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Theater to See in LA This Week, Including A Theater to See in L.A. This Week, Including a Triumphant Return of a Latter-Day Judy Garland - Los Angeles - Arts - Public Spectacle 4/6/13 1:26 AM Browse Voice Nation Join Log In Blogs Search ARTS HOME ARTS BLOG THEATER THE ADVICE GODDESS ARTS NEWSLETTER GET MOBILE ENTERTAINMENT ADS Best L.A. Novel Ever: Stage Raw Books First Person TOP WhichThe... Is Better: New Play About A Hollywood Yes, You Can Day of the Marilyn Monroe's Novel That Hire a Naked blog Locust or What Bisexuality Doesn't Satirize Maid in L.A. STORIES Makes Sammy Hollywood? By Lisa Horowitz Run? By Steven Leigh Morris By Joseph Lapin By Jeff Maysh Stage Raw Now Trending Theater to See in L.A. This Week, Including a Theater Issue 2013: Why Be a Playwright in L.A.? Triumphant Return of a Latter-Day Judy Garland 5 Awesome Free Things To Do in L.A. This By Steven Leigh Morris Thu., Mar. 28 2013 at 2:04 PM Write Comment Week Categories: Stage Raw, Theater Like 261 Send Tweet 4 StumbleUpon 0 New Play About Marilyn Monroe's Bisexuality http://blogs.laweekly.com/arts/2013/03/end_of_the_rainbow_ahmanson.php#more Page 1 of 7 Theater to See in L.A. This Week, Including a Triumphant Return of a Latter-Day Judy Garland - Los Angeles - Arts - Public Spectacle 4/6/13 1:26 AM From the Vault I Was Sick of L.A. Traffic. So I Took a Plane to Work Public Spectacle - L.A. Weekly Arts & Culture Like 4,492 people like Public Spectacle - L.A. Weekly Arts & Culture. Slideshows Craig Schwartz Tracie Bennett stars as Judy Garland in End of the Rainbow CuriousJosh: L.A. Burning Man Regional Camp Out Tracie Bennett knocked the socks off our critic Tom Provenzano with her impersonation of Judy Garland in End of the Rainbow at the Ahmanson, which he made this week's Pick of the Week. Also Bill Raden had good things to say about S.O.E. -- Jami Brandli's clever, three- Lina In L.A.- Dirty Disco character riff on the venerable West End murder mystery The Mousetrap at Atwater Village Theatre -- and Lovell Estell praised Roger Matthew's revival of Trainspotting at the Elephant Theatre. For all the latest New Theater Reviews, see below. Alkaline Trio @ Hollywood In this week's Theater Feature, Zachary Pincus-Roth gives kudos to Center Theatre Group Tower for premiering a new play by a local scribe, Jennifer Haley's The Nether, though he has mixed feelings about the play itself. It's L.A. Weekly Theater Awards time: Monday evening, April 8, at Avalon More Slideshows >> Hollywood. Doors open 6:30 p.m., show starts at 7:30 p.m., hosted by Lost Moon Radio. Theme: Theater's survival post-apocalypse -- dress accordingly. Post-show reception is hosted by Shamshiri Grill. Nominees please RSVP at (310) 574-7208 before Friday, April 5. Friends, family and others, book tickets here. NEW THEATER REVIEWS, scheduled for pubication March 27, 2013 PICK OF THE WEEK END OF THE RAINBOWJudy Garland's legendary triumphs and tragedies, dish and dirt have been chronicled so often and in so many forms, it would http://blogs.laweekly.com/arts/2013/03/end_of_the_rainbow_ahmanson.php#more Page 2 of 7 Theater to See in L.A. This Week, Including a Triumphant Return of a Latter-Day Judy Garland - Los Angeles - Arts - Public Spectacle 4/6/13 1:26 AM seem no nuance is left to be unearthed. Then there is Tracie Bennett, a performer whose colossal vocal and emotional power in End of the Rainbow pull us eagerly into a known quantity of expected bathos, then without warning sheds sentiment in favor of caustic reality, portraying Garland as less a victim than vicious miscreant. In the last year of her life, broke and desperate, the star leans on her new young fiancé,Mickey Deans (a perfectly tacky Erik Heger), to whom she is simultaneously delightfully