Thaddeus Mosley 2021 Romancing the Surface, Curated by Loie B

Total Page：16

File Type：pdf, Size：1020Kb

SELECTED GROUP EXHIBITIONS Thaddeus Mosley 2021 Romancing the Surface, curated by Loie b. 1926, New Castle, PA (US) Hollowell, GRIMM Amsterdam (NL) Lives and works in Pittsburgh, PA (US) 2020 Comfort, curated by Omar Sosa, Friedman Benda, New York, NY (US) EDUCATION 2018 Carnegie International, Carnegie Museum of 1950 BA, English and Journalism, University of Art, Pittsburgh, PA (US) Pittsburgh, PA (US) The Beautiful Difference, Featherstone Center for the Arts, Massachusetts, MA (US) GRANTS AND AWARDS 2017 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of 1999 Governor’s Award for Artist of the Year, Art, Pittsburgh, PA (US) Pennsylvania Visual Arts 2016 Society of Sculptors 80th Anniversary Annual 2000 Cultural Award, Pittsburgh Center of the Arts Exhibition, Pittsburgh Center for the Arts, 2002 Service in the Arts Award, Pittsburgh Center Pittsburgh, PA (US) of the Arts 2015 Uncrated: The Hidden Lives of Artworks, Carnegie Museum of Art, Pittsburgh, PA (US) SELECTED SOLO AND DUAL EXHIBITIONS Exposure: Black Voices in the Arts, University Art Gallery at the University of Pittsburgh, 2020 Thaddeus Mosley, Karma, New York, NY (US) Pittsburgh, PA (US) 2011 Paul Mesaros Gallery, Morgantown, WV (US) 2010 Generations: Six African American Artists, 2010 Sculptures by Thaddeus G. Mosley, August African American Cultural Center of Greater Wilson Center, Pittsburgh, PA (US) Pittsburgh, Pittsburgh, PA (US) 2009 Thaddeus Mosley: Sculpture (Studio/Home), 2008 183rd Annual: Am Innovational Exhibition of The Mattress Factory Museum, Pittsburgh, Contemporary American Art, National PA (US) Academy of Design, New York, NY (US) 2004 CUE Art Foundation, New York, NY (US) In Search of Missing Masters: The Lewis Tanner Moore Collection of African American 2002 Thaddeus Mosley, Pittsburgh Center for the Art, Woodmere Art Museum, Philadelphia, PA Arts, Pittsburgh, PA (US) (US) 1997 Recent Sculpture by Thaddeus Mosley, Carnegie 2007 Popular Salon of the People: Associated Artists Museum of Art, Pittsburgh, PA (US) of Pittsburgh Annuals, 1910-2006, Carnegie 1995 Manchester Craftsmen’s Guild, Pittsburgh, Museum of Art, Pittsburgh, PA (US) PA (US) 1975 66th Annual Exhibition of the Associated 1990 Three Rivers Arts Festival, Pittsburgh, PA Artists of Pittsburgh, Carnegie Museum of (US) Art, Pittsburgh, PA (US) 1979 Artist of the Year, Pittsburgh Center for the 1959 Three Rivers Arts Festival, Pittsburgh, PA Arts, Pittsburgh, PA (US) (US) 1968 Carnegie Museum of Art, Pittsburgh, PA (US) SELECTED COLLECTIONS SELECTED PUBLIC PROJECTS Colby College Museum, Waterville, ME (US) 2020 Frieze Sculpture at Rockefeller Center, Brooklyn Museum, New York, NY (US) curated by Brett Littman, New York, NY (US) High Museum, Atlanta, GA (US) 2006 Winged House, Cities of Asylum, Pittsburgh, Carnegie Museum of Art, Pittsburgh, PA (US) PA (US) Mattress Factory Museum, Pittsburgh, PA (US) 2003 Three Rivers Bench, David L. Lawrence Convention Center, Pittsburg, PA (US) Martin Luther King Jr. Library, Pittsburgh, PA (US) Legends, Susquehanna Museum, Harrisburg, David L. Lawrence Convention Center, Pittsburgh, PA PA (US) (US) Westmoreland Museum of American Art, Greensburg, KS (US) VAN BAERLESTRAAT 80 KEIZERSGRACHT 241 +31 (0) 20 675 24 65 54 WHITE STREET +1 (646) 484-5223 [email protected] 1071BB AMSTERDAM 1016EA AMSTERDAM THE NETHERLANDS NEW YORK NY 10013 UNITED STATES WWW.GRIMMGALLERY.COM.

