Mviser ' ' O / / - K / Department of Fine Arts ^; Ü T T M a T a Buntmgàntt
THE SIGNIFICANCE OF THOMAS MORAN AS AN AMERICAN LANDSCAPE PAINTER DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By JAMES BENJAMIN WILSON, A.B. , M. A. The Ohio State University 1955 Approved by: / W / 1 vLc L/; 6 ■ h l / ~ ^ ^ 7- Mviser ' ' O / / - k / Department of Fine Arts ^; ü t t m a t a Buntmgàntt, May 3, 1957 University Microfilms 313 N, First Street Ann Arbor, Michigan Attention: Patricia Colling, Editor Dear Mrs, Colling: After considerable delay I am writing to you to give you permission to reproduce by microfilm the illustrations in my Ph.D. dissertation titled "The Significance of Thomas Moran as an American Landscape Painter," dated 1955 at The Ohio State University. I am sorry for this delay and hope that it has not caused you great inconvenience. Sincerely yours, James B. Wilson ACKNOWLEDGMENTS ïïie writer is particularly grateful to the following persons for invaluable help in the preparation of this dissertation: to Dr., Fritiof Fryxell, Augustana College, Rock Island, Illinois, personal friend of the Moran family; to Dr. Carlton Palmer, Atlanta, Georgia, a dealer in Moran's works; to Mr. Robert G. McIntyre, Dorset, Vermont, and to Mr, Fred L. Tillotson, Bolton, England, both of whom knew the artist; to The Osborne Company, Clifton, New Jersey, and The Thomas D, Murphy Goimany, Red Oak, Iowa, who furnished the color plates; to the IGioedler and E. and A. Milch Galleries, New York, for kind pezmission to examine back files of Moran sales; and above all to Professors Frank Seiberling, Sidney Kaplan, and Ralph Fanning of The Ohio State Ihiiversity for material aid, encourage ment, and generous portions of time spent in reading and correcting the manuscript.
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