2008 Hugo Awards and John W. Campbell Award Ballot
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Top Hugo Nominees
Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K. -
SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
The Cyborg Prophecy: Reading Between Isaac Asimov's Lines
The Cyborg Prophecy: Reading between Isaac Asimov’s Lines Rudrani Gangopadhyay Jadavpur University, Kolkata Abstract: Donna Haraway’s “Cyborg Manifesto” describes the Cyborg as a conjunction of technology and discourse. It argues that a prosthesis becomes a cyborg element when it is integrated with the identity of an individual, and a cyborg is created by the almost symbiotic union of robotic and organic elements. Isaac Asimov, in his short story “The Bicentennial Man” for example, narrates the story of such a remarkable union of robotic and human parts and asserts, at the end, that the resultant system is, essentially, human. A cyborg, therefore, is ‘meta-human’, being somewhat enhanced (by the use of technology) in certain ways in comparison to a human being. There isa mass cyborgization of the global population taking place today. The kind of blurring of boundaries between exogenous and endogenous parts within the system of a human being that one had, so far, only come across in science fiction, is fast coming to life. The obvious example of prosthetics aside, gadgets like cellphone headsets, touchscreen phones and similar electronic devices have been rendered extensions of the human system, merging seamlessly with the organic identities and consequently, making cyborgs out of everyone. The relevance of literature featuring cyborgs, which have, in a way, acted as prophecies for human civilization, therefore cannot be emphasized enough. This paper explores the cyborg identity in select works of Isaac Asimov and reflect on the fast occurring cyborgization of the (meta-)human race in reality. Keywords: Science Fiction, Isaac Asimov, Cyborg, Cybernetics, Body Studies Donna Haraway, in the famous “Cyborg Manifesto,” describes a cyborg as a conjunction of technology and discourse (Haraway 149). -
N38wr [Read Now] Oceanic (English Edition) Online
n38wr [Read now] Oceanic (English Edition) Online [n38wr.ebook] Oceanic (English Edition) Pdf Free Par Greg Egan audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook Détails sur le produit Rang parmi les ventes : #280493 dans eBooksPublié le: 2009-09-24Sorti le: 2009-09- 24Format: Ebook Kindle | File size: 50.Mb Par Greg Egan : Oceanic (English Edition) before purchasing it in order to gage whether or not it would be worth my time, and all praised Oceanic (English Edition): Commentaires clientsCommentaires clients les plus utiles0 internautes sur 0 ont trouvé ce commentaire utile. Sci-Fi genre to explore human psychologyPar jmbfrIt may not be usual for Mr. Egan, but this book is less about hard science- fiction than the exploration of the human psychology and emotions.I was surprised by Oceanic but it turned out to express much of my inner thoughts about religion and faith.0 internautes sur 0 ont trouvé ce commentaire utile. De la SF moderne!Par ALEXANDREDe la SF moderne, qui part de l'état connu de la science et qui extrapole.C'est puissant, riche, philosophique, très bien écrit...Un auteur à découvrir! Présentation de l'éditeurCollected together here for the first time are twelve stories by the incomparable Greg Egan, one of the most exciting writers of science fiction working today.In these dozen glimpses into the future Egan continues to explore the essence of what it is to be human, and the nature of what - and who - we are, in stories that range from parables of contemporary human conflict -
LESSON 5: Boneshaker by Cherie Priest
LESSON 5: Boneshaker by Cherie Priest On the forum, I gave you the following assignment: Read the first 5 pages of Boneshaker by Cherie Priest. List the Steampunk elements you find. Then list the ESSENTIAL Steampunk genre elements, and then the Character descriptions, then setting Your chart will look something like this: STEAMPUNK ...................... ESSENTIAL ...................CHARACTER ...........SETTING ELEMENTS ......................... ELEMENTS.....................ELEMENTS...............ELEMENTS black overcoat black overcoat 11 crooked stairs 11 crooked stairs and so on you can find Boneshaker here at Amazon The table part didn’t come out very well so here’s a better version. I added the word “ALL” to the column labels because I wanted you to understand that in those columns I’m not looking for any specific elements other than those labeled. For instance, under “CHARACTER ELEMENTS (ALL)” give all the character elements you find, not just elements pertaining to the Steampunk genre. STEAMPUNK ESSENTIAL CHARACTER SETTING ELEMENTS (ALL) STEAMPUNK ELEMENTS ELEMENTS (ALL) ELEMENTS (ALL) Black overcoat Black overcoat 11 crooked stairs 11 crooked stairs Goth, Gadgets & Grunge: Steampunk Stories with Style!© By Pat Hauldren LESSON 5: Boneshaker by Cherie Priest / 2 If you’ll notice on the link I provided for Boneshaker at Amazon.com, it’s listed as “ (Sci Fi Essential Books) “ and baby, that’s where *I* want to be! I couldn’t find a specific definition for exactly what that term meant at Amazon.com, but just from the term itself, you can tell it’s the list of books that, while aren’t classics yet, are becoming so for various reasons. -
Merging with AI Would Be Suicide for the Human Mind