Copy Link

Recommended publications

Thaddeus Mosley Karma, New York, 2020
THADDEUS MOSLEY KARMA, NEW YORK, 2020. HANS ULRICH OBRIST IN CONVERSATION WITH THADDEUS MOSLEY by Hans Ulrich Obrist HANS ULRICH OBRIST How did art come to you? THADDEUS MOSLEY I could draw by the time I was in elementary school. Another kid and I would draw with colored chalk on the board for nature study class. We would do various seasons: spring, winter, and so forth. The teacher left our drawings up all year until the chalk deteriorated. But I didn’t actually start looking at art until much later, when I attended the University of Pittsburgh. HUO Have you always lived in Pittsburgh? TM Yes. I was born in a town about 50 miles north. After the war, I went to the University of Pittsburgh, and I’ve been in Pittsburgh ever since. The university was directly across the street from the Carnegie Museum. I had a friend who was majoring in social work so that he’d have a job when he got out of school, but he was a pretty good painter. We used to go to the museum, particularly during the Carnegie International, and argue about what we thought was the best or most interesting work. I still have photos from the ‘60s of different shows there. But what really inspired me was the Scandinavian furniture that had started entering the United States in the early ‘50s. Kaufmann’s department store in Pittsburgh PAGE 1/8 KARMA 188 East 2nd Street New York NY 10009 www.karmakarma.org devoted its whole eleventh floor to Scandinavian design, and it was there that I saw for the first time really decorative furniture with details like small birds and fish made out of wood or brass.
[Show full text]
Biographical Description for the Historymakers® Video Oral History with Thaddeus Mosley
Biographical Description for The HistoryMakers® Video Oral History with Thaddeus Mosley PERSON Mosley, Thaddeus Alternative Names: Thaddeus Mosley; Life Dates: July 23, 1926- Place of Birth: New Castle, Pennsylvania, USA Residence: Pittsburgh, PA Occupations: Sculptor Biographical Note Sculptor Thaddeus Gilmore Mosley was born on July 23, 1926 in New Castle, Pennsylvania. After graduating from high school, he enrolled in the U.S. Navy. Mosley graduated from the University of Pittsburgh with a double major in English and journalism in 1950. Mosley began working for the U.S. Postal Service. During the 1950s, while at the Postal Service, Mosley began writing freelance for The Pittsburgh Courier and for several other national publications. At this time, he also began making sculptures. In 1968, he had his ﬁrst solo exhibit at the Carnegie Museum of Art. He credits sculptors Constantin Bruncusi and Isamu Noguchi as his earliest inﬂuences. His commissions include, Three Rivers bench in 2003 for the David L. Lawrence Convention Center; Legends at the Susquehanna Museum; and an exhibition at the Cue Art Foundation Gallery. His most famous sculptures are the 14’ cedar Phoenix located at the corner of Centre Avenue and Dinwiddie in Pittsburgh’s Hill District and the “Mountaintop” Limestone at the Martin Luther King, Jr. Library in the Hill District at Herron and Milwaukee Streets. Mosley wrote Thaddeus Mosley: African-American Sculptor with a narrative by David Lewis that was published by the Carnegie Museum of Art in 1997. Mosley was named the Artist of the Year and was awarded the Governor’s Award, the Cultural Award, and the Service in the Arts Award by the Pittsburgh Center of the Arts.
