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The Architecture of Sir Ernest George and His Partners, C. 1860-1922
The Architecture of Sir Ernest George and His Partners, C. 1860-1922 Volume II Hilary Joyce Grainger Submitted in fulfilment of the requirements for the degree of Ph. D. The University of Leeds Department of Fine Art January 1985 TABLE OF CONTENTS Notes to Chapters 1- 10 432 Bibliography 487 Catalogue of Executed Works 513 432 Notes to the Text Preface 1 Joseph William Gleeson-White, 'Revival of English Domestic Architecture III: The Work of Mr Ernest George', The Studio, 1896 pp. 147-58; 'The Revival of English Domestic Architecture IV: The Work of Mr Ernest George', The Studio, 1896 pp. 27-33 and 'The Revival of English Domestic Architecture V: The Work of Messrs George and Peto', The Studio, 1896 pp. 204-15. 2 Immediately after the dissolution of partnership with Harold Peto on 31 October 1892, George entered partnership with Alfred Yeates, and so at the time of Gleeson-White's articles, the partnership was only four years old. 3 Gleeson-White, 'The Revival of English Architecture III', op. cit., p. 147. 4 Ibid. 5 Sir ReginaldýBlomfield, Richard Norman Shaw, RA, Architect, 1831-1912: A Study (London, 1940). 6 Andrew Saint, Richard Norman Shaw (London, 1976). 7 Harold Faulkner, 'The Creator of 'Modern Queen Anne': The Architecture of Norman Shaw', Country Life, 15 March 1941 pp. 232-35, p. 232. 8 Saint, op. cit., p. 274. 9 Hermann Muthesius, Das Englische Haus (Berlin 1904-05), 3 vols. 10 Hermann Muthesius, Die Englische Bankunst Der Gerenwart (Leipzig. 1900). 11 Hermann Muthesius, The English House, edited by Dennis Sharp, translated by Janet Seligman London, 1979) p. -
The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints. -
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide, one of four on different types of Domestic Buildings, covers suburban and country houses. -
Architects, Designers, Sculptors and Craftsmen from 1530
ARCHITECTS, DESIGNERS, SCULPTORS AND CRAFTSMEN FROM 1530 R-Z RAMSEY FAMILY (active c.14) Whittington, A. 1980 The Ramsey family of Norwich, Archaeological Journal 137, 285–9 REILLY, Sir Charles H. (1874–1948) Reilly, C.H. 1938 Scaffolding in the Sky: a semi-architectural autobiography Sharples, J., Powers, A., and Shippobottom, M. 1996 Charles Reilly & the Liverpool School of Architecture, 1904–33 RENNIE, John (1761–1821) Boucher, C.T.G. 1963 John Rennie, the life and work of a great engineer RENTON HOWARD WOOD LEVIN PARTNERSHIP Wilcock, R. 1988 Thespians at RHWL, R.I.B.A. Journal 95 (June), 33–9 REPTON, George (1786-1858) Temple, N. 1993 George Repton’s Pavilion Notebook: a catalogue raisonne REPTON, Humphry (1752–1818), see C2 REPTON, John Adey (1775–1860) Warner, T. 1990 Inherited Flair for Rural Harmony, Country Life. 184 (12 April), 92–5. RICHARDSON, Sir A.E. (1880–1964) Houfe, S. 1980 Sir Albert Richardson – the professor Powers, A. 1999 Sir Albert Richardson (RIBA Heinz Gallery exhibition catalogue) Taylor, N. 1975 Sir Albert Richardson: a classic case of Edwardianism, Edwardian Architecture and its Origins, ed. A. Service, 444–59 RICKARDS, Edwin Alfred (1872–1920) Rickards, E.A. 1920 Architects 1 The Art of E.A. Rickards (with a personal sketch by Arnold Bennett) Warren, J. 1975 Edwin Alfred Rickards, Edwardian Architecture and its Origins, ed. A. Service, 338–50 RICKMAN, Thomas (1776–1841) Aldrich, M. 1985 Gothic architecture illustrated: the drawings of Thomas Rickman in New York, Antiq. J. 65 Rickman, T.M. 1901 Notes of the Life of Thomas Rickman Sleman, W. -
13 British School at Athens Research on Byzantine Attica
