What Will Be Watched MIDSEASON SHOWS ABC CBS NBC FOX CW SUN

Total Page:16

File Type:pdf, Size:1020Kb

What Will Be Watched MIDSEASON SHOWS ABC CBS NBC FOX CW SUN ratings.qxp 6/6/2008 3:09 PM Page 1 What will be watched MIDSEASON SHOWS ABC CBS NBC FOX CW SUN. 7 P.M. (ET) America’s Funniest 60 Minutes Football Night In America The OT In Harm’s Way Home Videos 9 2.9 6.5 1.5 4.9 Dateline Sunday Comedy repeats Surviving Suburbia 4.3 2.7/2.8 1.4 8 P.M. Extreme Makeover: The Amazing Race Sunday Night Football The Simpsons Valentine Inc. Home Edition 5.8 8.9 4.7 2.2 7.1 Merlin King of the Hill 4 4.5 Sit Down, Shut Up 3.5 9 P.M. Desperate Housewives Cold Case Medium Family Guy Easy Money 9.6 6.9 5 4.8 2.2 American Dad 3.8 The Cleveland Show 4 10 P.M. Brothers & Sisters The Unit Kings 6.8 5.9 4.1 MON. 8 P.M. (ET) Dancing w/ the Stars Big Bang Theory Chuck Terminator: Sarah Gossip Girl 12.2 4.4 4.1 Connor Chronicles 1.6 Untitled Tyra Banks/ How I Met Your Mother 4.5 Ashton Kutcher Reality 4.6 Dollhouse 4.4 Show 9 P.M. 4.7 Two and a Half Men Heroes Prison Break One Tree Hill 7.2 5.7 4.1 1.6 Samantha Who? 24 Worst Week 6.3 7.2 4.5 10 P.M. Boston Legal CSI: Miami My Own Worst Enemy 5.3 8.3 4.1 The Bachelor The Philanthropist 5.1 3.7 TUES. 8 P.M. (ET) Opportunity Knocks NCIS The Biggest Loser House 90210 4.2 8.7 4.5 8.1 1.7 American Idol 13.2 9 P.M. Dancing (results show) The Mentalist Fringe Surviving the Filthy 11.5 6 5.8 Rich Scrubs 3.7 1.4 The Goode Family 3.7 10 P.M. Eli Stone Without a Trace Law & Order: SVU 5 6.8 6.7 WED. 8 P.M. (ET) Pushing Daisies Old Christine Knight Rider Bones America’s Next Top 4.8 4.1 4.6 4.5 Model Project Gary House 2.5 3.9 8 9 P.M. Private Practice Criminal Minds Deal or No Deal ‘Til Death 3.3 Stylista 5.7 7.8 6.1 Amer. Idol (results) 13.1 1.9 Do Not Disturb 4 TBA comedy 2.9 10 P.M. Dirty Sexy Money CSI: New York Lipstick Jungle 4.6 7.5 3.7 Law & Order 6.5 THURS. 8 P.M. (ET) Ugly Betty Survivor My Name Is Earl The Moment of Truth Smallville 5.3 6.8 4.2 4.9 2.3 30 Rock/SNL specials Hell's Kitchen Reaper 3.7/4.1 4.3 1.5 9 P.M. Grey’s Anatomy CSI The Office Kitchen Nightmares Supernatural 8.5 9.6 4.3 3.7 1.7 Kath & Kim 3.3 Secret Millionaire Office Spin-off 4.6 3.9 10 P.M. Life on Mars Eleventh Hour E.R. 4.7 7.3 5.5 Celebrity Apprentice 3.6 FRIDAY 8 P.M. (ET) Wife Swap Ghost Whisperer Toughest Jobs/Crusoe Are You Smarter Than a Everybody Hates Chris 3.6 5.1 3.2/3.6 Fifth Grader? 1.2 Deal or No Deal 3.8 The Game 6.4 Bones 3.6 1.2 9 P.M. Supernanny The Ex List Deal or No Deal Don’t Forget the Lyrics America’s Next Top 3.9 4.1 5.5 3 Model repeats Friday Night Lights ’Til Death 2.9 0.9 3.1 Do Not Disturb 2.5 10 P.M. 20/20 Numb3rs Life 4.1 5.5 4 Note: Chart reflects the C3 ratings media agencies expect shows to earn. A household rating is SAT. 8 P.M. (ET) Saturday Night College Crimetime Saturday Dateline Cops 1 an estimate of the Football 3.3 3.6 3.3 size of a TV audience 4 Cops 2 relative to the total 3.5 universe of homes Saturday Movie with TVs. Nielsen 9 P.M. 2.9 Crimetime Saturday Knight Rider repeats America's Most Wanted estimates there are 4 2.4 3.7 112.8 million U.S. TV households, so a single national 10 P.M. 48 Hours Mystery Law & Order: SVU household ratings 4.2 repeats point is equal to 1%, 3.5 or 1,128,000 households..
Recommended publications
  • Does the Primetime Television Upfront Still Matter? by Steve Sternberg
    May 2019 #62 __________________________________________________________________________________________ _____ Does the Primetime Television Upfront Still Matter? By Steve Sternberg For American television viewers, the start of the new primetime television season is still four months away. For insiders at media agencies, networks, and advertisers, however, the Upfront season is placing thoughts of September squarely into May. Of course, the very idea of a fall TV season in today’s video world seems old fashioned. The broadcast networks might still adhere to fall and mid-season schedules for debuting new shows, but their competitors do not. Ad-supported cable networks premiere many new series when the broadcast nets are airing repeats and some limited-run series (mostly non-sweeps months and the summer). Premium cable networks, such as HBO, Showtime, and Starz, air new shows throughout the year. Streaming services, such as Netflix and Amazon Prime, release full seasons of new series whenever they happen to be ready. CBS All Access does as well, although it releases new episodes on a weekly schedule, rather than all at once. In a television landscape of 10-episode cable series, and streaming services where you can binge- watch entire seasons, viewers don’t necessarily think in terms of TV seasons anymore. Nevertheless, the broadcast networks still hold onto a schedule that starts in the fall. Throughout April and May, cable and broadcast networks give presentations to the ad industry in which they unveil their fall schedules and discuss
    [Show full text]
  • 'Nothing but the Truth': Genre, Gender and Knowledge in the US
    ‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions.
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • Literariness.Org-Mareike-Jenner-Auth
    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting
    [Show full text]
  • EMPOWERMENT JOURNAL Gogo Bebe Great!Great!
    EMPOWERMENT JOURNAL GoGo BeBe Great!Great! 10-WEEK SAMPLE (Learn more about the full 40-week journal at www.BelieveInYou.com) NAME SCHOOL GRADE Your personal empowerment story. Choose how to share your greatness! EMPOWERMENT /noun/ The process of becoming stronger and more confident, especially in controlling one’s life and claiming one’s rights. STUDENTS HAVE THE RIGHT TO… • live optimistically. • act on positive motivation. • live with respect for self and others. • communicate with a unique voice. • make choices about how to share their greatness. THIS IS YOUR STORY Go Be Great! “Reach high, for the stars lie hidden in your soul.” – Langston Hughes What is an empowerment journal? This journal is your guide to unlocking greatness. Within every living thing there is greatness, and every example of greatness is unique. Your greatness must look different from someone else’s greatness.The world depends on this uniqueness. On the pages of this journal, you will discover the gifts you bring with you each and every day. You’ll build the confidence and skills that you’ll use to unlock your greatness. You will build self-awareness skills, like recognizing and discussing your emotions. You’ll learn self-management strategies that will help you stay motivated and focused. You will think about social awareness as you work to respect the unique greatness of your classmates and friends. You’ll work to build trusting relationships with positive communication and encouraging words. And you will practice decision-making that will allow you to share your greatness with the world. This work won’t be easy.
