ALEX KATZ Born in Brooklyn
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The Museum of Modern Art for Immediate Release July 1993
The Museum of Modern Art For Immediate Release July 1993 A PRINT PROJECT BY CHUCK CLOSE July 24 - September 28, 1993 An exhibition presenting American artist Chuck Close's most recent print project, Alex/Reduction Block, opens at The Museum of Modern Art on July 24, 1993. Organized by Andrea Feldman, curatorial assistant, Department of Prints and Illustrated Books, A PRINT PROJECT BY CHUCK CLOSE comprises fifteen large- scale screenprints that depict Close's friend and fellow artist Alex Katz. The screenprints replicate all stages of what was originally a reduction linoleum-cut print. The exhibition, on view through September 28, examines the complex process of printmaking and offers an in-depth view of Close's artistic conception. The reduction linoleum-cut technique requires the artist to use a single block for the entire printing process, in contrast to the conventional method of cutting separate blocks for each color in the print. Close became intrigued by the process after studying prints made by Picasso in the late 1950s. When Close anticipated problems with the paper he had chosen for his reduction linoleum-cut project, he printed a set of the states of the work on mylar, which he later used as templates for the screenprints on view in the exhibition. Ms. Feldman states, "Over the two year period that it took to complete this impressive project, Close ran into many technical problems that he transformed into artistic challenges. Without a flaw, Close maneuvered through the obstacle course that the project presented and created an image of enormous power and intensity. -
Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 Pm Exhibition Continues Through December 30, 2015
PRESS RELEASE Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 pm Exhibition continues through December 30, 2015 Cheim & Read is pleased to announce an exhibition of Donald Baechler’s early paintings and collages on paper. These works represent the genesis of the artist’s iconic vocabulary of symbols and techniques. The exhibition will be accompanied by a catalogue featuring an essay by David Rimanelli. Between 1980 and 1984, when Baechler was still in his mid-20s, his work was the subject of six solo exhibitions. By the end of the ’80s, his bold, expressive paintings were regarded as some of the most influential of their time—integral to the dialogue between a new generation of New York painters that included Jean-Michel Basquiat, Keith Haring, and Julian Schnabel. The works currently on view at Cheim & Read embody this pivotal moment in Baechler’s career, when he developed a signature iconography and rose to international renown. Three Figures (Wall Street Week) 1980 graphite, spray enamel and oil-based enamel on paper 42 x 42 in Baechler’s work is known for striking compositions that center big, buoyant, thickly outlined forms on layered surfaces, either built up with paint or dense with collage. His subjects are recognizable the world over— flowers, faces, houses, globes, and other familiar objects take center stage. Isolated and magnified on large-scale canvases, they become emblems for universal themes like identity, sexuality, community, and mortality. But they are also uniquely Baechler’s. There is no -
Acu.1203.Cor
18 | The Cooper Union for the Advancement of Science and Art Notes was in Mentors: The Mentoring of Artists , an exhibit honoring the Marriages and artist-mentor relationship, at the Firehouse Center for the Falcon Engagements Foundation in Portland, Maine, August to October 2011 . Derek Dalton Musa (BSE’ 03 ) and Gloria Corinne Cochrane Nippert are Frey Yudkin (A’ 48 ) continues to engaged and planning a 2012 wed - teach and is showing her work at Hewlett Library in March and April ding. Garrett Ricciardi (A’ 03 ) and Lindsay Ross were married in July 2012 . Alex Katz (A’ 49 ) had 2011 solo shows at Gavin Brown’s enter - Constance Ftera (A’53) was in the 2011 . Sara and Michael Kadoch prise and Senior & Shopmaker 4th National Juried Exhibition (BSE’ 05 ) married on June 12 , 2011 at Prince Street Gallery. Gallery. (A’ 49 ) had a in New York. Kristen Breyer (A’ 06 ) Henry Niese and (A’ 08 ) married Laura Miller Margolius (A’42) with solo show of paintings and drawings Jeff Castleman 1960 s as an international network on Saturday, September 3, 2011 , at one of her art pieces in her home in from the mid- 1950 s to present enti - of artists, composers and designers the UC Berkeley Botanical Gardens Bronxville, New York. tled The Painter’s Palette at Gold Leaf Rosyln Fassett (A’56), Cameroon employing a “do-it-yourself” atti - Earth, oil painting, 50 x 40 Redwood Grove in Berkely Studios in Washington, DC, private collections. Irving Lefkowitz tude and focusing on blurring California. Included in their wed - September to November 2011 . -
