The Army Question in Hungarian Politics 1867–1918
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Sources for Genealogical Research at the Austrian War Archives in Vienna (Kriegsarchiv Wien)
SOURCES FOR GENEALOGICAL RESEARCH AT THE AUSTRIAN WAR ARCHIVES IN VIENNA (KRIEGSARCHIV WIEN) by Christoph Tepperberg Director of the Kriegsarchiv 1 Table of contents 1. The Vienna War Archives and its relevance for genealogical research 1.1. A short history of the War Archives 1.2. Conditions for doing genealogical research at the Kriegsarchiv 2. Sources for genealogical research at the Kriegsarchiv 2. 1. Documents of the military administration and commands 2. 2. Personnel records, and records pertaining to personnel 2.2.1. Sources for research on military personnel of all ranks 2.2.2. Sources for research on commissioned officers and military officials 3. Using the Archives 3.1. Regulations for using personnel records 3.2. Visiting the Archives 3.3. Written inquiries 3.4. Professional researchers 4. Relevant publications 5. Sources for genealogical research in other archives and institutions 5.1. Sources for genealogical research in other departments of the Austrian State Archives 5.2. Sources for genealogical research in other Austrian archives 5.3. Sources for genealogical research in archives outside of Austria 5.3.1. The provinces of the Austro-Hungarian Monarchy and its “successor states” 5.3.2. Sources for genealogical research in the “successor states” 5.4. Additional points of contact and practical hints for genealogical research 2 1. The Vienna War Archives and its relevance for genealogical research 1.1. A short history of the War Archives Today’s Austrian Republic is a small country, but from 1526 to 1918 Austria was a great power, we can say: the United States of Middle and Southeastern Europe. -
BULGARIA and HUNGARY in the FIRST WORLD WAR: a VIEW from the 21ST CENTURY 21St -Century Studies in Humanities
BULGARIA AND HUNGARY IN THE FIRST WORLD WAR: A VIEW FROM THE 21ST CENTURY 21st -Century Studies in Humanities Editor: Pál Fodor Research Centre for the Humanities Budapest–Sofia, 2020 BULGARIA AND HUNGARY IN THE FIRST WORLD WAR: A VIEW FROM THE 21ST CENTURY Editors GÁBOR DEMETER CSABA KATONA PENKA PEYKOVSKA Research Centre for the Humanities Budapest–Sofia, 2020 Technical editor: Judit Lakatos Language editor: David Robert Evans Translated by: Jason Vincz, Bálint Radó, Péter Szőnyi, and Gábor Demeter Lectored by László Bíró (HAS RCH, senior research fellow) The volume was supported by theBulgarian–Hungarian History Commission and realized within the framework of the project entitled “Peripheries of Empires and Nation States in the 17th–20th Century Central and Southeast Europe. Power, Institutions, Society, Adaptation”. Supported by the Hungarian Academy of Sciences NKFI-EPR K 113004, East-Central European Nationalisms During the First World War NKFI FK 128 978 Knowledge, Lanscape, Nation and Empire ISBN: 978-963-416-198-1 (Institute of History – Research Center for the Humanities) ISBN: 978-954-2903-36-9 (Institute for Historical Studies – BAS) HU ISSN 2630-8827 Cover: “A Momentary View of Europe”. German caricature propaganda map, 1915. Published by the Research Centre for the Humanities Responsible editor: Pál Fodor Prepress preparation: Institute of History, RCH, Research Assistance Team Leader: Éva Kovács Cover design: Bence Marafkó Page layout: Bence Marafkó Printed in Hungary by Prime Rate Kft., Budapest CONTENTS INTRODUCTION .................................... 9 Zoltán Oszkár Szőts and Gábor Demeter THE CAUSES OF THE OUTBREAK OF WORLD WAR I AND THEIR REPRESENTATION IN SERBIAN HISTORIOGRAPHY .................................. 25 Krisztián Csaplár-Degovics ISTVÁN TISZA’S POLICY TOWARDS THE GERMAN ALLIANCE AND AGAINST GERMAN INFLUENCE IN THE YEARS OF THE GREAT WAR................................ -
The Habsburg Monarchy Makes Peace (1606)
Volume 1. From the Reformation to the Thirty Years War, 1500-1648 Rebels and Ottomans – The Habsburg Monarchy Makes Peace (1606) War and peace between the Ottoman sultans and the Holy Roman emperors was a major strand of Imperial history from the Ottomans’ first invasion of Hungary in 1526 to their decisive defeat at Imperial hands in Vienna in 1683. In contested Hungary, there were alternating periods of serious campaigning (1526-47, 1593-1606, 1663-83) and long, negotiated truces (1547-93, 1606-63). In its early phase, this contest played a significant role in the Protestant Reformation, for it provided the Protestant princes with a tactic that became a policy: no taxes without concessions on religion. During the next decades, some saw the Ottoman threat as a more or less welcome Habsburg problem, others as a threat to the Empire. Financial