[Show full text]
MELISSA KUNTZ (914) 715-9187 [email protected] EDUCATION Phd, 2021 Administrative and Leadership
MELISSA KUNTZ www.melissakuntz1.com (914) 715-9187 [email protected] EDUCATION PhD, 2021 Administrative and Leadership Studies/Applied Sociology Indiana University of Pennsylvania Indiana PA Master of Fine Arts 2002 Purchase College SUNY Purchase NY Master of Arts 2002 Modern and Contemporary art history, theory and criticism Purchase College SUNY Purchase NY Bachelor of Fine Arts 1997 Nova Scotia College of Art and Design Halifax NS Bachelor of Arts 1995 Philosophy University of Regina Regina SK TEACHING ASSIGNMENTS 2013-present Full Professor, Clarion University of Pennsylvania Fall 2019 Sabbatical leave, research 2011- 2014 Art Department Chairperson, Clarion University of Pennsylvania Fall 2013 Sabbatical Leave (France) 2009-13 Associate Professor, Clarion University of Pennsylvania 2005-06 Summer Chairperson, Clarion University of Pennsylvania 2004-08 Assistant Professor, Clarion University of Pennsylvania 2003 Gallery Director, Clarion University of Pennsylvania RELATED EXPERIENCE 2019-present Evaluator, AP Art, Educational Testing Service (ETS) 2016-present Chair of NASAD self-study and site visit committee 2012 Instructor, Marie Walsh Sharpe summer program, Colorado Springs, Colorado ARTICLES PUBLISHED Chautauquan Daily, 08.16.19. Review of “Flora and Fauna.’ Chautauquan Daily, 08.10.19. Review of “Getting Real.’ Art in America magazine, September 2018, review of books, “Art Market” and “Who Runs the Artworld?” Chautauquan Daily, 07.01.18, Review of “Ties the Bind” Chautauquan Daily, 07.08.17, Review of Erika Diamond, “Staying
[Show full text]
Name Pittsburgh Resident Action Comment Patrick Beckhorn
Name Pittsburgh Action Comment Resident Patrick Beckhorn Yes Remove Columbus was a delusional racist slave owner who caused genocide, so why exalt him by erecting and protecting a large public monument to him? One would only do that if they were ignorant of history. Well, they might do it if they were ignorant of history, but they would also do it if they were a racist piece of shit... Rohit Kartan Yes Remove Emilia Farmerie-Rishel No Remove Ty Hinkle Yes Remove Karsen Shoger Yes Remove The Columbus statue glorifies the history of colonialism, which caused extreme amounts of harm to native peoples in America as well as the environment in America. It is time to let go of these relics that glorify a destructive history, filled with violence and death, as many other cities across America are doing. Keeping the Columbus statue broadcasts a clear message exalting the history of lack of care for humanity of colonists and imperialists. If we want to stand by the ideals of equity and social justice, removing this symbol of inequity and harm from our city. Daniel Galvin Yes Remove The Christopher Columbus statue in Shenley Park should be immediately removed with all expediency - which is why the process of replacement or alternation, and accompanying delays, is unacceptable as well. The fact that it has remained there this long is an embarrassment to Pittsburgh, and an insult to the native people whose land this was for thousands of years. For native people - including friends of mine whose viewpoints I greatly value - this is tantamount to a statue of Hitler in a Jewish neighborhood, or a monument commemorating the cross-Atlantic slave trade being erected in a black neighborhood.
[Show full text]
Making the Connections a Collection of Community Stories from Pittsburgh's 250Th Anniversary
Making the Connections A collection of community stories from Pittsburgh’s 250th anniversary Contents Part I PITTSBURGH 250 A Letter from the Chairman Making the Connections A collection of community stories from Pittsburgh’s 250th anniversary of Pittsburgh 250, page 5 A Letter from the Community Written by Justin Hopper \ Edited by Dustin Stiver, Ryan Coon, and Matt Hannigan Connections Committee Co-Chairs, page 6 Supporters and Sponsors, page 8 Pittsburgh at 250: A Preface, page 10 COMMUNITY CONNECTIONS 01: Forging Civic Innovation, page 14 Part II THE PEOPLE AND THE PROJECTS 02: Icons, page 34 03: Heritage, page 50 04: Landscape, page 64 05: Character, page 78 06: Pathways, page 92 The Pittsburgh 250 Community Connections Projects: 07: Responsibility, page 102 08: Perceptions, page 114 100 compelling initiatives that engaged citizens, addressed 09: Lore, page 130 10: Momentum, page 144 pressing issues, left a lasting impact on communities, and Appendix MaKING THE CONNECTIONS contributed to the “Pride & Progress” of Southwestern The 14 Counties, page 156 The 100 Projects, page 158 Pennsylvania in 2008. Led by established and emerging civic Community Connections Committee, page 169 Decisionmaking Panelists, page 170 leaders, they created a critical mass of grassroots activity About the Author, page 172 About The Sprout Fund, page 173 throughout the anniversary year. Acknowledgements, page 174 Credits, page 177 More than 500 funding requests were received and decisions were made by regional and local panels representative of all 14 counties of Southwestern Pennsylvania. Most Regional Projects received awards of $50,000 to catalyze their efforts, while most Grassroots Projects received $5,000.
