Collections Development Strategy 2017-2022
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Written Guide
The tale of a tail A self-guided walk along Edinburgh’s Royal Mile ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail from the Scottish Parliament Building © Rory Walsh RGS-IBG Discovering Britain 3 The tale of a tail Discover the stories along Edinburgh’s Royal Mile A 1647 map of The Royal Mile. Edinburgh Castle is on the left Courtesy of www.royal-mile.com Lined with cobbles and layered with history, Edinburgh’s ‘Royal Mile’ is one of Britain’s best-known streets. This famous stretch of Scotland’s capital also attracts visitors from around the world. This walk follows the Mile from historic Edinburgh Castle to the modern Scottish Parliament. The varied sights along the way reveal Edinburgh’s development from a dormant volcano into a modern city. Also uncover tales of kidnap and murder, a dramatic love story, and the dramatic deeds of kings, knights and spies. The walk was originally created in 2012. It was part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
Sons of Crispin
Sons of Crispin Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland By Sandra M. Marwick Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland, by Sandra M. Marwick This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Sandra M. Marwick All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6361-0, ISBN (13): 978-1-4438-6361-2 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Acknowledgements .................................................................................... ix Abbreviations .............................................................................................. x Chapter One ................................................................................................. 1 Introduction: Why Crispin? Chapter Two .............................................................................................. 17 St Crispin as Patron Saint Chapter Three ............................................................................................ 52 The Memorable Crispin Chapter Four ............................................................................................. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
The Changing Face of the National Museum of Scotland Amy Clarke
Great Narratives of the Past. Traditions and Revisions in National Museums Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Paris 29 June – 1 July & 25-26 November 2011. Dominique Poulot, Felicity Bodenstein & José María Lanzarote Guiral (eds) EuNaMus Report No 4. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=078 © The Author. From Royal to National: The Changing Face of the National Museum of Scotland Amy Clarke The University of Queensland Abstract Since devolution in 1997 Scotland has been a nation increasingly conscious of its national brand. The Scottish government has undertaken several international partnerships in the fields of culture, education and commerce, and through its rhetoric and policy the government appears to be encouraging a global perception of Scotland as a nation in the throes of a ‘New Enlightenment.’ The National Museum of Scotland (and former Royal Museum) has benefited from this alleged cultural renaissance, having reopened July 2011 following its second renovation in less than 15 years. Comprised of two separate buildings, the former Royal Museum (1854) and the Museum of Scotland (1998), the National Museum of Scotland’s most recent construction program restored and modernised the Royal Museum structure, which had originally been built as an Industrial Museum before receiving Royal status in 1904. Given the fact that the Royal Museum’s origins were in part a testament to Scotland’s position in the United Kingdom and British Empire, the current Museum’s new form communicates much about the evolution of Scotland’s national identity and its relationship with the world Scotland’s evolution from 19th century industrial powerhouse of the British Empire to the increasingly independent ‘Enlightened’ nation of today has been echoed by the ever-changing form of its national Museum. -
Noteworthy Descendants of the Clan Grant
