer, placing enor- his wife Josie and the entire family for excep- taxi drivers blockading roads, and of tens of mous power in the hands of the common cit- tional service. thousands of average citizens taking to the izen or consumer. At the same time, infor- f streets to demand that their votes be count- mation can also be the great destabilizer, ed and that the dictator who brought such placing enormous and deadly power in the SPEECH OF DEPUTY SECRETARY misery and death to an entire region be hands of those who wish us harm. And so we OF DEFENSE, RUDY DE LEON ousted. And as this drama unfolds, the world now also face the prospect of hackers launch- hopes that a long, bloody chapter in the his- ing daily assaults on our defense systems HON. ELLEN O. TAUSCHER tory of Europe might perhaps be coming to and our critical infrastructure. -
Tommy White HOF Nomination Document
Tom Bradshaw P.O. Box 931 — Concord, CA 94522 Phone: 925-798-9936 E-mail: [email protected] 7-12-08 Committee of the Hall of Fame Steel Guitar Convention Board 9535 Midland Blvd. St. Louis, MO 63114 Subject: Hall of Fame Nomination of Tommy White Tommy White’s accomplishments over the past 38 years are detailed in the headings that follow. His accumulated “musical credentials” listed herein should confirm the profound impact he has had on the advancement of the steel guitar and his influence on the players of the instrument. During those 38 years he has projected the steel guitar as a dominant sound in Country Music. Getting Started: Tommy White was born on January 9, 1960 in Louisville, Kentucky, the son of Tom White Jr., an accomplished steel guitarist. With his father teaching, Tommy quickly distinguished himself with his fast-paced proficiency, prompting some observers to view him as a child prodigy. Tommy’s musical achievements as a youth can be documented in annual increments: At age 9 he received his first pedal steel. By 10 he was playing small clubs and other venues in and about his hometown of Louisville. By 11 he was so advanced as to be recruited by Grand Ole Opry member and star, Stu Phillips. As a member of Stu’s ensemble, he toured Michigan, playing concerts in high school auditoriums and at private parties. When 13 he was performing at steel guitar shows and other events including occasional subbing for his dad with Red and Gene Stewart, Red being the writer of “Tennessee Waltz”. -
A RESOLUTION to Honor and Recognize the Chuck Wagon Gang on Its Illustrious and Amazing Eighty-Year Career in the Field of Gospel Music
SENATE JOINT RESOLUTION NO. 419 By Senators Massey, Briggs, McNally and Representatives Armstrong, Harry Brooks, Daniel, Dunn, Kane, Smith, Zachary A RESOLUTION to honor and recognize The Chuck Wagon Gang on its illustrious and amazing eighty-year career in the field of gospel music. WHEREAS, it is fitting that this General Assembly pay tribute to those gifted singers and musicians who have withstood the capricious trends of popular culture to succeed and endure as gospel music performers of the greatest artistry; and WHEREAS, over the past eighty years, the original and present members of The Chuck Wagon Gang have distinguished themselves as talented country gospel artists who have inspired and entertained multiple generations with their close harmony style; and WHEREAS, the origins of The Chuck Wagon Gang date back to 1935 in Lubbock, Texas, where David Parker Carter and his wife, Carrie, were itinerant sharecroppers with nine children; and WHEREAS, the Carters were a musical family with a marginal existence, so patriarch Dave Carter decided to audition part of his clan for a fifteen-minute program on radio station KFYO; the quartet, which then consisted of David "Dad" Carter (baritone), Jim Carter (bass), Rose Carter (soprano), and Anna Carter (alto), greatly impressed the station's management, and the group was hired on the spot; and WHEREAS, Dad and Carrie grew up in the shape-note, singing-school tradition and subsequently taught their children to sing in four-part harmony; the use of a female lead vocal was unusual during this -
The Louisiana Hayride Tonight Notes on Live Recordings (CD 2-20)
1 2 BEAR FAMILY THE BOX WITH NO NAME by unknown authors [email protected] 3 OP & OC 2017 Bear Family Productions Ltd. First Edition All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without written permission of the publisher, except where permitted by law, or by a reviewer who may quote brief passages. 4 Contents Introduction by Martin Hawkins . 7 An Overview by Colin Escott . 10 Louisiana Hayride Timeline . 28 A Great American Music Story by Margaret Louis Warwick & Arthur Alton Warwick . 31 The Shows, The Performers, The Songs by Martin Hawkins . 45 KWKH Before The Hayrides Notes on studio recordings (CD 1) . 46 At The Louisiana Hayride Tonight Notes on live recordings (CD 2-20) . 60 Recalling The Louisiana Hayride by Frankie Miller . 168 Tracklisting CD 1-20 . 192 Alphabetical Listing Of Artists and live performances . 200 Credits . 209 (TOP ) Shreveport’s Municipal Auditorium, built in 1929, served as the broadcast venue for the Louisiana Hayride. (ABOVE ) Shreveport Mayor James C. Gardner and two civic leaders inspect the newly remodeled interior of the audi - torium in the mid-1950s. 5 The Louisiana Hayride cast in the late 1950s (FROM LEFT ): Ed Hamilton, five members of the Deep South Quartet, Sonny Harville, Felton Pruett, Dobber Johnson, Don Davis on bass, Tommy Tomlinson, Buddy Sepaugh, unknown, Margie Singleton, Bob Magee, Linda Brannon, Brad Ingles, Johnny Horton, Country Johnny Mathis, Ben Nardinna (HIDDEN ), Jimmy Lee, Jerry Kennedy, James O’Gwynn, unknown, announcer Frank Page, announcer Norm Bale, J.D. -
The Agribusiness & Western Lifestyle Channel
The Agribusiness & Western Lifestyle Channel RURALRADIO80 RURALRADIO80 www.RURALRADIO80.com “Rural Media Group has a proven track record of offering great programming for rural Americans and those drawn to the western lifestyle,” said Scott Greenstein, President and Chief Content Officer, SiriusXM. “In growing SiriusXM’s diverse programming lineup, we are excited to join with Rural Media Group to super- serve the rural audience, thereby further ensuring that SiriusXM, with its truly nationwide coverage, delivers the best audio content for listeners everywhere in America, from city skyscrapers to small towns and farms, from the Super Bowl to rodeos, from Wall Street to the Chicago Mercantile Exchange (CME).” RURAL RADIO’s program schedule provides a wide variety of original productions focused on agriculture, equine, hunting, fishing, western sports and living the country life in small towns and on acreages. Veteran farm broadcasters Mark Oppold and Janet Adkison, the current and incoming presidents of the National Association of Farm Broadcasting (NAFB) anchor three daily, weekday shows— RURAL RADIO is the ultimate destination for the rural Commodity Wrap, Rural Evening News and Market Day Report, a live 5-hour daily program featuring reports from dedicated news lifestyle, agribusiness news, outdoor living, western bureaus located at the CME, Chicago Board of Trade, as well as sports and rural-themed entertainment from USDA headquarters in Washington, D.C. Additional daily ag-related programming are provided through RMG’s strong This 24/7 satellite radio channel, found exclusively affiliations with the leaders in rural America, including: Farm on SiriusXM, is the home of original radio Journal Media, owners of AGDAY, U.S.