[Show full text]
Pitt Astronomers Determine Color of the Milky Way Galaxy
INSIDE Condee wins MLA Prize......................3 Moghaddam study on teens’ brains.............4 !"##Newspaper of the University of Pittsburgh$%&'(")*+ 6OLUME8)))s.UMBERs*ANUARY, 2012 Pitt Celebrates Black History Month With World Thaddeus Mosley: Sculptor Premiere Screening- of By Sharon S. Blake W/&'!,1&%E( )*( =&%%1D$,A0( 60./#!55),( -.,H(>?(F),3!/D!,A(./3(=&%%(`&#!( 60./#!55),(*),(=$D5&#(>**.&,1(_)D!,%(]&55( 4&55(#)0)1%(.(7,&'.%!(7,)A,.C(./3(,!#!7%&)/( J!D?( ;( *),( %0!( 4),53O7,!C&!,!( 1#,!!/&/A( 'E- Thaddeus Mosley: SculptorS.( 3)#$C!/%.,E(#0,)/&#5&/A(%0!(5&*!(./3( .,%&1%&#(#.,!!,()*(%0!(,!/)4/!3(\!1%!,/( =!//1E5'./&.(1#$57%),(./3(;LY:(A,.3$.%!( )*(=&%%K1(a!//!%0(=?(G&!%,&#0(I#0))5()*(>,%1( /(2-9)"+()+38 TOM ALTANY @0!(bYOC&/$%!(3)#$C!/%.,E(&1(%0!( William E. Strickland Jr. at the Manchester Craftsmen’s Guild on Pittsburgh's North Side 4),H()*(*&5CC.H!,(./3(=&%%(.5$C/$1( a!//!%0([)'!(c>dI(KQ;e?(@0!(J!D?(;(!'!/%8( 40&#0(4&55(%.H!(75.#!(.%(%0!(@4!/%&!%0( 6!/%$,E(65$D8(b9:;(2&A!5)4(25'3?8( William E. Strickland Jr., Pitt f.H5./38(&1(%0!(=&%%(9:;9(a?([!,)E(P,'&1( 25.#H(]&1%),E(-)/%0(=,)A,.C? Thaddeus Mosley: Sculptor-+KD*'&+3- HARRY GIGLIO Alumnus and Trustee, Is Recipient -)15!EK1(#,!.%&'!(7,)#!11!1(./3(7,)'&3!1( Sculptor Thaddeus Mosley $/&g$!( &/1&A0%( &/%)( %0!( 1#$57%),K1( Of the 2011 Goi Peace Award D.#HA,)$/38(&/3&'&3$.5(1%E5!8(./3(.,%&1%&#( -)15!E8(40)(4.1(D),/(&/(F!4(6.1%5!8( &/h$!/#!1?([)'!(./3(*!55)4(=&%%(.5$C/$1( =.?8( &/( ;L9M8( !.,/!3( 0&1( =&%%( 2.#0!5),( )*( By Sharon S.