Noteworthy Descendants of the Clan Grant Academia Isabel Frances Grant, MBE, LLD, was an author, historian, antiquarian, and founder of the Highland Folk Museum. Born in Edinburgh and educated in London, Dr. Grant was a descendant of the ancient family of Tullochgorm and the granddaughter of Field Marshal Sir Patrick Grant, GCB, GCMG. Dr. Grant wrote her first book, Everyday Life of an Old Highland Farm, in 1924. While traveling in Europe, she was influenced by the open air museum movement of the early 20th century. She started collecting items of Highland material culture and founded the Highland Folk Museum, called Am Fasgadh (The Shelter), firstly on the island of Iona, and later at Kingussie in Badenoch in 1944. Today, the museum is situated in Newtonmore. In recognition for her pioneering efforts, Miss Grant was awarded an Honorary Doctor of Laws from the University of Edinburgh in 1948 and elevated to the rank of MBE in 1959. Dr. Grant wrote a number of books during her long life, including The Lordship of the Isles (1935), Highland Folk Ways (1961), and Periods in Highland History (1987, published posthumously with Hugh Cheape, PhD). Dr. I.F. Grant died in 1983 at the age of 96. Robert Edmond Grant, MD, FRCPE, FRS (1793-1874) established the Grant Museum of Zoology and Comparative Anatomy at University College, London, in 1828. He was born in Edinburgh and studied medicine at the University of Edinburgh. Dr. Grant was the first professor of zoology and comparative anatomy in England and personally donated many of the specimens, dissection materials, diagrams and lecture notes that comprise the collections of the museum today. -
'Scotland: Identity, Culture and Innovation'
Fulbright - Scotland Summer Institute ‘Scotland: Identity, Culture and Innovation’ University of Dundee University of Strathclyde, Glasgow 6 July-10 August 2013 Tay Rail Bridge, Dundee opened 13th July, 1887 The Clyde Arc, Glasgow opened 18th September, 2006 Welcome to Scotland Fàilte gu Alba We are delighted that you have come to Scotland to join the first Fulbright-Scotland Summer Institute. We would like to offer you the warmest of welcomes to the University of Dundee and the University of Strathclyde, Glasgow. Scotland is a fascinating country with a rich history and a modern and cosmopolitan outlook; we look forward to introducing you to our culture, identity and pioneering spirit of innovation. You will experience our great cities and the breathtaking scenery of the Scottish Highlands and we hope you enjoy your visit and feel inspired to return to Scotland in the future. Professor Pete Downes Principal and Vice-Chancellor, University of Dundee “Education and travel transforms lives and is central to our vision at the University of Dundee, which this year has been ranked one of the top ten universities in the UK for teaching and learning. We are delighted to bring young Americans to Dundee and to Scotland for the first Fulbright- Scotland Summer Institute to experience our international excellence and the richness and variety of our country and culture.” Professor Sir Jim McDonald Principal and Vice-Chancellor, University of Strathclyde “Strathclyde endorses the Fulbright objectives to promote leadership, learning and empathy between nations through educational exchange. The partnership between Dundee and Strathclyde, that has successfully attracted this programme, demonstrates the value of global outreach central to Scotland’s HE reputation. -
Youth Travel SAMPLE ITINERARY
Youth Travel SAMPLE ITINERARY For all your travel trade needs: www.visitscotlandtraveltrade.com Day One Riverside Museum Riverside Museum is Glasgow's award-winning transport museum. With over 3,000 objects on display there's everything from skateboards to locomotives, paintings to prams and cars to a Stormtrooper. Your clients can get hands on with our interactive displays, walk through Glasgow streets and visit the shops, bar and subway. Riverside Museum Pointhouse Place, Glasgow, G3 8RS W: http://www.glasgowlife.org.uk/museums Glasgow Powerboats A unique city-centre experience. Glasgow Powerboats offer fantastic fast boat trip experiences on the River Clyde from Pacific Quay in the heart of Glasgow right outside the BBC Scotland HQ. From a 15-minute City Centre transfer to a full day down the water they can tailor trips to your itinerary. Glasgow Powerboats 50 Pacific Quay, Glasgow, G51 1EA W: https://powerboatsglasgow.com/ Glasgow Science Centre Glasgow Science Centre is one of Scotland's must-see visitor attractions. It has lots of activities to keep visitors of all ages entertained for hours. There are two acres of interactive