Opinion Artificial intelligence Merging with AI would be suicide for the human mind There may come a moment when the brain is so diminished it is destroyed Your mind is not a back-up drive for AI, even if it has the same memories and exact behaviours © Getty Susan Schneider 54 MINUTES AGO The idea that human and artificial intelligence should merge is in the air these days. The Tesla and SpaceX chief executive Elon Musk, for instance, suggests “having some sort of merger of biological intelligence and machine intelligence”. His company, Neuralink, aims to make implanting chips in the brain as commonplace as laser eye surgery. Underlying all this talk is a radical vision of the mind’s future. Ray Kurzweil, the futurist and director of engineering at Google, envisions a technotopia where human minds upload to the Cloud, becoming hyperconscious, immortal superintelligences. Mr Musk believes people should merge with AI to avoid losing control of superintelligent machines, and prevent technological unemployment. But are such ideas really possible? The philosophical obstacles are as pressing as the technological ones. Here is a new challenge, derived from a story by the Australian science fiction writer Greg Egan. Imagine that an AI device called “a jewel” is inserted into your brain at birth. The jewel monitors your brain’s activity in order to learn how to mimic your thoughts and behaviours. By the time you are an adult, it perfectly simulates your biological brain. At some point, like other members of society, you grow confident that your brain is just redundant meatware. -
Ansible® 405 April 2021 from David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK
Ansible® 405 April 2021 From David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK. Website news.ansible.uk. ISSN 0265-9816 (print); 1740- 942X (e). Logo: Dan Steffan . Cartoon (‘Dragon’s Eye’): Ulrika O’Brien . Available for SAE, ticholama, hesso-penthol or resilian. MOVING ON. October 2021 will see the tenth anniversary of the online £50 reg; under-17s £12; under-13s free. See novacon.org.uk. Encyclopedia of Science Fiction , hosted by Orion and linked to the SOLD OUT . 21-24 Apr 2022 ! Camp SFW, Vauxhall Holiday Park, Gollancz SF Gateway ebook operation. Orion/Gollancz have now decided Great Yarmouth. See www.scifiweekender.com. All places presumably not to renew the contract on 1 October. The principal Encyclopedia taken by membership transfers from the cancelled March 2021 event. editors John Clute and David Langford plan to move sf-encyclopedia.com POSTPONED AGAIN . 27-29 May 2022 ! Satellite 7, Crowne Plaza, to their own web server and continue as seamlessly as possible with Glasgow. £70 reg (£80 at the door); under-25s £60; under-18s £20; much the same ‘look and feel’, perhaps with a new sponsor and certainly under-12s £5; under-5s £2. See seven.satellitex.org.uk. Former dates 21- with a few improvements that the current platform doesn’t allow. 23 May 2021. All existing memberships transferred to 2022; no refunds. Rumblings. DisCon III (Worldcon 2021, Washington DC), with one The Army of Unalterable Law of its two hotels not only closed but filing for bankruptcy, is unable to tell Peter S. Beagle and his current business partners regained rights ‘to members whether it will be a physical as well as a virtual convention. -
To Speculative Fictions, a Special Issue of American Literature] Gerry Canavan Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 6-1-2011 Preface [to Speculative Fictions, a Special Issue of American Literature] Gerry Canavan Marquette University, [email protected] Accepted version. American Literature, Vol. 83, No. 2 (June 2011): 237-249. DOI. © 2011 Duke University Press. Used with permission. Marquette University e-Publications@Marquette English Faculty Research and Publications/College of Arts and Sciences This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation below. American Literature, Vol. 83, No. 2 (2011): 237-249. DOI. This article is © Duke University Press and permission has been granted for this version to appear in e-Publications@Marquette. Duke University Press does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Duke University Press. Preface Gerry Canavan Marquette University, Milwaukee, WI Priscilla Wald “I don’t read science fiction . I just read serious writers like Proust and Joyce and Kafka. When science fiction has something serious to say, I’ll read it.” —Nicholas Brady, from Philip K. Dick, Radio Free Albemuth (1976) In late 2009, just as we were putting together the call for papers for this special issue, the online science fiction community was deeply engaged in a favorite pastime: arguing with itself about the nature of science fiction. The spur this time was several notorious statements by Margaret Atwood who, once again, was insisting on dissociating her own works—The Handmaid’s Tale, Oryx and Crake, and The Year of the Flood—from the genre, despite similarities in plot and theme. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
The Virtual Worlds of Japanese Cyberpunk
arts Article New Spaces for Old Motifs? The Virtual Worlds of Japanese Cyberpunk Denis Taillandier College of International Relations, Ritsumeikan University, Kyoto 603-8577, Japan; aelfi[email protected] Received: 3 July 2018; Accepted: 2 October 2018; Published: 5 October 2018 Abstract: North-American cyberpunk’s recurrent use of high-tech Japan as “the default setting for the future,” has generated a Japonism reframed in technological terms. While the renewed representations of techno-Orientalism have received scholarly attention, little has been said about literary Japanese science fiction. This paper attempts to discuss the transnational construction of Japanese cyberpunk through Masaki Goro’s¯ Venus City (V¯ınasu Shiti, 1992) and Tobi Hirotaka’s Angels of the Forsaken Garden series (Haien no tenshi, 2002–). Elaborating on Tatsumi’s concept of synchronicity, it focuses on the intertextual dynamics that underlie the shaping of those texts to shed light on Japanese cyberpunk’s (dis)connections to techno-Orientalism as well as on the relationships between literary works, virtual worlds and reality. Keywords: Japanese science fiction; cyberpunk; techno-Orientalism; Masaki Goro;¯ Tobi Hirotaka; virtual worlds; intertextuality 1. Introduction: Cyberpunk and Techno-Orientalism While the inversion is not a very original one, looking into Japanese cyberpunk in a transnational context first calls for a brief dive into cyberpunk Japan. Anglo-American pioneers of the genre, quite evidently William Gibson, but also Pat Cadigan or Bruce Sterling, have extensively used high-tech, hyper-consumerist Japan as a motif or a setting for their works, so that Japan became in the mid 1980s the very exemplification of the future, or to borrow Gibson’s (2001, p. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction.