American Paintings, Furniture & Decorative Arts

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS

Wednesday, October 5, 2016 NEW YORK AMERICAN PAINTINGS, FURNTURE & DECORATIVE ARTS

AUCTION Wednesday, October 5, 2016 at 10am

EXHIBITION Saturday, October 1, 10am – 5pm Sunday, October 2, Noon – 5pm Monday, October 3, 10am – 5pm Tuesday, October 4, 9am – Noon

LOCATION Doyle ?? ????????? ??????????????????????????????? 175 East 87th Street New York City 212-427-2730 Doyle.com

wwwDoyle.com/BidLive.DoyleNewYork.com/BidLive Catalogue: $35 INCLUDING PROPERTY FROM THE ESTATES OF Donald Brenwasser Estate of Patricia M. De Bary Doris Tracy Driscoll CONTENTS Estate of Dorothy J. Henry Paintings 1-113 Estate of Jane Kitselman Prints 114-125 A New York Estate Furniture & Decorations 126-224 A New York State Collection Silver 225-267 Shepherd Raimi Furniture & Decorations 268-310 AMERICAN PAINTINGS & PRINTS Ruth Sternberg Carpets & Rugs 311-336 The Thurston Collection

Glossary I

Conditions of Sale II INCLUDING PROPERTY FROM Terms of Guarantee IV The Arts Students League, New York, to be Sold for the Information on Sales & Use Tax V Benefit of the Institution Buying at Doyle VI The Collection of Dr. William H. Gerdts Selling at Doyle VIII The Heckscher Foundation for Children, to be Sold for the Auction Schedule IX Benefit of the Philanthropic Programs Company Directory X The High Museum of Art, Sold to Benefit Future Acquisitions Absentee Bid Form XII Elizabeth Mankin, Kent, Connecticut The Metropolitan Museum of Art A Mid-Atlantic Museum to Benefit the Acquisitions Fund Sold to Benefit the Collection of the Morris-Jumel Mansion Museum A New England Collection The Collection of John R. and Anne J. Willis

The Thurston Collection Doyle is honored to auction property from The Thurston Collection for the benefit of three charitable organizations in North Carolina. This remarkable collection was assembled by Stella Rutledge Thurston (1925-2015), who with her husband, Doc Jones Thurston, Jr. (1908-1993), was a prominent philanthropist in Charlotte, North Carolina. A captain of industry, Mr. Thurston established Thurston Motor Lines, which became a leader in the motor carrier field, and later expanded into aviation. Mrs. Thurston devoted herself to her philanthropic work, her carefully curated collections, and her elegant, gracious homes, where she entertained family and friends with warm Southern hospitality.

The Thurston Collection comprises the contents of the Thurston’s home in Charlotte’s historic Eastover neighborhood and their Grandfather Mountain retreat. With a connoisseur’s eye, Mrs. Thurston amassed remarkable collections of important Georgian silver, fine porcelains, European and American paintings, and autograph documents and letters.

Property from Mrs. Thurston’s collection comprises 54 lots offered throughout the sale. Proceeds from the sale of The Thurston Collection will benefit Charlotte Latin School, The Thurston Arthritis Research Center at UNC, Chapel Hill, and The Department of Nephrology and Hypertension at Lot 13 UNC, Chapel Hill. Stella Rutledge Thurston and her son, Doc Jones Thurston, III 2 5 Attributed to Orlando Hand Bears William Matthew Prior American, 1811-1851 George Washington Pair of Portraits of Eunice and Reverse painting on glass Henry Harris, New London, CT, 1835 Sight 21 1/2 x 17 5/8 inches The first inscribed Eunice Harris wife C of Henry Harris/ Aged 4... years $400-600 Feb the 4th Day 1835 / Taken by O. H. Bears at the Same time on an 3 old label affixed to the backing After William Russell Birch and Each oil on canvas Thomas Birch Each 34 x 28 inches City and Port of Philadelphia, on the Provenance: River Delaware from Kensington James Davidson, New London, CT Inscribed Great Shackamaxon Treaty Estate of James Davidson, Tree c. 1850 on an old label affixed New London, CT to the reverse Lyman Allyn Museum, Oil on paper laid down on board New London, CT, on loan from 9 x 11 1/2 inches 1933-1935 pending settlement of the above estate, loan The present work depicts the nos. 1933.570 and .571 giant elm tree in an area of Philadelphia John W. Bethell, South Essex, MA known as Shackamaxon (today By descent in the family to the Kensington), where William Penn present owner is believed to have signed his first treaty with the Lenape people Although Orlando Hand Bears is in 1682. It derives from an engraving believed to have worked primarily

by the same title from Birch’s Views in Sag Harbor, on the east end of 6 of Philadelphia, an 1800 book of Long Island, several portraits by the prints drawn and engraved by artist of Connecticut residents are William Russell Birch (1755-1844) included in public collections in the and his son Thomas Birch (1779-1851). vicinity of New London and Norwich. 1 It became an iconic image of Little is known of Eunice and Henry 1 Philadelphia. Harris. A Eunice Avery was born in Attributed to Jane Stuart, after Gilbert Stuart C Estate of Patricia M. De Bary Waterford, New London, CT in 1793 George Washington $500-700 and married Henry Harris. Her birth Oil on canvas date appears appropriate to the 30 3/8 x 25 1/4 inches 4 approximate age of Mrs. Harris as C The Thurston Collection American School indicated on the partial label on the $4,000-6,000 6 19th Century reverse of her likeness. Attributed to Charles Willson Peale See Illustration Woman Holding a Young Child C (i) Portrait of Richard Gibbs Oil on canvas $7,000-9,000 Inscribed Richard Gibbs / Grandfather Gibbs / 32 x 26 inches See Illustrations on Mother Sweeney’s Side on the reverse C Oil on canvas, oval $600-800 10 3/4 x 8 1/2 inches (ii) Portrait of Margery Gibbs Inscribed Grandmother Gibbs on the reverse Oil on canvas, oval 10 3/4 x 8 1/2 inches

The present works relate very closely to a pair of portraits depicting Richard and Margery Gibbs, attributed to Charles Willson Peale, that are included in the permanent collection of the Mercer Museum, Doylestown, PA. Those works, also ovals but slightly larger, measure 12 1/2 x 9 3/4 inches, and are similar in medium, oil on canvas backed by panel. The frames, too, are identical to those on the present works. C $500-700 See Illustrations

7 Emanuel Leutze American, 1816-1868 Bust of a Young Girl, 1839 Signed E. Leutze and dated 1839 (lr) Oil on canvas 20 x 16 3/4 inches C Property from a New York State Collection $2,500-3,500 See Illustration

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8 9 10 11 12 Gilbert Stuart Literature: Harrison Fisher American School, Manner of American School American, 1755-1828 Lawrence Park, Gilbert Stuart: An Illustrated Descriptive List of his Works, American, 1875-1934 19th Century Ferdinand Richardt 19th Century Portrait of Mrs. Luke White and Her Son, circa 1790 with an Account of his Life by John Hill Morgan and an Appreciation Young Woman with a Lace Hat View in the Shawangunk 19th Century Jones Woods, circa 1869 Oil on canvas, oval by Royal Cortissoz, New York, 1926, vol. II, p. 808, no. 904; vol. IV, in Profile Mountains Pedestrian Bridge Bears signature AH Wyant and 30 x 24 5/8 inches p. 569, no. 904, illus.; lists the present work as a replica by Stuart Signed Harrison Fisher (lr); Bears signature T. Cole (lr) Oil on canvas inscribed Jones Woods NY (lr) Provenance: after cat. no. 903, (which is today considered a copy after Stuart) inscribed Harrison Fisher on Oil on canvas 15 x 11 1/8 inches Oil on canvas laid to board By descent in the White family in Ireland Texas Monthly, Aug., 1976, p. 153, listing for Valley House Gallery, the backing in a later hand 15 x 20 inches C 11 1/8 x 15 1/8 inches Scott & Fowles, New York, acquired from Dallas, TX, which appears to have exhibited the present work Watercolor and gouache on C $800-1,200 Provenance: the above, 1920 card, oval $1,000-1,500 See Illustration Jay C. Coe, New York Ehrich Galleries, New York, 1930 This beautiful double portrait depicts Elizabeth de la Mazière, of Dublin, 9 1/4 x 7 1/4 inches See Illustration Acquired from the above, 1985 Mrs. James B. Higgin, New York, acquired who married Luke White in 1781. The identity of the small boy who C C The Thurston Collection from the above tenderly embraces his mother, is uncertain. Tradition held that $800-1,200 $600-800 Wildenstein and Newhouse Gallery, New York, it depicted Mrs. White’s youngest son, Henry, who was created See Illustration by 1932 Baron Annaly in 1863, but the possibility exists that it may instead Leroy Ireland, acquired at auction, circa 1940 depict her second son, Samuel. A portrait described by Lawrence Ernest Closuit, Fort Worth, Tx, acquired from Park (no. 903, p. 569, vol. II) as the original from which Stuart painted the above, 1944 the present work, presently in the permanent collection of the Southern Methodist University, Dallas, TX, Toledo Museum of Art, is now believed to be a copy. It appears acquired from the above, 1959 that the location of the original double portrait is unknown. Morton A. Kornreich, Harrison, NY, by circa 1980 C $20,000-40,000 See Illustration

8 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 13 Jasper Francis Cropsey American, 1823-1900 Autumn Landscape, 1879 Signed JF Cropsey and dated 1879 (ll) Oil on canvas 12 x 20 inches Provenance: Newhouse Galleries, New York, inv. no. 17323

In an email dated August 17, 2016, Dr. Kenneth W. Maddox wrote of the present work, “I suspect the scene can never be precisely identified, and may not be topographically accurate, but it is obviously inspired by Cropsey’s recollections of the Ramapo Valley near his summer home at Warwick. The decrepit bridge in the foreground, or variations of it, appear in over forty-five paintings by Cropsey. William Talbot termed it ‘the capriccio of the spindly bridge,’ a label I have adopted. Its origins came from the foreground bridge in Church’s New England Scenery (which Cropsey felt was overrated)—a painting which Cropsey utilized for his compositions of Summer, Lake Ontario. Cropsey incorporated in his compositions not only Church’s foreground bridge (without the covered wagon), the waterfall (without the mill), the church in the middle distance, the framing elm trees on the right, and even the distant spit of land, with trees and cattle. By 1862 when Cropsey was in England he used what was now his personal variation of the bridge for his painting Indian Summer on the Delaware River. The title is documented.

Upon returning to America in 1863, beginning at the time he built his summer home, Aladdin, near Warwick, the spindly bridge was used as a motif in a series of paintings of the Ramapo River. There are a number of nineteenth-century stereoscopic views of the bridge, but it has not been located. In your painting the artist has reduced the size of the bridge and the scene does not portray the Ramapo River, but a waterfall. Your painting closely relates to Autumn Days, 1874, oil on canvas on board, NCF 1582; Autumn on the Wawayanda, (title inscribed on stretcher) 1877, oil on canvas, NCF 301; Late Fall Afternoon, 1875, NCF 679; and Autumn in the Warwick Valley, 1883, oil on canvas, NCF 874. Luckily, just before he died, Cropsey related in a letter dated 5 March 1900 [Collection, Newington-Cropsey Foundation] to his St. Louis dealer, M. Alfred Newhouse, purchaser of one of his The Mellow Autumn Time compositions, 13 the significance to him of the Ramapo Valley bridges:

‘There was [sic] a number of old Rustic Bridges-built by the miners-to team their iron ore

to the smelting mills: some were very picturesque-But in the Course of Time they have

mostly passed away.’”

We are deeply grateful to Dr. Maddox, author of the catalogue raisonné of the artist’s work published by the Newington-Cropsey Foundation, for kindly confirming the attribution of this painting and for generously allowing us to share his comments. C Property from a New York State Collection $50,000-70,000 See Illustration

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14 15 David Johnson Arthur Fitzwilliam Tait American, 1827-1908 American, 1819-1905 Upper and Lower Chateaugay Lakes in the northern Adirondacks A Scene in Connecticut Solitude, Eagle Bay, Adirondacks, NY, 1883 by 1852 and around Raquette Lake in Hamilton County by the Signed David Johnson and inscribed as titled and Signed A. F. Tait. NA. and dated N.Y. 83 (lr); inscribed as early 1870s, just north of Old Forge in Herkimer County, NY, Fairfield Co. on the reverse titled on the backing Eagle Bay is roughly thirty-five miles from South Pond. Oil on board Oil on canvas 17 3/8 x 21 3/4 inches 20 x 30 inches The panoramic view in the present work captures the majesty C Provenance: of the Adirondack region that so appealed to the artist. $10,000-20,000 Kennedy Galleries, New York; inv. A12862 Perhaps pausing to drink in the pristine water, the three deer are See Illustration Herbert Shuttleworth, Amsterdam, NY rendered with the sensitivity characteristic of Tait’s paintings of Thence by descent to the present owner wildlife. “America owes a heavy debt of gratitude to A. F. Tait,” wrote the editor of Antiques in 1933, “Though born an Considered one of America’s finest animal painters, Arthur Englishman, he had lived in this country long enough, and Fitzwilliam Tait made his first trip to the Adirondacks in 1852. loved it deeply enough, to record pictorially distinctive aspects An enthusiastic sportsman, outdoorsman and amateur naturalist, of its life with penetrating sympathy and undeviating accuracy he was inspired by the rustic terrain of the Adirondacks well into of detail.” the later years of his life, spending many summers painting and C sketching there. He built a summer camp on South Pond near $30,000-50,000 Long Lake, eventually establishing a year-round home there See Illustration named Woodside. While Tait lived much of the time in the Adirondacks, he also maintained a studio in New York City and spent his last years in Yonkers, NY. He painted in and around

12 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13 16 17 19 21 Homer Dodge Martin John Francis Murphy Benjamin Champney Thomas Hewes Hinckley American, 1836-1897 American, 1853-1921 American, 1817-1907 American, 1813-1896 (i) Glen Ellis, 1862 North Jersey, 1876 Birches in a Forest Clearing, 1889 (i) Bristol, Vermont, 1860 Signed H. D. Martin on rock (ll); dated Signed Drawing by J. F. Murphy and Signed B. Champney and Inscribed as titled and dated 60 (lr) Sept. 7, 1862 and inscribed as titled (lr) dated N Jersey 9/28/76 (lr) dated 89 (lr) Graphite on paper Graphite heightened with white on paper Graphite on paper Oil on canvas laid to Masonite 7 x 10 inches 16 1/2 x 12 1/2 inches 11 1/8 x 13 3/4 inches 30 x 21 1/4 inches Unframed Provenance: Provenance: C (ii) From the Piazza, Milton Donald Brenwasser, New York The Old Print Shop, New York $3,000-5,000 Graphite on paper Estate of Donald Brenwasser, no. 513 Donald Brenwasser, New York, acquired See Illustration 7 x 10 inches (ii) River Landscape with Sail and from the above, 1964 Unframed Paddle Boats Estate of Donald Brenwasser, no. 322; 20 (iii) Forest Scene Graphite heightened with white on paper Together with George Henry Smillie, Graphite on paper 10 3/8 x 16 1/2 inches American, 1840-1921, Meadow at John Clinton Ogilvie American, 1838-1900 7 x 10 inches Provenance: Ridgefield, signed Geo. H. Smillie and Unframed Donald Brenwasser, New York inscribed Ridgefield, Conn. (lr); inscribed Near Jackson, White Mountains, 1885 (iv) Baltimore, Forest Scene Estate of Donald Brenwasser, no. 536 Meadow at Ridgefield and signed by Graphite on paper C Estate of Donald Brenwasser George Smillie / NY on the reverse, Signed Clinton Ogilvie and dated 1885 (ll); signed Clinton Ogilvie, 7 x 10 inches $1,000-1,500 watercolor on paper laid down on board, Unframed See Illustration of Part 10 1/4 x 14 1/4 inches, Provenance: inscribed N.Y. and dated 1885 on the reverse (v) Magnificent View The Old Print Shop, New York; Donald Inscribed extensively in the lower Brenwasser, New York, acquired from the Oil on canvas 16 1/4 x 26 1/4 inches register above, 1965; Estate of Donald Brenwasser, 16 part Provenance: Graphite on paper no. 300 7 x 10 inches C Estate of Donald Brenwasser The artist Mrs. Clinton Ogilvie, by inheritance Provenance: $800-1,200 Kennedy Galleries, Inc., New York See Illustration of Part The Metropolitan Museum of Art, New York, gift of the above, 1919 C C Property of The Metropolitan $700-900 18 Museum of Art William Louis Sonntag $6,000-8,000 American, 1822-1900 See Illustration Sailboats at Sunset, 1875 Signed with conjoined initials and dated 1875 (ll) Oil on canvas

32 x 55 1/2 inches 19 C The Thurston Collection $3,000-5,000 See Illustration

17 part

18 20 14 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15 25 Alfred Thompson Bricher American, 1837-1908 At Cuttyhunk [Boats and Lobster Pots, Cuttyhunk] Signed with conjoined first initials ATBricher and numbered 38 (lr); inscribed Boats & Lobsterpots, Cuttyhunk, Mass. on the reverse; inscribed At Cuttyhunk on the frame Watercolor and graphite on paper 16 x 30 inches

C Estate of 25 Doris Tracy Driscoll $1,200-1,800 See Illustration

26 Alfred Thompson Bricher American, 1837-1908 The Old House 24 Signed with conjoined first initials ATBricher and numbered 3 (lr); 22 23 24 inscribed indistinctly The Old Thomas Hewes Hinckley Charles DeWolf Brownell Frank Henry Shapleigh House in ... on the mat American, 1813-1896 American, 1822-1909 American, 1842-1906 Watercolor on paper (i) Landscape with Stream (i) Essex, July ‘58 Kennebunkport from Below the Bridge, 1881 18 x 23 7/8 inches Graphite on paper Graphite on paper Signed F. H. Shapleigh and dated 1881 (ll); C Estate of Doris Tracy Driscoll 5 1/2 x 8 7/8 inches 5 1/4 x 8 1/2 inches inscribed Kennebunkport from Below the $1,200-1,800 Unframed Unframed Bridge and signed by F. H. Shapleigh See Illustration (ii) Dartmouth Castle (ii) America, March 1, 1860 on the reverse Inscribed as titled (lr) Inscribed extensively and titled (lr) Oil on canvas Graphite on paper Graphite on paper 10 x 16 inches 5 1/2 x 9 inches 6 1/2 x 9 inches C Property from a New York State Collection Unframed Unframed $5,000-7,000 26 (iii) Fish (iii) Sumac Leaves See Illustration Graphite on paper Inscribed sumach dark green leaves - 5 1/4 x 9 1/4 inches vermillion berries/ . . . very light Unframed yellow green (lr) (iv) Shell Studies Graphite on paper Graphite on paper 5 1/4 x 8 1/2 inches 9 1/2 x 11 3/4 inches Unframed Unframed (iv) The Falls, Niagara (v) Rock Formation Graphite on paper 27 Graphite on paper 5 x 8 1/2 inches Alfred Thompson Bricher 10 x 7 inches Unframed American, 1837-1908 Unframed (v) Gulf Sunset, November 3, 1858 Log and Fish House, Maine (vi) Devonshire Coast Near Torquay Inscribed as titled (lr) Signed with conjoined first initials Graphite on paper Graphite on paper ATBricher and numbered 6 (ll); 5 1/2 x 9 inches 5 1/4 x 8 1/2 inches inscribed O... Main... / Unframed Unframed Log & Fish House on the mat Provenance: (vi) Cardenas, May 3, 59 Watercolor on paper laid down Kennedy Galleries, Inc., New York Inscribed as titled (ll) and on board C Main - should be a trifle taller (lc) to (lr) 15 x 21 inches $800-1,200 Graphite on paper C Estate of Doris Tracy Driscoll 9 x 6 1/2 inches $1,000-1,500 Unframed See Illustration Provenance: Kennedy Galleries, Inc., New York C $800-1,200

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29 30 William J. Forsyth John J. Zang American, 1854-1935 American, b. 1859 Irvington, Indiana Hikers in the Valley Signed W Forsyth (lr); Signed J. Zang (ll); inscribed as inscribed as titled on titled on an old label affixed to an old label affixed to the reverse the backing Oil on canvas 30 Oil on board 40 x 32 inches 31 18 x 24 inches Provenance: Harvey Otis Young Provenance: Maxwell Galleries, American, 1840-1901 Eckert Fine Art & Antiques, San Francisco, CA Home Steaders, 1873 Westfield, IN Jay C. Coe, New York Signed Harvey Young and dated 73 (lr) David Findlay Jr Gallery, Acquired from the above, Oil on canvas New York 1984 26 1/2 x 50 inches C C The Thurston Collection C Estate of Jane Kitselman $2,500-4,500 $2,000-3,000 $4,000-6,000 See Illustration See Illustration See Illustration

28 Hermann Ottomar Herzog American, 1832-1932 Florida Swamp Signed H. Herzog (lr) Oil on canvas 20 1/2 x 16 1/2 inches C Property from a New York State Collection $20,000-30,000 See Illustration

18 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19 32 33 37 Fidelia Bridges Otto Sommer John Ross Key American, 1834-1923 American, 1811-1911 American, 1837-1920 Chipmunk by a Forest Deer Family in a Goldenrod and Other Wild Pool, 1884 Forest Clearing Flowers and Lilacs and Signed Fidelia Bridges Signed Otto Sommer Other Garden Flowers: A and dated 1864 (lr); N.Y. (lr) Pair, 1882 inscribed Mrs. C. Clark Oil on board Each signed John Ross Key on the reverse 14 x 12 inches and dated 1882 (lr) Oil on millboard, with C The Thurston Each oil on canvas an arched top Collection Each 36 x 21 inches 8 5/8 x 12 1/8 inches $700-900 C Estate of Jane Kitselman Provenance: $3,000-5,000 Mrs. C. Clark (possibly) 34 See Illustrations C Property of Elizabeth Wakeman Holberton Mankin, Kent, American, 1839-1898 Connecticut Woodcock $3,000-5,000 Signed W. Holberton (ll) See Illustration Oil on canvas 10 3/4 x 13 1/2 inches C $700-900

32 35 Andrew John Henry Way American, 1826-1888 Red Grapes and Green Grapes: Two Each signed A J H Way (lr) Each oil on canvas Each 20 x 14 inches Provenance: Dr. William H. Gerdts, New York, acquired before 1975

37 These paintings were acquired as a pair by the current owner. They were likely painted as a pair, intended to be hung together, perhaps in the dining room of a private home. C Property from the Collection of Dr. William H. Gerdts $4,000-6,000 See Illustrations 38 Raoul Maucherat De Longpré French, 1855-1911 35 Lilacs Signed M de Longpré fils (lr) Gouache on paper Sight 27 1/4 x 18 3/4 inches C Estate of Jane Kitselman 36 $5,000-7,000 Jonas Joseph LaValley See Illustration American, 1858-1930 Peaches Signed J. J. LaValley (ll) Oil on canvas 11 x 17 5/8 inches C Property of Elizabeth Mankin, Kent, Connecticut $1,200-1,800 See Illustration

38 36 20 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21 39 Claude (Claudine) Raguet Hirst American, 1855-1942 A Corner of Grandpa’s Study, 1895 Signed Claude Raguet Hirst N.Y. (lr) Watercolor on paper laid down on board 9 3/4 x 14 3/4 inches Provenance: Clausen Art Rooms, New York Bob Sweeney, Los Angeles, CA, acquired from the above as a wedding gift for his fiancée, Beverly, 1945 Collection of Bridget Sweeney, Los Angeles, CA Exhibited: Boston, MA, Boston Art Club, 1895, no. 135 Philadelphia, PA, Sixth Annual Exhibition of Water Colors at the Art Club of Philadelphia, 1896, no. 112 Literature: Arthur M. Hoeber, “My Pet Subject,” Quarterly Illustrator 2, Apr. 1895 , illus. p. 229 (as A Corner in Grandpa’s Study) Martha M. Evans, Claude Raguet Hirst: Transforming the American Still Life, Columbus Museum of Art and Hudson Hills Press, 2004, p. 55, illus, fig. 35; cat. no. 41 (as location unknown)

39 Martha M. Evans has observed that by the mid-1890s, “the open book had emerged as the primary visual marker in Hirst’s work.... 42 She was also beginning to receive some critical acclaim for her emphasis on old 42 44 books as well as for her work in general.” Carleton Wiggins Thomas Bigelow Craig [Martha M. Evans, Claude Raguet Hirst: American, 1848-1932 American, 1849-1924 Transforming the American Still Life, River Landscape, 1873 Fall Landscape with Columbus Museum of Art and Signed J. C. Wiggins Cows Hudson Hills Press, 2004, p. 55] and dated 73 (lr); Signed Thos. B. Craig C inscribed indistinctly A.N.A. (ll) $1,200-1,800 Painted by J. C. Wiggins Oil on canvas See Illustration 73 on the stretcher 24 x 34 1/8 inches Oil on canvas C Property from a New 40 12 x 20 inches York State Collection Thomas Hovenden C Estate of $2,000-4,000 American, 1840-1895 Jane Kitselman Female Nude Study $2,000-3,000 45 Graphite and black chalk on paper See Illustration Hermann Ottomar 23 3/4 x 17 3/4 inches Herzog Provenance: 43 American, 1832-1932 Kennedy Galleries, New York William Hart Wooded Landscape Donald Brenwasser, New York, acquired from American, 1823-1894 with Pool, circa 1880 the above, 1962 Cows in a Landscape, Oil on canvas Estate of Donald Brenwasser, no. 231 1886 30 x 24 1/8 inches C Estate of Donald Brenwasser Signed Wm. Hart and Provenance: $800-1,200 dated 1886 (ll) Louis T. Baine, See Illustration Oil on canvas Atlanta, GA 19 x 14 5/8 inches High Museum of Art, 41 Provenance gift of the above, 1994 Arthur Burdett Frost, Sr. J. J. Gillespie Company, C Property from the American, 1851-1928 Pittsburgh (possibly) High Museum of Art, He Got Madder and Madder and Madder: Six Sale: Sotheby Sold to Benefit Future The sixth signed A. B. Frost (lr); each titled Parke-Bernet, American Acquisitions on the mat Paintings and $4,000-6,000 Each ink on paper Drawings, May 13, See Illustration Sight of each 7 1/8 x 9 inches; Together 1966, lot 24 with After Arthur Burdett Frost, Sr., C Property from a New HE GOT MADDER AND MADDER AND York State Collection MADDER, engraving, sight 9 3/8 x 7 1/4 inches, $1,800-2,200 Provenance: W. Russell Button, Inc., Chicago, IL

40 C $3,000-5,000

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46 47 John Joseph Enneking François B. De Blois American, 1841-1916 American/Canadian, 1829-1913 On the Way Home at Sunset, 1887 Port City, 1876 Signed Enneking and dated 87 (lr) Signed B. de Blois and dated 1876 (lr) Oil on canvas Oil on canvas 10 x 14 inches 13 1/8 x 26 inches C C $2,500-3,500 $3,000-5,000 See Illustration See Illustration

48 John Stobart American/British, b. 1929 Hannibal, Missouri, 1979 Signed Stobart, dated 1979 and copyrighted (lr) Oil on canvas 24 x 36 inches Provenance: Kennedy Galleries, Inc., New York, inv. 219005.150 C $20,000-40,000 See Illustration

24 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 25 51 55 Albert Babb Insley George Gardner Symons American, 1842-1937 American, 1863-1930 Autumnal Landscape Snow on the Stream Signed Albert Insley (ll) Signed Symons (ll) Oil on canvas Oil on prepared board 12 x 17 1/2 inches 8 x 10 inches C C Property from a New York $800-1,200 State Collection $2,000-3,000 52 See Illustration Samuel Harkness McCrea American, 1867-1941 56 Spring Landscape with Rocks George J. Stengel Signed S. Harkness Mc... American, 1872-1937 indistinctly; numbered 20 on The Ledge the stretcher Signed G. J. Stengel. (lr); Oil on canvas inscribed as titled and 20 x 24 inches signed G. J. Stengel. on the C stretcher $1,200-1,800 Oil on canvas 24 x 30 inches 53 Provenance: Samuel Harkness McCrea Grace V. Stengel, the artist’s American, 1867-1941 widow Spring Landscape with By gift to the current owner, 49 Footpath 1944 49 50 Signed S. Harkness McCrea (lr) C Property of a Mid-Atlantic

Horatio Walker Frederick Simpson Coburn Oil on canvas Museum to Benefit the 55 Canadian/American, 1858-1938 Canadian, 1871-1960 24 x 20 inches Acquisitions Fund The Sheepfold, 1890 On the Richmond Road, Melbourne C $2,500-3,500 Signed Horatio Walker and dated 1890 (ll); inscribed as titled Signed F.S. Coburn and dated indistinctly ...4 (lr); inscribed as titled $1,200-1,800 See Illustration on an old label affixed to the stretcher on a fragmentary label from The Watson Art Galleries on the reverse Oil on canvas Oil on canvas 54 20 x 28 1/8 inches 11 1/8 x 14 1/4 inches Attributed to Provenance: Provenance: Henry Ward Ranger George A. Hearn, New York Watson Art Galleries, Montreal Birches in a Sunlit Glade

The Metropolitan Museum of Art, New York, 06.1301, gift of the Inscribed Birch... on a paper Frederick Simpson Coburn’s reputation as a painter was built on above, 1906 fragment affixed to the his winter landscapes with horses pulling sleighs or hauling logs, a Exhibited: upper stretcher; inscribed as subject that had fascinated him since childhood. He painted these Toronto, The Art Gallery of Toronto, 1940 (possibly) titled Birches in Sunlit Glade scenes in the Laurentian Mountains and the Eastern Townships after C Property of The Metropolitan Museum of Art on an old label affixed to returning to Quebec in 1916. $3,000-5,000 the reverse C Property from a New York State Collection See Illustration Oil on board $4,000-6,000 12 x 16 inches See Illustration Provenance: M. R. Schweitzer Gallery, New York Donald Brenwasser, New York, acquired from the above, 1966 Estate of Donald Brenwasser, no. 414 C Estate of Donald Brenwasser $800-1,200

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57 59 George J. Stengel Walter Koeniger American, 1872-1937 American, 1881-1943 Monhegan, Maine White Mountain Scene with Brook Inscribed as titled Signed ...Koen...ger (lr) on the stretcher Oil on canvas Oil on canvas 28 1/4 x 39 1/8 inches 24 1/8 x 30 inches Provenance: Provenance: Private collection, Grace V. Stengel, the artist’s widow Manchester, VT By gift to the current owner, 1944 C C Property of a Mid-Atlantic $2,500-4,500 Museum to Benefit

the Acquisitions Fund 60 $2,000-3,000 See Illustration

58 George J. Stengel 60 Mauritz Frederik Hendrick de Haas American, 1872-1937 Monhegan, Pine #1 American/Dutch, 1832-1895 Inscribed as titled on stretcher Boats in Choppy Water Offshore, 1865 Oil on canvas Signed MFH de Haas and dated 1865 (lr) 30 x 24 inches Oil on canvas Provenance: 37 1/2 x 60 1/2 inches Grace V. Stengel, C The Thurston Collection the artist’s widow $10,000-20,000 By gift to the current owner, 1944 See Illustration C Property of a Mid-Atlantic Museum to Benefit the Acquisitions Fund $2,000-3,000 See Illustration

28 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29 64 Henry Mosler American, 1841-1920 Young Girl, Capri Signed Henry Mosler and inscribed Capri (ul) Oil on panel 9 1/2 x 7 1/8 inches C Property of Elizabeth Mankin, Kent, Connecticut $1,500-2,500 See Illustration

61 65 61 63 Walter Satterlee Laurits Bernhard Holst Antonio Nicolo Gasparo Jacobsen American, 1844-1908 Danish/American, 1848-1934 American/Danish, 1850-1921 Fisherwomen by the Sea Shipping Off Gibraltar, 1904 The Steamsailer Lahn Signed W. Satterlee (lr) Signed L. Holst and dated 1904 (ll) Oil on canvas Watercolor, gouache and graphite on paper

Oil on canvas 22 x 36 inches Sight 14 x 20 inches 64 23 1/2 x 39 1/2 inches Provenance: C Property of Elizabeth Mankin, Kent, Provenance: Estate of Henrietta R. Long, Grosse Point, MI Connecticut South Audley Art Galleries Ltd, London, UK Sale: William Doyle Galleries, New York, Nov. 19, 1980, lot 79 $1,200-1,800 Acquired from the above, 1984 Literature: See Illustration C The Thurston Collection Harold Sniffen, Antonio Jacobsen—The Checklist, The Mariners’ Museum, Newport, $1,500-2,500 1984, p. 179, no. 25 (as at William Doyle Galleries) See Illustration The present work is one of six portraits of the steamsailer Lahn included in Harold Sniffen’s catalogue raisonné of the work of Antonio Jacobsen. An early sketch of the 62 boat is owned by the Mariner’s Museum. This version shows the vessel with sails James Gale Tyler furled, while the other documented portraits of the Lahn show the sailes unfurled. American, 1855-1931 A passenger ship built in 1887, the Lahn was one of four steel ocean liners belonging Sailboat at Dusk to the Rivers class of the Norddeutscher Lloyd (NDL). They were known for their speed, Signed James Gale Tyler (ll) and were named for rivers in Germany. Oil on canvas C Property to be Sold for the Benefit of the Philanthropic Programs of the 30 x 25 inches Heckscher Foundation for Children 66 C The Thurston Collection $2,000-4,000 $600-800 Samuel Lancaster Gerry See Illustration American, 1813-1891 In the Valley of Chamounix (From Nature) Signed indistinctly ...G; signed S. L. Gerry and inscribed In the Valley of Chamounix / from nature on the reverse Oil on prepared board 6 x 10 inches 65

Samuel Gerry traveled abroad on three occasions, the longest being a sojourn from 1837 to 1849, during which he visited England, France, Switzerland and Italy. These trips would have a lasting influence on the self-taught artist, who, along with other American painters, was inspired by the beauty of the Swiss Alps. Gerry showed Swiss landscapes at the 1851 exhibition of the New England Art Union, and at the Boston Art Club in 1876. The Indiana University Art Museum includes in its permanent collection an Alpine landscape dating from Gerry’s second European visit in the early 1850s. C Property from a New York State Collection $1,200-1,800 See Illustration

66 63 30 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 31 68 Harry Humphrey Moore American, 1844-1926 Blind Musician Signed H. Humphrey Moore (ll); numbered 2 on the reverse; inscribed no. 2 / Blind Musician on an old label affixed to the reverse Oil on panel 7 3/4 inches x 5 1/16 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Mr. and Mrs. P. Ohanian, New York, circa 1950 Thence by descent to the present owner C $800-1,200 See Illustration

68 69

69 70 Harry Humphrey Moore Harry Humphrey Moore American, 1844-1926 American, 1844-1926 Kitchen in the Chief Hotel in Yokohama, On the Way to the Well, 1881 1881 Signed H. Humphrey Moore and dated

67 Signed H. Humphrey Moore and 81 (lr); numbered 8 on the reverse; dated 81; numbered 38 and initialed inscribed No. 8 / On the Way to the Well E.N. on the reverse; inscribed 38 / on an old label affixed to the reverse Kitchen in the Chief Hotel in Yokohama Oil on panel on an old label affixed to the reverse 7 3/4 x 5 1/4 inches 67 Oil on panel Provenance: Alfred Wordsworth Thompson 10 7/8 x 6 5/16 inches The artist American, 1840-1896 Provenance: By descent to his wife, Maria Moore, 1926 In the Italian Alps, 1891 The artist Gift of the above to Mr. and Mrs. P. Ohanian, Signed with conjoined first initials AWordsworth Thompson and By descent to his wife, Maria Moore, 1926 New York, circa 1950 dated 1891 (lc) Gift of the above to Mr. and Thence by descent to the present owner Oil on canvas Mrs. P. Ohanian, New York, circa 1950 C 29 x 54 inches Thence by descent to the present owner $1,500-2,500 C C See Illustration $15,000-25,000 $1,200-1,800 See Illustration See Illustration

Arriving in Japan in 1881, Hubert Humphrey Moore was among the first artists to visit. Painted the year of his arrival, On the Way to the Well, as well as Kitchen in the Chief Hotel in Yokohama, document some of the artist’s initial impressions of the country. Over the course of his sojourn in Japan, Moore painted seventy paintings, which he later hung in a tightly configured grouping in his Paris home.

32 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33

72 part

72 73 Joseph Pennell Richard Hayley Lever American, 1857-1926 American, 1876-1958 Thames by Moonlight (Westminster Bridge) (i) Thames at Night—Waterloo Bridge with Two Boats Signed with conjoined first initials JPennell (lr) Signed Hayley Lever (lr) Watercolor and colored pencil on paper Watercolor and graphite on paper Sight 8 3/4 x 14 1/4 inches 7 5/8 x 11 1/8 inches Provenance: (ii) Waterloo Bridge at Night Donald Brenwasser, New York Watercolor and gouache on paper Estate of Donald Brenwasser, no. 255; 7 1/4 x 10 1/2 inches Together with Richard Hayley Lever, American, 1876-1958, Provenance: Dredging the Thames, signed Hayley Lever (lr), watercolor and Braverman Gallery, New York graphite on paper, sight 9 1/2 x 13 1/2 inches, Provenance: Donald Brenwasser, New York, acquired from the above, 1962 Donald Brenwasser, New York; Estate of Donald Brenwasser, no. 440 Estate of Donald Brenwasser, 1965, no. 432 and 431, respectively C Estate of Donald Brenwasser C Estate of Donald Brenwasser $1,500-2,000 $1,200-1,800 See Illustration of Part See Illustration of Part

71 Frank (Francis) Crawford Penfold American, 1842-1921 Peasants on Market Day, Pont-Aven, France Signed Frank C. Penfold and inscribed Bretagne, Finistere (ll) Oil on canvas 38 1/8 x 35 1/8 inches Exhibited: New York, Beacon Hill Fine Art, American Painters on the French Scene: 1874-1914, Apr. 23-Jul. 12, 1996 Literature: David Sellin, American Painters on the French Scene: 1874-1914, Beacon Hill Fine Art, New York, p. 11, 45, cat. 48, illus. C Property from the Estate of Ruth Sternberg $9,000-11,000 See Illustration

73 part

34 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 35 74 Daniel Huntington Literature: American, 1816-1906 The London Illustrated Times, Jul. 23, 1859, p. 57, identifies the The Counterfeit Note, 1858 present work as The Doubtful Note (illustrated by the engraving) Signed D. Huntington and dated 1858 (ll) The Crayon, Sep. 1859, p. 281 Oil on canvas 30 1/8 x 25 1/8 inches Henry T. Tuckerman, Book of the Artists: American Artist-Life, New York: G. P. Putnam & Son, 1867, pp 322-3 Provenance: Frederic Fairchild Sherman, Early American Painting, The Century R. M. Olyphant, New York, by 1867 Company, London, 1932, p. 267: “Besides Daniel Huntington’s Sale: Somerville Art Gallery, Mr. Robert M. Olyphant’s Collection of numerous historical compositions and portraits, two genre paintings Paintings by American Artists, Dec. 18, 1877, no. 68 from his hand are recorded by Henry T. Tuckerman, The Counterfeit J. F. Swift, acquired at the above for $475 Note and A Bar-room Politician”. Henry Richards McLane, Millbrook, NY and New York Catalogue, Mr. Robert M. Olyphant’s Collection of Paintings by Huntington McLane, Millbrook, NY, by descent, 1922 American Artists, Somerville Art Gallery, 1877, no. 68 Thence by descent in the family to the present owner, 1976 The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, 1907-1870, Soundview Press, 1988, p. 106, no. 51 Exhibited: David Bernard Dearinger, Paintings and Sculpture in the Collection London, UK, The Royal Academy of the National Academy of Design: 1826-1925, New York: Hudson New York, National Academy of Design, 1859, no. 257 Hills Press, 2004, p. 295, describes The Counterfeit Note as unlocated Philadelphia, PA, 39th Annual Exhibition of the Pennsylvania Academy Stephen Mihm, A Nation of Counterfeiters, Harvard University Press, of the Fine Arts, 1862, no. 51 (as For sale) 2009, p. 229; the related engraving illus, p. 230 New York, National Academy of Design, Exhibition of Mr. Robert M. C Olyphant’s Collection of Paintings by American Artists, $35,000-55,000 Dec. 1877 See Illustration and Front Cover

The Counterfeit Note by Daniel Huntington is a tour de force for an but to redeem this, with consummate taste, the artist has thrown rays artist today remembered chiefly for his portraits. One of two genre of true poetry athwart the material scene; outside the counter sits a scenes completed by Daniel Huntington during a European sojourn beautiful girl, dressed with a taste so appropriate, that we should think in 1857-58, it is an opulent picture, so rich in visual detail that it her costume alone would win scores of admirers; unconscious of what is a feast for the eyes. The variety shop is stocked floor to ceiling is going on she is ostensibly occupied in examining the quality of a with inventory: baskets and buckets, brushes and cookware, straw fabric before her; but her air of refinement, the pure intellectuality hats and bright shawls hanging on rods up to the rafters, and bolts of her countenance, and a certain superiority to the people and the of vivid fabrics stacked neatly on shelves. Huntington must have scene around her, impress the spectator the more from the contrast; delighted in the diversity of colors and textures as much as the challenge a lovely and tasteful English girl, she throws a beautiful charm over presented by so complex a composition. And in executing the the whole; a vase of fresh flowers, exquisitively [sic] painted, is the painting, whether consciously or unconsciously, he incorporated only object that seems in affinity with her, and the two give a poetic elements from work he must have seen while traveling abroad. interest to the clever delineation of the entire scene, which, in color, A young woman at the rear of the shop, her back to the viewer, finish, and expression, is an evidence of facility rare in pictorial art.” is softly illuminated by a filtered light evocative of Vermeer. The polished tin cookware and basket of fresh flowers recall Dutch still Of course, Tuckerman’s lavish description of the “tasteful English life, and the scene itself is Hogarthian. girl” prompts the question: is she indeed a symbol of virtue as contrasted to the criminal attempting to pass a counterfeit bill? Or When The Counterfeit Note was exhibited for the third time in 1862, is she, as suggested by Stephen Mihm, an accomplice intended to at The Pennsylvania Academy of the Fine Arts, Huntington indicated distract the dubious shopkeepers? He writes “Critics had different that the work was for sale. By 1867, in his extensive discussion of interpretations of the work when it was unveiled in the 1850s, but they the work in Book of the Artists: American Artist-Life, Henry Tuckerman generally agreed on one thing: the genteel bespectacled man with wrote that it was owned by R. M. Olyphant (a noted collector of the walking cane (itself a totem of respectability) was trying to pass American paintings). A decade later, Olyphant’s collection was sold a counterfeit note. The shover, equal parts gentleman and confidence by Somerville Art Gallery, and the work was acquired by J.F. Swift. man, looks out of the corner of his eyes, a faint smile playing on his From that moment on, the painting disappeared from the public eye, lips. As for the well-dressed woman seated in front, she too may be but eventually was acquired by Henry Richards McLane, whose wife, in on the fraud: note that her glove has been dropped in a most Ann Huntington McLane was a cousin of Daniel Huntington. It has unladylike fashion on the floor. In the subtle vocabulary of genre been owned by members of the McLane family ever since. painting, as among the appearance-obsessed middle classes, such details mattered. Perhaps she is his accomplice, trying to distract Tuckerman praised The Counterfeit Note and described it at length, the storekeeper. An opening gambit like this helped set the stage writing that it “was commended at the Royal Academy Exhibition. for the opening act in this theatre of exchange: the passing of the The figures are of cabinet size; the interior of an English shop, with its counterfeit note.” Mihm based his observations upon an engraving assortment of dry goods, is painted with the finish and well-contrasted of The Counterfeit Note, reproduced as fig. 20 in his text (Courtesy color that distinguish the best Flemish still-life execution; in the Newberry Library), mentioning that Huntington’s painting “of the background, through an open door, we have a glimpse of the cozy same name, . . . has disappeared.” ‘parlor behind the shop,’ so characteristic of the old-fashioned style of convenient ‘variety store;’ at an angle between the two stands The engraving itself was published in The London Illustrated Times a foreign-looking man, in dress, expression, and air, typical of the in 1859. The dropped glove in the engraving to which Stephen roguish adventurer; he has evidently made a purchase and tendered Mihm refers does not appear in the painting (it replaces the dog a large bank-note in payment; this note the old shop-keeper is seen in the foreground of Huntington’s composition), which leaves inspecting behind the counter, while his shrewd wife whispers her the story line all the more ambiguous. Although this tantalizing suspicions in his ear, and points significantly over her shoulder at question can likely never be resolved, The Counterfeit Note is a 74 the strange customer, who, with assumed indifference but cunning masterpiece, a vibrant work informed with sympathy and humor, glances, awaits the result. So far, the picture, while remarkable for that has been missing from the public eye since 1877. execution and expression, only tells a story of common life and rascality; 36 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37 75 George Henry Boughton American, 1883-1905 Twilight Conversation Signed Bought... (ll) Oil on canvas, with an arched top 21 x 19 inches Provenance: Jay C. Coe, New York Acquired from the above, 1984 C The Thurston Collection $2,000-3,000 See Illustration

76 77 Louis Henry Charles Moeller Louis Charles Moeller American, 1855-1930 American, 1855-1930 Two Gentlemen in Conversation Caught Napping Oil on canvas Signed Louis Moeller (lr) 10 x 8 inches Oil on canvas Provenance: 10 1/4 x 14 1/2 inches Possibly American Art Association (1920s) C Property from a New York State Collection Richard J. Currier, New York $3,500-5,500 Private collection, Roxboro, NC See Illustration Sale: Doyle New York, American Furniture and Decorative Arts, Apr. 7, 2009, lot 29 78 Private collection Hermann Ottomar Herzog C American/German, 1832-1932 $2,000-3,000 Riding Home in a Shower See Illustration Signed H. Herzog (lr) Oil on canvas 15 x 12 inches C $3,000-5,000 See Illustration

