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The Directors of the Institute of Jainology and Distinguished Guests
The Directors of the Institute of Jainology and Distinguished Guests It is my great pleasure to accept this Ahimsa award. My special thanks to the Institute of Jainology for considering me worthy of this award. Amongst the previous recipients of this award are the Dalai Lama and Nelson Mandela. These individuals are giants of our times and they have changed the course of human history. I pay my humble respects to them. The concept of Ahimsa or non violence is a jewel which Jainism propagates. The greatest good a Jain can do is called, ' Abhay Daan '. This means giving someone protection from the fear of death. When I was about 10, my brother I were throwing stones at a dog barking at us, one stone hit the dog. It made that painful noise and I realised that my action had hurt it. It was an incident which bugged me a lot and I resolved from then on that I will protect all living beings which are at our mercy to the best of my ability. There was another incident that troubled me a lot. A group of older children had come across a tortoise and were hitting it with a hammer to try and break its shell. We humans can be so insensitive to other living beings. Jain’s believe that this human form of life that we have possess is priceless. It is very rare to get a human birth. There are 6,400,000 forms of life and our next birth will depend on our deeds in this present life. -
Prabhat Prakashan (In English)
S.No ISBN Title Author MRP Lang. Pages Year Stock Binding 1 9789352664634 Kaka Ke Thahake Kaka Hathrasi 300.00 Hindi 128 2021 10 Hardcover 2 9789352664627 Kaka Ke Golgappe Kaka Hathrasi 450.00 Hindi 184 2021 10 Hardcover 3 9789386870803 Hindu Dharma Mein Vaigyanik Manyatayen K.V. Singh 400.00 Hindi 184 2021 10 Hardcover 4 9789390366842 Ahilyabai (& udaykiran) Vrindavan Lal Verma 700.00 Hindi 352 2021 10 Hardcover 5 9789352669394 Sudha Murty Ki Lokpriya Kahaniyan Sudha Murty 350.00 Hindi 176 2021 10 Hardcover 6 9788173150500 Amarbel Vrindavan Lal Verma 400.00 Hindi 200 2021 10 Hardcover 7 9788173150999 Shreshtha Hasya Vyangya Ekanki Kaka Hatharasi 450.00 Hindi 224 2021 10 Hardcover 8 9789389982664 Mera Desh Badal Raha Hai Dr. A.P.J. Abdul Kalam 500.00 Hindi 224 2021 10 Hardcover 9 9789389982329 Netaji Subhash Ki Rahasyamaya Kahani Kingshuk Nag 350.00 Hindi 176 2021 10 Hardcover 10 9789389982022 Utho! Jago! Aage Barho Sandip Kumar Salunkhe 400.00 Hindi 160 2021 10 Hardcover 11 9789389982718 Champaran Andolan 1917 Ashutosh Partheshwar 400.00 Hindi 184 2021 10 Hardcover 12 9789389982916 Ramayan Ki Kahani, Vigyan Ki Zubani Saroj Bala 400.00 Hindi 206 2021 10 Hardcover 13 9789389982688 Vidyarthiyon Mein Avishkarak Soch Lakshman Prasad 400.00 Hindi 192 2021 10 Hardcover 14 9789390101757 Zimmedari (Responsibility) P.K. Arya 500.00 Hindi 240 2021 10 Hardcover 15 9789389982305 Samaya Prabandhan (Time Management) P.K. Arya 500.00 Hindi 232 2021 10 Hardcover 16 9789389982312 Smaran Shakti (Memory Power) P.K. Arya 400.00 Hindi 216 2021 10 Hardcover 17 9789389982695 Jannayak Atalji (Sampoorn Jeevani) Kingshuk Nag 350.00 Hindi 168 2021 10 Hardcover 18 9789389982671 Positive Thinking Napoleon Hill ; Michael J. -
Early Marathi Cinema. Prabhat Studios and Social Respectability
Early Marathi Cinema: Prabhat Studios and Social Respectability Hrishikesh Ingle Abstract The history of Marathi cinema, one of the first formations of regional cinema in India, can be traced from the studio era (1929-1953), specifically through Prabhat Studios. Prabhat Studios was situated in Kolhapur and Pune in western India. This paper analyzes two historical characteristics of Prabhat: how the studio imagined a cinema through linguistically specific regional content and forms of performance, and how this filmmaking was institutionalized as an example of artistic excellence, therefore conforming to the notion of social respectability. I argue that the filmmaking practices engendered by Prabhat aimed to project the studio, and cinema itself, as a respectable creative enterprise to Marathi society. This article accesses anecdotal biographies, archival materials, and existing Prabhat films to evaluate this tendency towards social respectability. A significant aspect of this historical account is the spatial spread, or movement, of