brittle, cruel and irresistible as he arranges her last-chance gig -- a five-week concert run in London. At her side also is accompanist Anthony (smartly played by Michael Cumpsty), who represents her enormous gay following. The two men alternately join forces and skirmish, attempting to keep Garland clean, sober and stage-ready. Peter Quilter's lean and piercing script leaves little room for the maudlin, focusing instead on Garland's extremely sharp wit and lifelong addict's tricks to stay one step ahead of her keepers at all times. Masterful director Terry Johnson keeps the cast tightly connected to the material while allowing his star to soar in her myriad musical numbers, both in messy rehearsals with Anthony and during her bright moments in front of packed houses. Music director Jeffrey Saver and his band consummately create those moments through Chris Egan's classic orchestrations and the Services simple brilliance of Bennett's performance. Ahmanson Theatre, 135 N. Grand Ave., Dwntwn: Tues.-Fri., 8 p.m.; Sat., 2 & 8 p.m.; Sun., 1 & 6:30 p.m.; through April 21. (213) Concorde Career College 628-2772, centertheatregroup.org (Tom Provenzno) View Ad | View Site THE IMPORTANCE OF BEING EARNEST While the latest offering from the Banshees is surely earnest, director Sean Branney and the ensemble don't quite capture Concorde Career College View Ad | View Site the delicate rhythms of Oscar Wilde's language nor the precise comic timing necessary to properly realize Earnest. The conflict between Jack (Cameron J. Oro) and Algernon (Kevin UCLA Extension Stidham) initially misses the mark, as Oro is too congenial to delineate the contrast View Ad | View Site between the bachelors, leading Stidham to overdo the cheek a bit. Their dynamic soon recovers but it never finds Jack's stringent propriety, which provides the necessary foil to UCLA Extension Algernon's antics. Andrew Leman's Lady Bracknell, while quite different from Dame Edith View Ad | View Site Evans' classic portrayal, comes into her own and continues the tradition of male casting for the role. Gwendolen (Sarah van der Pol) and Cecily (Erin Barnes) are pleasant and perky, More >> but their claws aren't razor sharp in their classic tête-à-tête over tea, though Barnes' energy gives Cecily a youthful exuberance. There is brilliance in Branney's "set-change ballet" between Acts II and III, showcasing Arthur MacBride's artfully crafted set, but it's not enough to elevate a merely competent take on the classic. Theatre Banshee, 3435 W. Magnolia Blvd., Burbank; Fri.-Sat., 8 p.m.; Sun., 2 p.m.; through May 5. (818) 846-5323, theatrebanshee.org. (Mayank Keshaviah) MAD FOREST When Eastern European Communism collapsed, only Romania spilled a lot of blood -- from soldiers firing on citizens to the Christmas Day execution of its husband-and- wife dictators, Nicolae and Elena Ceausescu. When familiar faces quickly regained power, Romanians wondered if the events of late 1989 should have been labeled a revolution at all. Mad Forest delves directly into that abyss, spinning history into parable via playwright Caryl Churchill's canny postmodern aesthetic. Part 1 sets the stage with tableaux of Romanian life http://blogs.laweekly.com/arts/2013/03/end_of_the_rainbow_ahmanson.php#more Page 3 of 7 Theater to See in L.A. This Week, Including a Triumphant Return of a Latter-Day Judy Garland - Los Angeles - Arts - Public Spectacle 4/6/13 1:26 AM under the secret police. Part 2 becomes an oral history of the violence, and Part 3 dramatizes the unraveling of hope, goodwill -- and, to some extent, sanity -- in the messy aftermath. Mad Forest, with its heavily expository nature, may not have stood the test of time as well as some of Churchill's other works, but its engagement with the impotent rage of those whom history treats as pawns remains on point. Director Marya Mazor stylishly wrangles her large cast and multimedia staging. Open Fist Theatre Company, 6209 Santa Monica Blvd., Hlywd.; Fri.