Alex Katz on 10 Artists Who Inspire Him
Search by artist, gallery, etc. Art Alex Katz on 10 Artists Who Inspire Him Alex Katz Nov 1, 2018 2:30 pm Portrait of Alex Katz. Photo by Ander Gillenea/AFP/Getty Images. “A lot of art books are very tiresome to most people,” admitted Alex Katz who, at 91 years young, is one of our most prominent living painters. ere’s nothing tiresome about Looking At Art With Alex Katz, a new volume in which the artist shares relatable, off-the-cuff impressions of dozens of his favorite artists, poets, and creatives, from Fra Angelico to Frank Lloyd Wright. “Everyone gets art on their own level,” he said in a recent interview with Artsy. “If you don’t know a lot about art history and you look at a picture, you’re not seeing the same picture that someone who knows something about art history sees. But that doesn’t mean you receive less from the picture. Art is very multifaceted that way.” Below, we share excerpts from the book that highlight nine eclectic artists who have amazed and inspired Katz over the years. Louise Bourgeois Follow Louise Bourgeois Spider, 1997 Louise Bourgeois Fée Couturière "… Sotheby's: Contemporary Art Day Auction “I rst heard Louise Bourgeois and Louise Nevelson on a Sunday afternoon in 1950, when I had just come to Manhattan. ey spoke in a loft on 10th Street and 4th Avenue. ey seemed arty and quite irresponsible, as they kept talking about the fth, sixth and seventh dimensions. However, when one looks at the body of work by Louise Bourgeois, one cannot help but admire the energy to go out and at the same time to reveal what is inside of her. -
![Biography [PDF]](https://docslib.b-cdn.net/cover/7532/biography-pdf-547532.webp)
Biography [PDF]
NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments, -
KS3-KS5 Summer Season 19 May – 23 September 2012
Teacher Resource Notes – KS3-KS5 Summer Season 19 May – 23 September 2012 Alex Katz: Give Me Tomorrow Alex Katz On The Tate Collection 1928: A Cornish Encounter These notes are designed to support KS3-5 teachers in engaging students as they explore the art work. As well as factual information they provide starting points for discussion, ideas for simple practical activities and suggestions for extended work that could stem from a gallery visit. To book a gallery visit for your group call 01736 796226 or email [email protected]. Season Overview This season Tate St Ives is showing paintings and collages by Alex Katz, plus an eclectic display of works which Katz has chosen from the Tate Collection in Lower Gallery 2. In the Studio there is a one-room archival display 1928: A Cornish Encounter, which documents this important year in the history of St Ives art. The display of Katz's work is a selected survey from the mid 1950s to 2011. Alex Katz is 85 and had his first solo show in New York in 1954. His paintings at Tate St Ives explore themes including family portraits, friends and social relationships, style and the American Dream, flowers, seascapes and beach life. Katz's process involves making small studies from life, which he scales up using the traditional charcoal cartoon and pin- hole 'pouncing' method, then paints the final large scale work in one go, working wet on wet. Katz's paintings can be regarded as an antithesis to his contemporary American Abstract Expressionists; Katz chose to represent the cultural context of New York style, fashion and glamour. -
Exhibition Explores the Inverse of the Landscape in My Room: Artists Paint the Interior 1950-Now Opens May 18, 2018