early Marathi cinema, as it intersects other cultural forms to negotiate modernity. Keywords: Cultural studies; Indian film history; Indian studio era; Marathi cinema; Prabhat Studios; regional filmmaking; social space. rabhat Studios, along with New Theatres and Bombay Talkies, was one of the important spaces defining the Indian studio era (1920s-1953).1 Prabhat rose to prominence due to the technical excellence and variety of thematic content that it P engaged with in the late colonial period (1930s-1947).2 The history of Prabhat, apart 1 The studio era in India is understood as the period where studio-based production was the primary mode of filmmaking dominating the film industries of Bombay, Calcutta and Madras from the 1920s to 1953. -
World Jain Directory Place Request to Add Your Free Listing in World's
Volume : 102 Issue No. : 102 Month : January, 2009 NEW YEAR'S MESSAGE FROM ACHARYA MAHAPRAGYA We Welcome New Year, People visit their places of worship, pray for blessings and desire for success. Next day one forgets it all. The year hands over its legacy, knowledge to the subsequent year. Few of the experiences and knowledge learnt are enormous while others may not be. It is definitely a matter of satisfaction that the general awareness of environmental issues has increased. At the same time, we cannot ignore the fact that lot more is to be done to protect our eco system from pollution. It is heartening to see people becoming more vigilant against increased menace of violence and terror. Huge time is being spent on deliberation in resolving these issues, which requires fast and prompt action. On the auspicious occasion of the New Year, I am happy to share with you that we are transforming "Ahimsa Yatra" (Journey of Non - violence) program into "Ahimsa Samavaay" (Joint efforts for Non - violence), which is based on seven cardinal principles - a) Development of balanced personality through Ahimsa. b) Solving the family dilemma through Ahimsa. c) Solving the caste and communal problems through Ahimsa. d) To undertake efforts for making the concept of "Economics of Ahimsa" more wide spread & extensive. e) Extension of Ahimsa in the international world through "Ahimsa Universal". f) Training in Non - violence. g) Development of life - style based on Ahimsa. World Jain Directory Place request to add your I believe that majority in our world wants to live a peaceful life. -
Jain Digest Dec 2015.Pdf
A Publication of the Federation of Jain Associations in North America (JAINA) email: [email protected] JAINA is an umbrella organization of local Jain Associations in U.S.A. and Canada. The purpose of the organization is to preserve, practice, and promote Jain Dharma and Jain Way of life. JAINA Headquarters: 722 S Main St, Milpitas, CA 95035 Tele: 408-262-6242, email: [email protected], Web: www.jaina.org JAINA Executive Committee JAIN DIGEST Editorial Team 310-721-5947 President Ashok Domadia email: [email protected] [email protected] Jain Digest Committee Chairman First VP: Gunvant Shah Mahesh Wadher [email protected] Editors Treasurer: Rita Sheth Dilip Parekh [email protected] Sanjay Bhandari Yogendra Bobra Secretory: Shobha Vora Reena Shah [email protected] Art and Design VP Northeast: Dr. Mamta Shaha Jayana Shah [email protected] Rishita Dagli Pooja Shah VP Mideast: Prakash Mehta [email protected] IT Support Giriraj Jain VP Midwest: Hemant T. Shah [email protected] Advertisements Mahesh Wadher VP Southeast: Rajendra Mehta Shobha Vora [email protected] VP Southwest: Pradeep Shah [email protected] VP West: Mahesh Wadher [email protected] VP Canada: Raj Patil [email protected] Past President: Prem Jain [email protected] YJA Chair: Puja Savla Disclosure [email protected] The Editorial Team endeavors to publish all the materials that are submitted but reserves the right to reduce, revise, reject, or edit any article, letter, or YJA Chair: Sunny Dharod abstract for clarity, space, or policy reasons. The views [email protected] expressed in the articles are those of the authors and do not necessarily represent the views of the Editorial YJP Co-Chair : Neal Daftary Team. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2012 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2012 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles: Cardboard Player Vasant Desai, Bollywood Mine, Ravi Shankar 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year, pay the full membership fee and get a digital copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues on two data DVD’s. -
Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof. -
SIEMENS LIMITED List of Outstanding Warrants As on 18Th March, 2020 (Payment Date:- 14Th February, 2020) Sr No
SIEMENS LIMITED List of outstanding warrants as on 18th March, 2020 (Payment date:- 14th February, 2020) Sr No. First Name Middle Name Last Name Address Pincode Folio Amount 1 A P RAJALAKSHMY A-6 VARUN I RAHEJA TOWNSHIP MALAD EAST MUMBAI 400097 A0004682 49.00 2 A RAJENDRAN B-4, KUMARAGURU FLATS 12, SIVAKAMIPURAM 4TH STREET, TIRUVANMIYUR CHENNAI 600041 1203690000017100 56.00 3 A G MANJULA 619 J II BLOCK RAJAJINAGAR BANGALORE 560010 A6000651 70.00 4 A GEORGE NO.35, SNEHA, 2ND CROSS, 2ND MAIN, CAMBRIDGE LAYOUT EXTENSION, ULSOOR, BANGALORE 560008 IN30023912036499 70.00 5 A GEORGE NO.263 MURPHY TOWN ULSOOR BANGALORE 560008 A6000604 70.00 6 A JAGADEESWARAN 37A TATABAD STREET NO 7 COIMBATORE COIMBATORE 641012 IN30108022118859 70.00 7 A PADMAJA G44 MADHURA NAGAR COLONY YOUSUFGUDA HYDERABAD 500037 A0005290 70.00 8 A RAJAGOPAL 260/4 10TH K M HOSUR ROAD BOMMANAHALLI BANGALORE 560068 A6000603 70.00 9 A G HARIKRISHNAN 'GOKULUM' 62 STJOHNS ROAD BANGALORE 560042 A6000410 140.00 10 A NARAYANASWAMY NO: 60 3RD CROSS CUBBON PET BANGALORE 560002 A6000582 140.00 11 A RAMESH KUMAR 10 VELLALAR STREET VALAYALKARA STREET KARUR 639001 IN30039413174239 140.00 12 A SUDHEENDHRA NO.68 5TH CROSS N.R.COLONY. BANGALORE 560019 A6000451 140.00 13 A THILAKACHAR NO.6275TH CROSS 1ST STAGE 2ND BLOCK BANASANKARI BANGALORE 560050 A6000418 140.00 14 A YUVARAJ # 18 5TH CROSS V G S LAYOUT EJIPURA BANGALORE 560047 A6000426 140.00 15 A KRISHNA MURTHY # 411 AMRUTH NAGAR ANDHRA MUNIAPPA LAYOUT CHELEKERE KALYAN NAGAR POST BANGALORE 560043 A6000358 210.00 16 A MANI NO 12 ANANDHI NILAYAM -
Cinema at the End of Empire: a Politics of Transition
cinema at the end of empire CINEMA AT duke university press * Durham and London * 2006 priya jaikumar THE END OF EMPIRE A Politics of Transition in Britain and India © 2006 Duke University Press * All rights reserved Printed in the United States of America on acid-free paper Designed by Amy Ruth Buchanan Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data and permissions information appear on the last printed page of this book. For my parents malati and jaikumar * * As we look back at the cultural archive, we begin to reread it not univocally but contrapuntally, with a simultaneous awareness both of the metropolitan history that is narrated and of those other histories against which (and together with which) the dominating discourse acts. —Edward Said, Culture and Imperialism CONTENTS List of Illustrations xi Acknowledgments xiii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 part one * imperial governmentality 2. Acts of Transition: The British Cinematograph Films Acts of 1927 and 1938 41 3. Empire and Embarrassment: Colonial Forms of Knowledge about Cinema 65 part two * imperial redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 part three * colonial autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313 ILLUSTRATIONS 1. Reproduction of ‘‘Following the E.M.B.’s Lead,’’ The Bioscope Service Supplement (11 August 1927) 24 2. ‘‘Of cource [sic] it is unjust, but what can we do before the authority.’’ Intertitles from Ghulami nu Patan (Agarwal, 1931) 32 3. -
Ahimsa Center Nonviolence in Thought and Action 2013 Newsletter
CAL POLY POMONA AHIMSA CENTER NONVIOLENCE IN THOUGHT AND ACTION 2013 www.csupomona.edu/ahimsacenter NEWSLETTER FROM THE DIRECTOR This newsletter brings you glimpses of Center’s Ahimsa Center Hosts accomplishments over the past two years and Prem and Sandhya Jain Greetings to seekers and supporters of ahimsa! previews some of its upcoming programs. Contributions and stories in this newsletter testify Conference on Nonviolence In this issue of the Newsletter, I want to draw your to the difference such programs are making in the attention to the serious business of life, liberty, and November 2-4, 2012 lives of students, teachers and citizens alike. On the pursuit of happiness. behalf of the Center, I wish to thank our sponsors Ahimsa and Sustainable Happiness was the for their kind and continued support which makes