-Sat., 8 p.m.; Sun., 2 p.m.; through May 4. (323) 882- 6912, openfist.org. (Mindy Farabee) MINDSPIN Ehrin Marlow Alec, Jessica Noboa and Ryan Mulkay "Meta" might be a bit of an overused critical term these days, but it's an apt description of this intriguing if ultimately flimsy performance art piece about performance art pieces, from New York City's Ugly Rhino Theater Company. Director Nicole Rosner's site-specific narrative unfolds at a red- painted cinderblock downtown loft, full of edgy art works, where audience members mingle with actors who are portraying artists, bartenders and other guests. Before long, we find ourselves drawn into the story of the party's hostesses, Auden (Lauren Swann) and Tahnee (Tanya Zoeller), who develop a bizarre love triangle with a handsome but mysterious party guest (Zachary Puchtel). It's undeniably charming to wander around the loft during the party scenes, luxuriating in the fact that (for one night Payne only) you are "hipper than Lauren Swann and Tanya Zoeller thou," while interacting with folks who might be either http://blogs.laweekly.com/arts/2013/03/end_of_the_rainbow_ahmanson.php#more Page 4 of 7 Theater to See in L.A. This Week, Including a Triumphant Return of a Latter-Day Judy Garland - Los Angeles - Arts - Public Spectacle 4/6/13 1:26 AM random audience members or disguised actors. It's unfortunate, though, that the show's "plot" is slight to the point of being utterly inconsequential -- divorce it from the engagingly ambiguous context and the play itself is almost nonexistent. The Red Loft, 605 E. Fourth St., dwntwn.; schedule varies, through April 6. uglyrhino.com. (Paul Birchall) GO THE NETHER Jennifer Haley's new virtual reality play at the Kirk Douglas Theatre.
Recommended publications
  • End of the Rainbow
    Per la prima volta al Teatro Sistina MONICA GUERRITORE è Judy Garland in End of the Rainbow di Peter Quilter Regia di JUAN DIEGO PUERTA LOPEZ In scena dal 19 al 30 ottobre 2016 COMUNICATO STAMPA Il talento, la vitalità, l'ironia e l'animo tormentato di un'artista inquieta: per la prima volta sul palco del Sistina, Monica Guerritore sarà Judy Garland nello show End of the Rainbow, per la regia di Juan Diego Puerta Lopez, che mercoledì 19 ottobre inaugura la stagione 2016-2017 del teatro romano. Irresistibile, tragico e divertente al tempo stesso, questo musical scritto da Peter Quilter è un grandissimo successo internazionale che ha fatto letteralmente impazzire Broadway, perché regala al pubblico il ritratto sincero, gioioso e disperato di un'artista completa (attrice, cantante e ballerina) capace di far sognare, sempre circondata dal mondo dorato di lustrini e paillettes fino alla drammatica fine. La prima delle grandi donne del '900 a cui il Sistina e il suo direttore artistico Massimo Romeo Piparo rendono omaggio nella stagione, questa splendida Judy Garland, esattamente come Evita Perón e Lady Diana che la seguiranno sul palco nei prossimi mesi, rappresenta un personaggio forte, una maschera sfaccettata e affascinante in uno spettacolo imperdibile, di cui Monica Guerritore è perfetta interprete e “mattatrice”. Per Il Sistina, che produce lo show, questa sarà dunque un'apertura di stagione all'insegna della qualità artistica, con una delle più straordinarie attrici italiane che, accompagnata in scena da un trio di musicisti, canterà dal vivo i più grandi successi dell'indimenticabile artista americana. "Essere una star per me è stato facile..
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  • CHICAGO to Tour Australia in 2009 with a Stellar Cast
    MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer.
