Top Pick Friday 05 February, 8.30Pm Or Later on Iview
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ABC NEWS Channel Airs Live Across Australia So Programs Air 30 Minutes Earlier in SA + NT, and 2 Hours Earlier in WA
1 | P a g e All times shown are in AEST. ABC NEWS channel airs live across Australia so programs air 30 minutes earlier in SA + NT, and 2 hours earlier in WA. ABC NEWS Program Guide: Week 28 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 5 July 2020 ............................................................................................................................................... 3 Monday, 6 July 2020 ............................................................................................................................................. 9 Tuesday, 7 July 2020 ........................................................................................................................................... 13 Wednesday, 8 July 2020 ...................................................................................................................................... 17 Thursday, 9 July 2020 .......................................................................................................................................... 21 Friday, 10 July 2020 ............................................................................................................................................. 25 Saturday, 11 July 2020 ........................................................................................................................................ 29 2 | P a g e All times shown are in -
Media Locks in the New Narrative
7. Influences on a changed story and the new normal: media locks in the new narrative It was the biggest, most powerful spin campaign in Australian media history—the strategy was to delay action on greenhouse gas emissions until ‘coal was ready’—with geo-sequestration (burying carbon gases) and tax support. Alan Tate, ABC environment reporter 1990s On 23 September 2013 the Australian Broadcasting Corporation (ABC) program Media Watch explored a textbook example of why too many Australians and their politicians continue to stumble through a fog of confusion and doubt in regard to climate change. The case under the microscope typified irresponsible journalism. Media Watch host Paul Barry, with trademark irony, announced: ‘Yes it’s official at last … those stupid scientists on the Intergovernmental Panel on Climate Change [IPCC] got it wrong’, in their latest assessment report. He quoted 2GB breakfast jock Chris Smith from a week earlier saying the IPCC had ‘fessed up’ that its computers had drastically overestimated rising temperatures. ‘That’s a relief,’ said Barry, and how do we know this? ‘Because Chris Smith read it on the front page of last Monday’s Australian newspaper. When it comes to rubbishing the dangers of man-made global warming the shock jocks certainly know who they can trust.’ But wait. The Australian’s story by Environment Editor Graham Lloyd—‘We got it wrong on warming says IPCC’ was not original either. According to Media Watch, Lloyd appeared to have based his story on a News Limited sister publication from the United Kingdom. Said Barry: ‘He’d read all about it in the previous day’s Mail on Sunday,’ which had a story headlined ‘The great green con’. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
2017 Exchange of Letters Between RR and ABC Management About
Rory Robertson August 2017 2017 exchange of letters between RR and ABC management about whether or not secret ABC investigation into Lateline’s Australian Paradox report should be available on ABC’s website Readers, I think you should be aware that professional scientists from the University of Sydney in May 2016 wrote a 36-page formal letter of complaint about Emma Alberici’s ABC TV Lateline report that shredded the credibility of their extraordinarily faulty Australian Paradox paper http://www.abc.net.au/lateline/content/2015/s4442720.htm In September 2016, Professor Jennie Brand-Miller and Dr Alan Barclay were advised via a 15-page official ABC response that an independent Audience and Consumer Affairs (A&CA) investigation had confirmed the Lateline report to be accurate and impartial on all reported matters of fact. Last November, I requested a copy of the secret ABC report. So far, the ABC has chosen to suppress the report. Readers, I'm arguing on public-health grounds that (i) it is in the community's interest to know that Professor Brand-Miller and Dr Barclay wrote a 36-page formal letter of complaint about the Lateline report that shredded the credibility of their Australian Paradox “finding”; and (ii) the community should be allowed to know that the ABC’s formal investigation confirmed the accuracy of reports of profound flaws, including the paper’s use of fake data. Unfortunately, after being advised of the profound problems, instead of properly correcting the formal scientific record, Brand-Miller and Barclay have continued to pretend that their widely-cited paper is essentially flawless. -
Out of Local News: Implications for an Informed Public