76 78

38 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39 79 Thomas Hicks American, 1823-1890 Edwin Booth as Iago, 1864 Signed T. Hicks and dated 1864 (lr) Oil on canvas 14 x 10 inches Provenance: The artist Edwin Booth, acquired from the above, 1864 Adelson Galleries, Inc., Boston, MA, inv. no. A1576 Private collection, acquired from the above, 1971 Literature: The Magazine Antiques, Mar. 1968, p. 272, illus. Letha Clair Robertson, The Art of Thomas Hicks and Celebrity Culture in Mid-Nineteenth-Century New York, doctoral dissertation, University of Kansas, 2010, p. 142 C Property from a New York State Collection $2,500-4,500 See Illustration This painting is accompanied by a photocopy The work was praised by critics as a faithful of a receipt dated July 20, 1864 from depiction of the actor’s theatrical brilliance. Thomas Hicks, provided to Edwin Booth in The artist subsequently made at least four smaller payment of $217 for A cabinet copy of the copies. The version owned by the National Iago, in frame. Portrait Gallery (dated 1863) is the largest, measuring 31 1/2 inches in height. The three In her doctoral dissertation, Letha Clair extant replicas all appear to be identical in size, Robertson describes the present work as measuring 14 x 10 inches. One version of this unlocated,and writes that it is reputed to cabinet size is owned by the Hampden-Booth have hung in Booth’s home, today the home Theatre Library in New York; another was sold of the Player’s Club, which was founded by at Sotheby Parke-Bernet in 1974. the actor. 79 While celebrating Booth’s accomplishments, On December 15, 1860, Edwin Booth his full length likeness also enhanced Hicks’s appeared to great acclaim in the role of Iago own reputation as a portraitist. Hicks retained at the Winter Garden Theatre in New York. the painting during his lifetime, exhibiting it Five months later, Thomas Hicks painted a in Philadelphia and New York in promotion full-length, life-sized portrait of the actor in of upcoming performances by his friend. that role. It was not a commissioned portrait; Upon the artist’s death in 1890, his widow donat-

the two men enjoyed a close friendship. ed it to the Century Association in New York. 81 Indeed, the Abraham Lincoln Presidential Library and Museum includes in its collection That work, which had measured 7 1/2 x 4 feet, a lengthy letter from Booth to Hicks, written was cut down in size by a conservator in 1969, on December 9, 1861, on the occasion of while it was on loan to The Player’s Club, so 81 the birth of Booth’s daughter, in which he the full-length portrait survives only in the Kenyon C. Cox In 1917, Kenyon Cox wrote to his son, Allyn, “Is this light-minded enough for you? also discusses the portrait. replicas in smaller scale made by Hicks. American, 1856-1919 [Sketch] The Education of Cupid. Venus teaching cupid how to shoot. Target hung The Education of Cupid, 1917 on terminal statue with a pure Cornish landscape background, the extreme distance 80 Signed Kenyon Cox and dated 1917 (lr); inscribed being Platt’s riverview. Such is to be my next picture. I’ve been working at the sketch Attributed to Frederick William MacMonnies as titled and By Kenyon Cox 1917 on the reverse all the time your mother was in Boston. There’s such a bully chance in it for serious Portrait of Charles Schieren, Mayor of Brooklyn, 1902 Oil on canvas study of action that even your mother doesn’t object to the playfulness of the motive. Oil on canvas 23 x 46 3/4 inches To me it is a kind of relief from the horrid seriousness of reality just now. It’s only in 80 x 37 7/8 inches Provenance: pleasant and peaceful times that one wants to be ultra-serious in art. Caroline [the Provenance: The artist artist’s daughter] is going to pose for Venus — white and gorgeous piece of brilliant Kennedy Galleries, New York (possibly) By descent to his niece, Jeanette Prentiss Cox rose stuff, a brand new material, which is the most glittery and amazing thing you Literature: (Mrs. Gordon Niles Morrill), Cleveland, OH can imagine.” [Kenyon Cox and Howard Wayne Morgan, An Artist of the American Mary Smart and Adina Gordon, A Flight with Fame: The Life and Art of Frederick MacMonnies, By descent to F. Gordon Morrill, Delray Beach, FL Renaissance: The Letters of Kenyon Cox, 1883-1919, Kent University Press, 1995, p. 179 ]

1863-1937, Madison, CT: Sound View Press, 1996, p. 325, no. 51 By gift to his nephew, Michael Hunter, Palm Beach, FL When exhibited in the 1917 Winter Exhibition at the National Academy of Design, C Exhibited: The Education of Cupid was praised by a reviewer from American Art News for being $3,000-5,000 New York, National Academy of Design, Winter “bright and light-spirited.” A critic for The Sun wrote of the work more extensively, See Illustration Exhibition, Dec. 15, 1917-Jan. 13, 1918, no. 194 “Mr. Cox’s effort is The Education of Cupid, in which every touch is worked out with Literature: This unsigned and unfinished portrait of Around the same time, MacMonnies took clear, intellectual and perhaps cold precision. Venus, according to Mr. Cox, is an The Sun, Dec. 15, 1917, p. 9 Charles Schieren relates closely to one a ten year lease on a studio in Gramercy Park, American lady, but Cupid, properly enough, bears a strong facial resemblance to American Art News, vol. 16, no. 12, p. 2 described but not reproduced in A Flight with where he intended to devote himself to the heroines of Sir Peter Lely, who, if history be credited, did indeed live in a time of Kenyon Cox and Howard Wayne Morgan, An Artist Fame: The Life and Art of Frederick MacMonnies, painting portraits, in a departure from the instructed Cupids.” p. 51. Schieren “is presented full-length, with Beaux Arts sculpture that had established of the American Renaissance: The Letters of Kenyon three quarter view to the right. MacMonnies his reputation. A member of the board of Cox, 1883-1919, Kent University Press, 1995, p. 179 Painted as a respite from the horrors of a world at war, The Education of Cupid posed the Mayor on a platform, with glass trustees of the Brooklyn Museum, Schieren remained in Cox’s family until now; it continues to delight today. of water on a table and the U.S. flag draped later sat to Irving Ramsay Wiles for another C behind, as if he were about to make a speech. portrait. That work, completed in 1911, shows $18,000-22,000 However, because the former Mayor never a seated, older subject, less vibrant than the See Illustration and Inside Front Cover gave his friend MacMonnies sufficient time individual depicted in the present work. It is at sittings, the portrait remained unfinished.” part of the collection of Borough Hall, Brooklyn. The only element missing in the present work is the glass of water, which may conceivably This portrait is attributed to Frederick MacMonnies, have been painted out by the artist. as stated by the MacMonnies expert and scholar, E. Adina Gordon, Ph.D. We thank 80 The painting was begun in 1902, the same year Dr. Gordon for her very kind assistance in that Schieren attended a dinner at the Montauk cataloguing this lot. 40 DOYLE • OCTOBER 5, 2016 • NEW YORK Club in Brooklyn in honor of the sculptor. VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 41 82 85 Robert Henri Louis Michel Eilshemius American, 1865-1929 American, 1864-1941 McSorley’s Bar Sunlight Mount Stamped with the artist’s Signed Eilshemius (lr); initials RH (ll) inscribed 57.103 on Ink and wash on paper the verso 5 3/4 x 8 7/8 inches Oil on card Provenance: 8 5/8 x 12 inches Hirschl & Adler Galleries, Provenance: New York The artist Donald Brenwasser, Julius Zirinsky, New York, New York, acquired from acquired directly from the the above artist in 1936 Estate of Donald Brenwasser, Herman J. Williams, Jr.

82 no. 276 (possibly) C Estate of Exhibited: Donald Brenwasser Washington, D.C., $800-1,200 Corcoran Gallery of Art See Illustration C $1,200-1,800 83 Jerome Myers 86 American, 1867-1940 Louis Michel Eilshemius East Side Group, 1892 American, 1864-1941 Signed Jerome Myers and Sailboat in Landscape at dated 92 (ll); inscribed East Dusk, 1919 Side Group on the stretcher Signed Eilshemius (lr) and and on the backing dated 1919 (ll) 89 90 Oil on canvas Oil on board laid to 16 x 12 inches Masonite 89 90 Provenance: 8 x 12 1/2 inches Allen Tucker Allen Tucker George C. Lay family Provenance: American, 1866-1939 American, 1866-1939 collection, CT until Nicholas Burliuk Art Gallery, Miss Raphaella Ottiano, 1925 Striped Sweater, 1927 circa 1970s Hampton Bays, NY Signed Allen Tucker and dated 1925 (lr); Signed Allen Tucker and dated 1927 (ll); C Holt Burliuk Art Gallery, inscribed as titled and numbered 11 on a numbered 48 on the reverse $2,000-4,000 Cornwall, ON card affixed to the stretcher Oil on board See Illustration C Oil on canvas 23 7/8 x 20 inches $1,200-1,800 26 x 22 inches Provenance: 84 Provenance: The artist Ethel Myers 87 Estate of the artist Estate of the artist American, 1881-1969 Louis Michel Eilshemius Bequest of the artist’s estate to be sold for Bequest of the artist’s estate to be sold for Five Figures – Green Hat American, 1864-1941 the benefit of the institution the benefit of the institution Graphite and pastel Landscape with Windmill Exhibited: C Property of the Art Students League, on paper Signed Eilshemius (ll); New York, Whitney Museum of American Art, New York, to be sold for the benefit of 20 x 16 inches inscribed as titled on an old Allen Tucker Memorial Exhibition, the Institution Provenance: label affixed to the reverse; Dec. 6, 1939-Jan. 3, 1940, no. 38 (possibly) $2,500-3,500 Kraushaar Galleries, numbered 7377 Graham on Cleveland, OH, Cleveland Museum of Art, See Illustration 83 New York the backing Allen Tucker Memorial Exhibition, C A New England Collection Oil on heavy card Dec. 17, 1940 - Jan. 1941 91 $600-800 8 5/8 x 15 3/4 inches Literature: Allen Tucker C Allen Tucker Memorial Exhibition, Whitney American, 1866-1939 $800-1,200 Museum of American Art, New York, 1929, Rose and Green, 1921 no. 38 (possibly) Signed Allen Tucker and dated 1921 (ll); 88 Rafaella Ottiano was an Italian-born stage and inscribed as titled on an artist’s card Allen Tucker movie actress, who specialized in playing sinister affixed to the stretcher and numbered 23; American, 1866-1939 roles. A portrait of her by Tucker, Head of also inscribed indistinctly in graphite on the Cape Ann Raphaella Ottiano, 1925, 24 x 20 inches, is reverse and on the lower stretcher Signed Allen Tucker (lr); number 38 in the catalogue for a memorial Oil on canvas inscribed as titled on the exhibition organized by the Whitney Museum. 72 x 25 inches reverse It was lent by Mrs. Allen Tucker. Despite a minor Provenance: Oil on canvas discrepancy in dimensions, it is likely the Estate of the artist 20 x 23 7/8 inches present work. Here, Tucker depicts his subject Bequest of the artist’s estate to be sold for C as a regal figure in profile, with a fillet around the benefit of the institution $2,000-4,000 her brow. The Whitney exhibition was circulated C Property of the Art Students League, See Illustration by the American Federation of arts, and it New York, to be sold for the benefit of the is possible that the Cleveland Museum may Institution simply have been a venue for that show. $2,000-4,000 C Property of the Art Students League, See Illustration New York, to be sold for the benefit of the Institution $2,000-3,000 See Illustration

88 91 42 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43 96 George Biddle American, 1885-1973 “Pop’s in Bed with His Britches On” (Jazz Musicians), 1943 Signed George Biddle and inscribed as titled and Mateur [Tunisia] (ll) Brown ink and reddish-brown wash on paper 8 7/8 x 12 inches Provenance: Susan Teller Gallery, New York Private collection, acquired from the above, Feb. 24, 2000 Exhibited: New York, Susan Teller Gallery, George Biddle, An American Conscience: Prints and Unique Works on Paper from the 1920s to the 1950s, Dec. 3-30, 1999

George Biddle traveled through Italy, Algeria, and Tunisia with the Third Infantry Division during World War II, producing works that documented that unit’s activities. He later published a book on his war travels, Artist at War: Tunisia, Sicily, Italy (Viking Press, 1944). C A New England Collection 97 $700-900

92 94 95 97 99 101 James Henry Daugherty Paul Cadmus George Biddle Adolf Arthur Dehn Mitchell Siporin James Henry Daugherty American, 1889-1974 People I’ve Met in the Newspapers, 1937 American, 1885-1973 American, 1895-1968 American, 1910-1976 American, 1889-1974 Food, circa 1925-27 Signed Cadmus and dated 37 (lr); inscribed (i) The Outing, Charleston, SC, 1930 Dance in Harlem, 1942 Studies for a Mural: Two Capital Storm #2, 1935 Estate stamped James Daugherty (lr); also as titled (ll) Signed Biddle. and dated 1930. (ll) Signed Adolf Dehn and dated 42 (lr) The first inscribed Mitchell Siporin (J.S.) (lr), Estate stamped on the verso estate stamped on the stretcher and on the Ink on paper Ink, watercolor and graphite on paper Watercolor and lithographic crayon over ink and graphite on paper, sight 7 1/2 x Conte crayon heightened with white on wax lining on the reverse 10 x 14 1/8 inches 9 x 12 inches charcoal on paper 21 1/8 inches; the second tempera on paper, green paper Oil on canvas Provenance: Provenance: 20 1/2 x 29 1/4 inches sight 6 x 19 3/4 inches Sight 9 7/8 x 15 7/8 inches 38 x 48 1/2 inches Gift from the artist to Jon Anderson, his Susan Teller Gallery, New York Provenance: Provenance: Provenance: Provenance: longtime companion Exhibited: Mary Ryan Gallery, New York Babcock Galleries, New York Estate of the artist Forum Gallery, New York, inv. CG 4617 DC Moore Gallery, New York New York, Susan Teller Gallery, Special Private collection, acquired from the above, C A New England Collection Janet Marqusee Fine Arts Ltd., New York Private collection, acquired from the above, Exhibited: Occasions: A Tenth Anniversary Exhibition, Feb. 14, 1997 $600-800 Susan Teller Gallery, New York Mar. 1, 2007 New York, Midtown Payson Galleries, Oct. 1998 C A New England Collection Exhibited: Exhibited: Paul Cadmus: Still Life, Portrait, Tableaux, (ii) Club European, Salon Royal, 1934 $2,000-3,000 100 New York, Susan Teller Gallery, American New York, Forum Gallery, American Social Realism: Nov. 11 - Dec. 30, 1994 Signed Geo Biddle. and dated 1934 (lr) See Illustration Mitchell Siporin Mural Studies, 1935-1962, Aug. 18 - 1920-1950, Jan. 18 - Feb. 24, 2007 New York, Whitney Museum of American Ink and graphite on paper American, 1910-1976 Sep. 25, 2004 C A New England Collection Art, Collection in Context: Paul Cadmus, Sight 12 x 8 7/8 inches 98 (i) Civil War: Study for a Mural, 1940 C A New England Collection $3,000-5,000 The Sailor Trilogy, Jun. 1 - Sept. 1, 1996 Provenance: Mitchell Siporin Tempera on paper $600-800 See Illustration New York, DC Moore Gallery, Paul Cadmus: Susan Teller Gallery, New York American, 1910-1976 4 1/4 x 14 inches 90 Years of Drawing, May 5 - Jun. 19, 1998, C A New England Collection (i) George Rogers Clark and Daniel Boone: (ii) Reconstruction: Study for a Mural, 1940 no. 21 $1,000-1,500 Study for a Mural, 1940 Tempera on paper 93 Literature: Tempera on paper 4 1/4 x 14 inches James Henry Daugherty Guy Davenport, The Drawings of 4 1/2 x 14 inches Provenance: American, 1889-1974 Paul Cadmus, New York, 1989, p. 23, illus. (ii) Discovery and Colonization: Study for a Babcock Galleries, New York Home Life #2 C A New England Collection Mural, 1940 C A New England Collection Pastel on brown paper laid down on heavy paper $1,500-2,500 Tempera on paper $600-800 Stamped James Daughterty and estate 4 1/2 x 14 inches stamped on the verso Provenance: Image 21 x 22 3/4 inches Babcock Galleries, New York Provenance: Susan Teller Gallery, New York Janet Marqusee Fine Arts Ltd., New York C A New England Collection C A New England Collection $600-800 $600-800

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102

102 103 Reynolds Beal Frank Raubicheck American, 1866-1951 American, 1857-1952 (i) Gorham Brothers Circus [Circus Elephants], 1934 The Carousel Signed Reynolds Beal, inscribed Gorham Bros. Circus Estate stamped on the reverse and dated 1934 (lc) Oil on canvas Watercolor and colored pencil on paper 24 3/4 x 20 3/4 inches 11 1/8 x 14 3/4 inches Provenance: (ii) Gorham Brothers Circus [Circus Flags], 1936 The artist Signed Reynolds Beal, dated 1936 and inscribed By descent in the artist’s family to the present owner Gorham Bros. Circus (ll) C Watercolor and colored pencil on paper $1,000-2,000 13 3/4 x 14 7/8 inches Provenance: 104 Ellen Berenson Antiques, New York Reginald Marsh Private collector, New York, acquired from the above, American, 1898-1954 circa 2001 Pennsylvania Loco C Signed REGINALD MARSH, dated 1938 and inscribed as titled (lr) $2,000-4,000 Watercolor on paper See Illustrations 14 x 20 inches C A New England Collection $4,000-6,000 See Illustration

105

105 Anna Mary Robertson Moses (Grandma Moses) American, 1860-1961 My Horse, 1953 Signed Moses and copyrighted (lr); bears an original Grandma Moses label on the reverse, with the title as indicated, the date Feb. 13, 1953, and the number 1571 Oil on panel 18 x 24 inches Provenance: Hammer Galleries, New York, inv. 24129-11 William P. Hutchison, Portland, OR, acquired from the above, 1960 Thence by descent in the family to the present owner, 1989 Literature: Otto Kallir, Grandma Moses, New York, 1973, p. 312, no. 1081, illus., Grandma Moses no. 1571, Record Book p. 59, executed Feb. 13, 1953 Copyright reserved to Grandma Moses Properties Co., New York C $30,000-50,000 See Illustration

46 DOYLE • OCTOBER 5, 2016 • NEW YORK 104 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 47

107

107 Ogden Minton Pleissner American, 1905-1983 Red Factory, Winchendon, Massachusetts Signed Pleissner (ll); inscribed as titled on the reverse Watercolor and graphite on paper 15 5/8 x 22 5/8 inches Unframed

Another extant watercolor by Ogden Pleissner, depicting a mill in Winchendon, Massachusetts, is

106 dated 1960; it is possible that the present work may date from roughly the same period. C 106 $3,000-5,000 Anna Mary Robertson Moses (Grandma Moses) See Illustration American, 1860-1961 Untitled [Sunset at the Lake], circa 1951 108 Signed Moses (lr); on the reverse is a photocopied signed note by Forrest Moses dated Nov. 21, Ogden Minton Pleissner 1969, describing the provenance of the present work, and signed again in ink and dated Oct. 1, 1972 American, 1905-1983 Oil on Masonite Justice 15 3/8 x 20 inches Signed Pleissner (lr) Provenance: Watercolor and graphite on paper The artist 30 x 20 3/4 inches Gift of the artist to the Eagle Bridge Community Club, Eagle Bridge, NY Unframed Frank W. Pekins, Salem, NY Private Collection, NY and FL In an email dated Aug. 26, 2016, Peter Bergh, author of The Art of Ogden M. Pleissner observed, “Ogden The present work has been assigned the catalogue raisonné number 1020a and will be added had a fondness for the piece; and I recall seeing it in to a future supplement to the “Catalogue of the Works” in Otto Kallir, Grandma Moses his studio in Manchester, Vermont where it hung in a (New York: Harry N. Abrams, 1973). prominent location. “ Copyright reserved to Grandma Moses Properties Co., New York C C $1,500-2,500 $12,000-18,000 See Illustration See Illustration

108

48 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49 109 Elbert McGran Jackson American, 1896-1962 Broadcasting Studio Signed A. M. Jackson (ll) Oil on canvas 33 x 22 inches C $3,000-5,000 See Illustration

110 Peggy (Margaret) Brook Bacon American, 1895-1987 The Estuary, 1971 Signed Peggy Bacon, inscribed as titled and dated 1971 (lr) Ink, watercolor, gouache and graphite on paper 14 1/2 x 20 1/2 inches The figure depicted is thought possibly to represent the artist herself. C Property of Elizabeth Mankin, Kent, Connecticut $700-900

111 Bernard (Bernie) Fuchs American, 1932-2009 Illustration for Sports Illustrated Signed with conjoined initials BF (lr) Oil on canvas 16 x 43 inches Provenance: Gift of the artist to the present owner Literature:

Frank Deford, “The Best Against the Best,” 113 Sports Illustrated, Jul. 14, 1986, vol. 65, no. 2, p. 68, illus. 109 The present work depicts the greens at Turnberry, the famous golf course in South Ayrshire, Scotland, commissioned by the Marquess of Ailsa in 1902. During the Second 112 113 World War, the Turnberry Hotel was converted Ernest Berke Johann Berthelsen into a hospital, and the fairways served as American, 1921-2010 Grand Army Plaza and the Plaza Hotel runways for the Royal Air Force, as seen here. Communing with the Great Spirit, 1961 Signed Johann Berthelsen (lr) A copy of the Sports Illustrated issue in which Signed Ernest Berke and dated 1961 (lr); Oil on canvas the work was reproduced accompanies the lot. inscribed EB #5 on the stretcher 22 x 28 inches C Oil on canvas Provenance: $2,000-4,000 30 x 24 inches Private collection, New York See Illustration C By inheritance to the current owner $800-1,200 C $5,000-7,000 See Illustration

111

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114 part

117 part 119

116 part

115 part

Prints 118 part

114 115 116 117 118 119 After Thomas Davies Mark Catesby After George Brookshaw After George Brookshaw McKenney & Hall After Karl Bodmer A NORTH WEST VIEW OF THE COHOES, WAMPUM SNAKE AND WHITE LILY; POLINAC; SCARLET FLESH [FRUIT STUDIES] APP-PA-NOO-SE; PEHRISKA-RUHPA OR GREAT CATARACT OF THE MOHAWK THE GREEN LIZARD OF CAROLINA ROMANA; WHITE CANDIA; [PLUMS] Four hand-colored color TAH-COL-O-QUOIT; WA-PEL-LA; Hand-colored aquatint, engraving and RIVER, IN THE PROVINCE OF NEW YORK Two hand-colored engravings, plates 58 and Four hand-colored color aquatints and stipple aquatints and stipple engravings, WAR DANCE OF THE SAUKS AND FOXES roulette by Paul Legrand, with the artist’s IN NORTH AMERICA 66 from The Natural History of Carolina, engravings, from Pomona Britannica, published from Pomona Britannica, published by Four hand-colored lithographs, from blindstamp, plate 17 from Prince Maximilian Engraving; Together with After Paul Florida and the Bahama Islands, London, by G. Brookshaw, London, 1804-1812, with G. Brookshaw, London, The History of the Indian Tribes of North zu Wied’s Travels in the Interior of North Sandby A VIEW OF THE GREAT COHOES 1731-43, with good or full margins, framed. good or full margins, framed. 1804-1812, with good or full America, with good or full margins, one framed. America, London, Paris and Coblenz, FALLS ON THE MOHAWK RIVER, engraving Larger 13 3/4 x 10 1/4 inches Sight of each sheet approximately 19 x 15 inches margins, framed. Sheet of first 20 x 13 3/4 inches circa 1839-42, with margins, framed. by William Elliot, the first trimmed to the C Estate of Shepherd Raimi C Estate of Dorothy J. Henry Sight of each sheet 19 x 15 inches C Estate of Donald Brenwasser Plate 20 1/4 x 14 5/8 inches platemark, the second with good margins. $600-800 $4,000-6,000 C Estate of Dorothy J. Henry $600-800 C Estate of Donald Brenwasser Plate of larger 14 3/8 x 21 inches See Illustration See Illustration of Part $1,200-1,800 See Illustration of Part $1,500-2,500 C Estate of Donald Brenwasser See Illustration See Illustration $800-1,200 See Illustration of Part

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120 part 121 part

FURNITURE & DECORATIONS

122 part 123 part

120 122 124 After John James Audubon After Daniel Giraud Elliot After John George Brown LONG-LEGGED SANDPIPER; WORM AEGIALITIS MONTANUS; COCK OF THE THE SIDEWALK DANCE WOOD HARE PLAINS (2); FRANKLIN’S GROUSE; PARUS Engraving by George Mercier, 1894, signed Hand-colored engraving and aquatint by OCCIDENTALIS by both the artist and the engraver in pencil, R. Havell and a hand-colored lithograph Five hand-colored lithographs by published by Fischl, Adler & Schwartz, by J.T. Bowen, 1836 and 1846, respectively, Bowen & Co., Philadelphia, with good New York, with good or full margins, framed. the first plate CCCXVIV from The Birds of or full margins, framed. Plate 19 3/8 x 29 3/8 inches America, the second plate LXXXVIII from Sight of largest sheet C The Viviparous Quadrupeds of North America 17 3/4 x 22 3/4 inches $400-600 the first trimmed to the platemark at top and C Estate of Donald Brenwasser with otherwise small margins, the second $600-800 125 with full margins, framed. See Illustration of Part Artist Unknown Sheet of larger 21 x 27 1/4 inches HARRINGTON RICHARDSON C Estate of Donald Brenwasser 123 ARMS CO. $1,000-1,500 Currier & Ives, publishers Chromolithograph. See Illustration IDLEWILD-ON THE HUDSON; WESTERN Sheet 20 x 14 3/4 inches RIVER SCENERY (CONNINGHAM 3026; C The Thurston Collection 121 6620) $200-300 After John James Audubon Two hand-colored lithographs the second THE WOLVERINE; COLLARD PECCARY 1866, with margins, framed. Two hand-colored lithographs by Image of larger 11 3/8 x 16 5/8 inches J.T. Bowen, 1843 and 1844, respectively, Sheet of larger 15 3/8 x 19 7/8 inches plates XXVI and XXXI from The Viviparous C Estate of Donald Brenwasser Quadrupeds of North America, with full $400-600 margins, framed. See Illustration of Part Sheet of each 20 7/8 x 27 1/2 inches C $2,000-3,000 Lot 279 See Illustration

