Television Nominations -..::Sorozatguru
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Visit the PBS pressroom for more information and/or downloadable images: http://www.pbs.org/pressroom/ PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour A Provocative and Entertaining Look at the Portrayal of Native Americans in Cinema to Air November 2010 During Native American Heritage Month (San Francisco, CA)—Cree filmmaker Neil Diamond takes an entertaining, insightful, and often humorous look at the Hollywood Indian, exploring the portrayal of North American Natives through a century of cinema and examining the ways that the myth of “the Injun” has influenced the world’s understanding—and misunderstanding—of Natives. Narrated by Diamond with infectious enthusiasm and good humor, Reel Injun: On the Trail of the Hollywood Indian is a loving look at cinema through the eyes of the people who appeared in its very first flickering images and have survived to tell their stories their own way. Reel Injun: On the Trail of the Hollywood Indian will air nationally on the upcoming season of the Emmy® Award-winning PBS series Independent Lens in November 2010. Tracing the evolution of cinema’s depiction of Native people from the silent film era to today, Diamond takes the audience on a journey across America to some of cinema’s most iconic landscapes, including Monument Valley, the setting for Hollywood’s greatest Westerns, and the Black Hills of South Dakota, home to Crazy Horse and countless movie legends. -
Orestes 2021 Orestes Written by Rick Roberts
Feb 3 – Feb 14, Orestes 2021 Orestes Written by Rick Roberts CREATIVE AND PRODUCTION TEAM CAST Richard Rose Cliff Cardinal Director Orestes Shannon Lea Doyle Richard Clarkin Set and Costume Designer Menelaus Kimberly Purtell Bren Eastcott Lighting Designer CASMR@NDRA Thomas Ryder Payne David Fox Sound Designer Tyndareus Frank Donato Eleanor Guy Video and Stream Designer and Operator Hermione toasterlab - Ian Garrett Jeff Ho Web Interface Pylades Joey Morin Krystin Pellerin Lighting Interface Designer Electra Makambe K Simamba Anthony Perpuse Assistant Director RuDaGold/Publicist Sarah Miller Lisa Ryder Stage Manager Helen/Clytemnestra Alysse Szatkowski Gabriella Sundar Singh Apprentice Stage Manager MandLbrot Jack Considine Production Assistant “Chains” - words and music by Eleanor Guy, Produced and Mixed by Thomas Ryder Payne Orestes is staged by arrangement with Pam Winter, GGA, www.ggagency.ca. Tarragon Theatre is an active member of the Professional Association of Canadian Theatres (PACT), the Toronto Alliance for the Performing Arts (TAPA), and engages professional artists who are members of Canadian Actors’ Equity Association under the terms of the Canadian Theatre Agreement. The performance of Orestes is powered by LIVELAB. PLAYWRIGHT’S NOTE I demand so much of my screen. Sex, news, love, conversation, shopping. I’m addicted to my phone. And through the attention I lavish on it, a new someone emerges online, at least as real as the embodied me. Me and not me. A kind of ghost that shadows me, demands things of me, even on the bus or in the grocery store. I/not I takes form in the still-forming space of online, a space of whispers and shouts, intimate and vast at the same time. -
Imagine Native Nation
Hour.ca Film Présence autochtone http://www.hour.ca/film/film.aspx?iIDArticle=17520 Film Front Now playing Upcoming Cinemas Repertory All films Présence autochtone June 11th, 2009 W rite a comment on this article ! The Taking of Pelham 123 Away We Go P résence autochtone Imagine native nation Melora Koepke June 4th, 2009 The Hangover [3] Festival Présence autochtone brings the best in aboriginal O'Horten culture to the city NFB 70th birthday Easy Virtue [1] It's time again for Présence autochtone, the festival that May 28th, 2009 celebrates all the arts and culture of North American native The Brothers Bloom [1] peoples (and some from around the world). It should be 2880 Film Blitz mentioned that the film portion of this festival is at the Every Little Step heart of a more extensive festival that features some very interesting art that's worth mentioning, as well as a May 21st, 2009 festivallike atmosphere at the centre of the city, Terminator: Salvation [1] specifically at Parc ÉmilieGamelin, at the corner of Berri Night at the Museum [2] and De Maisonneuve. Andrew Okpeaha MacLean's Sikumi The Limits of Control Web (On the Ice) As far as artistic events go, I'm specifically intrigued by exclusive! [2] photo: Terres en vues Fragments, a ballet by OjibwayCree choreographer Lara May 14th, 2009 Kramer. The piece, which is a premiere, is based on the The Found Footage traumatic events that happened to her mother in the residential school system. Festival There will also be a special, superinterestinglooking section on the culture of the Marquesas, Il divo [1] Tahiti and French Polynesia. -
Liste Des Finalistes En Télévision