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    Cite as: . Mr. Ritwik Kaikini 2020, The Stare of a Locked Cupboard in Sciphiweb Repository on Science, Philosophy & Gaming, Retrieve from : http//sciphiweb.com/blogdetails.php?id=VGxSBIBRPTO= Film Review The Stare of a Locked Cupboard A review of Judy (2019) directed by Rupert Goold, Produced by David Livingstone, Screenplay by Tom Edge, Based on End of the Rainbow by Peter Quilter, starring Renée Zellweger, Finn Wittrock, Jessie Buckley, Rufus Sewell, Michael Gambon. Music by Gabriel Yared, Cinematography Ole Bratt Birkeland, Edited by Melanie Ann Oliver Production Company Pathe BBC Films Calamity Films BFI: Jude, released on 27 September 2019 (United States) Ritwik Kaikini The gaze on the eyes of the worn out actress is stern. It is shaky with vibrations from an overworked, sleepless past. Carrying a forced smile she tries to sway her loving audience. An audience which feeds on her personality like devouring a well dressed cake with a delicious frosting. But little does the audience know that if they take a bite from that cake, they will taste something sour in the center. The sweetness is just an escape. The film opens with the nervous, wide-eyed, young Judy Garland (played by Darci Shaw) on the sets of ‘The Wizard of Oz’ in 1939, staring directly at us while the vicious Louis B. Mayer(played by Richard Cordery), the producer lurking in the shadows, advises her that if she were to quit her creative career, leave the sets and live a ‘normal’ life like all the other girls out there, she would be forgotten forever and swallowed up like a raindrop in the Pacific Ocean.
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  • Peter Quilter
    RICHMOND TRIANGLE PLAYERS PRESENTS BY PETER QUILTER DIRECTED BY LUCIAN RESTIVO ONSTAGE AND ON DEMAND APRIL 29 – MAY 22, 2021 RICHMOND TRIANGLE PLAYERS The 2020-2021 AT THE ROBERT B. MOSS THEATRE Season Is Supported In Part 1300 ALTAMONT AVENUE By Funding From 2 RICHMOND TRIANGLE PLAYERS We are proud to be the longest- love the theatre we create. operating professional theatre in the We are now regarded as one of the entire mid- Atlantic community that major cultural entities in Central has continuously produced works Virginia, and have received relevant to the LGBTQ experience – international recognition for our in fact, we are now in our 28th work, in addition to season, despite the temporary commendations from the closure caused by an Virginia Legislature, unparalleled pandemic! recognition as a 2019 We are proud that the Richmond History Maker works we have by the Valentine produced have made a Museum and Capital positive impact on our community, and Region Collaborative, and as an have helped shape Richmond’s OUTstanding Virginian at the 2018 conversations about diversity, equity statewide Equality Virginia dinner. and inclusion. And we are especially Whether it’s your first or fiftieth time at proud that in this time of need, RTP’s Richmond Triangle Players, thank you patrons made it clear through their for joining us! We hope you will be extraordinary support how much they with us for many years to come. CONTACT US BY EMAIL: Box Office, [email protected] Philip Crosby, Executive Director [email protected] Lucian Restivo, Artistic Director [email protected] George M.
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  • Download A4 Printable Version
    Welcome to Piaf In 1980, Nottingham Playhouse was one of the first theatres to produce Pam Gems’ sensational play and an emerging new talent starred in the titular role – a young Imelda Staunton. Now, 40 years on, we are thrilled to bring Piaf back to our stage, in partnership with Leeds Playhouse. This emotionally-charged play explores the challenging and fascinating life and relationships of the enigmatic Edith Piaf with one of the West End’s leading performers, Jenna Russell, bringing this iconic character to life. Supported by a first-rate company, including some familiar Playhouse faces, our cast and creative team will truly transport you to the streets of Paris this summer. Whether you are joining us at the theatre, or watching our livestream from home, we are so pleased to finally welcome you back for this long-awaited production. It has been a difficult year, but the support of our audiences and friends has been overwhelming. We hope you enjoy the show as much as we have creating it. Stephanie Sirr Adam Penford Chief Executive Artistic Director Fri 29 Oct – Sat 20 Nov 2021 Mark Gatiss (The Madness of George III) stars in his own retelling of Dickens’ classic winter ghost story. It’s Christmas Eve. As the cold, bleak night draws in, the avaricious Ebenezer Scrooge is confronted by the spirit of his former business partner Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn’t too late for Scrooge to change his miserly ways in order to escape the same fate, but first he’ll have to face three more eerie encounters… Staying true to the heart and spirit of the original novel, this production is filled with Dickensian, spine-tingling special effects; are you brave enough to join us? AN interview with jenna RUSSELL What was your introduction to theatre and when did you know you wanted to be an actor? My earliest memory of going to the theatre was when Mum took me to see Robert Lindsey in Hamlet.