54 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55 134 140 126 George III Style Inlaid Mahogany Group of Seven Chinese Export Chippendale Cherry Bow Front Chest of Drawers Fold-Over Card Table Porcelain Mugs New England 19th Century 18th/19th Century With four long drawers, raised on claw and ball feet. The rectangular top above a long Each of cylindrical form, Height 34 inches, width 39 5/8 inches, depth 21 inches. frieze drawer, raised on square comprising an assembled set of C tapering legs. Height 28 1/2 inches, three graduated mugs, decorated $800-1,200 width 36 1/2 inches, with a flower draped urn, See Illustration depth 16 3/4 inches. height of tallest 6 inches; C an example with shaped reserves of 127 $300-400 figures, flowers or landscapes; and Chippendale Cherry Fold-Over Card Table three Rose Medallion examples. Possibly Connecticut, late 18th century C The Thurston Collection The serpentine top above a straight frieze drawer and dentilated 135 Queen Anne Mahogany $800-1,200 apron, raised on molded straight legs, with typed label GRIFFIN Dressing Table See Illustration BEQUEST...7/15/68. Height 28 1/2 inches, width 34 inches, Possibly Southern States, depth 16 3/4 inches. 141 C 18th century The rectangular top with a molded Group of Chinese Export $1,500-2,000 Porcelain Articles See Illustration edge above five small drawers above a shaped arched apron, Primarily 18th century raised on cabriole legs. Height Comprising set of six octagonal 128 29 inches, width 33 1/2 inches, soup plates, each decorated with Pair of Spode Stone China Transfer depth 21 1/8 inches. two sunfaces and a mountain within Decorated Ship Pattern Platters 127 C The Thurston Collection a cartouche; pair of famille rose 19th Century $1,500-2,500 molded and painted plates; pair of Each decorated in the Famille Rose style with two figures and a See Illustration Imari plates, diameter 11 inches; ship in the distance. Length 12 1/2 inches; Together with a 130 figure decorated dish; and blue and Pair of English Blue and White Transfer Decorated Pottery Chinese Export Porcelain Famille Rose Tureen Stand white plate. 136 Soup Bowls. Each decorated with a lion, figures, etc. and Platter en Suite C 140 Two Reverse Painted Glass in a landscape. Each oblong with canted corners, painted with flowers $600-800 Portraits of George Washington; C and exotic birds. Lengths 14 3/4 inches and Together with a Portrait of $200-300 11 1/4 inches, respectively. C a Gentleman 142 $300-500 19th Century Miscellaneous Group of Ceramic 129 Height overall of larger 16 inches, Table Articles Yellow Painted Wall Cupboard width 12 3/4 inches. Comprising an English blue and 19th Century 131 white pearlware basket stand, pink Federal Brass Mounted Mahogany Tall Case Clock C With paneled sides and doors, the interior with cubbyholes and a $200-300 lustre cup and two saucers, and a door enclosing small drawers. Height 29 1/2 inches, New England, early 19th century porcelain toy tea set, approximately width 19 1/4 inches, depth 13 1/2 inches. The arched fretwork crest with three brass finials, above twenty-two pieces. C a glazed door enclosing a painted dial, moon phase 137 C Sold to Benefit the Collection of George III Mahogany Chest $300-400 indicator and a subsidiary seconds dial, the case with the Morris-Jumel Mansion Museum of Drawers fluted corner columns, raised on a plain base ending in $80-120 ogee bracket feet. Height 8 feet 1/4 inches, 18th Century width 20 inches, depth 10 1/2 inches. The molded dentilated cornice Provenance: above two short and three long 143 Handwritten label dated 1901, titled Bailey Clock, graduated drawers between canted Chippendale Style Mahogany desc. from Wm Bailey - Aug 26, 1768. Possession of fluted stiles, raised on ogee bracket Reverse Serpentine Chest Joseph I. Bailey feet. Height 43 inches, of Drawers Then descended from family above width 45 inches, depth 22 inches. The molded top above four long C C The Thurston Collection drawers, raised on ogee $1,000-2,000 $400-600 bracket feet. Height 33 1/2 inches, width 36 1/4 inches, depth 21 1/4 inches. 132 138 C George III Mahogany Fold-Over Three Painted Windsor Armchairs $500-700 Early 19th century Games Table Comprising a fan back, sack back and rod back Of demilune form, raised on patera example; Together with a Painted and Decorated inlaid square tapering legs. Height 144 Arrowback Side Chair. 29 1/2 inches, width 35 3/4 inches, George III Serpentine Side Table C depth 17 5/8 inches. With a long cockbeaded frieze $700-1,000 C drawer, raised on square tapering $600-900 legs ending in spade feet. Height 33 inches, width 30 inches, 133 depth 17 1/2 inches. Pair of Cast Iron Hessian Soldier Andirons 139 C George III Style Mahogany Height 20 3/8 inches; Together with a Copper and $300-500 Wood Bedwarmer. Bookcase Cabinet C Sold to Benefit the Collection of the Morris-Jumel The scrolled pierced pediment Mansion Museum centering a brass eagle finial, above $150-250 two glazed doors, the lower section with two drawers over two paneled doors, raised on bracket feet. Height 7 Feet 6 inches, width 135 50 1/2 inches, depth 18 inches. 126 C The Thurston Collection $800-1,200

56 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57 145 154 part

145 149 151 154 157 160 Coney Island Style Carved Wood Set of Four George III Style Mahogany Federal Inlaid Mahogany Tilt-Top Carved and Painted Jumper Carousel Horse Federal Style Mahogany Double-Pedestal Six Daguerreotype Portraits Carousel Horse Side Chairs Tripod Stand Attributed to Herschell-Spillman Dining Table 19th Century Inset with colored ‘gems’. Height 62 inches, 19th Century Early 19th century Now mounted on a brass pole stand. Part 19th century Height of largest 3 1/2 inches, width 62 inches, depth 13 inches. Each with a carved crest and splat above The oblong top with canted corners and inset Height 77 inches, width 51 inches; Together The top with rounded ends and a reeded edge, width 3 3/4 inches. C a needlepoint seat, raised on straight legs oval panel, above turned and fluted baluster with a Ringling Bros. and Barnum & Bailey above a conforming frieze, raised on reeded C $2,000-3,000 joined by pierced stretchers. standard on a tripod base ending in spade Circus Poster. baluster standards with waterleaf carved sabre $80-120 See Illustration Height 37 1/2 inches, width 22 inches, feet. Height 28 1/2 inches, width 19 3/4 inches, C legs ending in brass paw casters, one leaf. depth 18 1/4 inches. depth 14 1/4 inches. $1,000-1,500 Height 29 1/2 inches, width 6 feet, depth 161 C Sold to Benefit the Collection of the Provenance: See Illustration of Part 57 inches. Classical Style Giltwood and Eglomise 146 acc. 18.16 Classical Giltwood Convex Mirror Morris-Jumel Mansion Museum Gift of Mrs. Russell Sage, 1909, Pier Mirror $400-600 acc. 10.125.152 155 C Property of The Metropolitan Museum of Art Height 49 inches, width 29 inches. Height 34 1/2 inches, width 22 1/2 inches. $800-1,200 C C Property of The Metropolitan Museum of Art George II Mahogany Tilt-Top Tripod Stand C $600-900 150 $200-300 The dished circular top above a baluster $200-300 Group of Nine Painted Tin Table Articles standard continuing to cabriole legs. 158 Height 29 inches (73.7 cm), Pair of Canton Famille Rose Medallion 147 Including a tray painted by Frank Neal, 152 162 17 1/2 x 24 inches; boxes; dustpan; and Group of Ten Metal and Wood Candlesticks diameter 25 3/4 inches (65.4 cm). Porcelain Hexagonal Jardinieres and Stands Group of Canton Rose Medallion and Famille Federal Style Inlaid Mahogany Serpentine C 19th Century Card Table wood brush, etc. and Lighting Devices Rose Porcelain Table Articles Frank Neal is described in his New York Times Heights 4-9 1/2 inches. $500-700 Decorated with figures. Height 6 5/8 inches; Primarily 19th century Raised on reeded legs. Height 30 1/4 inches, Together with a Canton Rose Medallion width 37 inches, depth 18 1/2 inches. obituary, May 11, 1955 as a dancer, C Comprising a rectangular covered dish, choreographer and painter. He was founder, $300-500 156 Guglet Bottle. Height 12 1/4 inches; Pair of length 10 1/2 inches; two-handled covered C Candlesticks and Two Cylindrical Jars. $400-600 president and chief designer of Tray House in Pair of George III Mahogany Backstools bowl; lozenge-form dish; rectangular dish; Merchantville, New Jersey. He is listed in Each with nailhead trim, raised on straight legs C The Thurston Collection drum-form teapot; two plates; quatrefoil dish; 153 $400-600 Who Was Who in American Art, and in Chippendale Inlaid Mahogany Serpentine joined by stretchers. Height 38 inches, sauce tureen and stand and two-handled dish. 148 Cederholm, African-American Artists width 21 inches, depth 19 inches. C The Thurston Collection Empire Giltwood Overmantel Mirror Chest of Drawers C Probably English C 159 $400-600 First half of the 19th century $400-600 $400-600 Federal Inlaid Mahogany Fold-Over The rectangular cove molding ornamented With three short and three long drawers above a serpentine apron, raised on ogee Card Table with palmettes and foliage. Height 34 inches, With serpentine sides and bowed front, raised width 31 inches. bracket feet. Height 37 inches, width 41 3/4 inches, depth 24 inches. on square tapering legs. Height 29 inches, acc. 1985.02.1 width 36 inches, depth 17 inches. C Sold to Benefit the Collection of the C Property from a New York Estate $1,500-2,500 Provenance: Morris-Jumel Mansion Museum Bequest of May Blackstone Huntington, 1938, $400-600 acc. 39.148.5 C Property of The Metropolitan Museum of Art $400-600 58 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59 163 169 George III Upholstered Mahogany Wing Armchair Federal Pine Cupboard Mounted with a pair of brass scrolling candlearms and Hackensack, New Jersey, early 19th century raised on square tapering legs ending in brass In two parts, the molded cornice above a reeded frieze capped feet. and panelled pilasters flanking two glazed doors, the lower Height 43 inches, width across arms 34 inches, section with reeded drawers over two paneled doors and depth at seat 26 inches. reeded paneled pilasters, raised on bracket feet. C The Thurston Collection Height 6 feet 8 inches, width 48 inches, $500-700 depth 17 1/4 inches. See Illustration C $2,500-3,500 164 See Illustration Painted Dressing Table 19th Century 170 With two short drawers above a rectangular top and George III Inlaid Mahogany Chest on Chest a long frieze drawer, raised on turned legs. Height Late 18th century 35 inches, width 30 1/4 inches, depth 17 1/4 inches; The molded cornice above a shell and rosette inlaid frieze, Together with a Maple Work Table. over two short and three long drawers, the lower section 19th Century with three long drawers, raised on bracket feet. C Height 6 feet 1 1/4 inches, width 40 inches, $200-300 depth 22 inches. C 165 $1,200-2,000 Regency Inlaid Figured Mahogany Tilt-Top Breakfast Table 171 163 19th Century George III Mahogany Chest of Drawers The rectangular top with rounded corners, raised on a With three graduated drawers, raised on bracket feet. ring turned columnar standard continuing to splayed Height 32 inches, width 40 inches, depth 20 1/2 inches. legs ending in brass cap casters. Height 28 1/2 inches, C The Thurston Collection width 50 inches, depth 38 inches. $400-600 C $2,000-3,000 172 Colonial Revival Mahogany Four-Post Bedstead 166 With spiral foliate carved posts and a scrolling arched Mahogany and Eglomise Banjo Clock headboard. Height 7 feet 5 inches, width 67 inches, 19th Century depth 7 feet 6 inches. Height 33 1/2 inches. C The Thurston Collection C $400-600 $400-600 173 167 George III Mahogany Bow Front Chest of Drawers Federal Figured Maple and Grain Painted Slant Late 18th century Front Desk With four graduated drawers inlaid with fan spandrels, Circa 1825 above a serpentine apron inlaid with a patera, raised on The interior with a prospect door enclosing valenced splayed bracket feet. Height 41 inches, width 42 inches, pigeonholes, flanked by small drawers and valenced depth 21 inches. pigeonholes, the case with four graduated C The Thurston Collection cockbeaded drawers, with paneled sides and a shaped $600-900 apron, raised on turned legs. Height 44 inches, width 40 1/2 inches, depth 20 3/4 inches. 174 C Leather Clad Glass Hip Flask $600-900 Inscribed Capt. L.T. Waldron 45th Coast Artillery Ft. DuPont. See Illustration Height 5 3/4 inches; Together with an English Painted Tole Powder Flask and a Brass and Wood Postage Scale. 169 168 C The Thurston Collection Pair of Staffordshire Pottery Figures of $50-100 Reclining Lions Height 9 3/8 inches, width 12 inches. C The Thurston Collection $250-450

167

60 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61 183 189 Classical Giltwood Convex George III Mahogany Bow Fronted Girandole Mirror Chest of Drawers 19th Century Early 19th century The circular mirror plate within a frame With two short and three long drawers decorated with acorns, surmounted by with inlaid fan spandrels, above a patera an eagle-form crest flanked by inlaid serpentine apron, raised on cornucopias and issuing two-light wire bracket feet. Height of larger 41 inches, branches above an oak leaf and acorn width 49 inches, depth 23 inches. apron. Height 53 inches, C The Thurston Collection diameter 31 1/2 inches. $400-600 C $2,000-4,000 190 See Illustration Pair of Canton Rose Medallion Porcelain Vases and Covers 184 Each mounted as a lamp, on a wood Reverse Painted Print base. Height 17 1/2 inches. 19th Century C Depicting allegorical figures of Europe $800-1,200 175 and Asia. Height overall 12 3/4 inches, Together with a width 17 inches; 191 Reverse Painted Print. Depicting Queen Anne Cherry Tripod Stand 175 179 181 Croton Fountain, New York; and an The circular top on a baluster standard Canton Rose Medallion Porcelain Soup Chippendale Style Benchmade Walnut Chippendale Style Benchmade Walnut Eglomise Inset Wood Courting Mirror. and three downswept legs. Tureen, Cover and Stand Tall Chest Tall Chest 18th/19th Century, Height 25 1/2 inches, 19th Century In the Delaware Valley Manner In the Delaware Valley Manner C diameter 15 inches; Together with a Of oval bombe form. Length 15 inches; The molded dentilated cornice above an The molded dentilated cornice above an $150-250 Wrought Iron Adjustable Candle Together with a Pair of Canton Rose incised frieze, over three short and six long incised frieze, over three short and six long Holder. On a tripod base. Medallion Porcelain Bough Pots. graduated drawers between fluted corner graduated drawers between fluted corner 185 Height 36 1/4 inches. 19th Century. Each applied with squirrels and columns, raised on ogee bracket feet. columns, raised on ogee bracket feet. Queen Anne Maple High Chest C small fruit. Height 9 1/2 inches. Height 62 inches, width 45 inches, Height 62 inches, width 45 inches, New England $300-400 C depth 23 inches. depth 23 inches. The molded cornice above five $1,000-1,500 C The Thurston Collection C The Thurston Collection graduated drawers, the lower section See Illustration $500-700 $500-700 with three drawers and a shaped apron, raised on cabriole legs. 176 180 182 Height 70 inches, width 37 1/2 inches, 183 Group of Chinese Export Famille Rose Chinese Export Lacquered Center/Games Table Federal Mahogany Pembroke Table depth 20 inches. Porcelain Articles 19th Century Possibly English C 18th/19th Century The shaped top with concave sides, raised on The rectangular top and leaves with $800-1,200 Comprising a shaped rectangular platter, a molded columnar standard over a concave rounded corners, above a frieze drawer, raised length 13 3/8 inches; pair of bird and flower base and faux bamboo legs. on square tapering legs. Height 28 inches, 186 decorated plates; pair of cockerel decorated Height 26 1/4 inches, width 33 1/2 inches, width 37 1/2 inches, depth 20 inches. Turned Oak and Maple Rush plates; and a pair of vase decorated plates; depth 29 1/2 inches. C The Thurston Collection Seat Armchair Together with a Chinese Blue and White C $400-600 New England; Porcelain Dish. $800-1,200 Together with a Painted Slat Back C See Illustration Armchair and a Rocking Chair. $600-800 C Sold to Benefit the Collection of the Morris-Jumel Mansion Museum 177 $200-300 Federal Mahogany Drop-Leaf Table Early 19th century 187 Raised on reeded legs. Height 29 1/2 inches, Federal Figured Maple width 46 3/4 inches, depth 19 1/2 inches. Bowfront Chest C Possibly New Hampshire, $200-300 early 19th century With four graduated banded drawers 178 above a tablet apron, raised on bracket Group of Four Pewter Articles feet. Height 39 1/2 inches, width 19th Century 38 inches, depth 21 inches. Including a jug marked R. DUNHAM. C The Thurston Collection Height 7 inches; Together with a Tin Coffee $800-1,200 Pot and Four Copper Lustre Articles. See Illustration C $200-300 188 Blue Painted Corner Cupboard 19th Century With a molded cornice above a paneled door opening to a shelved interior. Height 35 3/4 inches, width 180 32 1/2 inches, depth 18 inches. C $200-300 187

62 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 63 192 193 197 200 204 208 Federal Inlaid Walnut Tall Group of Canton Rose Grain Painted Blanket Chest Chippendale Mahogany American or English Wine Glass Chippendale Style Mahogany Case Clock Medallion Porcelain Articles 19th Century Reverse Serpentine Slant Late 18th/early 19th century Tilt-Top Tripod Stand New England, early 19th century 19th Century With an interior till and one long Front Desk In a fitted leatherette case with an With an octagonal top. The arched hood with scrolled Comprising a charger, diameter drawer, raised on bracket feet. Massachusetts, late 18th century inscription. Height of glass Height 27 3/4 inches, cresting and three brass finials, 15 inches; platter, vegetable dish Height 26 3/4 inches, The interior with a prospect door 4 1/2 inches; Together with a diameter 19 3/4 inches; Together enclosing a painted dial inscribed and a dessert plate. width 40 inches, enclosing two small drawers and Framed Photostat of a Typed Letter with a Queen Anne Cherry Tripod Osborne, and with subsidiary C depth 16 1/2 inches. flanked by small drawers and by William Lanier Washington. Stand. Late 18th/early 19th century. seconds dial and day of month $600-900 C valenced pigeonholes, above a April 30, 1917. The letter discusses With a circular top. aperture, the case with a $400-600 blocked frieze drawer over three the purported provenance from C Sold to Benefit the Collection of molded door with star and fan 194 long drawers, raised on ogee George Washington. the Morris-Jumel Mansion Museum inlays, flanked by stop fluted corner Assembled Wedgwood Pottery 198 bracket feet. Height 43 1/2 inches, William Lanier Washington $200-300 columns above a circular fan inlay, Part Table Service George III Mahogany Chest width 41 1/4 inches, depth (1865-1933) was a noted consignor raised on ogee bracket feet. 19th/20th Century on Chest 23 inches. to auction of numerous articles said 209 Height 7 feet 6 inches, width Comprising a pair of plates, The molded dentilated cornice C The Thurston Collection to have descended to him from Queen Anne Cherry High 21 1/4 inches, depth 11 inches. diameter 9 3/4 inches, two bowls above two short and three long $1,200-1,800 George Washington. The Chest Base C and four cups with saucers. drawers, over a lower section See Illustration provenance does not hold up Height 32 inches, width 42 inches, $2,500-3,500 C with two short and three long to modern scholarship and depth 22 inches. 204 See Illustration $200-300 drawers, raised on bracket feet. 201 standards of proof. C Height 76 1/2 inches, Classical Gold Painted and C The Thurston Collection $400-600 width 45 inches, depth 21 inches. Eglomise Mirror $200-300 195 See Illustration George III Inlaid Mahogany C The Thurston Collection 19th Century 210 Bow Front Chest of Drawers $500-700 Height 25 1/2 inches, width Windsor Comb Back Armchair With two short above three 13 1/4 inches. 205 Pennsylvania, last quarter of the long graduated drawers, raised 199 C Federal Style Inlaid Mahogany 18th century on bracket feet. Height Painted and Decorated Wood $100-150 Serpentine Sideboard The serpentine crest with scrolled 37 1/2 inches, width 41 inches, and Leather Bellows; With a frieze drawer above a pair ears above a nine-spindle back, the depth 19 inches. Together with a Pair of 202 of cupboard doors, flanked by shaped arms on baluster supports, C The Thurston Collection Wrought Iron Tongs, Wrought Painted Trundle Bed cupboard doors, raised on square raised on turned legs joined by $500-700 Iron Shovel and Wrought Iron 19th Century tapering legs. Height 40 1/4 inches, conforming stretchers. Height Bootscraper Height 19 inches, width 47 inches, width 6 feet 1/4 inch, depth 43 inches, width 23 1/2 inches, Length of first 18 inches. depth 68 inches; 26 1/8 inches. depth 17 inches. 196 Provenance: George III Mahogany Tilt-Top C Together with an Applique Provenance: Bequest of Adeline R. Brown, 1947, Tea Table $250-350 Cotton Quilt and Two Woven Gift of Mrs. Russell Sage, 1909, Coverlets. acc. 48.135.96 acc. 10.125.270 18th Century C Property of The Metropolitan The circular top raised on a spiral C C Property of The Metropolitan $200-300 Museum of Art Museum of Art fluted baluster standard continuing $800-1,200 to a tripod base. $700-1,000 Height 27 1/2 inches, diameter 203 See Illustration 30 inches. Set of Twelve Chippendale 206 C The Thurston Collection Style Mahogany Dining Chairs Four Cobalt Decorated Salt 211 $300-400 20th Century Glazed Stoneware Jars Pair of Chippendale Style In the Philadelphia manner 19th Century Brass Andirons Including two armchairs. Heights 7 3/4-14 1/4 inches. Each baluster standard surmounted C The Thurston Collection C by an urn finial. Height 24 inches. $1,000-1,500 $200-300 C The Thurston Collection $150-250 207 Group of Eleven American 212 Hooked Rugs Mahogany Tripod Stand United States, early 20th century 19th Century Ranging in size from 3 feet 3 inches With a bird cage mechanism. x 1 foot 9 inches to 5 feet 10 inches Height 31 inches, width 23 inches x 4 feet 7 inches. Together with a George III Style C Mahogany Tilt-Top Tripod Stand. $600-900 Height 28 1/2 inches, diameter 19 3/4 inches. acc. 1996.4.1; 1982.4.1 C Sold to Benefit the Collection of the Morris-Jumel Mansion Museum $200-300