theme of this conference, which featured scholars Ahimsa or nonviolence is first and foremost about such programs possible; speakers for sharing their from a wide variety of disciplines and fields of LIFE, that is, reverence for all life, which enjoins us to ideas and insights; and, the guest editor for helping expertise. The conference was aimed at advancing celebrate life in its fullest, to nurture it, to enrich it. to put the newsletter together. I invite our readers scholarship, enriching education, and facilitating True ahimsa finds expression in compassion, caring for their continued engagement with the Center’s practical applications based on new insights and love; in gratitude, generosity and forgiveness. programs. pertaining to the relationship between nonviolence Ahimsa, thus understood is the foundation of GOOD and sustainable happiness. -
History of Indian Cinema.Pdf
CHAPTER – 2 A BRIEF HISTORY OF INDIAN CINEMA Indian films are unquestionably the most –seen movies in the world. Not just talking about the billion- strong audiences in India itself, where 12 million people are said to go to the cinema every day, but of large audiences well beyond the Indian subcontinent and the Diaspora, in such unlikely places as Russia, China, the Middle East, the Far East Egypt, Turkey and Africa. People from very different cultural and social worlds have a great love for Indian popular cinema, and many have been Hindi Films fans for over fifty years. Indian cinema is world – famous for the staggering amount of films it produces: the number is constantly on the increase, and recent sources estimate that a total output of some 800 films a year are made in different cities including Madrass , Bangalore , Calcutta and Hyderabad . Of this astonishing number, those films made in Bombay, in a seamless blend of Hindi and Urdu, have the widest distribution within India and Internationally. The two sister languages are spoken in six northern states and understood by over 500 million people on the Indian sub – continent alone – reason enough for Hindi and Urdu to be chosen above the fourteen official Indian languages to become the languages of Indian Popular cinema when sound came to the Indian Silver screen in 1931 . Silent Era – The cinematographe (from where we have the name cinema) invented by the Lumiere brothers functioned better the Kinetoscope of Edison and Dickson. The Lumiere brothers who invented the cinematographe started projection of short (very short, one to two minutes long) films for the Parsian public on November 28, 1895. -
Ahimsa Center Nonviolence in Thought and Action 2010 Newsletter
CAL POLY POMONA AHIMSA CENTER NONVIOLENCE IN THOUGHT AND ACTION 2010 www.csupomona.edu/ahimsacenter NEWSLETTER FROM THE DIRECTOR service, and contributors to the newsletter International Conference on for sharing their sentiments and insights. I Nonviolence and Sustainability invite all our readers to continue participat- Greetings to seekers and supporters of ing in the Center‘s programs. ahimsa! November 12-14, 2010 Nonviolence. We champion it. We Tara Sethia is Professor in the History Department Ahimsa or nonviolence is the experience of commend it. Often, we celebrate it. at Cal Poly Pomona oneness with others and nature. Center‘s Violence. We denounce it. We deplore it. fourth international conference will feature At times, we deny it. University Honors Ahimsa Patrons wide-ranging scholarships and experiences And yet, violence, it would seem, is to illuminate the relationship between becoming more ubiquitous, more unceasing, ahimsa and sustainability from multiple and more undeniable than ever before. For perspectives. reversing this trend, the key is education. The ecological challenges associated Ahimsa Center‘s initiatives and with sustainability are often seen as a programs are all aimed at education, formal warning for an imminent crisis. But these and informal, that inspires us to eschew challenges can also be taken as an violence, and embrace nonviolence. invitation to reflect on how and what we Contributions and stories in this newsletter think of ourselves in the context of our testify to the difference such programs are Ahimsa Center‘s leading sponsors, environment, rethink our current ways of making in the lives of students, teachers and living, and marshal the transformative citizens alike.