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  • End of the Rainbow by Peter Quilter
    End of the Rainbow by Peter Quilter Peter Quilter’s play, which is part concert–part drama, tells of the final, sad decline of Judy Garland, following a lifetime of abuse, addictions, and attempted suicides. Supposedly, she’s on the way to a full recovery and has booked a six-week run at London’s Talk of the Town nightclub, encouraged by her fiancée and manager, Mickey Deans, and in cahoots with her gay pianist friend Anthony. Despite Judy’s best intentions, as the run gets underway, she cannot suppress her destructive streak that has characterised her life up until this point. Quilter’s play is a powerful, part fictionalised, exploration of the final days of this lonely and exploited star, whose only way of travelling over the rainbow is through drugs. End of the Rainbow premiered in August 2005 at the Sydney Opera House. ‘It's not so much the colours of the rainbow that light up Peter Quilter's moving yet often funny musical, as the deep, dark cracks between them.’ Independent Genre: play featuring songs of Judy Garland Fee: £75 plus VAT, per performance Cast: m2 f1 Scripts: ISBN 9780413775320, £8.99 Set: The Ritz/Talk of the Town nightclub, 1968 Length: 2 acts Contact: [email protected] Extract (p. 33) Anthony Oh my God, your head! What happened? Mickey Oh, shut up. Judy What are you asking me for? I don’t know! Judy Hey – I’m Judy Garland – you show me some Anthony I’ll get something. respect! He goes back into the bathroom.
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  • Get Happy: Angela Ingersoll Sings Judy Garland
    Get Happy: Angela Ingersoll Sings Judy Garland (PHOENIX, Ariz. - Jan. 4, 2021) Artists Lounge Live presents Get Happy: Angela Ingersoll Sings Judy Garland Jan. 26, through Feb. 7, 2021, at The Phoenix Theatre Company’s new outdoor venue in Central Phoenix. In an Emmy Award-nominated performance seen on PBS, Angela Ingersoll celebrates Judy Garland. Ingersoll won acclaim starring as Garland in End of the Rainbow, including Chicago's Jeff Award and LA Times Woman of the Year in Theatre. In concert, Ingersoll offers two glorious hours of virtuosic vocals, passionate storytelling, and naturally winning humor. Chicago Sun-Times exclaims, “Phenomenal. Judy Garland has been reborn.” Featuring a powerful band, classic songs include "Over the Rainbow," "The Trolley Song," and "The Man That Got Away.” Get Happy: Angela Ingersoll sings Judy Garland is set in The Phoenix Theatre Company’s socially distanced outdoor venue, located at 1875 N. Central Ave., a half block north of the theatre’s three-stage complex. The site includes socially-distanced seating, temperature checks, hand sanitizer stations, and contactless food and beverage ordering. Masks are required. Tickets are $59 each. To purchase tickets, call 602-254-2151 or visit www.phoenixtheatre.com. Video: https://www.youtube.com/watch?v=J-Ro3BL2kH0 Webpage: http://artistsloungelive.com/get-happy-angela-ingersoll-sings-judy-garland/ ABOUT THE ARTIST: LA Times cheers, “Ingersoll has incandescent star power.” Actress, singer, writer, and producer Angela Ingersoll received an Emmy Award nomination for her performance in Get Happy: Angela Ingersoll Sings Judy Garland on PBS, which tours live nationwide. She won acclaim starring as Judy Garland in the play End of the Rainbow, including Chicago's Jeff Award, a Broadway World Award, and LA Times Woman of the Year in Theatre.