Liste des finalistes en télévision MONTRÉAL | TORONTO, 19 janvier 2016 Best Dramatic Series Sponsor | Innovate By Day 19-2 Bravo! (Bell Media) (Sphere Media Plus, Echo Media) Jocelyn Deschenes, Virginia Rankin, Bruce M. Smith, Luc Chatelain, Greg Phillips, Saralo MacGregor, Jesse McKeown Blackstone APTN (Aboriginal Peoples Television Network) (Prairie Dog Film + Television) Ron E. Scott, Jesse Szymanski, Damon Vignale Motive CTV (Bell Media) (Motive Productions III Inc., Lark Productions, Foundation Features) Daniel Cerone, Dennis Heaton, Louise Clark, Rob Merilees, Erin Haskett, Rob LaBelle, Lindsay Macadam, Brad Van Arragon, Kristin Lehman, Sarah Dodd Saving Hope CTV (Bell Media) (Entertainment One, ICF Films) Ilana Frank, David Wellington, Adam Pettle, Morwyn Brebner, John Morayniss, Margaret O'Brien, Lesley Harrison X Company CBC (CBC) (Temple Street Productions) Ivan Schneeberg, David Fortier, Andrea Boyd, Mark Ellis, Stephanie Morgenstern, Bill Haber, Denis McGrath, Rosalie Carew, John Calvert Best Comedy Series Mr. D CBC/City (CBC / Rogers Media) (Mr. D S4 Productions Ltd., Mr. D S4 Ontario Productions Ltd.) Michael Volpe, Gerry Dee PRIX ÉCRANS CANADIENS 2016 | Liste des finalistes en télévision | 1 Mohawk Girls APTN (APTN) (Rezolution Pictures Inc.) Catherine Bainbridge, Christina Fon, Linda Ludwick, Ernest Webb, Tracey Deer, Cynthia Knight Schitt's Creek CBC (CBC) (Not A Real Company Productions Inc.) Eugene Levy, Daniel Levy, Andrew Barnsley, Fred Levy, Ben Feigin, Mike Short, Kevin White, Colin Brunton Tiny Plastic Men Super -
What's on at the Heritage Centre: the Amazing Race Canada!
VOLUME 23 ISSUE 4 AUTUMN 2013 What’s on at the Heritage Centre: The Amazing Race Canada! Editor: The following article is an excerpt from the RCMP Heritage Centre Staff News Letter, regarding a remarkable accomplishment by all concerned: On Monday August 12, 2013 the RCMP Heritage Centre and “Depot” were featured in episode five of The Amazing Race Canada. “Death by Lentils”, as the episode was named, saw teams searching through truckloads of lentils in search of a small Sergeant Bull Moose key chain which gave them the location of their next clue, the RCMP Heritage Centre. Once on-site, teams were escorted to their next challenge by Heritage Centre staff (dressed in period costume) where Assistant Commissioner Roger Brown, Sergeant Major Tammy Patterson and Corporal Sean Chiddenton awaited. Their task? Set up a barrack room in Fort McLeod and pass inspection. Teams that thought it would be easy got a rude awakening. Rooms were tossed, tears were shed and there were a couple of touching moments; for instance when CO Brown thanked one contestant for his service and in returned was thanked for his service. For those of you who have not seen the episode, it is now available for free viewing at www.ctv.ca/TheAmazingRaceCanada. A HUGE thank you to everyone at “Depot” that helped us participate in this tremendous opportunity! 1 THE CANADA NOT-FOR-PROFIT CORPORATIONS ACT: An Important Message from the Board of Directors of The Friends of the Mounted Police Heritage Centre. The federal government recently revised the their position (since the inception of the Friends legislation governing the structure and conduct four positions on the board have been appointees of not-for-profit (NFP) corporations, including from the RCMP Veterans Association). -
ANNUAL INFORMATION FORM Fiscal Year Ended August 31, 2015 Corus
ANNUAL INFORMATION FORM Fiscal year ended August 31, 2015 Corus Entertainment Inc. November 9, 2015 ANNUAL INFORMATION FORM ‐ CORUS ENTERTAINMENT INC. Table of Contents FORWARD‐LOOKING STATEMENTS ........................................................................................................ 3 INCORPORATION OF CORUS .................................................................................................................. 4 Organization and Name ............................................................................................................................ 4 Subsidiaries ............................................................................................................................................... 5 GENERAL DEVELOPMENT OF THE BUSINESS ........................................................................................... 5 Significant Acquisitions and Divestitures ................................................................................................. 5 DESCRIPTION OF THE BUSINESS ............................................................................................................. 6 Strategic Priorities .................................................................................................................................... 6 Radio ......................................................................................................................................................... 7 Description of the Industry ............................................................................................................... -
RUMBLE: the Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.Org