exhibits, workshops, shows, activities, a planetarium and an IMAX cinema. Your clients can cast off in The Big Explorer and splash about in the Waterways exhibit, put on a puppet show and master the bubble wall. Located on the Pacific Quay in Glasgow City Centre just a 10-minute train journey from Glasgow Central Station. Glasgow Science Centre 50 Pacific Quay, Glasgow, G51 1EA For all your travel trade needs: www.visitscotlandtraveltrade.com W: https://www.glasgowsciencecentre.org/ Scottish Maritime Museum Based in the West of Scotland, with sites in Irvine and Dumbarton, the Scottish Maritime Museum holds an important nationally recognised collection, encompassing a variety of historic vessels, artefacts, fascinating personal items and the largest collection of shipbuilding tools and machinery in the country. -
Mphil Plus Declaration
The motivation for creating the Museum of Scotland, and the educational effectiveness of its history content for the visiting public Ronnie Cramond MPhil by Research. The University of Edinburgh, 2011 2 Contents Acknowledgements 3 Abbreviations 4 Disclaimer/declaration 5 Abstract 6 Introduction The Aim and Shape of the Research 8 Part One The Creation and Purpose of the Museum of Scotland 10 Part Two The Role of Education and Learning in Museums 42 Part Three The Displays in the Museum of Scotland 57 Part Four The Evaluation of Visitor Reaction 113 Section 1 Evaluations conducted at sites not part of NMS 116 Section 2 Visitor reaction to the original displays in the Museum of Scotland 121 Section 3 Visitor reaction to the later (2008) Scotland: A Changing Nation 151 Section 4 Visitor reaction to a display at East Fortune airfield about that site’s 155 history. Overall conclusions 159 Appendices 1 Is MoS unique in the UK as a National History Museum? 162 2 The Philip Committee Report 163 3 Membership of the Museums Advisory Board 164 4 MAB paper of 21 December, 1984 165 5 Statutory Objectives of the Museum of Scotland 166 6 Reference Manual for the Museum of Scotland Project 166 7 Patrons' Council 167 8 The Industrial Museum's ‘Civilising’ Mission 167 9 Guide Training 168 10 History Beyond the Text: A students' guide to approaching alternative sources 169 11 The Declaration of Arbroath as the Contractual Theory of Monarchy ? 171 12 Questionnaire for 2009/10 Visitor Survey in the Museum of Scotland 173 13 Customer Service Standards for Visitor Operations 174 14 Mini Groups, and Teachers’ Feedback. -
ASVA Visitor Trend Report, October 2015 Dashboard Summary, October 2015
ASVA Visitor Trend Report, October 2015 Dashboard Summary, October 2015 Usable data was received from 223 sites. The total number of visits recorded in October 2015 Scotland Total Visitor Numbers was 2,155,066; this compares to 2,035,082 in 2014 and indicates an increase of 5.9%. Excluding Country Parks Month of October 2,155,066 5.9% p ASVA's Commentary and Observations for October 2015 Year-to-Date 23,015,318 3.8% p Please note that figures can only be used when there is comparable data for both years, so if you submitted figures for 2015 and do not see these in the listing, this is the reason. Including Country Parks The increase of 5.9% shown (excluding Country Parks) is encouraging with 69% of respondents noting an increase (thus Month of October 2,803,238 6.0% p 31% noted a decrease!). Per Region ‘The Outlander’ effect appears to be diminishing although some sites are still enjoying increased visitor numbers This report was including: Culloden Battlefield, Falkland Palace and Doune Castle. Looking at the dashboard summary, all regions show Northern Scotland 183,637 16.9% p increased visitor numbers. Northern Scotland continues to show above average increases and most sites there taking produced for ASVA by Eastern Scotland 1,174,321 4.2% p part in this survey note increased visitor numbers including: Highland Folk Museum, Highland Wildlife Park, Talisker Southern Scotland 75,193 17.1% p Distillery, Nevis Range, Urquhart Castle and two others who requested confidentiality. Western Scotland 1,370,087 5.6% p Across the rest of the country a number of larger sites show meaningful increases which in turn will have had a positive influence on the overall figure: Edinburgh Bus Tours, Edinburgh Castle, Edinburgh Zoo, Galley of Modern Art, Kelvingrove, Per Attraction Category Riverside Museum, Scottish National Gallery and St Giles Cathedral. -
ASVA Visitor Trend Report, September 2019 Dashboard Summary Usable Data Was Received from 212 Sites