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  • Gay Easterparade.COM • Gaymardigras.COM
    Gay EasterParade.COM • GayMardiGras.COM • GayNewOrleans.COM • June 5-18, 2012 • The Official Mag: AmbushMag.COM • 21 have fueled her since she was a child maker whose still currents run deep; actress. Sure there was a physical addic- Brooke, luminescent but forever devas- feature tion, but Quilter’s subtly captivating script, tated by the loss of her brother; and Lyman which only occasionally succumbs to cli- & Polly’s son Trip (Thomas Sadoski), a ches in plotting or dialog, lays out Garland’s reality show producer whose casual de- Local Artist Returns to insecurities and harrowing psychological meanor does not preclude strong emo- need for chemical support despite her tions. The 700 Club towering talent. Best of all are Polly and her sister eing no stranger to the visual Such a sturdy vehicle would hardly Silda Grauman (Judith Light), Jews from and performing arts, it would run, however, if the actress playing Gar- Texas who came to Hollywood and be- Bseem that New Orleans local, land could not pull off the tough task of came successful screenwriters of a series Jay Hendrix, has been painting as long as portraying a legend. of teenage-themed movies. If Silda, a re- he’s been performing. Not so! At the age And here, End of the Rainbow tri- covering alcoholic is funny and warm of 44, he picked up his first paint brush umphs with a career-making performance and everything you’d want your aunt to be, just four years ago. With no formal train- by Tracie Bennett who, whether singing, Polly is the opposite.
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  • 08 February 2010
    14 November 2012 FROM LONDON’S WEST END TO BROADWAY TO BRISBANE! END OF THE RAINBOW SET TO BE 2013 BLOCKBUSTER! The Queensland premiere of Peter Quilter’s acclaimed production, End of the Rainbow, will take Brisbane audiences on a dramatic journey following the rise and fall of superstar Judy Garland. Starring powerhouse actor Christen O’Leary as Judy Garland, End of the Rainbow is exclusive to Brisbane from 2-24 March 2013 in the Playhouse, Queensland Performing Arts Centre (QPAC). Directed by David Bell, End of the Rainbow paints a warts-and-all picture of the beloved but tortured musical icon, her strained relationships with men, her struggle to stay in the spotlight and the pill habit that would eventually claim her life. After a show-stopping turn in Queensland Theatre Company’s (QTC’s) smash hit production of Bombshells last year, Christen O’Leary has been brilliantly cast to fill Judy’s ruby slippers and explore the dark side that worldwide fame can bring. “Christen O’Leary as Judy Garland will take audiences on an incredible, moving journey. She will take you on an adventure full of joy, celebration, soaring songs and dark moments of regret. It is a show that you will never forget, a world class production that will raise the roof off the Playhouse,” said QTC Artistic Director Wesley Enoch. The show is set at Christmas 1968 and Judy Garland is not in Kansas anymore. The former child star is shacked up in London’s Ritz Hotel with fiancé number five, Mickey Deans, and her loyal friend and pianist, Anthony.