and symbolic goods played an important role in this rhythm. For example, the peace of 1547, which was renewed in 1562 and 1590, contained passages in which the Holy Roman emperor acknowledged the Ottoman overlordship of Hungary and agreed to pay the sultans 30,000 Venetian ducats per year in tribute. Between major campaigns, the respective positions were held by two heavily fortified systems of defense. On the Habsburg side, the defensive line was called “the military frontier” and was manned by Croats, Vlachs, and Serbs who were both free farmers and resident warriors. Trading across the frontier was a reality, but so were raids in strength, which sometimes presaged major outbreaks of all-out war. One such incident occurred in 1592, when Emperor Rudolph II sent a large force to the front and helped spark the so-called Long War. -
Magyar Front Fall 2020
© Vol. XXII, No. 4 FALL 2020 UPDATING OUR 1956 HUNGARIAN REVOLUTION COMMEMORATIVE PUBLICATION Plus: Revisiting Imperial Yesterdays And: A Little Treasure from the Frontline Fighters’ Association CZINK COLLECTION www.NewFront.ca A note from the Editor Since the pandemic has freed up more spare time for me, I have set about tackling a few projects that have been on the back burner. One of them was to make my 2006 publication Rise Up! The 1956 Hungarian Revolution – A People’s Sacrifice available digitally online. The original hard copy was produced in black and white, so I thought it was about time to give it a little clean-up and present the material in colour. A decade-and-a-half ago I spent a year going over it with a fine-toothed comb, and reading it again now, I still feel that it is a good publication with a unique and useful perspective, however, my main reason for carrying on with its digitalization is because I think it’s still relevant. The nature of historical study, I believe, is that it is a science that is inherently incomplete – going over it regularly and viewing it from other angles can often yield more in-depth knowledge. I hope that readers will always find this publication worthy of discussion and criticism, and perhaps even note that it is a document that also contains something useful between the lines. The new version will be available for downloading on our website. MAGYAR FRONT This issue of the Magyar Front contains two articles from that publication with some VOLUME XXII, ISSUE 4 new material which I think will please the history buff and collector, and I thank Ágnes FALL 2020 Makai again for her excellent article on the badge of the National Guard. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Austria-Hungary in the First World War
126 Schindler Chapter 5 Austria-Hungary in the First World War John R. Schindler Austria-Hungary’s last war was a rollercoaster affair. Materially unprepared for total war, the Habsburg Army was often outgunned on the battlefield. Although Austro-Hungarian forces managed to stay in the field to the bitter end, the war left ninety percent of Habsburg soldiers as casualties of some sort, including 1.2 million dead, the highest overall loss rate of any belligerent. Artillery was unquestionably a weak point at the beginning. Habsburg gun- ners were inadequately equipped, and, while the situation improved over the next four years in both equipment and doctrine, including much hard-won knowledge of proper combined arms tactics, the Habsburg war economy unrav- elled in 1918. With it the war machine gradual collapsed, the modernized and reorganized artillery included. Final defeat soon followed. The March to Disaster Before the Great War, Austro-Hungarian ground forces, officially the Imperial- and-Royal Army (k.u.k. Armee), constituted the most complex military in Europe, as well as the most potentially fragile of the continent’s major armies. A bureau- cratically cumbersome organization possessing a long history, as well as breathtaking ethnic diversity, the Habsburg Army resembled the society it served, a melange of a dozen different nationalities, some mutually hostile. Thanks to the introduction of conscription after Prussia’s 1866 victory, the k.u.k. Armee reflected the full ethno-religious mosaic of the Dual Monarchy. The six- teen corps districts recruited regionally, and the rank and file resembled the local population. The active forces included thirty-three infantry divisions (four, deployed in Bosnia-Herzegovina and Dalmatia, were organized and equipped as mountain divisions) and eight cavalry divisions. -
Pietas Austriaca? the Imperial Legacy in Interwar and Postwar Austria
religions Article Pietas Austriaca? The Imperial Legacy in Interwar and Postwar Austria Dieter A. Binder ID Chair of Cultural Studies, Andrássy University, Pollack Mihály tér 3, 1088 Budapest, Hungary; [email protected] Received: 7 July 2017; Accepted: 21 August 2017; Published: 29 August 2017 Abstract: This paper aims to outline the specific Habsburg character of Austrian Catholicism through a study of Pietas Austriaca, the supposed Habsburg tradition of Catholic piety, and its role in the First and Second Austrian Republics. It analyzes the narrative of Austrian history presented by the Heldendenkmal, or Heroes’ Monument, which was erected in Vienna in 1934. Further, it argues that Pietas Austriaca was linked in the postwar period to a notion of Heimat (Home, Homeland) and served the needs of Austrian political Catholicism, which was seeking to recruit former National Socialists. Keywords: Habsburg; Austria; empire; Catholicism; Pietas Austriaca; Christian Social Party; Austrian People’s Party; Heimat; Heldendenkmal Political Catholicism utilised its commitment to the concept of Pietas Austriaca to define its political position towards both Social Democratic Austro-Marxism and National Socialism. After 1945, the Roman Catholic Church served as a vehicle for the denazification of former National Socialists. By creating the “Heimat”, it endeavoured to establish a common front against Social Democracy in order to implement a masked bourgeois bloc. Ultimately, this would to some extent explain the rise of the Austrian Freedom Party from 1986 on. “The Pietas Austriaca, i.e., Austrian piety—referring here to Austria as Casa d’Austria, i.e., the House of Austria, and not as a geopolitical entity—was propagated in the Baroque era as the most fundamental virtue of the Habsburg dynasty. -
U.S. Army Board Study Guide Version 5.3 – 02 June, 2008
U.S. Army Board Study Guide Version 5.3 – 02 June, 2008 Prepared by ArmyStudyGuide.com "Soldiers helping Soldiers since 1999" Check for updates at: http://www.ArmyStudyGuide.com Sponsored by: Your Future. Your Terms. You’ve served your country, now let DeVry University serve you. Whether you want to build off of the skills you honed in the military, or launch a new career completely, DeVry’s accelerated, year-round programs can help you make school a reality. Flexible, online programs plus more than 80 campus locations nationwide make studying more manageable, even while you serve. You may even be eligible for tuition assistance or other military benefits. Learn more today. Degree Programs Accounting, Business Administration Computer Information Systems Electronics Engineering Technology Plus Many More... Visit www.DeVry.edu today! Or call 877-496-9050 *DeVry University is accredited by The Higher Learning Commission of the North Central Association, www.ncahlc.org. Keller Graduate School of Management is included in this accreditation. Program availability varies by location Financial Assistance is available to those who qualify. In New York, DeVry University and its Keller Graduate School of Management operate as DeVry College of New York © 2008 DeVry University. All rights reserved U.S. Army Board Study Guide Table of Contents Army Programs ............................................................................................................................................. 5 ASAP - Army Substance Abuse Program............................................................................................... -
O Du Mein Österreich: Patriotic Music and Multinational Identity in The
O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 ABSTRACT O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 Copyright by Jason Stephen Heilman 2009 Abstract As a multinational state with a population that spoke eleven different languages, the Austro-Hungarian Empire was considered an anachronism during the age of heightened nationalism leading up to the First World War. This situation has made the search for a single Austro-Hungarian identity so difficult that many historians have declared it impossible. Yet the Dual Monarchy possessed one potentially unifying cultural aspect that has long been critically neglected: the extensive repertoire of marches and patriotic music performed by the military bands of the Imperial and Royal Austro- Hungarian Army. This Militärmusik actively blended idioms representing the various nationalist musics from around the empire in an attempt to reflect and even celebrate its multinational makeup. -
Prince Eugene's Winter Palace
Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Edited by Agnes Husslein-Arco belvedere belvedere Table of Contents Agnes Husslein-Arco 6 Prince Eugene’s Winter Palace on Himmelpfortgasse Richard Kurdiovsky 9 “its name is known all over Europe and is reckoned among the loveliest of buildings.” The Winter Palace: The History of its Construction, Decoration and its Use Andreas Gamerith 25 The Ornamental Paintings of the Winter Palace Sylvia Schönolt 39 The Recently Completed Restoration Leopold Auer 87 Prince Eugene and the Ideal of the honnête homme. Behavioral Norms of the Elites under the Ancien Régime Georg Lechner 99 Prince Eugene of Savoy The Hercules and Apollo of His Time 136 Biographical overview 138 List of Artists and Individuals 142 Cited Literature 148 Authors’ biographies 152 Colophon and Picture Credits 5 Prince Eugene’s Winter Palace on Himmelpfortgasse Agnes Husslein-Arco Today the Himmelpfortgasse is located in a highly buy a building on Himmelpfortgasse. Subsequently, he desirable part of Vienna’s inner city. In Prince Eugene’s was also able to buy the neighboring building; and in time, it was more of a bourgeois district, with the 1696 Johann Fischer von Erlach who at that time had aristocracy preferring the proximity to the Hofburg and already made himself a name as an architect and stood in constructing its palaces on Herrengasse, for instance. the favor of the imperial house began constructing a Old-established families had the best locations so that palace. With its seven south-facing windows this building people who later moved in needed a lot of luck and even was anything but imposing, yet its real splendor only more money to be able to settle in their vicinity. -
«Fastes Et Grandeur Des Cours En Europe »
PRESS KIT SUMMARY Introduction and practical information 3 Journey into the heart of the exhibition 6 Encounter with the curators 37 The scenographic itinerary 41 The “Must See” of the exhibition 45 The lenders 64 The Grimaldi Forum 66 The partners 68 2 ONCE UPON A TIME THERE WAS….. “The Magnificence and Grandeur of the Courts of Europe” Every year since the creation of the Grimaldi Forum in 2000, the Principality of Monaco has hosted a major exhibition of a patrimonial, artistic and historical nature. With its more than 2500 square meters, the Espace Ravel within Monaco’s cultural center provides a unique setting for a spectacular presentation. This year, the Grimaldi Forum Monaco’s summer exhibition coincides with an exceptional event: the marriage of HSH the prince Albert II with Mademoiselle Charlene Wittstock. As an echo of this great moment in the life of the Principality, the Grimaldi Forum has chosen as its summer exhibition theme The Magnificence and Grandeur of the Courts of Europe. The exhibition will be shown from July 11 to September 11. This genuine voyage back in time, from the 17th up to the 20th century, will enable visitors for the first time ever to enter into twenty European Courts, where they will encounter the great imperial and royal figures. During this splendid journey, a true “European tour,” visitors will meet: - The kings of Portugal, Joseph I, Louis I and Queen Maria Pia; - Philip V, grandson of Louis XIV, king of Spain, and Elisabeth, heir to the fabulous Farnese collections; - Napoleon and Josephine and the -
Historic Centre of Vienna
WHC Nomination Documentation File Name: 1033.pdf UNESCO Region: EUROPE AND THE NORTH AMERICA __________________________________________________________________________________________________ SITE NAME: Historic Centre of Vienna DATE OF INSCRIPTION: 16th December 2001 STATE PARTY: AUSTRIA CRITERIA: C (ii)(iv)(vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 25th Session of the World Heritage Committee The Committee inscribed the Historic Centre of Vienna on the World Heritage List under criteria (ii), (iv), and (vi): Criterion (ii): The urban and architectural qualities of the Historic Centre of Vienna bear outstanding witness to a continuing interchange of values throughout the second millennium. Criterion (iv): Three key periods of European cultural and political development - the Middle Ages, the Baroque period, and the Gründerzeit - are exceptionally well illustrated by the urban and architectural heritage of the Historic Centre of Vienna. Criterion (vi): Since the 16th century Vienna has been universally acknowledged to be the musical capital of Europe. While taking note of the efforts already made for the protection of the historic town of Vienna, the Committee recommended that the State Party undertake the necessary measures to review the height and volume of the proposed new development near the Stadtpark, east of the Ringstrasse, so as not to impair the visual integrity of the historic town. Furthermore, the Committee recommended that special attention be given to continuous monitoring and control of any changes to the morphology of the historic building stock. BRIEF DESCRIPTIONS Vienna developed from early Celtic and Roman settlements into a Medieval and Baroque city, the capital of the Austro- Hungarian Empire. It played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century.