ASVA Visitor Trend Report, September 2019 Dashboard Summary Usable data was received from 212 sites. The total number of visits recorded in September 2019 September 2019 was 2,588,740; this compares to 2,681,936 in 2018 and indicates a decrease of -3.5%. Excluding Country Parks ASVA's Commentary and Observations for September 2019 September 19 2,588,740 -3.5% q Year-to-Date 21,572,737 -3.2% q It is disappointing to report a fall in visitor numbers to ASVA member sites in September, with an overall decrease in visitor numbers of 3.5% (excluding country parks), when compared with figures from the same Including Country Parks month in 2018. This decrease has a knock on effect on the year to date figures, with the overall year to September 19 2,829,895 -3.2% q date numbers down 3.2% on 2018 levels. As with last month, it would appear that Brexit uncertainty is Year-to-Date 25,764,483 -4.5% q having an impact on those travelling from Europe, with trips from major EU countries such as Germany and France considerably down, and some Scottish attractions, particularly those with high numbers of international visitors, are certainly feeling this impact. Per Region The overall picture is quite mixed when it comes to attraction type, with gardens, zoos & wildlife Northern Scotland 356,980 4.0% p attractions and historic properties and heritage sites showing overall increases, while museums & galleries, *Northern Scotland † 306,750 5.5% p This report was distilleries and visitor centres are all reporting decreases. -
Glasgow Museums (£52,145), City of Edinburgh Museums and Galleries (£24,250), the Hunterian (£18,329) and Aberdeen Art Gallery and Museums (£17,027)
National Fund for Acquisitions Grants Paid 2010–2011 National Fund for Acquisitions Grants Paid 2010–2011 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 email [email protected] Cover: Colour woodblock print, Kyōbashi Takegashi from Meisho Edo Hyakkei, 1857, by Utagawa Hiroshige. Acquired by The Hunterian with a grant from the National Fund for Acquisitions. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. While recognising that the financial climate is extremely difficult, National Museums Scotland was particularly dismayed to learn of a 25% cut to the NFA’s already limited funding, reducing the grant to only £150,000 in financial year 2011/12. NFA funding had remained at £200,000 per annum since 1996, a figure which in real terms has declined very considerably in value during the subsequent fifteen years. Clearly the extent of the cut means that the NFA cannot support collecting in Scotland as effectively as we would wish. -
Bright Sparks: Shining a Light on Museum Learning
Bright Sparks: Shining a Light on Museum Learning Museums Galleries Scotland Learning Symposium Monday 17 June, 9.30am – 4.30pm, The Engine Shed, Forthside Way, Stirling FK8 1QZ Scottish museums £30; out with Scottish museums sector £50 Is your work with schools needing some stimulation? Are you looking to re-invigorate your learning programmes or develop your learning practice? Do you want to know more about the Curriculum for Excellence? Perhaps you’re just interested in exploring new ways of working. Bright Sparks will be filled with inspiration from industry leaders on topics such as policy, practical methods for dialogue with schools, STEM, how to build a learning programme, innovative models for learning, and work-based learning. With speakers from the public and private sector including organisations such as Education Scotland, Immersive Minds, Glasgow Life, Developing Youth Workforce (DYW), Young Enterprise Scotland and the Group for Education in Museums (GEM), the symposium will bring together experts from within and outwith the museums sector to share their experiences and their thoughts on the future of formal learning. Who Is It For? The event will cater for both practitioner and strategic level, with engaging keynotes for all, and sessions split into three themes to allow attendees to choose the topics most relevant to their needs. Policy Add-On (PA) sessions cover strategic topics around policy areas guiding the learning and development of children and young people and how museums can contribute. It gives context to Scottish education system and raises awareness of how learning practitioners can use the policies and frameworks to guide their programmes and activities for formal learning.