2nd July 2019 Contact: Phoebe Tronzo, [email protected], 0207 752 3234

BARTOLOMEO CINCANI, IL MONTAGNA (ORZINUOVI CIRCA 1450-1523 VICENZA) A woman standing on a grassy knoll, holding a pear brush and brown ink, brown wash heightened with white, on blue/grey paper 13½ x 9¼in.

Provenance: W. Mayor (L.2799) Sir Edward J. Poynter, P.R.A. (L. 874); Sotheby's, London, 24-25 April 1918, lot 90 (see, Lugt, vol. II, 'Le plus haut prix parmi les dessins italiens fut réalisé par un dessin de Bart. Montagna, Figure de femme debout, coll. Mayor, £ 960').

Exhibited: London Royal Academy, Exhibition of Italian Art, 1930, no. 704. Venice, Fondazione Cini, Disegni Veneti di Venice, Fondazione Collezioni Inglesi, 1980, no. 7.

Literature: T. Borenius, 'Two unpublished North Italian Drawings', The Burlington Magazine, XXIX, 1916, p.271. T. Borenius, The Vasari Society, Second Series, VII, 1926, no. 5. Lord Balniel and K. Clark, A Commemorative Catalogue of the Exhibition of Art, 1931, p.247. A.E. Popham, Italian Drawings exhibited at the Royal Academy, 1931, no.180, pl. CLIII. L. Puppi, Bartolommeo Montagna, 1962, p.147, fig. 166. T. Pignatti, I disegni dei Maestri, 2 La Scuola Veneta, 1970, p.67, fig. 9. N. Schwed, L'Oeil et la Passion: Dessins italiens de la Renaissance dans les collections privées Francaises, exhib. cat., Caen, 2011, p. 221, under no. 38, n. 7.

Old Masters Evening Sale – 4th July 2019 Contact: Nikki Van Beukering, [email protected], 0207 389 2566

GIOVANNI BATTISTA MORONI Saint Jerome reading oil on canvas 32 x 39in.

Provenance: Bishop Morlacchi Giuseppe Ghidini, by whom sold to Antonio Piccinelli, 1864. Purchased by Austen Henry Layard on behalf of Sir Ivor Guest, later 1st Viscount Wimborne 1866; and by descent to the 2nd Viscount Wimborne. Christie's, 9 March 1923, lot 23 as Moretto.

Literature: T. Borenius, Catalogue of the Pictures at Harewood House, Oxford, 1936, no. 44, pl. XIV. B. Berenson, Italian Pictures of the Renaissance Central Italian and North Italian Schools, London, 1968, p.286. M. Gregori, Giovanni Battista Moroni, in I Pittori Bergamaschi, il Cinquecento, III, 1975, no. 117, fig. 324, quoting further literature. P.V.B. Redona, Alessandro Bonvicino, il Moretto, Brescia, 1988, p.366, no. 178.

Value: £800,000

The Exceptional Sale – 4th July 2019 Contact: Toby Weatherall, [email protected], 0207 389 2814

A REGENCY YEW-WOOD AND EBONISED CENTRE TABLE CIRCA 1805, POSSIBLY BY MARSH AND TATHAM With leather-lined circular top and four drawers on rams' headed ebonised monopodia joined by a shaped platform, formerly with castors, batten-carrying holes, legs originally bronzed, the later locks stamped 'J.BRAMAH' with crown 28 ¾ in. high; 34in. diam.

Provenance: Probably acquired by Edward Lascelles, Viscount Lascelles (c. 1767-1814) for Harewood House, Yorkshire, or for Harewood House, Hanover Square, London, and thence by descent.

Literature: Illustrated in P. Macquoid, The History of English Furniture: The Age of Satinwood, London and New York, 1908, p. 230, fig. 215. G. Nares, 'The Splendours of Harewood', Country Life, 1 January 1957, p. 46, fig. 10, 'The Old Library' Harewood: A guide-book to the Yorkshire seat of Her Royal Highness The Princess Royal and the Earl of Harewood, Stoke-on-Trent, 1959, p. 4. C. Kennedy, Harewood: The Life and Times of an English Country House, London, 1982, n.p., 'The Library'.

Value: £40,000

The Exceptional Sale – 4th July 2019 Contact: Toby Weatherall, [email protected], 0207 389 2814

A GEORGE III ORMOLU-MOUNTED OVAL WINE COOLER AFTER A DESIGN BY ROBERT ADAM, CIRCA 1778 with entrelac border, lion-mask and ring handles and tablet centre on block feet 19 ½ in. high; 35in. wide; 23 ¼ in. deep

Provenance: The Earls of Harewood, Harewood House, Yorkshire, possibly inherited in 1916 as part of the Clanricarde bequest.

Value: £180,000

The Exceptional Sale – 4th July 2019 Contact: Toby Weatherall, [email protected], 0207 389 2814

A REGENCY MAHOGANY AND BRONZED CENTRE TABLE BY MARSH & TATHAM, CIRCA 1805 with sectioned green breccia marble top, the frieze mounted with anthemion and scrolls on lion monopodia and plinth base, inscribed 1836 below, the top associated, formerly with wood top, anti-friction castors, batten-carrying holes, inscribed '1836' in ink to a cross brace 36in 1/4. high; 72in. wide; 42in. deep

Provenance: Probably acquired by Edward Lascelles, Viscount Lascelles (c. 1767-1814) for Harewood House, Yorkshire, for the Egyptian Hall and thence by descent.