[Show full text]
Thaddeus Mosley
Finding Aid to The HistoryMakers ® Video Oral History with Thaddeus Mosley Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Mosley, Thaddeus Title: The HistoryMakers® Video Oral History Interview with Thaddeus Mosley, Dates: August 11, 2008 Bulk Dates: 2008 Physical 7 Betacame SP videocasettes (3:10:00). Description: Abstract: Sculptor Thaddeus Mosley (1926 - ) created pieces that were commissioned by Pittsburgh cultural institutions like the David L. Lawrence Convention Center, the Susquehanna Museum and the Cue Art Foundation Gallery. Mosley was interviewed by The HistoryMakers® on August 11, 2008, in Pittsburgh, Pennsylvania. This collection is comprised of the original video footage of the interview. Identification: A2008_102 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Sculptor Thaddeus Gilmore Mosley was born on July 23, 1926 in New Castle, Pennsylvania. After graduating from high school, he enrolled in the U.S. Navy. Mosley graduated from the University of Pittsburgh with a double major in English and journalism in 1950. Mosley began working for the U.S. Postal Service. During the 1950s, while at the Postal Service, Mosley began writing freelance for The Pittsburgh Courier and for several other national publications. At this time, he also began making sculptures. In 1968, he had his first solo exhibit at the Carnegie Museum of Art. He credits sculptors Constantin Bruncusi and Isamu Noguchi as his earliest influences. His commissions include, Three Rivers bench in 2003 for the David L. Lawrence Convention Center; Legends at the Susquehanna Museum; and an exhibition at the Cue Art Foundation Gallery.
[Show full text]
Art I N Public Places
PITTSBURGH PITTSBURGH ART ART IN PUBLIC PLACES IN PUBLIC PLACES DOWNTOWN WALKING TOUR OFFICE OF PUBLIC ART PITTSBURGH ART IN PUBLIC PLACES DOWNTOWN WALKING TOUR FOURTH EDITION Copyright ©2016 by the Office of Public Art, CONTENTS a partnership between the Greater Pittsburgh Arts Council and the City of Pittsburgh Department of City Planning 4 CULTURAL DISTRICT PROJECT DIRECTOR Renee Piechocki 38 GRANT STREET CORRIDOR PROJECT DEVELOPMENT Rachel Klipa DESIGN Little Kelpie 84 RETAIL DISTRICT AND FIRSTSIDE PHOTOGRAPHY Renee Rosensteel, 118 NORTH SHORE except where noted 152 NORTHSIDE This book is designed to connect people with art in public places in Downtown Pittsburgh. In addition to art, noteworthy architecture, landscape architecture, and cultural objects have been included based on their proximity to the artworks in the guide. Each walk takes approximately 80–120 minutes. Allow more time for contemplation and exploring. Free copies of this walking tour can be downloaded from the Office of Public Art’s website, publicartpittsburgh.org. Learn more about art in public places in the region by visiting pittsburghartplaces.org. WALKING TOUR ONE CULTURAL DISTRICT Contemporary art plays a leading role in Pittsburgh’s central arts neighborhood. Adventurous works by prominent artists mark the district’s boundaries and are integrated into its varied public spaces. FOR PITTSBURGH 168 LIGHTBULBS NORTHSIDE 5 JACKSONIA ST FEDERAL ST MATTRESS FACTORY ARCH ST SAMPSONIA SHERMAN AVE PALO ALTO ST RESACA ST E. NORTH AVE N TAYLOR AVE MONTEREY ST BUENA VISTA ST BRIGHTON RD JAMES ST CEDAR AVE PENNSYLVANIA AVE FORELAND ST W. NORTH AVE N. COMMONS NATIONAL AVIARY ARCH ST E.
[Show full text]
Second Edition of Frieze Sculpture at Rockefeller Center® Presents
Frieze New York Press Release July 21, 2020 Second Edition of Frieze Sculpture at Rockefeller Center® Presents Works from Leading International Artists Ghada Amer, Beatriz Cortez, Andy Goldsworthy, Lena Henke, Camille Henrot and Thaddeus Mosley Free public art installation to be displayed from September 1 – October 2, 2020 Presented by Frieze New York and Tishman Speyer New York, NY (July 21, 2020) – Today, Frieze and Tishman Speyer announce a special exhibition of site-specific works by six renowned artists, which will comprise the second year of Frieze Sculpture at Rockefeller Center. Usually held in the spring as part of the wider programming of Frieze New York, Frieze Sculpture at Rockefeller Center was postponed and readapted this year due to the COVID-19 pandemic. Presented in partnership with Tishman Speyer, the major public art initiative places significant sculptural works by leading artists in open, public locations throughout Rockefeller Plaza, allowing for ample social distancing space in compliance with all City and State guidelines. Offering free admission to all, Frieze Sculpture at Rockefeller Center will be on display from September 1 – October 2, 2020. Curated by Brett Littman (Director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York), the second edition is inspired by the site’s and the city’s natural materials of earth, rock, and plants, and by the 50th anniversary of Earth Day, the original date when Frieze Sculpture at Rockefeller Center was scheduled to debut. Artists Ghada Amer, Beatriz Cortez, Andy Goldsworthy, Lena Henke, Camille Henrot and Thaddeus Mosley have responded to that Frieze Press Release, Page 1 of 11 July 21, 2020: Second Edition of Frieze Sculpture at Rockefeller Center® Presents Works from Leading International Artists inspiration, with Amer, Cortez, Goldsworthy, Henke, and Mosley creating major new site-specific works.