Loyola University Chicago Loyola eCommons School of Communication: Faculty Publications and Other Works Faculty Publications 9-2013 Taking the ‘Local’ out of Local News: Implications for an Informed Public Lee Hood Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/communication_facpubs Part of the Communication Commons Recommended Citation Hood, L. "Taking the ‘Local’ out of Local News: Implications for an Informed Public." Journalism and Mass Communication 3(9), 2013. This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in School of Communication: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © David Publishing, 2013. Journalism and Mass Communication, ISSN 2160-6579 September 2013, Vol. 3, No. 9, 549-562 D DAVID PUBLISHING Taking the “Local” out of Local News: Implications for an Informed Public Lee Hood Loyola University Chicago, Chicago, USA The meaning of “local” in TV news is not as straightforward as one might imagine. “Local” newscasts in several U.S. markets are outsourced to an independent company located hundreds of miles from the communities served. What are the implications of such a delivery system for coverage of local issues and the Jeffersonian ideal of an informed citizenry? This study employs a content analysis of outsourced and local newscasts, using a data set of more than 1,000 stories from more than 30 hours of newscasts to determine if differences exist on story topics and source types. -
Submission on Senate Enquiry Into Media Diversity in Australia The
Submission on Senate enquiry into media diversity in Australia The state of media diversity, independence and reliability in Australia and the impact that this has on public interest journalism and democracy. DATE: 6TH DECEMBER 2020 MY BACKGROUND I am a retired business professional who has worked in the information technology and information industry all my working life. My roles have included technical, management, account management, regional sales management and worldwide product marketing. I have taken an interest is current affairs all of my life and am very cognisant of the technical capabilities of the internet and social media. MY SUBMISSION The greatest change to the media landscape in Australia over recent years is the influence of the internet and online media and advertising and the commensurate fall in advertising revenue in the traditional masthead newspapers. The arrival of Google, Facebook, Twitter and other social media has changed the way users explore news, current affairs and other content of interest. The operational model of social media is to fund their business through advertising which extracts large sources of revenue from traditional media. This results in the need for commercial media to cut costs, change their business model, introduce paywalls requiring subscription to access media content, and merge into larger conglomerates. The other major media providers in Australia are the publicly funded Australian Broadcasting Corporation (ABC) and SBS. The internet and social media has not affected their funding source and has in fact increased their reach. The ABC receives over $1 Billion annually and is forever complaining about cuts, be they cuts in real terms or simply through a lack of inflation indexed cost increases. -
ABC RESPONSE to EDITORIAL REVIEW No: 8 IMPARTIALITY OF
ABC RESPONSE TO EDITORIAL REVIEW No: 8 IMPARTIALITY OF ABC BUSINESS COVERAGE The ABC welcomes this detailed and extensive review of business coverage across all of our platforms. The overall conclusion of both the reviewer, Kerry Blackburn, and the adviser to the review, Mike Smith, is that there is no discernible ‘anti-business’ bias in the ABC’s coverage, and that the coverage reflects a rich and diverse range of views, curated by competent and knowledgeable presenters and reporters and packaged in accessible and interesting ways. No significant breaches of editorial standards are identified. In terms of overarching observations, the ABC acknowledges the comments from Mr Smith that our business coverage can be unfocussed and uncoordinated by trying to be all things to all people, as well as the findings in the body of the review that the ABC is not a ‘specialist publisher’ and so the language and framing of business stories needs to be as inclusive as possible in order to appeal to a mainstream audience. In response, the ABC acknowledges that there is always room to improve the focus and resource allocation of key coverage and the report provides useful advice on ways to approach that. It should also be noted that, while there is always merit in making business coverage accessible and relevant, the ABC has a wide range of programming where business content can be found. While much of this is general programming for a broad audience, the ABC also has more specialist programs which cater to target audiences and so it is to be expected that content will be pitched and constructed in a range of ways to serve the needs of different audiences. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
First Century Fox Inc and Sky Plc; European Intervention Notice
Rt Hon Karen Bradley Secretary of State for Digital Culture Media and Sport July 14 2017 Dear Secretary of State Twenty-First Century Fox Inc and Sky plc; European Intervention Notice The Campaign for Press and Broadcasting is responding to your request for new submissions on the test of commitment to broadcasting standards. We are pleased to submit this short supplement to the submission we provided for Ofcom in March. As requested, the information is up-to-date, but we are adding an appeal to you to reconsider Ofcom’s recommendation to accept the 21CF bid on this ground, which we find wholly unconvincing in the light of the evidence we submitted. SKY NEWS IN AUSTRALIA In a pre-echo of the current buyout bid in the UK, Sky News Australia, previously jointly- owned with other media owners, became wholly owned by the Murdochs on December 1 last year. When the CPBF made its submission on the Commitment to Broadcasting Standards EIN to Ofcom in March there were three months of operation by which to judge the direction of the channel, but now there are three months more. A number of commentaries have been published. The Murdoch entity that controls Sky Australia is News Corporation rather than 21FC but the service is clearly following the Fox formula about which the CPBF commented to Ofcom. Indeed it is taking the model of broadcasting high-octane right-wing political commentary in peak viewing times even further. While Fox News has three continuous hours of talk shows on weekday evenings, Sky News Australia has five. -