210

200 192

64 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65 213 217 221 George II Giltwood Mirror Group of Eleven Brass Candlesticks Carved Wood and Cork Duck Decoy 18th Century Including three pairs. Height of tallest David B. Ward, Connecticut Inscribed DBW The upright rectangular plate within an 13 1/2 inches. 82. Length 18 1/8 inches; Together with Silver openwork frame carved with C-scrolls and C Sold to Benefit the Collection of the Three Carved and Painted Shore foliage. Height 41 inches, width 24 1/2 inches. Morris-Jumel Mansion Museum Bird Decoys. Provenance: $150-250 C Bequest of Adeline R. Brown, 1947, $800-1,200 acc. 48.135.102 218 C Property of The Metropolitan Museum of Art Federal Mahogany Fold-Over Card Table 222 $1,000-2,000 New York, early 19th century American School The D-shaped top above a conforming frieze, 19th Century 214 raised on five reeded tapering legs. Canandaigua Academy Group of Glass Articles Height 28 1/2 inches, width 36 inches, Graphite on paper Primarily 19th century depth 17 1/2 inches. Sight 11 3/4 x 15 1/2 inches Including decanters, beakers, bottles and C Framed a jug, etc., approximately sixteen pieces. $700-1,000 C Heights 3 1/8 - 10 1/2 inches. $200-300 C 219 $500-700 Federal Inlaid Mahogany Fold-Over 223 Games Table Two Dutch Delft Blue and White Faience 215 Mid Atlantic States, early 19th century Chargers and a Dutch Delft Faience Classical Mahogany Center Table The serpentine top above a conforming Polychrome Charger 19th Century lozenge and book inlaid frieze, raised on Diameters 12 3/4 inches and 14 1/2 inches. The octagonal top above a molded frieze, square tapering legs. Height 29 inches, C raised on a foliate carved standard continuing width 36 inches, depth 17 3/4 inches. $200-300 to three foliate carved legs ending in paw C casters. Height 28 1/2 inches, $1,500-2,500 224 diameter 37 inches. See Illustration Pair of Canton Blue and White Porcelain C Scalloped Dishes $800-1,200 220 19th Century American Mahogany Shelf Clock Diameter of larger 8 3/4 inches. 216 19th Century C 226 Upholstered Mahogany Curule Stool With a carved eagle crest. Height 34 1/2 inches, $150-250 19th Century; width 18 1/4 inches, depth 5 1/2 inches. Together with a Mahogany Bedsteps. acc. 1986.15.1 Lengths 20 1/2 and 22 1/2 inches, respectively. C Sold to Benefit the Collection of the Bedsteps acc. 1980.41.1 Morris-Jumel Mansion Museum C Sold to Benefit the Collection of the $100-200 Morris-Jumel Mansion Museum $150-250 225 227 229 Set of Six American Coin Silver American Coin Silver Teapot Group of American Coin Silver Flatware Tablespoons of Southern Interest Benjamin C. Frobisher, Boston, circa 1825 Various makers, 19th century Andrew E. Warner, Baltimore, circa 1805; The lobed body on pedestal support with Approximately fifty-nine pieces, total. Together with Six Miscellaneous Silver applied bands of foliate scrolls, with eagle Total approximately 62 ounces. Spoons. Total approximately 21 ounces. spout mask. Height 9 3/4 inches, C C approximately 32 ounces. $400-600 $400-600 C $500-700 226 American Coin Silver Tea Service 228 Taylor & Hinsdale, New York, circa 1810 American Coin Silver Tea Service Comprising a teapot, cream jug and covered Peter Chitry, New York, circa 1825 sugar bowl, each ovoid body with foliate Comprising a teapot, cream jug, sugar grape joins, with bands of applied floral bowl and a covered sugar bowl, each part decorated at the waist and rim, the spout lobed body with applied bands of foliage, with mask, on claw and ball feet, the cover the domed cover with a blossom finial, the with bouquet finial. Length of teapot teapot with mask spout. Length of teapot 12 1/2 inches, total approximately 12 1/4 inches, total approximately 85 ounces. 60 ounces. C C $1,200-1,800 $700-1,000 See Illustration

219

66 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 67 230 232 234 Group of American Coin Silver Assembled Set of Six American Coin Silver Two American Coin Silver Serving Spoons Child’s Mugs Wheat Sheaf Pattern Tablespoons George Sharp, Philadelphia, circa 1860, Comprising a Gorham example, circa 1870, Three Benjamin C. Frobisher, Boston, retailed by Bailey & Co. with a figure of a dog on the handle; circa 1835; three marked C&N, circa 1830; Total approximately 6 ounces. Stebbins & Co. example; and a Together with a Pair of Sugar Tongs. C The Thurston Collection Wood & Hughes example, circa 1860; C. Brewer & Co., Middletown, Ct., $100-200 Together with a Coin Silver Presentation circa 1815. Total approximately 4 ounces. Goblet. Dated 1853. Height of largest C 235 5 3/4 inches, total approximately 19 ounces. $300-400 Group of American Silver Serving Utensils • 19th Century $400-600 233 Comprising: soup ladle in the Fiddle pattern, American Coin Silver Cream Jug and Wood & Hughes, a gravy ladle R.GATT, a 231 Covered Sugar Bowl strainer ladle Wood & Hughes, and three American Coin Silver Water Pitcher Willis & Geilston, New York, circa 1840 pastry servers. Length of soup ladle Thomas Fletcher, Philadelphia, circa 1825 Each part lobed body with a band of foliate 12 1/2 inches, total approximately 20 ounces. The vasiform body chased with acanthus, decoration and leaf capped handles. • with applied band of foliate scrolls at the Length of sugar bowl across handles $400-600 waist and neck, on a circular pedestal foot. 8 inches, total approximately 24 ounces. Height 15 1/2 inches, approximately C 50 ounces. $200-300 C $1,500-2,000

236 part

236 S. Kirk & Son Sterling Silver Mayflower Pattern Flatware Service Comprising twenty-four dinner forks, twenty-eight luncheon forks, fifty-five salad forks, twelve cocktail forks, twelve ice cream forks, eleven oval soup spoons, eleven round soup spoons, twenty-five iced tea spoons, twenty-seven dessert spoons, twelve fruit spoons, forty-three teaspoons, thirty-six demitasse spoons, twelve salt spoons, twenty-five dinner knives, twenty-eight luncheon knives, twenty-seven steak knives, twenty-four butter knives, pair of ice tongs, master butter knife, two pierced flat lifters, two jam spoons, five serving spoons in sizes, two lemon forks, two sugar shells, berry spoon, two salad servers with wood tines, cake knife, six pate knives, two two-piece poultry carving sets, two child’s spoons, two food pushers, child’s fork, two gravy ladles, two sauce ladles, seven pierced spoons in sizes, flat lifter, six serving forks in sizes, pickle fork, two tea caddy spoons, two paper knives, bread knife, three pie servers and two two-piece carving sets. Total approximately 459 ounces, weighable. C The Thurston Collection 236 part $8,000-12,000 See Illustration of Part

68 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69 242 240 246

237 239 241 243 245 S. Kirk & Son Sterling Silver Gilt Water Pitcher American Sterling Silver Centerpiece Bowl Gorham Sterling Silver Mounted Green Gorham Sterling Silver Centerpiece Bowl Tiffany & Co. Sterling Silver Mounted Glass Height 10 3/4 inches, approximately 39 ounces. Braverman & Levy, San Francisco, circa 1860 Overlay Glass Bowl Oval with pierced foliate rim, the field Claret Jug C Estate of Dorothy J. Henry Of circular form with bands of foliate decoration, the two loop 1898 engraved with foliate scrolls. Circa 1900 $800-1,200 handles pierced with foliate scrolls, on a pedestal foot. Length across Cut with spiral fluting, flowers and foliage, Length 14 inches, approximately 33 ounces. The spiral cut body with a silver collar with handles 13 inches, approximately 22 ounces. the silver rim with pierced openwork scrolls. C pendant grape and floral clusters. Diameter 9 1/2 inches. $1,200-1,800 Height 13 inches. 238 C $500-700 C C Assembled S. Kirk & Son Sterling Silver Repousse Pattern $800-1,200 $600-900 Flatware Service 244 Comprising twenty-eight dinner forks, twenty luncheon forks, 240 George Shiebler Sterling Silver and 14Kt. twenty-seven salad forks, eight cocktail forks, twelve iced tea spoons, Tiffany & Co. Sterling Silver Covered Soup Tureen 242 Gold Mounted Cut Glass Scent Flask 246 eighteen gumbo spoons, twelve soup spoons, twelve dessert Circa 1890 Gorham Sterling Silver Footed Cake Stand Circa 1900 Baltimore Silversmith Mfg. Co. Sterling spoons, twelve large teaspoons, twelve teaspoons, twenty-two The oval body hand hammered overall, with acid etched monogram, Circular with a border of applied flowers and The globular body with silver neck and Silver Water Pitcher demitasse spoons, eleven dinner knives, twelve luncheon knives, loop handles and finial, on a spreading oval foot. Length over foliage. Diameter 12 inches, approximately stopper applied with gold flowers. Circa 1905 fifteen butter knives, fifteen fruit knives, three-piece carving set, pie handles 12 1/4 inches (30.1 cm), approximately 44 ounces. 44 ounces. Height 7 1/4 inches; Together With a Of baluster form, chased overall with floral server, three berry spoons, gravy ladle, stuffing spoon, master butter C C George Shiebler Sterling Silver Mounted repousse. Height 10 1/4 inches, knife, six serving spoons, tomato server, pierced serving spoon, two $3,000-4,000 $1,500-2,500 Cut Glass Inkwell. approximately 33 ounces. serving forks, two sauce ladles, pair of sugar tongs, jelly spoon, pate See Illustration See Illustration C C knife, cheese scoop, sugar spoon, caddy spoon, two lemon forks and $600-900 $1,000-1,500 three salt spoons; Together with a Set of Twelve Dinner Knives. See Illustration Total approximately 324 ounces, weighable C $4,000-6,000

70 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71 249

247 247 Tiffany & Co. Sterling Silver Tea and Coffee Service 1907-1930 Comprising a teapot, coffee pot, cream jug, covered sugar bowl, hot milk pot, kettle on stand and a two-handled tray, each of fluted vasiform with engraved floral swags and bands of flowers and foliage, the cover with urn-form finials. Height of coffee pot 10 3/4 inches, length of tray over handles 27 inches, total approximately 272 ounces, all in. C $7,000-10,000 See Illustration

251

249 250 251 Two American Sterling Silver Covered Group of Six Kirk Sterling Silver J.E. Caldwell & Co. Sterling Silver Tea and 248 part Entree Dishes Table Articles Coffee Service One marked A.G. Schultz & Co., one Comprising two-handled bread tray, footed In the Federal style, comprising a teapot, 248 marked Stieff salver, two meat platters, circular tray and coffee pot, cream jug, covered sugar bowl, International Sterling Silver Fontaine Pattern Flatware Service Each of oval form, chased allover with floral bread tray, each with floral repousse border. waste bowl, kettle on stand and Comprising fourteen dinner forks, twelve salad forks, six soup spoon, seven cream soup repousse. Length of larger 11 inches, Length of largest 15 inches, total two-handled tray, each oval body with a spoons, eight dessert spoons, eight iced tea spoons, five bouillon spoons, six demitasse total approximately 73 ounces. approximately 122 ounces. reeded band at the rim and foot, the cover spoons, five sorbet spoons, two teaspoons, fourteen dinner knives, nine butter knives, six fruit C C with an urn finial. Length of coffee pot knives, two serving spoons, jelly spoon, sauce ladle, gravy ladle, meat fork, berry spoon, $1,500-2,500 $2,500-3,500 12 inches (30.4 cm), length over handles of tomato server, pie server, lemon fork, pickle fork and three piece carving set. See Illustration tray 25 3/4 inches (60.5 cm), total Total approximately 146 ounces, weighable. approximately 224 ounces, all in. 248 detail C C $1,200-1,800 $4,000-6,000 See Illustration of Part See Illustration 70 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71 257 Reed & Barton Sterling Silver Burgundy Pattern Flatware Service Comprising twelve dinner forks, twelve luncheon forks, ten cocktail forks, twelve salad forks, twelve dessert spoons, sixteen teaspoons, seven demitasse spoons, twelve iced teaspoons, twelve round soup spoons, eleven dinner knives, fourteen luncheon knives, nine steak knives, nine butter spreaders and three piece carving set, poultry shears, two serving spoons, two pierced serving spoons, four tablespoons, two serving forks, pie server, tomato server, sauce ladle, gravy ladle, pate knife, jelly 252 part knife, master butter spreader, two lemon forks. Total approximately 257 part 205 ounces, weighable. C Estate of Dorothy J. Henry $5,000-6,000 See Illustration of Part

258 Reed & Barton Sterling Silver Burgundy Pattern Tea and Coffee Service Comprising a teapot, coffee pot, cream jug, covered sugar, waste bowl, kettle on stand, two-handled tray and a water pitcher ensuite. Height of coffee pot 10 inches, total 257 detail approximately 359 ounces, all in. C Estate of Dorothy J. Henry $4,000-6,000 See Illustration

252 part

252 253 255 S. Kirk & Son Sterling Silver Mayflower Pair of Reed & Barton Sterling Silver Set of Twelve American Sterling Pattern Flatware Service Francis I Pattern Open Vegetable Dishes Silver Goblets 1932-1961 Length 12 1/2 inches, total approximately Manchester Silver Company Comprising eighteen luncheon forks, thirty 36 ounces. Height 6 3/4 inches, total approximately salad forks, twelve cocktail forks, twelve C Estate of Dorothy J. Henry 58 ounces. round soup spoons, twelve iced tea spoons, $500-700 C Estate of Dorothy J. Henry eighteen dessert spoons, eighteen $800-1,200 teaspoons, eighteen luncheon knives, twelve 254 steak knives, twenty butter knives, two Gorham Sterling Silver Covered 256 serving spoons, gravy ladle, meat fork, Soup Tureen Set of Twelve American Sterling pierced flat lifter, carving knife, pierced 1953 Silver Chargers serving spoon, sugar shell, pair of ice tongs, Of bombe form, chased with flowers and Bailey Banks and Biddle, 20th century three pate knives and pie server. foliage. Length 14 inches, total Diameter 10 1/2 inches, total approximately 258 part Total approximately 88 ounces, weighable. approximately 42 ounces. 127 ounces. C The Thurston Collection C Estate of Dorothy J. Henry C Estate of Dorothy J. Henry $3,000-5,000 $800-1,200 $2,000-3,000 See Illustration of Part

72 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73 259 part

262 260 263 Group of Sterling Silver Flatware Two Tiffany & Co. Sterling Silver Italian Including partial sets, comprising set of six Pattern Serving Pieces dinner forks and seven luncheon forks, Comprising a gravy ladle and a spoon. Worcester Silver Co. Inc., London 1965; set of Total approximately 4 ounces. five dinner forks, three luncheon forks and four • dessert spoons, Sheffield, 1959; George I $200-300 tablespoon, Richard Scarlett, London, 1721; and teaspoon, Whiting; Together with a 264 Group of Coin Silver Flatware. Comprising Three Tiffany & Co. Sterling Silver tablespoon, Wm. Forbes, New York, circa Strawberry Pattern Serving Spoons 1830; tablespoon, probably Barnard Wenman, Total approximately 12 ounces. New York, circa 1800; and five teaspoons. • Total approximately 56 ounces. $400-600 C Sold to Benefit the Collection of the Morris-Jumel Mansion Museum $500-700 265 259 Tiffany & Co. Sterling Silver Custom Gorham Sterling Silver Mythologique Pattern Engraved Pattern Parcel Gilt Cake Knife 261 Flatware Service Approximately 8 ounces. Poole Sterling Silver Old English Pattern Comprising eleven dinner forks, twelve luncheon forks, • Two-Handled Tray twelve salad forks, twelve fish forks, nine cocktail forks, $300-500 Length 29 inches, approximately 135 ounces. twelve cake forks, eight strawberry forks, twenty-four C Estate of Dorothy J. Henry game forks, twelve round soup spoons, twelve bouillon $1,500-2,500 266 spoons, eighteen dessert spoons, twelve fruit spoons, Two Tiffany & Co. Sterling Silver Olympian twelve sorbet spoons, twenty teaspoons, twelve coffee Pattern Serving Pieces spoons, eleven demitasse spoons, eleven dinner knives, 262 Comprising a pierced flat server and a spoon. twelve luncheon knives, eleven butter knives, twelve fish Gorham Sterling Silver Punch Service Total approximately 9 ounces. knives, twelve dessert knives, twenty-three game knives, Comprising a Revere style bowl, diameter • 259 detail five piece carving set, asparagus server, two salad 14 inches; ladle; and twelve cups. $400-600 servers, two serving spoons, pierced flat server, two Total approximately 134 ounces. pierced serving spoons, two serving forks, cheese scoop, C Estate of Dorothy J. Henry $2,000-4,000 267 pie server, gravy ladle, cake server, cake knife, sardine Two Tiffany & Co. Sterling Silver Vine See Illustration fork, mustard ladle, three bonbon servers, total Pattern Serving Articles approximately 345 ounces, weighable. Comprising an asparagus fork and a spoon. C Total approximately 9 ounces. $7,000-9,000 • See Illustration of Part $500-700 262 74 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75 Furniture & Decorations

270 Chippendale Mahogany Side Chair Philadelphia, last quarter of the 18th century The serpentine crest above a pierced splat and a molded shoe, the slip seat raised on cabriole legs ending in claw and ball feet. Height 39 inches, width 21 1/2 inches, depth 17 1/4 inches. Provenance: Bequest of W. Gedney Beatty, 1941, acc. 41.160.395 C Property of The Metropolitan Museum of Art $600-900 See Illustration

271

268

268 Pair of Chippendale Mahogany Side Chairs New York, circa 1775 Each serpentine crest carved at the center with foliage and shellwork, above a pierced shellwork carved and Gothic arched splat, over a slip seat raised on straight legs joined by H-stretchers. Height 37 1/2 inches, width 21 3/4 inches, depth 18 inches. Provenance: Adeline R. Brown, St. Albans, Long Island, New York Gift of the above, acc. 48.135.94, 95 271 Literature: Chinese Export Porcelain Punch Bowl Heckscher, Morrison H., American Furniture in Early 19th century the Metropolitan Museum of Art Late Colonial Decorated with multiple horizontal bands and scattered Period: Queen Anne and Chippendale Styles, flowers and gilt butterflies. Diameter 15 3/4 inches. 1985, illus. p. 74, fig. 33 C Estate of Dorothy J. Henry C Property of The Metropolitan Museum of Art $1,200-1,800 $1,200-2,000 See Illustration See Illustration

269 Chippendale Mahogany Side Chair New York, last quarter of the 18th century The serpentine crest with molded ears above a pierced lozenge splat and a molded shoe, the slip seat raised on cabriole legs ending in claw and ball feet. Height 38 1/2 inches, width 21 1/2 inches, depth 17 inches. Provenance: Bequest of W. Gedney Beatty, 1941, acc. 41.160.637 270 269 C Property of The Metropolitan Museum of Art $800-1,200 See Illustration

76 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77 272

272 273 275 Matched Pair of Canton Rose Medallion Classical Brass Mounted Mahogany Empire Gilt-Bronze Mounted Mahogany Porcelain Soup Tureens Drop-Leaf Table Miniature Commode 19th Century New York, second quarter of the 19th century 19th Century Each of oval bombe form, decorated with With an arched apron, raised on a ring turned The rectangular marble top above three reserves of flowers, birds and butterflies, on a and foliate carved standard continuing to four drawers and engaged columns, raised on gilt ground. Lengths 15 inches. foliate carved legs ending in paw feet. cup feet. Height 14 3/4 inches, width C The Thurston Collection Height 30 inches, width 39 inches. 17 1/2 inches, depth 11 inches. $800-1,200 C C See Illustration $600-900 $800-1,200 279 See Illustration 274 Set of Twelve George II Style Mahogany 276 Dining Chairs George III Mahogany Side Chair Including two armchairs, each with a spooned With a pierced splat. Height 37 inches, width back. 21 1/4 inches, depth 18 inches; Together C The Thurston Collection with a George III Mahogany Side Chair. $700-1,000 With a rectangular slatted back. C Sold to Benefit the Collection of the Morris-Jumel Mansion Museum 279 280 282 $150-250 Carved Mahogany Cake Board Group of Brass and Copper Articles Pair of Grain Painted Rush Seat John Conger, New York, second quarter of Including a pair of George III columnar Fancy Chairs 277 the 19th century candlestick lamps, height 13 inches; pair of 19th Century; Empire Gilt-Bronze Mounted Mahogany Carved in the center with a soldier holding a brass baluster candlesticks; three powder Together with Another Fancy Chair. Side Cabinet child and a sword, flanked by churches, with flasks; four wall pockets, etc., approximately acc. 1980.86.1.51; 1980.86.2.51; Early 19th century flower above and grapes below; a flower fourteen pieces. 1980.104.1.51 The rectangular marble top above a pair of filled vase and a figure of Liberty flanking, • C Sold to Benefit the Collection of the set back doors between freestanding impressed J. CONGER on each end. $150-250 Morris-Jumel Mansion Museum columns, raised on turned feet. Height 13 1/2 inches, width 23 1/2 inches, $75-125 Height 33 inches, width 42 1/2 inches, depth 7/8 inch. 281 depth 18 inches. Embossing or impressing designs into New Group of Chinese Export Famille Rose C Year’s cakes or gingerbread is a tradition Porcelain Articles $800-1,200 brought to this country by German and 19th Century Dutch immigrants. The most celebrated Comprising a lozenge-form footed stand, 278 mold maker is John Conger of New York, length 14 3/8 inches; pair of crested soup Pine Cradle Together with a whose cake boards are often elaborately plates; and two pairs of small plates. Spinning Wheel carved. Large signed cake boards such as C Height of cradle 22 inches, width 49 inches, the example offered here are rare, and may $600-800 depth 19 3/4 inches. have been used by professional bakers who acc. 1980.111.1.130; 1980.447.1.54 displayed them in shop windows. C Sold to Benefit the Collection of the C Morris-Jumel Mansion Museum $5,000-8,000 $100-150 See Illustration

275

78 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79 289 291 293 295 Classical Rosewood and Marble Classical Mahogany Cased Photgraphic Portrait Chinese Export Famille Rose Center Table Secretary Bookcase of a Man in Uniform and Porcelain Platter New York, second quarter of the Second quarter of the of a Woman 19th Century 19th century 19th century 19th Century Length 13 1/4 inches; Together The circular marble top above a With two glazed doors above Height 3 3/4 inches, with a Pair of Chamberlain’s frieze with a molded edge, raised a fall front with a fitted interior, width 3 3/8 inches. Worcester Dessert Plates; and on a marble columnar standard the lower section with two short C The Thurston Collection a Set of Three Porcelain with gilt-bronze collar, over a drawers over two inset long $40-50 Dessert Plates. tripartite base ending in casters. drawers between engaged columns, • Height 30 inches, diameter raised on paw feet. Height 7 feet 294 $150-250 36 inches. 5 inches, width 51 1/2 inches, Mahogany Wall Shelf C depth 23 inches. 19th Century 296 $1,000-1,500 C With four molded shelves and Chinese Export Porcelain See Illustration $800-1,200 scrolled sides. Height 39 1/4 inches, Mandarin Palette Bowl See Illustration width 30 1/4 inches, Last quarter of the 18th century 290 depth 8 inches. Decorated with gatherings of Group of Six Chinese Export 292 C figures. Diameter 11 1/4 inches. Porcelain Mugs Pair of Bennington Type Brown $300-400 • Second half of the 18th century Glazed Figures of $200-300 Each of cylindrical form, with figural Seated Spaniels and other reserves and some Height 11 1/4 inches. with underglaze blue decoration. 283 C The Thurston Collection Height of tallest 5 1/8 inches; $250-450 Together with a Spode Stone China Transfer Decorated Mug. Decorated in the Imari palette. 283 286 19th Century. Classical Rosewood Grained Gilt American Mahogany Etagere C The Thurston Collection Stenciled and Gilt-Metal Second quarter of the $800-1,200 Mounted Recamier 19th century Second quarter of the 19th century With shelves over a drawer, on With a scrolled back and armrests, double-baluster supports and raised on pierced scrolled slat, the scrolled end casters. Height 69 1/2 inches, width mounted with gilt spherules, painted 22 inches, depth 15 inches. rush seat, raised on scroll legs ending in C ball feet. Height 33 inches, width $700-1,000 6 feet 6 inches, depth 22 inches. See Illustration C Property from the Collection of John R. and Anne J. Willis 287 $1,500-2,500 Classical Upholstered See Illustration Mahogany Recamier 19th Century 284 With scrolled back and sides, raised on Federal Style Inlaid Mahogany paw feet carved with fruit and foliage Serpentine Sideboard and ending in casters. With three frieze drawers above inset Height 28 1/2 inches, cupboard doors and bottle drawers width 67 inches, depth 21 1/2 inches. flanked by cupboard doors, raised on C Property from the Collection of square tapering legs. Height 39 inches, John R. and Anne J. Willis width 6 feet 1 inch, depth 24 inches. $500-800 C The Thurston Collection $400-600 288 Regency Style Green Patinated Cast 285 Iron Bootscraper Pair of Canton Rose Medallion C Porcelain Vases $100-150 Each mounted as a lamp, applied with fu dogs and kylins; Together with a Canton Rose Medallion Vase. Mounted as a lamp. Heights 19 inches and 9 3/4 inches, respectively. C The Thurston Collection $500-700