13 BritishSchool at Athens research on ByzantineAttica EugeniaDrakopoulou In 1890,W. Leaf,a memberof the BritishSchool at Athens,created a photographof the apse of the churchof Hagios Andreas, in Hagia PhilotheiStreet, nearthe Metropolis of Athens (FIG.13.1). The church was demolishedin the same yeartogether with the monasticcomplex, a drawingof which was made by R.Weir Schultz, another member of the British School (FIG.13.2).In thelate 19th and early 20th centuries, Brit- isharchitects, during their training at theRoyal Insti- tuteof Architecture and theRoyal Academy's School ofArchitecture, undertook an investigationof the art andarchitecture ofByzantine monuments. In 1908,a ByzantineResearch and Publication Fund was establishedin associationwith the British School at Athens,a stepwhich was all themore welcome to theCommittee of the School because they had long regrettedtheir inability, on financialgrounds, to pub- lishmuch of the admirable research carried out in this fieldby their former distinguished students, Schultz andS.H. Barnsley.The drawings had been created from 1890to 1903by Schultz, Barnsley, F.W. Hasluck and H. Comyn,and thephotographs were taken between 1890and 1900by Schultz, W. Leaf,R. Bosanquetand R.E.Smith.1 Boththe drawing and photographbear witness to thearchitectural complex that had existed in that loca- tionbefore the building of a new churchand before theerection of the buildings of the Athens Archdio- cese on thesite of the monastic complex. The same monumentis closelyrelated to thehistory of Athens duringthe Ottoman period, a periodwhose features are hardlyvisible in modernAthens. This piece of evidencebecomes even more valuable, if we takeinto considerationthat the monastery was founded in 1550 byone ofthe most significant families of Athens, the Fig.13.1: East apse withfresco decoration, Hagios Andreas church,Hagia Filotheimonastery, Athens; W. -
Wiadomości Konserwatorskie Nr 51
Nowe cebule tulipana, po- sadzone w Ogrodzie Łazienek Królewskich jesienią 2016 roku, zakwitły wiosną 2017 pokazu- jąc po raz pierwszy swoją formę i barwę. Nowy tulipan o imieniu „Royal Łazienki”, o biało-zielo- AZIENKI” AZIENKI” nym kolorze, jest szczególną Ł dekoracją w ogrodzie od tego roku. Jak pokazują XVIII-wiecz- ne przekazy ikonograficzne (akwarele Z. Vogla), w kolorze białym i zielonym były malowa- ne w poprzeczne pasy donice z drzewkami cytrusowymi. Bieli w XVIII-wiecznej architekturze Łazienek mamy także pod do- statkiem. Prof. W. Dobrowolski w swoim artykule „Treści ma- sońskie w dekoracji Sali Jadal- nej w Białym Domu w Łazien- kach” pisze, iż „W symbolice wolnomularskiej barwa biała oznacza mądrość, łaskę, zwy- cięstwo…”. Zieleń to jak wia- domo początek, symbol natury. Biały tulipan z zielonymi paska- mi, o pięknym szerokim pokro- ju kielicha i ciemnozielonych liściach, będzie towarzyszył AZIENEK KRÓLEWSKICH – NOWY TULIPAN „ROYAL „ROYAL – NOWYAZIENEK TULIPAN KRÓLEWSKICH wszystkim kolorom w ogrodzie Ł bez najmniejszego dysonansu. Bo przecież biel jest czysta, a zieleń wszechobecna. OGRODY OGRODY 51/ 2017 Redaktor Naczelny • Editor In Chief Rada Naukowa – Scientifi c Board Prof. dr hab. Kazimierz Kuśnierz Prof. dr hab. Jerzy Jasieńko Redaktorzy Tematyczni • Topical Editors Politechnika Wrocławska (Polska) – przewodniczący Dr Łukasz Bednarz Wrocław University of Technology (Poland) – chairman (konstrukcje murowane / masonry structures), Politechnika Wrocławska Prof. Maria Teresa Bartoli Prof. dr hab. Jerzy Jasieńko Uniwersytet we Florencji (Włochy) / University of Florence (Italy) (konstrukcja i konserwacja / constructions and conservation) Prof. Mario Docci Politechnika Wrocławska Uniwerstet Sapienza w Rzymie (Włochy) / Sapienza University in Rome (Italy) Dr hab. Hanna Kóčka-Krenz, prof. Prof. Wolfram Jaeger (archeologia / archaeology), Uniwersytet im.