[Show full text]
A Social and Cultural History of Jazz in Pittsburgh's
“The Crossroads of the World”: A Social and Cultural History of Jazz in Pittsburgh’s Hill District, 1920-1970 by Colter Harper BM, Duquesne University, 2001 MA Ethnomusicology, University of Pittsburgh, 2006 Submitted to the Graduate Faculty of the University of Pittsburgh’s School of Music in partial fulfillment of the requirements for the degree of PhD in Ethnomusicology University of Pittsburgh 2011 i UNIVERSITY OF PITTSBURGH Department of Music This dissertation was presented by Colter Harper It was defended on March 24, 2011 and approved by Dr. Laurence Glasco, Associate Professor, Department of History Dr. Andrew Weintraub, Associate Professor, Department of Music Dr. Bell Yung, Professor, Department of Music Thesis Director: Dr. Nathan Davis, Professor, Department of Music ii Copyright © by Colter Harper 2011 iii “The Crossroads of the World”: A Social and Cultural History of Jazz in Pittsburgh’s Hill District, 1920-1970 Colter Harper, PhD University of Pittsburgh, 2011 This study examines the social life and cultural history of jazz in Pittsburgh’s Hill District. Comprised of the city’s third and fifth wards, the Hill is located on the upward sloping eastern border of downtown that, in the first half of the twentieth century, fostered a thriving social life marked by the intersection of music, entrepreneurship, and a shifting demographic landscape. The scope of this study includes the decades between WWI and the 1968 riots sparked by the assassination of Dr. Martin Luther King—a period that encapsulates the emergence of jazz as an American cultural practice and the development of the urban African American neighborhood.
[Show full text]
Showcasenow! Only $72 Per Insertion 2012 Things to See and Do!
Free Crossing Rivers for the Arts, Culture, Heritage and Tourism. In Our 10th Year! Vol. 10, No. 4 / NoVEMBER 11, 2013 ShowcaseVol. 8, No. 9, November 28 to January 9, 2012 Magazine DOWNTOWN YORK WELCOMES YOU LINCOln’s INSPIRatIONAL ADDRESS HARRISBURG AND SWEET Potato PIES HANOVER: MORE THAN HISTORY AND CHIPS 2013 THINGS TO SEE AND DO! On the Web 24/7 showcasenow.net Adam Torres’ “The Past and Present Blend at El Morro” Visit us online at ShowcaseNow.net FREE Crossing Rivers in Nine Counties for Art, Culture, Heritage In Our Ninth Year! 2014 Issue Special! Magazine ShowcaseVol. 9, No. 2 | February 27 to April 9, 2012 Picture your enlarged business card on a page in ShowcaseNow! Only $72 per insertion 2012 Things to See and Do! What’s Happening in Your enlarged business card (2.75 inches x 4.74 inches) will be printed in our hard copy Harrisburg, Lancaster, York, Hanover, Chambersburg? paper as well as our online version. We’ll include a link to your business web site if you would like us to. You can advertise your business with a regular business card, or you can The Arts, Culture and Heritage of Southcentral Pennsylvania promote a one-time event as some have done in this issue of our publicaton. “Oranges in Chrome Bowl” by Tanya Snyder See page 7. It’s so simple: just send your card to our PO Box or send a jpeg file of your card or ad to On the Web 24/7 showcasenow.net [email protected]. Tell us what issue(s) you would like to have your ad inserted in and pay for your insertion in advance through our online PayPal feature.
[Show full text]