289

291 286

80 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81 297 300 303 Painted Birch Bark Covered Basket Haida Argillite Totem Pole Group of Five Native Of stitched construction and decorated with clover Height 11 1/4 inches. American Beaded, Quilled and leaves; Together with a Group of Baskets. Including C Feathered Hide Garments two lidded examples. Heights 9 - 25 inches. $1,200-2,000 Plains Indian, 20th century C See Illustration Comprising shirts, pants $300-400 and jackets. 301 C The Thurston Collection 298 Southwestern Painted $600-800 Bronze Bust of George Armstrong Custer Pottery Olla James Gruzalski, b. 1938 Decorated with stylized birds. 304 Inscribed CUSTER© 3/30 Gruzalski. Height 9 1/2 inches; Together Beaded Breast Plate Height 17 3/4 inches, width16 inches. with a Southwestern Painted Plains Indian, 20th century C The Thurston Collection Pottery Two-Handled Bowl. Decorated with gun shells, glass $1,000-1,500 C trade beads and hide tassels, in See Illustration $150-250 a glazed case. Height 18 inches, width 12 inches. 299 302 C The Thurston Collection Old Town Wood Canoe Group of Native American $200-300 Circa 1926, serial no. 88980 Flint Arrowheads Red Western cedar, spruce and ash, the exterior Various locations, including 305 painted green. Length 16 feet. North Carolina Native American Wood and C C The Thurston Collection Iron Tomahawk $1,000-1,500 $100-200 Plains Indian, 20th century See Illustration In a glazed case. Length 27 inches. C The Thurston Collection $600-900

298

306 309 Group of Five Native Two Southeast Native American Beaded, Quilled and American Hide Drums Feathered Hide Garments Each painted with animals and 300 Plains Indian, 20th century other images. Height of tallest Comprising a headdress, shirts, 10 1/2 inches; Together with a pants and jackets. Dance Drum; And a Bow. C The Thurston Collection C The Thurston Collection $600-900 $300-500

307 310 Group of Ten Native American Native American Painted Beaded Hide Accessories Hide Robe Plains Indian, 20th century Plains Indian, 20th century Comprising a headdress, With polychrome decoration, pouches, etc., some examples depicting a bust of a male decorated with feathers, metal, wearing a headdress, metal dangles and hide tassels. tomahawks, bag, bow and other Length of largest 21 inches. images, in a glazed frame. C The Thurston Collection 5 x 4 Feet. $500-700 C The Thurston Collection $500-800 308 Group of Ten Native American 299 Beaded and Hide Accessories Plains Indians, 20th century Comprising a holster, gun sheath, bags, etc. Length of largest 26 inches. C The Thurston Collection $500-700

82 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83 Rugs & Carpets

311 316 321 326 331 336 Guendje Rug Jejim Carpet Tabriz Carpet Kurdish Runner Two Kuba Rugs Mahal Carpet Southwest Caucasus, early 20th century Central Turkey, mid 20th century Northwest Persia, circa 1930 North Iran, last quarter of the 19th century Northeast Caucasus, first quarter of the 20th Central Persia, circa 1935 Five stylized floral medallions on the russet Having a stripe pattern rendered in madder, The allover polychrome vase pattern on Six polychrome geometric medallions on century The allover polychrome Mina Khani pattern field are within a midnight blue rosette sky blue, indigo, camel and ivory. the cranberry field is within a midnight blue the camel field are within an indigo border. Approximately 5 feet 8 inches x 3 feet 10 on the madder field is within an indigo border. Approximately 8 feet 3 inches x Approximately 11 feet 4 inches x palmette and vine border. Approximately Approximately 10 feet 4 inches x inches and 3 feet 7 inches x 2 feet 7 inches. palmette and vine border. Approximately 4 feet 8 inches. 6 feet 10 inches. 12 feet 7 inches x 9 feet 2 inches. 3 feet 4 inches. C 17 feet 10 inches x 10 feet 6 inches. Partial end border, foldwear. C Partial ends and sides, reselvedged. Partial ends and sides, areas of $500-700 Thin areas. C $800-1,200 C wear, restorations. C $500-700 $1,000-2,000 C 332 $2,000-3,000 317 $600-900 Guendje Runner 312 Heriz Carpet 322 Southwest Caucasus, late 19th century Yomoud Carpet Northwest Persia, last quarter of the Karabagh Runner 327 The saffron field with an allover pattern of End of Sale Afghanistan, mid 20th century 19th century Southwest Caucasus, first quarter of Lavar Kirman Carpet rosettes in a hexagonal lattice is within an The allover pattern of polychrome dyrnak The central polychrome geometric 20th century Southeast Persia, late 19th century indigo border. Approximately guls on the plum field is within an ivory medallion on the madder field flanked by Three polychrome geometric medallions Two polychrome floral medallions on the 11 feet 2 inches x 3 feet 9 inches. serrated leaf and vine border. Approximately ivory spandrels is within a rosette and on the midnight blue field are within a slate ivory field are within a plum palmette and Restorations, re-piled areas, reselvedged, 11 feet 7 inches x 6 feet 10 inches. serrated leaf border. Approximately meandering vine border. Approximately leafy vine border. Approximately small areas of minor wear. Small hole, small restored area. 12 feet 5 inches x 9 feet 9 inches. 9 feet 11 inches x 3 feet 11 inches. 10 feet 8 inches x 7 feet 11 inches. C C Partial ends, areas of wear, 3 inches x Fraying to edges, small areas of minor wear. Overall even wear, tinted areas. $1,000-2,000 $800-1,200 2 feet 5 inches reinforcement strip on C C one end. $500-700 $1,000-1,500 333 313 C Melayir Rug Heriz Carpet $3,000-5,000 323 328 Northwest Persia, circa 1925 Northwest Iran, contemporary Perepedil Kuba Rug Heriz Carpet The allover polychrome boteh pattern on The ivory field with a central polychrome 318 Northeast Caucasus, last quarter of the Northwest Persia, last quarter of the the ivory field flanked by madder spandrels rosette flanked by angular stylized vinery is Shirvan Kilim 19th century 19th century is within a meandering vine border. within a rust palmette and vine border. East Caucasus, early 20th century The ivory field with stylized rosettes flanked The madder field with a central polychrome Approximately 6 feet x 5 feet 2 inches. Approximately 12 feet 7 inches x The allover pattern of horizontal panels by ram’s horn motifs overall is within a geometric medallion flanked by ivory Partial ends, minor wear. 10 feet 1 inch. containing polychrome geometric charcoal border. Approximately spandrels is within a palmette and vine C Minor losses to one end. medallions is on an ivory field. 4 feet 2 inches x 3 feet 2 inches. border. Approximately 14 feet 1 inch x $400-600 C Approximately 10 feet x 5 feet 3 inches. Overall wear, 2 holes, fraying to edges. 9 feet 9 inches. $2,000-3,000 15 Inch sewn seam, patch, holes, C Minor losses to ends, stains, glue residue 334 oxidized browns. $300-500 on reverse. Yuruk Prayer Rug 314 C C East Anatolia, late 19th century Star Oushak Carpet $600-900 324 $4,000-6,000 The cranberry field filled with stylized flora West Turkey, first half of the 19th century Joshaghan Carpet beneath a stepped arch and midnight blue The central star medallion on the madder 319 Central Persia, second quarter of the 329 spandrels is within five narrow stripe field is within an indigo cloud band border. Serab Runner 20th century Melas Prayer Rug borders. Approximately 4 feet 7 inches x Approximately 18 feet 7 inches x Northwest Persia, last quarter of the The madder field with an overall pattern Southwest Anatolia, circa 1875 3 feet 5 inches. 10 feet 4 inches. 19th century of polychrome shrubs and stylized flora is The madder field with three diamond C Large areas of wear and restoration, possibly Three hexagonal pole medallions on the within an indigo palmette and vine border. medallions beneath an angular niche and $300-500 reduced in length. ivory field are within a plain camel outer Approximately 11 feet 10 inches x ivory spandrels is within a saffron rosette C border. Approximately 12 feet 10 inches x 8 feet 8 inches. border. Approximately 5 feet x 335 $4,000-6,000 3 feet 9 inches. Areas of minor wear. 3 feet 9 inches. Two Tekke Rugs Minor repiling, cashmere repairs, oxidized C Areas of wear, stains, losses to perimeter. West Turkestan, circa 1900 315 blacks, crude repairs. $600-900 C Approximately 5 feet 2 inches x Indo-Heriz Carpet C $400-600 3 feet 3 inches and 3 feet 7 inches x India, contemporary $1,200-1,800 325 3 feet 4 inches. The central polychrome geometric Heriz Style Carpet 330 C medallion on the madder field flanked by 320 Pakistan, contemporary Bidjar Gallery Carpet $500-700 ivory spandrels is within a rosette and Soumac Rug The rust field with an allover pattern of North Persia, dated 1322 AH/1905 AD serrated leaf border. Approximately Southwest Caucasus, last quarter of the rosettes flanked by serrated leaves is within The midnight blue field with five ascending 13 feet 11 inches x 9 feet 9 inches. 19th century a buff floral vinery border. Approximately columns of polychrome shrubs is within a C The madder field with an allover ascending 16 feet 7 inches x 12 feet 1 inch. madder rosette and serrated leaf border, $1,000-2,000 stylized floral pattern is within a running dog C cotton foundation. Approximately outer border. Approximately 5 feet 6 inches $1,500-2,500 15 feet 4 inches x 6 feet 4 inches. x 4 feet 10 inches. Partial ends, minor wear. Areas of wear, hole, stains, area missing from C one end. $2,000-3,000 C $500-700

84 DOYLE • OCTOBER 5, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85 GLOSSARY

The following examples define some of the terms SIGNED NICOLAES MAES EDITION used in this catalogue. The reader is reminded In our best judgment, the signature, monogram, Information regarding the size of the edition is given that all of the terms and descriptions used in this initials or other similar indicia of authorship is a when possible. catalogue as to authorship, period, culture, source recognized signature of the artist and appears in or origin for any property are made and used as one of the six areas of the painting designated SIGNATURE qualified statements and opinions only, and are as follows: Only manuscript signatures of the artists are indicated. subject to the Conditions of Sale and the Terms (u.l.) Upper left Signatures “in the plate” are not mentioned since of Guarantee. (l.l.) Lower left they are considered part of the image. (u.r.) Upper right In connection with the attribution of authorship, (l.r.) Lower right QUALITY AND CONDITION as described in paragraph 2 of the Terms of (u.c.) Upper center An attempt has been made to give relevant Guarantee, the following terms are used in this (l.c.) Lower center information concerning the quality of the impression, catalogue, and are defined as follows: the size of the margins and the condition of the BEARS SIGNATURE, NICOLAES MAES prints when possible. These descriptions are qualified In our best judgment, the signature, monogram, statements or opinions only, and are made subject initials or other similar indicia of authorship is not to the Conditions of Sale and Terms of Guarantee. FURNITURE AND DECORATIONS that of the artist and may have been added at a later date. The print sleeves are the property of Doyle New York REGENCY ROSEWOOD SOFA TABLE and are not included in the sale. First quarter of the 19th century. This heading with DATED the date included means that the piece is, in our In our best judgment, the date indicated on the work MEASUREMENTS best judgment, of the period indicated with no is the date the work was executed. As with any description in this catalogue, major alterations or restorations. measurements are qualified statements or opinions DATED (FOR BRONZES) and are subject to the Conditions of Sale and REGENCY ROSEWOOD SOFA TABLE In our best judgment, the date indicated when the Terms of Guarantee. Doyle New York shall not be This heading without inclusion of a date indicates original model was executed. Since the exact date liable for any mistakes in measurements. that in our best judgment, the piece, while basically of the casting of a bronze sculpture is often unknown Measurements have been made to the best of our of the period, has been substantially altered or and illustrations in reference books may not specify ability, and are given in inches to the nearest restored and in some cases it may also indicate which particular cast is discussed or illustrated, 1/4 inch and millimeters, height before width. that the piece has been constructed from old parts. it should be pointed out that dates of execution Unless otherwise indicated, etchings and engravings and entries listed under Literature in the individual are measured by the dimensions of the plate REGENCY STYLE SOFA TABLE catalogue entries do not necessarily refer to the marks.Woodcuts, lithographs and silkscreens are The inclusion of the word “style” in the heading castings included in the sale. measured by the dimensions of the images. indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work All pictures are framed unless otherwise noted in or style of works. this catalogue. PRINTS

NAME OF THE ARTIST PAINTINGS Subject to the Conditions of Sale and Terms of Triple Mint 2 Bedroom, 2.5 Bath with 2 Terraces Guarantee set forth in this catalogue, and except High floor, light-filled. The Harrison, West 76th NICOLAES MAES where stated as being “after” or “attributed to” full service condominium. $4.25M. Web 14927476. In our best judgment the work is by the named an artist, each lot is by the artist appearing at the Inez Wade 212.452.4439/Catherine Harding 212.452.4367 artist. This is our highest category of authenticity head of the lot, except in the case of lots containing in the present catalogue. works by more than one artist. 2013 – v. 7 ®ATTRIBUTED TO NICOLAES MAES TITLE In our best judgment, while the work is of the If there is a generally accepted title for the print, period of the named artist, and on the basis of that title is given in upper case at the beginning style can be ascribed to him, we cannot state of the lot description. If the work has no title or with certainty that it is by him. the title is unknown to us, a descriptive title is given in brackets. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of REFERENCES the named artist, by a pupil or close follower of Information from the standard catalogues of the the artist, but is not by the artist. artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES MEDIUM In our best judgment, the work is of the period of The mediums are described as fully as possible, Classic Candela 6 with Views of Sutton Place Bay Ridge 11 Room House with Wrap Porch Chelsea 2 Bedroom, 2 Bath Co-op Loft the named artist and closely related to his style. although secondary techniques may not be listed. 30 foot paneled LR w WBFP, formal DR, 2BRs, 3 baths, Italianate style, hi ceils, stained glass, WBFP, chef’s kit, laundry Custom kitchen, private terrace, new baths, exposed butler’s pantry, EIK, library. New windows. FS co-op. rm, 7BRs, 4 bths, garage, gardens. $2.5M. Web 15229071. brick, W/D. $2.195M. Web 14819468. Susan Wires MANNER OF NICOLAES MAES OR AFTER DATE $2.45M. Web 15061394. Robin von Raab 212.452.4438 Violette Tonuzi 718.208.1925/Joseph Vassallo 718.208.1916 646.613.2785/Amy Bergman Bonomi 917.833.7659 NICOLAES MAES OR FOLLOWER OF The date given is that of the original plate, block, NICOLAES MAES stone or screen. It is not necessarily the date at In our best judgment, although the work is in the which the impression offered for sale was printed. The Right Broker Makes All the Difference. style of or a copy of a work by the named artist,

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STRIBLING.COM .com/StriblingAssociates @striblingnyc @StriblingNYC UPTOWN 212 570 2440 CHELSEA 212 243 4000 TRIBECA 212 941 8420 BROOKLYN 718 208 1900 · EQUAL HOUSING OPPTY I

38683 Doyle Sept28.16.indd 1 8/11/16 1:25 PM CONDITIONS OF SALE

1. BINDING TERMS The copyright in all images, illustrations and written the item will sell or its value for any other purpose. The lots listed in this catalogue will be offered by material produced by or for Doyle New York relating Estimates do not include the buyer’s premium. Doyle New York as owner or as agent for consignor to a lot, including the contents of this catalogue, is, Where “Estimate on Request” appears, please subject to the following terms and conditions. and shall remain at all times, the property of contact the Specialist Department for further Where Doyle is agent, the contract is between Doyle New York and shall not be used by the buyer, information. seller and buyer. The following Conditions of Sale nor by anyone else, without our prior written consent. and Terms of Guarantee constitute the entire agreement with the purchaser relative to the 6. BIDDING property listed in this catalogue. By bidding at 3. WITHDRAWAL Doyle New York reserves the right, at our complete auction you agree to be bound by these terms: Doyle New York reserves the right to withdraw discretion, to refuse admission to the premises or any lot at any time prior to the commencement participation in any auction and to reject any bid, of bidding for such lot and shall have no liability as well as the right to refuse to acknowledge any 2. AS IS whatsoever for such withdrawal. bidder. The highest bidder acknowledged by the All lots are sold “AS IS” and without recourse and auctioneer will be the purchaser. The auctioneer neither Doyle New York nor its consignor makes has the right at his absolute and sole discretion any warranties or representations, express or 4. RESERVES to advance the bidding in such a manner as he may implied, with respect to such lots, except for the If the auctioneer decides that any opening bid is decide, to withdraw or divide any lot, and to limited warranties expressly stated in the Terms below the value of the lot offered, the auctioneer combine any two or more lots. In the event of of Guarantee section of this catalogue. Prospective may reject that bid and withdraw the lot from sale; error or dispute between bidders, or in the event buyers are strongly advised to examine personally and if, having acknowledged an opening bid, he of doubt on our part as to the validity of any bid, any property in which they are interested, before decides that any advance thereafter is insufficient, whether during or after the sale, the auctioneer the auction takes place, to determine its condition, he may reject that advance. has final discretion to determine the successful size, and whether or not it has been repaired bidder, to continue the bidding, to cancel the sale, or restored. Unless otherwise indicated, all lots are offered subject or to reoffer and resell the lot in dispute. If any to a reserve, which is the confidential minimum dispute arises after the sale, the Doyle New York Except as otherwise expressly and specifically price below which such lot will not be sold. sale record shall be conclusive. provided in the Terms of Guarantee, neither No reserve will exceed the low estimate of the lot. Doyle New York nor its consignor makes any Reserves are agreed upon with the consignor or, express or implied warranty or representation of in the absence thereof, in the absolute discretion 7. PURCHASER’S RESPONSIBILITY any kind or nature with respect to merchantability, of Doyle New York. Title passes upon the fall of the auctioneer’s hammer fitness for purpose, correctness of the catalogue to the highest acknowledged bidder, subject to or other description of the physical condition, Unless otherwise announced by the auctioneer, the conditions of sale set forth herein. Such bidder size, quality, rarity, importance, medium, material, all bids are per lot as numbered in the catalogue. there upon assumes full risk and responsibility genuineness, attribution, provenance, period, there for (including, without limitation, liability culture, source, origin, exhibitions, literature or Lots marked C preceding the estimate are consigned for or damage to frames and glass covering prints, historical significance of any lot sold. The absence and reserved. Those marked • are reserved property paintings or other works). Although in our discretion of any reference to the condition of a lot does not in which Doyle New York has an interest. we will execute orders or absentee bids or accept imply that the lot is in perfect condition or completely telephone bids as a convenience to clients who are free from wear and tear, imperfections or the Doyle New York on occasion makes loans or not present at auctions, we are not responsible effects of aging; nor does a reference to particular advances funds to consignors. for any errors or omissions in connection therewith. defects imply the absence of others. References in the catalogue entry or the condition report to The auctioneer may implement the reserve by When making a bid, a bidder is accepting personal damage or restoration are for guidance only and opening bidding on any lot by placing a bid on liability to pay the purchase price as follows, unless should be evaluated by personal inspection by behalf of the seller. The auctioneer will not specifically it has been explicitly agreed in writing with Doyle the bidder or a knowledgeable representative. identify bids placed on behalf of the seller. New York before the commencement of the sale The auctioneer may further bid on behalf of the that the bidder is acting as agent on behalf of an The Terms of Guarantee are controlling, and no seller, up to the amount of the reserve, by placing identified third party acceptable to Doyle New statement, whether written or oral, and whether successive or consecutive bids for a lot or by placing York, and that Doyle New York will look only to the made in this catalogue, an advertisement, a bill bids in response to other bidders. Unless otherwise principal for payment: of sale, a salesroom posting or announcement, noted in the catalogue or by an announcement the remarks of an auctioneer, or otherwise, shall at the auction, Doyle New York acts as agent on The total purchase price to be paid by purchaser be deemed to create any warranty, representation behalf of the seller and does not permit the seller is the amount of the successful bid price plus a or assumption of liability. All statements by Doyle to bid on his or her premium of 25% on the first 200,000 of the Shippan Point, CT - 34 Saddle Rock Road • $2,850,000 New York in the catalogue entry for the property own property. hammer price of each lot, 20% on the portion LUXURIOUS MANOR HOME or in the condition report, or made orally or in from $200,001 through $3,000,000, and 12% This stunning 8,000 square foot estate is set on a rare 1 acre parcel with a tennis court and sparkling water views over Long Island Sound, just writing elsewhere, are statements of opinion and on that portion of the hammer price exceeding are not to be relied on as statements of fact. 5. ESTIMATES $2,000,000. steps from your own deeded beach. Sited on a seaside cul-d-sac and approached by a circular driveway, the 7 bedroom, 5 and a half bath Except as stated in the Terms of Guarantee, neither Each lot in the catalogue is given a low and high home offers old world charm blended beautifully with modern amenities. The master bedroom with balcony boasts new a marble spa bath and Doyle New York nor the seller is responsible in any estimate representing that range which, in the Payment shall be made as follows: opinion of Doyle New York, represents a fair and separate steam shower. Just 50 minutes to New York City / 7 minutes to train! way for errors or omissions in the catalogue or any A cash deposit of not less than 25% of the purchase supplemental material. Buyers are responsible for probable auction value. When possible, the estimate price (unless the whole purchase price is required satisfying themselves concerning the condition of is based on previous auction records of comparable at the sole discretion of Doyle New York) will be the property and the matters referred to in the property, condition, rarity, quality and provenances. paid on the day of the auction. Deposits shall catalogue entry. The estimates are often determined several months apply to all purchases made at this sale and not DEBBIE BRENNAN before a sale and are therefore subject to change to any one particular lot. 203-570-2342 Doyle New York and its consignor make no warranty upon further research of the property, or to reflect or representation, express or implied, that the market conditions or currency fluctuations. [email protected] purchaser will acquire any copyright or reproduction Estimates are subject to revision. Actual prices realized www.34SaddleRockRoadShippan.com rights to any lot sold. Doyle New York expressly for items can fall below or above this range. An reserves the right to reproduce any image of the estimate of the selling price should not be relied lots sold in this catalogue. on as a statement that this is the price at which

II A member of the franchise system of BHH Affiliates, LLC CONDITIONS OF SALE CONTINUED