    [Show full text]
  • “Paint It Red” Written by Eoghan Mahony Directed by Dave Barrett
    “Paint It Red” Written by Eoghan Mahony Directed by Dave Barrett Episode 112 #3T7812 Warner Bros. Entertainment PRODUCTION DRAFT 4000 Warner Blvd. November 17, 2008 Burbank, CA 91522 FULL BLUE 11/18/08 PINK REVS. 11/21/08 YELLOW REVS. 11/23/08 GREEN REVS. 11/24/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. THE MENTALIST “Paint It Red” Episode #112 November 24, 2008 – Green Revisions REVISED PAGES PINK REVISIONS – 11/21/08 14, 20, 21, 30, 37, 37A YELLOW REVISIONS – 11/23/08 *(ADDENDUM – SCENE 47 DIALOGUE – INSERT AT END OF SCRIPT) GREEN REVISIONS – 11/24/08 46, 47, 49, 50, 52 TEASER FADE IN: 1 EXT. A.P. CAID OIL HQ DOWNTOWN SACRAMENTO - NIGHT (N/1) 1 The SIGN outside an imposing edifice of glass and steel proclaims it to be the headquarters of A.P. CAID PETROLEUM. 2 INT. FOYER. EXECUTIVE FLOOR. A.P. CAID OIL HQ - NIGHT 2 FRANK and KEELY are locked in a fervent kiss. He’s late 30s, turned corporate suit. She’s late 20’s, in prim but sexy receptionist kit. They make their way across the luxe foyer with a slightly furtive air, stopping at a set of heavy wooden doors. KEELY Are you sure about this? What if someone sees us? FRANK Relax, baby. I’ve got it all under control.
    [Show full text]
  • Blacks Reveal TV Loyalty
    Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows.
    [Show full text]
  • TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
    TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME
    [Show full text]
  • Administration of Donald J. Trump, 2017 Remarks at a Meeting With
    Administration of Donald J. Trump, 2017 Remarks at a Meeting With Members of the Trucking Industry on Health Care Reform March 23, 2017 The President. We've got some big truckers here. You guys are the biggest guys in the business, huh? I'm looking around. I read about you in all the magazines. Good. And you're the ones that make more money though, which is—[laughter]. Participant. It's supply and demand. [Laughter] The President. That's good. Great. [Laughter] It's great to be with you, and I don't know whose starting it off. Should I start it of? I'll start it off. Okay? First of all, I want to thank you for your support on health care. That's been great. I know you had a big problem with Obamacare, and everybody does, so welcome to the crowd. But I very much appreciate you being here, and I very much appreciate your support. I'm honored to welcome all of the many truckers and the trucking industry leaders to the White House. And I must say, really, you are the leaders. You are the big ones. I'm very impressed I was able to get you. I think it was the White House that was able to get you. [Laughter] No one knows America like truckers know America. You see it every day, and you see every hill, and you see every valley, and you see every pothole in our roads that have to be redone. Old Dominion Freight Line, Inc. Chief Executive Officer David S.
    [Show full text]
  • British Actor Julian Sands Is Frequently Seen World- Wide in Films, on Stage, and on Television
    British actor Julian Sands is frequently seen world- wide in films, on stage, and on television. He trained in London at The Central School of Speech and Drama and has appeared in over 100 films including; The Killing Fields, A Room With A View, Impromptu, Leaving Las Vegas, Arachnophobia, Oceans 13, and The Girl With the Dragon Tattoo. On television, he is best known for his role on 24 but has also been seen on Dexter, Smallville, Ghost Whisperer and Banshee. In 2005, Julian Sands was approached by the Nobel Prize winning playwright and poet Harold Pinter, to prepare a selection of his poems for a special presentation in London. Pinter “apprenticed” Mr. Sands, spending hours sharing his feelings on how his work should be delivered. Every pause, every nuance in tone, had, and has meaning. A bond was established between these two artists- one that gives a distinctive and very personal voice to Pinter’s words. This extraordinary collaboration became the foundation for a wonderfully rich, humorous, and fascinating solo show directed by John Malkovich- A Celebration of Harold Pinter. Performances at the Edinburgh Festival in 2011 and in New York at The Irish Repertory Theatre were followed by engagements at Steppenwolf in Chicago, Herbst Theatre in San Francisco as well as in Los Angeles, Mexico City, Budapest, London, and Paris. This is an evening of Homeric theater with an extraordinary actor, great words, and an audience. Devoid of pretension or glittery trappings, A Celebration of Harold Pinter gets to the soul of the man- poet, playwright, husband, political activist, Nobel winner, mortal.