Literature: Harewood, Yorkshire, Oxford, early 1990s, p. 27. R. Edwards, 'Georgian Cabinet-Makers XI: The Younger Chippendale', Country Life, 7 May 1943. G. Nares, 'The Splendours of Harewood', Country Life, 1 January 1957, p. 45, fig. 9, 'The Entrance Hall'. R. Buckle, Harewood: A Revised Guide-book to the Yorkshire Seat of Her Royal Highness The Princess Royal and the Earl of Harewood, 1959, p. 3. M. Mauchline, Harewood House, London, 1974, fig. 22, 'The Entrance Hall'. C. Kennedy, Harewood: The Life and Times of an English Country House, London, 1982, n.p., 'The Old Library'. Harewood House, Yorkshire, Revised edition 1983, p. 12, fig. 2. S. Morris, 'Nothing in Excess', The Antique Collector, April 1995, fig. 3. Harewood, Yorkshire, Revised edition 1983, p.12, fig.2. K. Powell, 'Harewood House: Surviving with interest', The British Art Journal, vol. 2, no. 1, Autumn 2000, p. 71. Abigail L.H. Moore, Imagining Egypt: The Regency Furniture Collections at Harewood House, Leeds and Nineteenth Century Images of Egypt (unpublished doctoral thesis, University of Southampton, 2001), Fig. 14: The Entrance Hall; Figure 44: Centre Table, Spanish Library.

Value: £100,000

The Exceptional Sale – 4th July 2019 Contact: Toby Weatherall, [email protected], 0207 389 2814

A SUITE OF REGENCY SIMULATED ROSEWOOD SEAT-FURNITURE BY MARSH AND TATHAM, AFTER A DESIGN BY HENRY HOLLAND, CIRCA 1801 consisting of eight open armchairs with padded backs and seats, reeded frames, splayed back legs and reeded front legs, mounted with ormolu florets, a pair of window seats with scrolled ends, en suite and a pair of sofas, en suite window seats: 48in. wide sofas: 92in. wide

Provenance: Probably acquired by Edward Lascelles, Viscount Lascelles (c. 1767-1814) for Harewood House, Hanover Square, London, or for Harewood House, Yorkshire, and thence by descent

Literature: One armchair, the sofa and one window-seat illustrated in P. Macquoid, The History of English Furniture: The Age of Satinwood, London and New York, 1908, p. 252, fig. 243, p. 237, fig. 225 and p. 238, fig. 226. Three chairs illustrated in 'The Music Room', Country Life, ' Harewood House, Yorkshire: The Home of the Lascelles', 25 February 1922, p. 245, fig. 4. Three chairs illustrated in 'The Music Room', 'Harewood House: The seat of the Earl of Harewood', Country Life, 4 July 1914, p. 21. Abigail L.H. Moore, Imagining Egypt: The Regency Furniture Collections at Harewood House, Leeds and Nineteenth Century Images of Egypt (unpublished doctoral thesis, University of Southampton, 2001), Fig. 65: Regency Sofa and Set of Chairs, Billiard Room; Fig. 84: Regency Couch and Chair, Billiard Room.

Value: £95,000

The Exceptional Sale – 4th July 2019 Contact: Toby Weatherall, [email protected], 0207 389 2814

A GEORGE II GILTWOOD PIER TABLE WITH SERPENTINE BRÉCHE VIOLETTE MARBLE TOP CIRCA 1750 The shaped frieze centred by the cartouche of the Lascelles family, flanked by swags of fruiting vines, on scrolled legs ending in dolphins, the frieze perhaps embellished, previously white painted, when the marble top was broken it appears to have been laid on a wooden board that was screwed to the frame and subsequently applied with a stone repair. 35in. high; 71½in. wide; 36in. deep

Provenance: Probably acquired by Edwin Lascelles, 1st Baron Harewood (1713-95).

Value: £100,000

Victorian Pre-Raphaelite & British Impressionist Art – 11th July 2019 Contact: Anna Venturini, [email protected], 0207 389 2186

SIR ALFRED JAMES MUNNINGS, P.R.A., R.W.S. (1878-1959) The Bramham Moor Hounds at Weeton Whin signed 'A.J. MUNNINGS' (lower right) oil on canvas 40in. high; 57in. wide

Provenance: Commissioned by Henry Lascelles, 6th Earl of Harewood, and by descent in the family

Exhibited: London, Royal Academy, 1928, no. 198. London, Royal Academy, Exhibition of Works by Sir Alfred J. Munnings, K.C.V.O., P.P.R.A., 1956, no. 171. London, Christie's; and Manchester, Whitworth Art Gallery, Treasures of the North, January - April 2000, no.24.

Literature: The Illustrated London News, 1929, vol. 175, part 2, p. 652. A.J. Munnings, The Second Burst, Bungay, 1951, p. 225, illustrated opposite p. 224. S. Booth, Sir Alfred Munnings 1878-1959, London, 1978, pp. 172-3. J. Goodman, What a Go!, London, 1988, p. 188. T. Rodrigues (ed.), Treasures of the North, ex. cat., London, 2000, p. 41, no. 24

Value: £2,000,000