Prior to the sale, the buyer must provide us with his If any applicable conditions herein are not complied 9. LIMITED LIABILITY or her name and permanent address and, if so with by the purchaser, in addition to other remedies If for any cause a purchased lot cannot be delivered requested, details of the bank from which payment available to us and the consignor by law, including in as good condition as at the time of sale, or should will be made. without limitation the right to hold the purchaser any purchased lot be stolen or mis-delivered or

liable for the total purchase price, including all fees, lost prior to delivery, Doyle New York shall not be The balance of the purchase price, if any, will be charges and expenses more fully set forth herein, liable for any amount in excess of that paid by the paid not later than 5 pm one (1) day following we shall be entitled in our absolute discretion purchaser. We are not responsible for the acts or the day of the auction. Such payment shall be to exercise one or more of the following rights omissions of carriers or packers of purchased lots, made in U.S. dollars by certified or cashier check or remedies: whether or not recommended by us. Packing and drawn on a U.S. bank unless other arrangements handling of purchased lots by us is at the entire risk are made with Doyle New York. The buyer will not a) To charge interest at such rate as we shall of the purchaser and Doyle New York will have no RARE BOOKS, AUTOGRAPHS, MAPS & PHOTOGRAPHS acquire title to the lot until we have received all reasonably select; liability for any loss or damage to such items. amounts due to us from the buyer in good cleared

funds even in circumstances where we have released b) To hold the defaulting buyer liable for the total

the lot to the buyer. Doyle New York reserves the amount due and to commence legal proceedings 10. DOYLE NEW YORK EMPLOYEES right to hold merchandise purchased by personal for its recovery together with interest, legal fees Employees of Doyle New York are not prohibited check until the check has cleared the bank. and costs to the fullest extent permitted under from bidding on property. In the course of their applicable law; The purchaser agrees to pay Doyle New York a employment it is possible that they may have handling charge of $35 for any check dishonored c) Cancel the sale of that, or any other lot or lots access to information not available to the public. by the drawee. sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages At some auctions there may be a video or digital all payments made by the purchaser; 11. WAIVER OF CONDITIONS screen. Errors may occur in its operation and in Any and all of these conditions may be waived or the quality of the image, and Doyle New York d) Resell the property whether at private sale or modified in the sole discretion of Doyle New York. does not accept liability for such errors. public auction without reserve, and the purchaser The Conditions of Sale, Terms of Guarantee, the will be liable for any deficiency, cost, including glossary, if any, and all other contents of this Any objects offered at this auction which contain handling charges, the expenses of both sales, our materials from a species that is endangered or catalogue are subject to amendment by us by commission on both sales at our regular rate, all oral announcements made during the sale. protected, including, but not limited to, ivory, other charges due hereunder and incidental damages; coral and tortoiseshell, may require a license or certificate prior to exportation from the United States e) To set off the outstanding amount remaining Salesroom notices amend the catalogue description or an individual state and additional certificates unpaid by the buyer against any amounts which of a lot after our catalogue has gone to press. or licenses for importation into another state we may owe the buyer in any other transactions; They are posted in the viewing galleries and or country. Some materials may not be exported, salesroom or are announced by the auctioneer. imported into other states or countries or resold. f) Where several amounts are owed by the buyer Please take note of them. It is the purchaser’s responsibility to be aware of to us, in respect of different transactions, to apply applicable laws and regulations and to obtain any any amount paid to discharge any amount owed 12. All measurements and weight are approximate. required export or import licenses or certificates in respect of any particular transaction, whether Doyle New York is not responsible for damage of and any other required documentation. or not the buyer so directs; glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. Further, the purchaser shall be responsible for g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit on-time payment of the full purchase price of the 13. If any part of these Conditions of Sale is found from the buyer before accepting any bids; lot, even if the obtaining of any such license is by any court to be invalid, illegal or unenforceable, denied or delayed. the balance of the conditions shall continue to be h) To take such other actions as we deem necessary valid to the fullest extent permitted by law. Doyle assumes no liability for failing to identify or appropriate; or materials from endangered or protected species i) To effect any combination thereof. or for incorrectly identifying such materials. 14. The rights and obligations of the parties with respect to these Conditions of Sale and Terms In addition, a defaulting purchaser will be deemed of Guarantee, as well as the purchaser’s and our to have granted and assigned to us a continuing 8. REMEDIES AVAILABLE TO respective rights and obligations hereunder, the security interest of first priority in, and we may retain conduct of the auction and any matters connected DOYLE NEW YORK as collateral security for such purchaser’s obligations with any of the foregoing, shall be governed In addition to the other remedies available to us to us, any property or money of or owing to such and interpreted by the laws of the State of New York. by law, we reserve the right to impose a late charge purchaser in our possession. We shall have all of By bidding at auction, whether present in person of 1 1/2% per month of the total purchase price the rights accorded a secured party under the or by agent, by written bid, telephone or other if payment is not made in accordance with the New York Uniform Commercial Code with respect means, the buyer shall be deemed to have submitted, conditions set forth herein. All property must be to such property and we may apply against such for the benefit of Doyle New York, to the exclusive removed from our premises by the purchaser at obligations all monies held or received by us for jurisdiction of the federal or state courts located their expense not later than (2) business days the account of, or due from us, to such purchaser. in the state and county of New York and waives following its sale and, if it is not removed, Doyle At our option, payment will not be deemed to have any objection to the jurisdiction and venue of any New York reserves the right to charge a minimum been made in full until we have collected funds such court. Part of The Dr. Julius Dintenfass Autograph Collection storage fee of $5 per lot per day or to deliver the represented by checks, or in the case of bank or property to a public warehouse for storage at the cashier’s checks, we have confirmed their authenticity. Nov 22 NEW YORK purchaser’s expense, to be released only after In the event the purchaser fails to pay any or all of payment in full of all removal, storage, handling, the total purchaser price for any lot and Doyle insurance and any other costs incurred, together New York nonetheless elects to pay the consignor WASHINGTON, GEORGE, Three language ship’s papers signed by George Washington as our first President and with payment of all other amounts due to us. any portion of the sale proceeds, the purchaser Thomas Jefferson as Secretary of State, the document allowing the Brigantine Pallas of Boston passage to Cadiz, 1793. acknowledges that Doyle New York shall have all Doyle New York shall have no liability for any 16 x 12 3/4 inches. Maritime documents on paper rarely survive in such condition due to heavy use on ship. of the rights of the consignor to pursue the purchaser damage to property left on its premises for more Estimate $15,000-20,000 for any amounts paid to the consignor, whether at than (2) days following the sale. law, in equity, or under these Conditions of Sale.

212-427- 2730 DOYLE.COM # III

TERMS OF GUARANTEE

Doyle New York warrants the authenticity of 4. SOLE REMEDY authorship of each lot contained in this catalogue The purchaser agrees that in the case of a breach solely and expressly subject to the terms and of warranty under these Terms of Guarantee, he shall conditions set forth below. have no remedy other than rescission of the sale $ and the refund of the original purchase price paid. Majestic Home In North Caldwell, New Jersey 2,590,000 The original purchase price paid is defined as the 1. DEFINITION OF AUTHORSHIP amount of the successful bid price, plus the buyer’s “Authorship” is defined as the artist, artisan, premium. No rescission and refund will be made workshop, designer, school, period, culture, unless the item is returned to Doyle New York or source of origin, as applicable and indicated at 175 East 87th Street, New York, NY 10128, in the in the description of the lot. The warranted same condition as at the time of sale. The remedy information appears in bold print immediately of rescission and refund is exclusive and the following the individual lot number; no other purchaser waives any other remedy which may be language in the catalogue is warranted, including otherwise available in law or equity. Doyle New any supplemental material which appears below York shall not be liable for any special, consequential the bold print headings. Doyle New York is not or incidental damages incurred or claimed including, responsible for any errors or omissions in any without limitation, loss of profits or for interest. material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to 5. EXCLUSIONS the catalogue, or by notices or announcements This warranty does not apply to: at the time and place of the auction sale. i. authorship of any paintings, drawings or sculpture This catalogue may contain one or more glossaries created prior to 1870, unless the lot is determined explaining the terminology used in the catalogue. to be a counterfeit which has a value at the date All terminology used in this catalogue, including of the claim for rescission which is materially the contents of the glossaries, are merely qualified less than the purchase price paid for the lot; or statements or opinions and are not intended or made as warranted statements or representations ii. any catalogue description where it was specifically under these Terms of Guarantee. Doyle New York mentioned that there is a conflict of specialist makes no warranties whatsoever, express or implied, opinion on the authorship of a lot; or with respect to any material in the catalogue, except as set forth in bold print headings following iii. authorship which on the date of sale was in individual lot numbers in this catalogue and subject accordance with the then generally accepted to the exclusions set forth below. opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist 2. COVERAGE UNDER or craftsman, his students, school, workshop or THE GUARANTEE followers; or Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants iv. the identification of periods or dates of execution the authorship (as that term is defined above) which may be proven inaccurate by means of of each lot in this catalogue for a period of five scientific processes not generally accepted for use years from the date of the sale of the lot. until after publication of the catalogue, or which were unreasonably expensive or impractical to use The guarantee is made only to the original purchaser at the time of publication of the catalogue. of record at the auction, and only the registered bidder for the lot at the auction will be considered The term counterfeit is defined as a modern fake as the original purchaser. The buyer must give or forgery, made less than fifty years ago, and made This majestic, custom home is located in North Caldwell, New Jersey, a highly desirable area for NYC commuters. written notice of claim within five years from the with the intent to deceive. The authenticity of The entire home has been updated and renovated with new windows, steel beams, and hardwood floors. The date of the auction. Doyle New York may require, signatures, monograms, initials or other similar at its option, to have the purchaser obtain at the indications of authorship is expressly excluded gourmet kitchen features a professional range and oven, two islands, and over-sized refrigerator and freezer. purchaser’s expense the opinion of two recognized as a controlling factor in determining whether a experts (approved by Doyle New York) in the field work is a counterfeit under the meaning of this The finished basement boasts a wine cellar, professional bar, golf pro screen with additional movie screen, relating to the item in question, before Doyle New Terms of Warranty. exercise room, and ample storage. The master suite is fit for royalty with a warm and inviting fireplace in the York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York bedroom and timeless finishes in the spa-like bath. will provide the purchaser with the names of 6. LIMITED WARRANTY Take a tour at: www.HamiltonDriveHaven.com acceptable experts. As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties 3. NON-ASSIGNABILITY whatsoever concerning any property in the For more information about this property please contact: The benefits of this warranty are not assignable and catalogue, including without limitation, any warranty shall be applicable only to the original purchaser of merchantability or fitness for a particular purpose, Maria Rampinelli of record (i.e., the registered bidder) and not to except as specifically and expressly provided in Broker-Associate Office: 973-228-5525 any subsequent owners (including, without limitation, these Terms of Guarantee. Luxury Collection Specialist donees, heirs, successors, beneficiaries or assigns) Cell: 973-868-2931 who have, or may acquire, an interest in any Berkshire Hathaway HomeServices [email protected] purchased property. The original buyer must See Our Full Luxury Collection at New Jersey Properties www.FineHomesNJ.com have remained the owner of the lot without disposing www.BHHSNJ.luxury Caldwell Office of any interest in it to any third party. 14 Forest Avenue, Caldwell, NJ 07006 IV ©2016 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION

To better assist our clients, we have prepared the WHERE DOYLE NEW YORK IS NOT CERTAIN EXEMPTIONS following information on Sales and Use Tax related REQUIRED TO COLLECT SALES TAX to property purchased at auction. Most states that impose sales taxes allow for Doyle New York is not required to collect sales specified exemptions to the tax. For example, a tax on property delivered to states other than registered re-seller such as a registered art dealer WHY DOYLE NEW YORK those listed above. If the property is delivered to may purchase without incurring a tax liability, and AMERICAN PAINTINGS, COLLECTS SALES TAX a state where Doyle New York is not required to Doyle New York is not required to collect sales tax collect sales tax, it is the responsibility of the from such re-seller. The art dealer, when re-selling Virtually all State Sales Tax Laws require a purchaser to self-assess any sales or use tax and the property, may be required to charge sales FURNITURE & DECORATIVE ARTS corporation to register with the State’s Tax remit it to taxing authorities in that state. tax to its client, or the client may be required to Authorities and collect and remit sales tax if the self-assess sales or use tax upon acquiring the property. corporation maintains a presence within the Doyle New York is not required to collect sales state, such as offices. In the states that impose tax for property delivered to the purchaser outside If a not-for-profit or charitable organization is selling sales tax, Tax Laws require an auction house, of the United States. property through Doyle New York, it may be sold with a presence in the state, to register as a sales as a tax exempted purchase. The not-for-profit tax collector, and remit sales taxcollected to the seller must be registered with the New York state. New York sales tax is charged on the hammer Department of Taxation and Finance as an exempt price, buyer’s premium and any other applicable RESTORATION AND organization and the property must be picked up charges on any property picked up or delivered OTHER SERVICES or delivered in New York. However, a compensating in New York, regardless of the state or country in use tax is due from the buyer if any such lot is shipped which the purchaser resides or does business. Regardless of where the property is subsequently to any of the states where Doyle New York maintains transported, if any framing or restoration services offices. It is the buyer’s responsibility to ascertain are performed in New York, it is considered to and pay all taxes due. Buyers claiming exemption be a delivery of the property to the purchaser in from sales tax must have the appropriate WHERE DOYLE NEW YORK New York, and Doyle New York will be required to documentation on file with Doyle New York prior COLLECTS SALES TAX collect the 8.875% New York sales tax. to the release of the property.

Doyle New York is currently registered to collect sales tax in the following states: New York and LOCAL TAX ADVISORS the District of Columbia. As sales tax laws vary from state to state, Doyle For any property collected or received by the New York recommends that clients with questions purchaser in New York City, such property is regarding the application of sales or use taxes to subject to sales tax at the existing New York State property purchased at auction seek tax advice and City rate of 8.875%. form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to Invitation to Consign the purchase price.

April 2017 NEW YORK

Anne Cohen DePietro VP/Director, American Art 212–427–4141, ext 249 [email protected]

Frederic Edwin Church, (American, 1826-1900), View of Baalbek, circa 1868, Oil and pencil on heavy card, 9 1/2 x 20 inches Sold for $353,000

212-427- 2730 DOYLE.COM V# BUYING AT DOYLE

Since 1963, Doyle New York has built a worldwide BIDDING AT AUCTION ABSENTEE BIDDING reputation for expertise, integrity and service. In our For buyers unable to participate live in the salesroom New York salesrooms, we hold approximately forty Auctions are open to the public without any admission or on the telephone, Doyle offers the option of auctions annually featuring fine art, jewelry, furniture, fee or obligation to bid. Pre-auction viewings are Absentee Bids. Absentee Bids work exactly as if decorative arts, books, prints, couture and a variety open to the public free of charge. Doyle New York’s the bidder were in the salesroom bidding up to a EXQUISITE of other categories. Our global audience of buyers predetermined price limit, except that the price specialists are available to give advice and condition and sellers know the quality of our sales and reports at viewings or by appointment. The auctioneer limit is given confidentially to Doyle ahead of time. appreciate our standard of service. If you are new introduces the objects for sale - known as “lots” - Absentee Bid Forms are available on our Web site, Uncovering hidden gems every day to the auction process, please take a moment to in numerical order as listed in the catalogue. in our printed catalogues, and through our Client review the following information. The auctioneer accepts bids from those present Services Department. Return the completed Absentee in the salesroom, from telephone bidders, from Bid Form to Doyle New York either by mail or by The following will help in understanding the auction Internet bidders or by absentee written bids left fax. When the lot that you are interested in comes buying process. All bidders should read the with Doyle New York in advance of the auction. up for sale, a Doyle New York representative will Conditions of Sale and Terms of Guarantee in execute the bid on your behalf, making every effort this catalogue, as well as the Glossary or any other LIVE BIDDING to purchase the item for as little as possible and notices. By bidding at auction, bidders are bound The most exciting way to participate at auction is the never exceeding your limit. The auctioneer may by the Conditions of Sale and Terms of Guarantee, traditional method of bidding live in the salesroom execute absentee bids directly from the rostrum, as amended by oral announcements or posted with an auction paddle. Buyers who would like to bid identifying these as “absentee bids,” “book bids,” notices, which together form the sale contract may register for a paddle on the day of the sale upon or “order bids.” This service is free and confidential. between the successful bidder (purchaser), entering the salesroom at least 30 minutes before For detailed instructions and information, please Doyle New York and the seller (consignor) of the lot. the sale. The paddle is numbered so as to identify see the Doyle New York Absentee Bid Form at the you to the auctioneer. To register, you will need a form back of this catalogue or on our Web site. In the of identification such as a driver’s license or credit event that identical bids are submitted, the earliest BEFORE YOU BID card. If you are a first-time bidder, you will also be will take precedence. asked for your address, phone number and signature Doyle New York produces both printed and Internet and a bank reference in order to create your account. INTERNET BIDDING auction catalogues that contain descriptions of To avoid any delay in the release of purchases, Buyers may also conveniently leave bids on our the property being offered and the presale please pre-arrange check or credit approval through Web site through our Internet catalogues. These bids estimates and are available prior to the sale date. Doyle New York’s Credit Department at 212-427-4141 are executed at the auction in the same fashion Our free Internet catalogues, available at Doyle.com, ext. 205. If you are bidding for someone else, you will as an Absentee Bid. also provide illustrations, direct communication need to provide a letter from that person authorizing with our specialists, and the ability to leave online you to bid on that person’s behalf. Issuance of a LIVE INTERNET BIDDING absentee bids and track lots. The catalogues will bid paddle is in Doyle New York’s sole discretion. BidLive! with a click of your mouse! Bidders from help familiarize you with property being offered around the world now can experience the excitement at the designated auction. Once the first bid has been placed, the auctioneer of bidding live at Doyle New York on their computers. asks for higher bids, in increments determined by Simply sign in at Doyle.com, then register to bid In addition, Doyle.com offers a free Internet the auctioneer. To place your bid, simply raise your live in real time in an upcoming sale. It couldn’t be Personal Shopper that allows collectors to enter paddle until the auctioneer acknowledges you. easier or more convenient! keywords of objects they are seeking. As each Internet auction catalogue is posted online, the As a courtesy to bidders, a currency board may be No increased Buyer’s Premium! Purchases made collector is notified by email of any matches. operated. It displays the lot number and current bid on BidLive! are subject to the identical buyer’s in both U.S. dollars and foreign currency. Exchange premium as purchases made through the saleroom A prospective buyer must complete and sign a rates are approximations based on recent exchange bids, telephone bids and absentee bids. There are registration form and provide identification before rate information and should not be relied upon as no additional fees! bidding. We may require the production of bank a precise invoice amount. Doyle New York assumes or other financial references. no responsibility for any error or omission in foreign Bid throughout the sale! With BidLive! you may log or United States currency amounts shown. in during the sale to bid on specific lots, or leave the PROVENANCE bidding console open all day on your computer. In certain circumstances, Doyle New York may TELEPHONE BIDDING print in the catalogue the history of ownership Clients unable to attend the sale may still participate Total convenience for a global clientele! In the of a work of art if such information contributes live by bidding on the telephone with a trained staff past, foreign bidders often required the assistance to scholarship or is otherwise well known and member on the auction floor. The Telephone Bid Forms of telephone clerks who spoke Spanish, German, assists in distinguishing the work of art. However, are available on our Web site, in our printed catalogue, French, Mandarin etc., in order to execute their bids. the identity of the seller or previous owners may and through our Client Services Department. Please With BidLive’s clear numeric display, foreign buyers not be disclosed for a variety of reasons. For example, contact the Bid Department prior to the sale to make need no longer rely on bilingual telephone clerks such information may be excluded to accommodate arrangements or to answer any questions you may to place their bids. a seller’s request for confidentiality or because the have. Telephone bids are accepted only at Doyle identity of prior owners is unknown given the age New York’s discretion and at the caller’s risk. Calls MAC USERS: Please use Firefox browser (download). of the work of art. may also be recorded at Doyle New York’s discretion. BidLive!, powered by Invaluable, does not support By bidding on the telephone, prospective buyers iPhone or iPad at this time. SPECIALIST’S ADVICE consent thereto. Telephone bids cannot be accepted Prospective bidders may be interested in for lot estimated below $1,000. Arrangements must Doyle New York does not guarantee that live Internet

©2016 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. of property. and features conditions, accuracy including measurements, of all data and BHHSCP do not guarantee LLC BHH Affiliates LLC. of BHH Affiliates HomeServices system is a member of the franchise Properties (BHHSCP) California Hathaway ©2016 Berkshire 00559629 & 00671618 or MLS. CalBRE broker by and will not be verified sources various is obtained from Information specific information not included in the catalogue be confirmed with the Bid Department at least bidding will be uninterrupted or without error, or Marc & Rory Shevin | 818.251.2456/ 818.251.2476 Hidden HIlls | $13,995,000 description of a lot. For additional information 24 hours prior to the auction at 212-427-4141 ext. 242. that Internet bids will be received. please contact either a Doyle New York specialist Arrangements to bid in languages other than or Doyle New York’s Client Services Department. English must be made well in advance of the sale You may also request a condition report from the date. Doyle New York offers all absentee and specialist in charge. telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

bhhscalifornia.com | 888.995.7575 VI BUYING AT DOYLE CONTINUED

SUCCESSFUL BIDS To pay for a purchase by check, please see our STORAGE FEES cashier and fill out a Check Acceptance Account Pursuant to section 8 of our Conditions of Sale, Successful absentee bidders will be notified form. Until approved, you will not be permitted we request that successful buyers collect their after the sale. Absentee bidders will receive to remove purchases before the check has property within two business days following the a list of sale results if they enclose a stamped cleared. To avoid delivery delays, prospective sale. Should the property (except jewelry, coins, self-addressed envelope with their Absentee Bid buyers are encouraged to supply bank or other stamps or as announced by the auctioneer) Form. Printed lists of auction prices are available suitable references before the auction. Check remain on our premises for more than 31 days immediately after the sale on our Web site and at acceptance privileges are reviewed from time to following a sale it will be transferred to an our galleries. While invoices are sent out by mail time by Doyle New York and may be granted or independent warehouse on the buyer’s behalf at presents after the auction, we do not accept responsibility withdrawn at our sole discretion. Checks should the purchaser’s risk and subject to storage charg- for notifying you of the result of your bids. Buyers be made payable to Doyle New York. Note that es at the purchaser’s expense. As transferred are requested to contact us by telephone or in checks drawn on foreign banks may be accepted property will no longer be in Doyle New York’s person as soon as possible after the sale to with the approval of the Credit Department, may custody or care, Doyle New York will not be obtain details of the outcome of their bids to not be accepted for values under $500, and that able to assist you with pick-up or shipping avoid incurring unnecessary storage charges. there is a $100 minimum collection charge on arrangements. To avoid storage charges, please checks drawn on foreign banks located outside arrange for the removal of your purchases as the U.S. Certified checks, banker’s drafts and soon as possible. AFTER THE AUCTION cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a repu- Please Note: Transfer to a Storage facility of If your bid is successful, you can go directly to table financial institution governed by anti-money uncollected purchases past the 31-day grace Purchaser Accounting to make payment laundering laws. Instruments not meeting these period will constitute delivery of the property to arrangements. Otherwise, your invoice will be requirements will be treatedas “cash equivalents” the buyer in New York State. As a result, buyer mailed to you. The final price is determined by and subject to theconstraints noted above. will be liable to pay New York State Sales Tax if adding the buyer’s premium to the hammer price not tax-exempt. THE on a per-lot basis. Sales tax, where applicable, Please direct inquiries regarding wire transfer VAULT will be charged on the entire amount. Payment is or ACH credit to Steven L. Kuzio, 212.427.4141 The charges are payable to an outside Storage due in full immediately after the sale. However, ext. 202, [email protected] Company and therefore cannot be waived by under certain circumstances, and generally with Doyle New York. We encourage all buyers to the seller’s agreement, Doyle New York may offer BUYER’S PREMIUM collect purchased property within two business buyers it deems creditworthy the option of an The invoice will include the successful hammer days following the sale. extended payment plan. Credit terms should be price of the item and the buyer’s premium. arranged prior to the sale. Please contact the Doyle New York charges a premium to the buyer In order to collect property from Yorkville Van and Credit Department for information on credit on the final bid price of each lot sold at the Storage, buyers must present a copy of a paid 顯赫珍窖 arrangements for a particular lot. following rates: 25% on the first $200,000 of invoice bearing a Yorkville warehouse release the hammer price of each lot, 20% on the portion stamp. This warehouse release stamp can only METHODS OF PAYMENT of the hammer price from $200,001 through be obtained from the cashier at Doyle New York’s Accepted forms of payment include bank wire $3,000,000, and 12% thereafter. Applicable sales main reception desk located at 175 East 87th St transfers, cash (in US currency up to $5,000), tax will also be added to the final total. New York in Manhattan. traveler’s check (in US currency up to $5,000), Sales tax is charged on the hammer price, buyer’s PART 2 money orders (in US currency up to $5,000), premium and any other applicable charges on SHIPPING or personal check made payable in US dollars any property picked up or delivered in New York Shipping is the responsibility of the buyer. drawn on a US bank, unless other arrangements State, regardless of the state or country in which Upon request, our Client Services Department are made with Purchaser Accounts. It is Doyle the purchaser resides or does business. Please will provide a list of shippers who deliver to New York’s policy to request any new clients or refer to “Information on Sales and Use Tax Related destinations within the United States and purchasers preferring to make a cash payment to Purchases at Auction” in the back of the overseas. Kindly disregard the sales tax if an ONE CELLAR, TWO AUCTIONS. to provide: verification of identity (by providing catalogue. All sales are final and subject to the I.C.C. licensed shipper will ship your purchases some form of government issued identification Conditions of Sale. anywhere outside the state of New York or the containing a photograph, such as a passport, District of Columbia. zachys.com/auctions identity card, or driver’s license), confirmation PICK-UPS of permanent address and identification of the Once your payment has been cleared, property ENDANGERED SPECIES source of the funds. Invoices greater than $5,000 may be released. Unless otherwise agreed by Certain property sold at auction, for example, require payment by certified check, bank check Doyle New York, auction purchases should be items made of or incorporating plant or animal or wire transfer. Credit cards are not accepted for paid for and picked up at Doyle New York within materials such as coral, crocodile, ivory, whalebone, payment of auction purchases. 48 hours of the auction. Items left beyond the tortoise shell, mother-of-pearl, etc., irrespective 48 hours may be subject to a storage fee (see of age or value, may require a license or certificate below). Please note that the hours for removal prior to exportation and additional licenses or of property are Monday through Friday from certificates upon importation to another country. October 15, 2016 – new york 8:15am until 4:45pm, except on auction days Doyle New York suggests that buyers check on during which only purchases made that day may their government wildlife import requirements be picked up. As a courtesy to purchasers who prior to placing a bid. Although licenses can be come to Doyle New York to pick up property, obtained to export some types of endangered Doyle New York will assist in the packing of lots, species, other types may not be exported at all, and although Doyle New York may, in the case of other types may not be resold in the United States. fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