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  • Peter Quilter Chris Egan Featuring Tari Kelly* with Zachary Clark*, Jonas Cohen* and Josh Robinson* Directed by Rod A
    March 25—April 13, 2014 Written by Musical Arrangements by PETER QUILTER CHRIS EGAN Featuring TARI KELLY* with ZACHARY CLARK*, JONAS COHEN* and JOSH ROBINSON* Directed by ROD A. LANSBERRY Musical Director Musical Staging Scenic Design DAVID NEHLS ALAN BENNETT BRIAN MALLGRAVE Lighting Design Sound Design Costume Design SHANNON MCKINNEY DAVID THOMAS CLARE HENKEL Wig and Makeup Design Production Stage Manager Assistant Stage Manager DIANA BEN-KIKI LISA COOK* LISA A. KURTZ* Artistic Producer ROD A. LANSBERRY Casting by wojcik | seay casting, llc T The Designers at this Theatre S CENIC A S A IA D R T are Represented by E I E T S I I T N S • U L • United Scenic Artists• Local USA 829 O 9 C 82 AL USA of the International Alliance of Theatrical Stage Employes The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. CAST OF CHARACTERS Judy Garland ....................................................................................................Tari Kelly * Mickey Deans ...........................................................................................Zachary Clark * Anthony ....................................................................................................... Jonas Cohen * BBC Radio Interviewer/Porter/Assistant Stage Manager ............................. Josh Robinson * UNDERSTUDIES (Understudies never appear in place of principal actors unless an announcement has been made.) Judy Garland: Lacey Connell; Mickey Deans: Josh Robinson*; BBC Radio Interviewer/Porter/Assistant Stage Manager: Rodney Lizcano*. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ORCHESTRA MUSICAL NUMBERS Music Director, Conductor, Keyboards: David Nehls “I Can’t Give You Anything But Love” Assistant to the Music Director, Percussion: Keith Ewer “Just in Time” Bass: Jon Cullison; Woodwinds: Andrew Stonerock; “For Me and My Gal” Trumpet: Brad Goode; Trombone: Wade Sander.
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  • THE SEASON of SPONSORS Colin Mccoll WELCOME Artistic Director Principal Partner Principal Funder
    THE SEASON OF SPONSORS Colin McColl WELCOME Artistic Director Principal Partner Principal Funder In these days of celebrity overkill it’s hard to imagine the phenomenon It’s been a great pleasure to work with Ellie that was Judy Garland. Today singers are famous for a couple of hit records again and to welcome her back to Auckland or their hugely over-publicised private lives. Some are even famous just for for her Auckland Theatre Company debut. being well-known. But Judy Garland earned her dues. She started in the She is joined by a stalwart of the Auckland stage, actor and musician family vaudeville act and as a child star at MGM she touched the hearts of Core Funders Paul Barrett, exciting young actor Edwin Wright (who was last seen at billions as Dorothy in The Wizard of Oz and dozens of other hit movies. Auckland Theatre Company in The Crucible) and James Jennings who’s on She could dance, act up a storm and sing anyone else off the planet with secondment from Unitec School of Performing and Screen Arts. her unique voice. Thanks to my designers John Parker, Tony Rabbit and Rachael Walker But Garland was a victim of the studio system. The cocktail of “uppers” and to our fantastically committed production team for realising this and “downers” prescribed by the studio doctor to keep up her productivity production so brilliantly. and to ensure she was well rested in her downtime had her addicted before she was out of her teens. Thanks too to Penny Dodd for her orchestral arrangements of the Garland Major Supporter Special Project Funder standards and for arranging and overseeing the session recording with When her work started to suffer the studio dumped her.
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  • Pathé, BBC Films and Ingenious Media Present a Calamity Films
    Pathé, BBC Films and Ingenious Media Present A Calamity Films Production JUDY Starring RENÉE ZELLWEGER JESSIE BUCKLEY FINN WITTROCK RUFUS SEWELL MICHAEL GAMBON DARCI SHAW Directed by RUPERT GOOLD Written by TOM EDGE SHORT SYNOPSIS Winter 1968: Showbiz legend Judy Garland (Renée Zellweger) arrives in Swinging London to perform in a sell-out run at The Talk of the Town. It is 30 years since she shot to global stardom in THE WIZARD OF OZ, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians, and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of romance seem undimmed as she embarks on a courtship with Mickey Deans (Finn Wittrock), her soon-to-be fifth husband. And yet Judy is fragile. After working for 45 of her 47 years, she is exhausted; haunted by memories of a childhood lost to Hollywood; gripped by a desire to be back home with her kids. Will she have the strength to go on? Featuring some of her best-known songs, including the timeless classic ‘Over the Rainbow’, JUDY celebrates the voice, the capacity for love and the sheer pizzazz of “the world’s greatest entertainer”. LONG SYNOPSIS 1939, Hollywood: a young Judy Garland (16) is having second thoughts about her life as a child actor; she is exhausted by the relentless shooting schedule and chafing against the control exerted by the Studio over every aspect of her life. Studio boss at MGM, Louis B.
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