Exhibition Explores the Inverse of the Landscape In My Room: Artists Paint the Interior 1950-Now opens May 18, 2018 CHARLOTTESVILLE, Va. – The Fralin Museum of Art at the University of Virginia presents In My Room: Artists Paint the Interior 1950-Now, May 18-Sept. 30, 2018. The exhibition looks at the inverse of the landscape: the interior. Landscape painting, a common genre in western painting, is understood as a window onto the world thanks to artist and theorist Leon Battista Alberti and his ideas about the picture plane known as Alberti’s Window. After the Industrial Revolution, however, modern art erupted with the interior. Notably, modern artists began depicting windows into other rooms instead of painting views of the outside world. “The interior space has an ability to prompt the viewer to ask questions and to view a space with new perspective,” said Matthew McLendon, director and chief curator of the Fralin Museum of Art. “In an untitled work by Alex Katz, for example, a bed in disarray invites the questions whether someone has left in a rush, to where and why? Interior with Doorway by Richard Diebenkorn uses light and shadow in juxtaposition creating a sculptural feel to everyday objects.” Artists continued to paint indoor spaces throughout the 20th century for a variety of psychological, interpersonal and biographical reasons. Architecture, design and the still-life inform the paintings in this exhibition, as does the persistent theme of the artist’s studio. The exhibition raises myriad questions upon which to reflect and will address how representations of interior spaces have changed and evolved over time. -
Postmodernist Poster Boy (And T&C Art Columnist) David Salle Has A
360 O I D TU S Postmodernist poster boy (and T&C art columnist) David Salle has a new show this month. He gives us an exclusive window into his light-filled retreat in East Hampton. By GEMMA SIEFF Photographs by FRANCOIS DISCHINGER NICE CUBE David Salle surveys his workspace in East Hampton, New York. DECEMBER 2013 | 207 THE artIST daVID SALLE IS A SLIGHT, handsome man of 61, with dark hair worn slicked back, accentuating his appearance of quickness and lightness, of being streamlined. His house inT Fort Greene, Brooklyn, used to be a Masonic lodge. It was transformed by the architect Chris- tian Hubert into a still sanctuary studded with just-so objets: spindly chairs by Giò Ponti, works by Mark Grotjahn, George Baselitz, and Amy Sillman. The front door funnels you straight upstairs, since Salle’s studio occupies the whole of the first floor. It’s capacious by any standard, but it’s still in New York City. His creativity blooms farther east, on the East End of Long Island, a place whose fabled light and seascapes have made it a haven for artists since the days of the Tile Club, a secret society formed in 1877 as part of the Aesthetic Movement, whose mem- bers included William Merritt Chase, Stanford White, and Francis Hopkinson Smith. Like the artist himself, Salle’s East Hampton house—or houses, for the property is a series ANGLE OF REPOSE of small buildings, some new, some from the Above: Salle’s Melting Away into Nothingness (2013). Below: The grounds were designed by Edwina von Gal. -
DONALD BAECHLER SCULPTURES and PAINTINGS
DONALD BAECHLER SCULPTURES and PAINTINGS ARTIST RECEPTION: THURSDAY, MARCH 24, 6-8 PM ON VIEW MARCH 24 - APRIL 30, 2011 "A sense of fun is an essential aspect of Donald's work. When you see his flat sculptures, I think it's very easy to smile." -excerpt from a conversation between Charles Stuckey and Donald Baechler McClain Gallery is pleased to present an exhibition of mixed media works by New York-based artist Donald Baechler. Well known for his brightly colored paintings with singular themed subjects from flowers, crowds to ice cream cones painted over heavily textured, multi- element backgrounds, this exhibition focuses on Baechler's exploration of flower motifs and follows their transition from drawings to paintings and their growth into three-dimensional volume as sculptures. The silhouette-like shapes of painted flowers arching out of a vase or a single bloom are complimented by Baechler's flat sculptural forms with mottled, irregular surfaces akin to the richly-collaged grounds of his paintings. An avid collector of images, he explores the potential of images after they are repeatedly used, seen or drawn - and in doing so evokes a universal language of cultural symbology. About Donald Baechler Born in Connecticut in 1956, Baechler lives and works in New York City. He studied art in both New York and Germany. He began exhibiting internationally in the early 1980s. His work can be found in over 40 public museum, university, corporate and municipal collections, including: The Museum of Fine Art, Houston; Museum of Modern Art, New -
Born in Brooklyn, New York, USA in 1927 Lives and Works in New York