® New York • Hong Kong • San Francisco • [email protected] • zachys.com/auctions # VII zachys tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

Doyle-TheVault-updated.indd 1 8/8/2016 10:32:44 AM SELLING AT DOYLE AUCTION SCHEDULE

At Doyle New York, we commit our expertise, REGIONAL APPRAISAL DAYS PAYMENT TO CONSIGNORS OCTOBER NOVEMBER DECEMBER experience, market knowledge and global Doyle New York’s Regional Representatives host Payment to consignors is mailed five weeks after outreach to every sale. The numerous auction free appraisal days on a regular basis throughout the date of the sale, together with a final settlement AMERICAN PAINTINGS / AMERICAN IMPRESSIONIST & MODERN DOYLE AT HOME® records set in our salesrooms are testimony to the Connecticut, the metropolitan Washington, DC statement. The amount of payment is the hammer FURNITURE & DECORATIVE ARTS Auction: Tuesday, NOVEMBER 1 at 11am Auction: Wednesday, DECEMBER 7 at advantages of selling property at Doyle. To make area, as well as in other areas throughout the price of each lot successfully sold, less the the auction process as easy and convenient as United States. These popular events provide ease commission and any other fees. Auction: Tuesday, OCTOBER 5 at 10am Exhibition: October 29 – 31 10am possible, our team of dedicated professionals and convenience for collectors outside of New York Exhibition: October 1 – 3 Exhibition: December 3 – 5 will guide you through the entire appraisal and who wish to sell their property at Doyle. At these POST-WAR & CONTEMPORARY auction procedure. As part of our commitment events, we accept property for upcoming auctions ESTATE AND PRINTS & MULTIPLES Auction: Tuesday, NOVEMBER 1 IMPORTANT JEWELRY to providing comprehensive auction services to in our New York salesrooms through both APPRAISAL SERVICES Auction: Tuesday, OCTOBER 18 at 10am Afternoon Session Auction: Tuesday, DECEMBER 14 at 10am collectors, institutions and estates, Doyle New consignment and outright purchase. Exhibition: October 15 – 17 Exhibition: October 29 – 31 Exhibition: December 10 – 13 York offers several options to those seeking to For forty years, Doyle New York’s Appraisal and sell their property: consignment of the objects to Auction Services Department has worked with COINS, POSTAGE STAMPS, DOYLE+DESIGN® auction at Doyle, outright sale of the objects to SELLING YOUR PROPERTY museums, corporate collections, banks and law BANK NOTES Auction: Wednesday, NOVEMBER 9 at Doyle, a combination of both, or referrals to firms, trust and estate professionals, heirs, and Auction: Tuesday, OCTOBER 18 at 2pm 10am other organizations. CONSIGNING TO AUCTION private clients across the nation providing our In consigning property to auction, the seller retains comprehensive appraisal and auction services. Exhibition: October 15 – 17 Exhibition: November 5 – 7 ownership until the successful sale of the item at Our thorough, well-researched fair market appraisals OBTAINING AN APPRAISAL auction. When property is consigned to Doyle for have earned Doyle a solid reputation for IMPORTANT JEWELRY FINE JEWELRY - BEVERLY HILLS auction, we devote the expertise of our specialists professionalism, integrity and service throughout Auction: Wednesday, OCTOBER 19 at Auction: Monday, NOVEMBER 14 at The first step in selling property at auction is to and professional staff to achieving outstanding the United States. 10am 10am (Pacific) obtain a free informal appraisal of the item. The prices at auction. Exhibition: October 15 – 18 Exhibition: November 12 – 13 appraisal includes an estimated value, which is Doyle New York offers a full range of expert the specialist’s best judgement as to what the THE CONSIGNMENT CONTRACT appraisal services, specializing in providing timely object will sell for at auction. The figure is based When you consign property to Doyle New York OLD MASTER PAINTINGS JEWELRY, WATCHES, SILVER & COINS formal appraisals for estate tax and probate Auction: Wednesday, OCTOBER 26 at BY ORDER OF THE PROVIDENT upon the specialist’s expertise and knowledge you will receive two copies of our Consignment purposes. Our expert team of specialists and our of what similar items are fetching in the current Agreement, the legal document delineating the professional staff bring years of experience to each 10am LOAN SOCIETY auction market. terms of sale. One copy should be initialed, signed appraisal. Full color digital photographs may be Exhibition: October 22 – 24 Auction: Wednesday & Thursday, and returned; the other kept for your records. included in the appraisal in order to make each NOVEMBER 16 & 17 at 10am There are various ways to obtain appraisals. Once the property is received in our gallery, you object easily identifiable. Depending on the ENGLISH & CONTINENTAL FURNITURE & Exhibition: November 12 - 15 Information and appointments to view property will be sent a Contract Schedule listing the property, location, we are happy to provide, at no charge, DECORATIONS in your home or in the gallery can be arranged the planned sale dates, the estimated price ranges, a preliminary walk-through examination to Auction: Wednesday, OCTOBER 26 at RARE BOOKS, AUTOGRAPHS & MAPS through our Scheduling Department, an appropriate and the reserves will be listed, along with the determine approximate costs and special needs. 10am Auction: Tuesday, NOVEMBER 22 at 10am Specialist Department, or a Doyle New York agreed upon seller’s commission and other Appraisal fees are based on the scope of the Exhibition: October 22 – 24 Exhibition: November 19 - 21 Regional Representative. Once your property has related fees. property with travel expenses additional. been evaluated, Doyle New York representatives can then help you determine how to proceed with RESERVE PRICE Doyle New York will prepare a customized proposal PHOTOGRAPHS the auction process. They will provide information Before an item is offered at auction, the consignor tailored to the specific property under consideration Auction: Tuesday, NOVEMBER 22 at 10am regarding sellers’ commission rates and other and Doyle New York may agree on a reserve price, for auction, including a commission and fee Exhibition: November 19 - 21 charges, auction timetable, shipping and any other a confidential minimum selling price. Unless a structure developed to maximize returns to consignors. further services you may require. specific reserve is arranged, a discretionary reserve We may also make an outright purchase offer on is fixed at fifty percent of the low estimate. If the individual items or entire estates. As part of our SUBMITTING PHOTOGRAPHS consignor designates a reserve on a lot, and it focus on comprehensive estate liquidation, we We welcome photographs of property to evaluate remains unsold, there will be a buy-in fee charged offer our unique “Broomclean Service” – our own for possible auction if the property is not portable, on the reserve price. trucks and crew will transport the fine property to or if you are not able to visit our galleries. If you Doyle, remove remaining items, and leave the have a large collection, are presentative selection OUTRIGHT SALE TO DOYLE premises “broomclean.” of photographs is acceptable. Please bring in the Outright purchase of property by Doyle allows the photographs or email photos of your objects to seller the advantage and convenience of immediate the Scheduling Department. You may also mail payment. Many sellers prefer this method of sale INFORMATION photographs to the Scheduling Department, or rather than consigning their property to auction call them at 212-427-4141, ext. 260, to discuss and awaiting payment after the successful sale of For more information please call 212-427-4141, your property and perhaps arrange an appointment the items. For further information please contact ext 260, or email [email protected]. For estate and with a specialist. Please be sure to include the our Scheduling Department. appraisal services, please contact our Appraisal dimensions, artist’s signature or maker’s mark, and Auction Services Department at 212-427-4141, medium, physical condition, and any other relevant ext. 227. information. Our specialists will provide a free AFTER THE AUCTION preliminary auction estimate subject to a final estimate upon first hand inspection. RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement CATALOGUES EXHIBITION HOURS SELLING AT AUCTION statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the View the catalogues and leave bids online 212-427-4141, option 5 We invite you to contact us for a auction. You may also call us at 212-427-2730 for prices realized. at Doyle.com, or for printed or visit Doyle.com complimentary auction evaluation of your catalogues please call 212-427-2730 x203 collection. Please call 212-427-2730 or or email [email protected] email [email protected]

VIII DOYLE 175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730 DOYLE.COM IX YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 REGIONAL REPRESENTATIVES PLUS THE EXTENSION. DIRECTORY Laura Doyle, Director of Regions CONNECTICUT WASHINGTON, DC/MID-ATLANTIC 212-427-4141, ext. 219 Kathy Brackenridge Reid Dunavant, Director [email protected] 212-427-4141, ext. 211 202-342-6100 OFFICERS 203-637-6209 [email protected]

BOSTON / NEW ENGLAND [email protected] Kathleen M. Doyle, Chairman/CEO Ann Limer Lange, Senior Vice President Malcolm Mac Neil, Vice President Kathryn Craig Samira Farmer ext 215, [email protected] ext 221, [email protected] ext 218, [email protected] 617-999-8254 FLORIDA 202-342-6100 [email protected] Collin Albertsson [email protected] Rodney Lang Elaine Banks Stainton, Senior Vice President Harold E. Porcher, Vice President 561-322-6795 Senior Executive Vice President ext 238, [email protected] ext 235, [email protected] CALIFORNIA [email protected] Kristen Ostermayer ext 243, [email protected] Nan Summerfield, G.G. 202-342-6100 Nan Summerfield, Senior Vice President Edward Ripley-Duggan, Vice President 310-276-6616 NEW JERSEY [email protected] Joanne Porrino Mournet 310-276-6616, [email protected] ext 234, [email protected] [email protected] Jill Bowers Executive Vice President 212-427-4141, ext. 225 BEIJING ext 227, [email protected] Louis LeB. Webre, Senior Vice President Alison Robinson, Vice President Emily Marchick, G.G. [email protected] Winnie Hu ext 232, [email protected] ext 229, [email protected] 310-276-6616 [email protected] Kenneth McKenna [email protected] NORTH CAROLINA Executive Vice President/CFO Peter Costanzo, Vice President Gillian M. Ryan, Vice President Hilary Pitts, G.G. HONG KONG ext 254, [email protected] ext 248, [email protected] ext 245, [email protected] 704-582-2258 Jasmin Blunck

[email protected] [email protected] Laura Doyle, Vice Chairman Anne Cohen DePietro, Vice President Charlotte A. Taylor, Vice President

Executive Vice President ext 281, [email protected] ext 233, [email protected]

ext 219, [email protected]

Samira Farmer, Vice President Shani Toledano, Vice President Reid Dunavant, Senior Vice President 202-342-6100, [email protected] ext 236, [email protected] ADMINISTRATION 202-342-6100, [email protected] Anna K. Hicks, Vice President Eileen Weisbaum, Vice President ABSENTEE AND TELEPHONE BIDS CATALOGUE SUBSCRIPTION ESTATE AND David A. Gallager, Senior Vice President ext 272, [email protected] ext 226, [email protected] Bill Fiddler Chelsea Wynne APPRAISAL SERVICES ext 271, [email protected] Bid Fax: 212-427-7526 ext 203, [email protected] Cynthia Klein, Vice President Janice Youngren, Vice President ext 242, [email protected] Joanne Porrino Mournet, Executive Director Peter Lang, Senior Vice President ext 246, [email protected] ext 207, [email protected] CLIENT SERVICES ext 227, [email protected] ext 274, [email protected] ACCOUNTING Janice Youngren, Director Ryan Won ext 207, [email protected] Lindsey Friedman, Esq. ext 205, [email protected] ext 256, [email protected] Mary Dobbin Emma I. Ebue ext 200, [email protected] Gillian M. Ryan, On-site Estates Coordinator ext 214, [email protected] ext 245, [email protected] SPECIALIST DEPARTMENTS Bill Fiddler Julie Bacongco ext 242, [email protected] Gail Jaffe, Estate and Appraisal Services Assistant 19TH AND 20TH CENTURY Malcolm Mac Neil PAINTINGS AND DRAWINGS ext 223, [email protected] ext 216, [email protected] DECORATIVE ARTS ext 218, [email protected] Elaine Banks Stainton Elizabeth Jones Malcolm Mac Neil, Director Acting Director CATALOGUE PRODUCTION AND DESIGN ext 204, [email protected] ext 218, [email protected] Anna K. Hicks ext 238, [email protected] Eileen Weisbaum, Director APPRAISAL AND ext 272, [email protected] ext 226, [email protected] Steven L. Kuzio CONSIGNMENT SERVICES 20TH CENTURY DESIGN Anne Cohen DePietro ext 202, [email protected] Anna K. Hicks, Director Todd Sell Director, American Art Stephanie Cuenca, Senior Graphic Designer Alison Robinson, Director/Consignments ext 272, [email protected] ext 269, [email protected] ext 281, [email protected] ext 250, [email protected] Chelsea Wynne ext 229, [email protected] ext 203, [email protected] AMERICAN FURNITURE Megan Marie Mastrobattista, Appraiser's Assistant Harold E. Porcher Alison Wermuth, Graphic Designer Ashley A. Hill AND DECORATIVE ARTS ext 244, [email protected] Director, Modern & Post-War Art ext 276, [email protected] MEDIA AND COMMUNICATIONS ext 231, [email protected] David A. Gallager, Director ext 235, [email protected] DEPARTMENT ext 271, [email protected] Leigh Kendrick, Appraiser's Assistant PHOTOGRAPHY PRODUCTION Louis LeB. Webre, Director Doris M. Fugazy ext 243, [email protected] Shani Toledano Hisao Oka, Director ext 232, [email protected] ext 261, [email protected] ASIAN WORKS OF ART Associate Director ext. 255 [email protected] Marley Rabstenek, Consultant JEWELRY ext 236, [email protected] Charlotte A. Taylor, Art Director Ayala Levi ext 299, [email protected] Ann Limer Lange, G.G., Executive Director Melissa Aldrich, Photographer ext 233, [email protected] ext 259, [email protected] ext 221, [email protected] Angelo Madrigale Manager of Photography, Jewelry BOOKS, AUTOGRAPHS Director, Contemporary Art ext 270, [email protected] Kosala Kumara, Advertising Alexis Gyateng AND PHOTOGRAPHS Kevin Zavian, Senior Specialist ext 237, [email protected] ext 258, [email protected] ext 228, [email protected] Edward Ripley-Duggan, Director ext 262, [email protected] Ryan Sobotka, Photographer ext 234, [email protected] Ariel Gold Manager of Photography, Fine & Decorative Arts Charlotte Williams Martha Garcia, F.G.A., Appraiser, Cataloguer Cataloguer ext 278, [email protected] MUSEUM SERVICES ext 240, [email protected] Peter Costanzo, Director ext 262, [email protected] ext 266, [email protected] ext 248, [email protected] Brian Griska, Photographer Peter Costanzo Hannah Iversen Alexandra Fulham, Administrator Hermine Chivian-Cobb ext 278, [email protected] Books, Photographs & Manuscripts ext 251, [email protected] COINS, STAMPS AND COLLECTIBLES ext 210, [email protected] Senior Specialist, Fine Art ext 248, [email protected] Norman Scrivener, Consultant ext 252, [email protected] Danielle Kiser, Traffic Coordinator ext 273, [email protected] CALIFORNIA JEWELRY ext 277, [email protected] Anne Cohen DePietro HAYLOFT AUCTIONS Nan Summerfield, G.G., LeeAna Wolfman Paintings ENGLISH AND CONTINENTAL Director of California Operations Registrar RESTORATION SERVICES ext 281, [email protected] Brian Corcoran FURNITURE AND DECORATIONS 310-276-6616 ext 249, [email protected] Charles Mournet, ext 224 Director Peter Lang, Director [email protected] David A. Gallager 914-575-7263 ext 274, [email protected] PRINTS AND MULTIPLES INVENTORY CONTROL Furniture and Decorative Arts [email protected] & Emily Marchick, G.G., Cynthia Klein, Director Eddy Santana ext 271, [email protected] [email protected] FURNITURE AND DECORATIONS Associate Director of California Operations ext 246, [email protected] Rodney Lang 310-276-6616 Emily Casden ext 243, [email protected] [email protected] RUGS, CARPETS AND TAPESTRIES AUCTIONEERS Manager Mark M. Topalian [email protected] & David A. Gallager NORTH CAROLINA JEWELRY ext 602, [email protected] Rodney Lang [email protected] ext 271, [email protected] Hillary Pitts, G.G. Joanne Porrino Mournet 704-582-2258 Janice Youngren Peter Lang [email protected] Cynthia Klein ext 274, [email protected] Peter Costanzo

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A B S E N T E E & T E L E P H O N E B I D F O R M 1.16 CLIENT SERVICES CLIENT ACCOUNTS NEW YORK * Name and address must agree with resale 175 East 87th Street Please indicate the type of bid you are submitting. Please check one: certificate, if applicable. Invoices cannot be Janice Youngren, Director Steven Kuzio New York, NY 10128 A B S E N T E E B I D changed once registered. 212-427-4141, ext 207 212-427-4141, ext 202 212-427-2730 T E L E P H O N E B I D ** If you are using a cell phone for bidding, a [email protected] [email protected] safety bid is required in case of lost connection. [email protected] Please indicate in what capacity you are bidding. Please check one: • Telephone bids will only be accepted on lots B I D D I N G A S A P R I VAT E B U Y E R with a low estimate of $2,000 and above. CALIFORNIA You must be prepared to bid at least to the B I D D I N G O N B E H A L F O F A C O M PA N Y BIDDING SERVICES 9595 Wilshire Boulevard low estimate. 16AM02 • AMERICAN PAINTINGS, FURNITURE Penthouse 1012 • Absentee bidding is a service provided with & DECORATIVE ARTS OCTOBER 5, 2016 Absentee & Telephone Bids BidLive! Internet Bidding Beverly Hills, CA 90212 SALE TITLE SALE DATE the understanding that Doyle New York shall not be responsible for errors and/or omissions. Bill Fiddler Elizabeth Jones 310-276-6616 Changes to bids on the day of sale must be 212-427-4141, ext 242 212-427-4141, ext 204 NAME* [email protected] submitted in writing by fax or email. Bid Fax: 212-427-7526 [email protected]

• Absentee bids are executed in competition COMPANY (If applicable) [email protected] with the audience, on an alternate basis. Due BOSTON / NEW ENGLAND to the uncertainties of bidding patterns, a lot 129 Newbury Street ADDRESS * may sell to the audience for the same amount Suite 400 Change of Address or slightly less than your bid. To avoid this possibility, you may authorize us to increase SPECIALISTS Boston, MA 02116 CITY STATE ZIP CODE y o u r b i d b y o ne increment by placing a plus 617-999-8254 sign (+) beside the maximum bid. [email protected] EMAIL • In the event that identical bids are submitted, the earliest will take precedence. PHONE FAX • A Buyer’s Premium, as stated in the Conditions CONNECTICUT of Sale, will be added to the hammer price. 136 East Putnam Avenue PHONE (DAY OF SALE)** • Buyers unknown to Doyle New York are Greenwich, CT 06830 advised to arrange payment or supply credit 212-427-4141, ext 211 references in advance of the sale date. CLIENT NUMBER 203-637-6209 (NEW CLIENTS: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date) Otherwise, purchases cannot leave our premises until checks have cleared. [email protected] • A 25% deposit may be required on certain David A. Gallager Anne Cohen DePietro, Todd Sell LOT TOP LIMIT OF BID / LOT TOP LIMIT OF BID / LOT TOP LIMIT OF BID / absentee bids. NEW JERSEY SAFETY BID SAFETY BID SAFETY BID SVP, Director, VP, Director, Silver NUMBER NUMBER NUMBER • Lot descriptions do not include damage, Excluding Buyer’s Premium Excluding Buyer’s Premium Excluding Buyer’s Premium American Furniture American Art 212-427-4141 ext 269 212-427-4141, ext 225 repairs or restoration to items. The absence from the description of any such notes and Decorative Arts 212-427-4141 ext 281 Todd.Sell@ [email protected] must not be taken to imply that the lot is 212-427-4141 ext 271 Anne.DePietro@ Doyle.com in perfect condition. Condition reports are David.Gallager@ Doyle.com provided upon request. Doyle.com WASHINGTON, DC / MID-ATLANTIC • Successful bidders should make arrangements to have their purchases removed 3256 Prospect Street, NW from the premises no later than 4:30pm on Washington, DC 20007 the day following the sale. 202-342-6100 ° Terms and Conditions of Sale may be viewed [email protected] in the catalogue, on our Web site and in our salesroom. NORTH CAROLINA BIDDING INCREMENTS (The auctioneer may vary the increments at his/her discretion.) 704-582-2258 $0 – $100 ...... $10 [email protected] $100 – $500 ...... $25 $500 – $1,000 ...... $50 $1,000 – $2,000 ...... $100 Ariel Gold, Mark Topalian FLORIDA $2,000 – $5,000 ...... $250 Cataloguer, Rugs, Carpets and 561-322-6795 $5,000 – $10,000 ...... $500 Paintings Tapestries $10,000 – $20,000 ...... $1,000 212-427-4141 ext 266 212-427-4141 ext 244 [email protected] $20,000 – $50,000 ...... $2,500 Ariel.Gold@ Mark.Topalian@ I understand and agree to the $50,000 – $100,000 ...... $5,000 Doyle.com Doyle.com Terms and Conditions of Sale° $100,000+ ...... $10,000 SIGNATURE Consumer Affairs No. 0777006 Front Cover 74 Back Cover 268 Submit bids by or email: by 5pm (Eastern) the evening before the auction. FAX: 212-427-7526 [email protected] Inside Front Cover 81 XII Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207 AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS OCTOBER 5, 2016 DOYLE 175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730NY DOYLE 175 EAST 87THYORK, STREET NEW DOYLE.COM