    [Show full text]
  • Wednesday Morning, Jan. 27
    WEDNESDAY MORNING, JAN. 27 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 VER COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) 47008 AM Northwest Be a Millionaire The View Journalist E.D. Hill. (N) Live With Regis and Kelly (N) (cc) 2/KATU 2 2 (cc) (Cont’d) 626517 (cc) 17282 21973 (cc) (TV14) 59843 (TVG) 46379 KOIN Local 6 News 33331 The Early Show (N) (cc) 69244 Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right Contestants bid The Young and the Restless (N) (cc) 6/KOIN 6 6 Early at 6 80824 66244 for prizes. (N) (TVG) 88379 (TV14) 91843 Newschannel 8 at Sunrise at 6:00 Today Gayle Haggard; Sharon Osbourne. (N) (cc) 867060 Rachael Ray (cc) (TVG) 86911 8/KGW 8 8 AM (N) (cc) 44534 Lilias! (cc) (TVG) Between the Lions Curious George Sid the Science Super Why! Dinosaur Train Sesame Street Tribute to Number Clifford the Big Dragon Tales WordWorld (TVY) Martha Speaks 10/KOPB 10 10 19350 (TVY) 89517 (TVY) 25824 Kid (TVY) 43701 (TVY) 27718 (TVY) 26089 Seven. (N) (cc) (TVY) 35398 Red Dog 91379 (TVY) 39553 11060 (TVY) 29089 Good Day Oregon-6 (N) 71602 Good Day Oregon (N) 16176 The 700 Club (cc) (TVPG) 20466 Paid 86447 Paid 24621 The Martha Stewart Show (N) (cc) 12/KPTV 12 12 (TVG) 15447 Paid 86486 Paid 17008 Paid 49195 Paid 28602 Through the Bible Life Today 15553 Christians & Jews Paid 34176 Paid 91060 Paid 67319 Paid 78244 Paid 79973 22/KPXG 5 5 16282 67355 Changing Your John Hagee Rod Parsley This Is Your Day Kenneth Cope- The Word in the Inspirations Lifestyle Maga- Behind the Alternative James Robison Marilyn
    [Show full text]
  • Lesley Stahl - 60 Minutes - CBS News
    Lesley Stahl - 60 Minutes - CBS News http://www.cbsnews.com/stories/1998/07/09/60minutes/main13546.shtml C Lesley Stahl Correspondent, 60 Minutes (CBS) Lesley Stahl has been a 60 Minutes correspondent since March 1991. The 2008-09 season marks her 18th on the broadcast. Stahl’s interviews with the families of the Duke Lacrosse players exonerated in a racial rape case and with Nancy Pelosi before she became the first woman to become speaker of the house were big scoops for 60 Minutes and 60 Minutes and CBS News Correspondent CBS News in 2007. In September of 2005, Stahl landed the Lesley Stahl (CBS) first interview with American hostage Roy Hallums who was held captive by Iraqis for 10 months. Her other exclusive 60 Minutes interviews with former Bush administration officials Paul O’Neill and Richard Clarke ranked among the biggest news stories of 2004. She was the first to report that Al Gore would not run for president, in a 60 Minutes interview broadcast in 2002. Prior to joining 60 Minutes, Stahl served as CBS News White House correspondent during the Carter and Reagan presidencies and part of the term of George H. W. Bush. Her reports appeared frequently on the CBS Evening News, first with Walter Cronkite, then with Dan Rather, and on other CBS News broadcasts. During much of that time, she also served as moderator of Face The Nation, CBS News' Sunday public-affairs broadcast (September 1983-May 1991). For Face The Nation, she interviewed such newsmakers as Margaret Thatcher, Boris Yeltsin, Yasir Arafat and virtually every top U.S.
    [Show full text]