Submission on the Australian Broadcasting Corporation's Commitment to Reflecting and Representing Regional Diversity
Submission on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity Dear Sir/ Madam, I welcome this opportunity to comment on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity within the terms of reference as set out by the Environment and Communications References Committee. Regional diversity and national identity will be diminished with the loss of the ABC Tasmanian Production Unit. Programs of high quality reflecting and representing regional diversity have been produced in Tasmania and include Auction Room, the extremely popular “Collectors” and “Gardening Australia” when it was hosted by Peter Cundall. These Tasmanian programs enabled national viewers to enjoy and appreciate the state’s distinctive heritage and culture. The Tasmanian bushfires were best reported by local journalists who have a personal understanding of the state; its people and conditions. The decision to cut ABC production in Hobart has met with opposition from 12 Federal Senators and the Premier, Lara Giddings who is unable to match funding from the State budget for Screen Tasmania to offset ABC cuts as requested by the ABC’s Managing Director (ABC, 2012)1. Similarly, Western Australia also has limited ABC production with the cessation of “Can We Help?” enjoyed by viewers over six years. The decline, according to Cassellas (2012), has been evident since 1985 when WA had a low but reasonable 7.8 per cent of ABC’s staff compared with just 5.4 per cent in 20122. Now the WA studio is mainly unused or hired out to companies like Screen West. By comparison, NSW had 49.2 per cent of the ABC’s staff last year. -
Who Gets to Tell Australian Stories?
Who Gets To Tell Australian Stories? Putting the spotlight on cultural and linguistic diversity in television news and current affairs The Who Gets To Tell Australian Stories? report was prepared on the basis of research and support from the following people: Professor James Arvanitakis (Western Sydney University) Carolyn Cage (Deakin University) Associate Professor Dimitria Groutsis (University of Sydney) Dr Annika Kaabel (University of Sydney) Christine Han (University of Sydney) Dr Ann Hine (Macquarie University) Nic Hopkins (Google News Lab) Antoinette Lattouf (Media Diversity Australia) Irene Jay Liu (Google News Lab) Isabel Lo (Media Diversity Australia) Professor Catharine Lumby (Macquarie University) Dr Usha Rodrigues (Deakin University) Professor Tim Soutphommasane (University of Sydney) Subodhanie Umesha Weerakkody (Deakin University) This report was researched, written and designed on Aboriginal land. Sovereignty over this land was never ceded. We wish to pay our respect to elders past, present and future, and acknowledge Aboriginal and Torres Strait Islander communities’ ongoing struggles for justice and self-determination. Who Gets to Tell Australian Stories? Executive summary The Who Gets To Tell Australian Stories? report is the first comprehensive picture of who tells, frames and produces stories in Australian television news and current affairs. It details the experience and the extent of inclusion and representation of culturally diverse news and current affairs presenters, commentators and reporters. It is also the first -
2018 SWF Live and Local Speakers April 18, 2018
2018 SWF Live and Local Speakers April 18, 2018 Name Bio Recent works Alec Luhn is the Russia correspondent for The Daily Telegraph and has previously written for Time, Politico, The New York Times and The Guardian , among others. He covered the Russian protest Alec Luhn movement, the Sochi Olympics, the annexation of Crimea and the revolution and war in Ukraine. He is working on a book related to the Russian interference in the 2016 US election. Alexis Okeowo is a magazine writer and screenwriter, and a former fellow at New America. Her work has appeared in the New Yorker, The New York Times Magazine , the Financial Times , The Best American Travel Writing , and The Best American Sports Writing . The daughter of immigrant parents, Okeowo grew Alexis A Moonless, Starless Sky: Ordinary Women up in Alabama and attended Princeton University. She was based in Lagos, Nigeria, from 2012 to 2015, Okeowo and Men Fighting Extremism in Africa and now lives in Brooklyn. Her first book, A Moonless, Starless Sky: Ordinary Women and Men Fighting Extremism In Africa , is a vivid narrative of Africans who are courageously resisting their continent’s wave of fundamentalism. Aminatou Sow is founder of Tech LadyMafia, a group that increases opportunities for women in Tech and the co-host of Call Your Girlfriend , a podcast that tackles the intricacies of pop culture and the latest in Aminatou politics every single week. A digital strategist and writer, she was named one of Forbes 30 Under 30 in Sow Tech. She is also a member of the Sundance Institute Director's Advisory Group and previously led Social Impact Marketing at Google.