ALEX KATZ Born in Brooklyn, New York, USA in 1927 Lives and works in New York Education 2000 The Cooper Union Annual Artist of the City Award 1994 Cooper Union Art School creates the Alex Katz Visiting Chair in Painting with the endowment provided by the sale of ten paintings donated by the artist 1949-50 Studies at Skowhegan School of Painting and Sculpture, Skowhegan, Maine 1946-49 Studies at the Cooper Union Art School, New York Selected Solo Exhibitions 2021 Voorlinden Museum, Wassenaar (upcoming) 2020 Gladstone Gallery, Roma Alex Katz - Retrospective, Museo Nacional Thyssen-Bornemisza, Madrid Fosun Foundation, Shanghai 2019 Monica De Cardenas, Zuoz Alex Katz: Flowers, Richard Gray Gallery, Chicago Alex Katz / Moby Dick, Colby Museum of Art, Waterville Focus on: Alex Katz, Dallas Museum of Art, Dallas Gavin Brown's Enterprise, New York Alex Katz, Daegu Art Museum, Daegu Red Dancers, Galerie Thaddaeus Ropac, Paris Contemporary Conterpoint / Alex Katz. Water Lilies - series Homage to Monet, 2009-2010, Musée de l'Orangerie, Paris Bigger is Better, Ludwig Museum, Koblenz 2018 Alex Katz, curated by Jacob Proctor, Museum Brandhorst, Munich Artist Rooms, Tate Liverpool, Liverpool Museum Brandhorst, Kunstareal, Munich Brand-New & Terrific: Alex Katz in the 1950s, Neuberger Museum of Art, Purchase, New York Alex Katz: Coca-Cola Girls, Timothy Taylor Gallery, London Alex Katz: Splits, Galeria Javier Lopez & Frances Fer, Madrid Dancers and Models, Lotte Museum of Art, Songpa-gu, Seoul Grass and Trees, Richard Gray Gallery, Chicago Small Paintings, -
DONALD BAECHLER New York, NY 10014
82 Gansevoort Street DONALD BAECHLER New York, NY 10014 p (212) 966 - 6675 Born 1956, Hartford, CT allouchegallery.com Lives and works in New York, NY 1978 - 1979 Staatliche Hochschule fuer Bildende Kuenste, “Staedelschule,” Frankfurt am main, Germany 1977 - 1978 Cooper Union, New York, NY; 1974 - 1977 Maryland Institute College of Art SELECTED SOLO EXHIBITIONS 2019 Recent Works, Boham-Knapper Gallery, Stockhom, Sweden 2018 Donald Baechler: Art in the Park XVI, Baur au Lac Hotel, Zurich, Switzerland 2017 Donald Baechler, Cheim & Read, New York, NY 2016 New Works, Galerie Alex Daniels, Reflex Gallery, Amsterdam, The Netherlands 2016 Early Works 1980-1984, Cheim & Read, New York, NY 2016 Early Works, Lars Boham, Stockholm, Sweden 2015 Donald Baechler, Pace Prints, New York, NY 2015 Recent Works, Sargent’s Daughters, New York, NY 2015 Black and White, Studio d’Arte Raffaelli, Trento, Italy 2015 Donald Baechler: The Planet of Memory, McClain Gallery, Houston, TX 2015 The Crayon Miscellany, curated by Julia Ryan, Omi International Arts Center, Ghent, NY 2014 Donald Baechler: New Paintings and Sculptures, Galerie Forsblom, Helsinki, Finland 2014 Donald Baechler: Sixteen Bad Neighbors, Arts + Leisure, New York, NY 2013 St. Moritz Art Masters, St. Mortiz, Switzerland 2012 Creature From the Blue Lagoon, curated by Bob Nickas, Martos Gallery, Bridgehampton, New York, NY 2012 New York Live Arts 2012 Mural, New York, NY 2012 Donald Baechler: Painting & Sculpture, Fisher Landau Center for Art, Long Island City, NY 2012 Donald Baechler: Paint Traveller, -
Chuck Close Art Kaleidoscope Foundation
CHUCK CLOSE ART KALEIDOSCOPE FOUNDATION/Color/???/116 Mins./Not Rated Featuring: Chuck Close, Brice Marden, Robert Storr, Dorothea Rockburne, Lucas Samaras, Robert Rauschenberg, Philip Glass, Arne Glimcher, Kiki Smith, Elizabeth Murray, Alex Katz, Janet Fish, Kirk Varnedoe. Credits: Produced and directed by Marion Cajori. Directors of photography: Mead Hunt, Ken Kobland, David Leitner. Edited by Cajori, Kobland. Music by Philip Glass, performed b Bruce Levingston. An Art Kaleidoscope Foundation production. Through the famous portrait artist’s subjects, filmmaker Marion Cajori crafts a clever biographical documentary of Chuck Close. Marion Cajori died before completing Chuck Close, her documentary portrait of an artist known for his unique portraits and self-portraits. In what could only have been a conscious nod to her subject, Cajori’s cinematic construct cleverly imitates Close’s signature hieroglyphic boxes, which he paints and superimposes upon a photograph. Abstract artist Brice Marden says in the documentary that with Close’s portraits “you add up all the details and you get the soul,” and the same can be said for Cajori’s film—through a series of vignettes, interviews with Close’s friends and family, the filmmaker reveals the soul of the portraitist. Cajori pursues Close and his work in the same way that someone might approach one of his portraits, which are large canvases of his subject’s heads. She leans in to show Close bringing the brush to the paint, and Close painting an uneven line or a protozoa-like shape on the canvas. Then she steps back to show completed portraits, and the actual faces of Close’s subjects, and sometimes a long shot in the studio where Close, in a wheelchair, is the focal point of the shot.