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom RUMBLE: The Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.org An Electrifying Look at the Native American Influence in Popular Music Despite Attempts to Ban, Censor and Erase Indian Culture (San Francisco, CA) — A musical celebration of how Native American musicians transformed blues, jazz and rock, RUMBLE: The Indians Who Rocked the World, will premiere on Independent Lens Monday, January 21, 2019, 10:00-11:30 PM ET (check local listings) on PBS, and will also be available simultaneously for online streaming at pbs.org. As the film reveals, early pioneers of the blues such as Charley Patton had Native as well as African American roots, and one of the first and most influential jazz singers, Mildred Bailey, had a voice trained on Native American songs. As the folk rock era took hold in the ‘60s and ‘70s, Native Americans such Link Wray. as Robbie Robertson and Buffy Sainte-Marie helped to define Credit: Bruce Steinberg, courtesy of its evolution, and Native guitarists and drummers like Link LinkWray.com Wray, Jimi Hendrix, Jesse Ed Davis and Randy Castillo forever changed the trajectory of rock and roll. The film is directed by Catherine Bainbridge (Reel Injun), co-directed by Alfonso Maiorana, executive produced by legendary rock guitarist Stevie Salas (Apache) and Tim Johnson (Mohawk), and produced by Christina Fon, VP and Executive Producer of Rezolution Pictures. -
Andy Mikita Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Andy Mikita 电影 串行 (大全) 2010 https://zh.listvote.com/lists/film/movies/2010-1489273/actors Air https://zh.listvote.com/lists/film/movies/air-862245/actors Enemy at the Gate https://zh.listvote.com/lists/film/movies/enemy-at-the-gate-3204945/actors Threads https://zh.listvote.com/lists/film/movies/threads-7797182/actors Heroes https://zh.listvote.com/lists/film/movies/heroes-3145055/actors New Order https://zh.listvote.com/lists/film/movies/new-order-3333359/actors Gauntlet https://zh.listvote.com/lists/film/movies/gauntlet-3549438/actors Citizen Joe https://zh.listvote.com/lists/film/movies/citizen-joe-5122561/actors Blockade https://zh.listvote.com/lists/film/movies/blockade-3230420/actors Proving Ground https://zh.listvote.com/lists/film/movies/proving-ground-6089046/actors Heroes: Part 1 https://zh.listvote.com/lists/film/movies/heroes%3A-part-1-5896352/actors Cure https://zh.listvote.com/lists/film/movies/cure-1030075/actors Heroes: Part 2 https://zh.listvote.com/lists/film/movies/heroes%3A-part-2-5896348/actors New Order: Part 1 https://zh.listvote.com/lists/film/movies/new-order%3A-part-1-6041518/actors New Order: Part 2 https://zh.listvote.com/lists/film/movies/new-order%3A-part-2-6041516/actors Morning Show Mysteries: Murder https://zh.listvote.com/lists/film/movies/morning-show-mysteries%3A-murder-ever-after-107033028/actors Ever After Morpheus https://zh.listvote.com/lists/film/movies/morpheus-1179209/actors Lifeline https://zh.listvote.com/lists/film/movies/lifeline-3023880/actors Avalon https://zh.listvote.com/lists/film/movies/avalon-3497445/actors -
BCE Inc. 2015 Annual Report
Leading the way in communications BCE INC. 2015 ANNUAL REPORT for 135 years BELL LEADERSHIP AND INNOVATION PAST, PRESENT AND FUTURE OUR GOAL For Bell to be recognized by customers as Canada’s leading communications company OUR STRATEGIC IMPERATIVES Invest in broadband networks and services 11 Accelerate wireless 12 Leverage wireline momentum 14 Expand media leadership 16 Improve customer service 18 Achieve a competitive cost structure 20 Bell is leading Canada’s broadband communications revolution, investing more than any other communications company in the fibre networks that carry advanced services, in the products and content that make the most of the power of those networks, and in the customer service that makes all of it accessible. Through the rigorous execution of our 6 Strategic Imperatives, we gained further ground in the marketplace and delivered financial results that enable us to continue to invest in growth services that now account for 81% of revenue. Financial and operational highlights 4 Letters to shareholders 6 Strategic imperatives 11 Community investment 22 Bell archives 24 Management’s discussion and analysis (MD&A) 28 Reports on internal control 112 Consolidated financial statements 116 Notes to consolidated financial statements 120 2 We have re-energized one of Canada’s most respected brands, transforming Bell into a competitive force in every communications segment. Achieving all our financial targets for 2015, we strengthened our financial position and continued to create value for shareholders. DELIVERING INCREASED -
Plural Subjectivity in Stargate SG-1
Language, Literature, and Interdisciplinary Studies (LLIDS) ISSN: 2547-0044 ellids.com/archives/2020/07/3.4-Ferebee.pdf CC Attribution-No Derivatives 4.0 International License www.ellids.com “Pain in Someone Else’s Body”: Plural Subjectivity in Stargate SG-1 K.M. Ferebee Abstract Lennard Davis, in his work on visualizing the disabled body, argues that at root the body is inherently and always already fragmented. The unified “whole body” is, therefore, hallucinatory in nature—an imaginary figure through which the body’s multiplicity is repressed. There is much in this view that is consonant with posthumanism, which so often seeks to destabilize the “whole” and singular one in favor of the multiple, the fragmentary, and the hybrid. Yet despite these considerations of the body as fragmentary, little attention has been paid to the value of considering the body not only as fragmentary, but also as potential fragment. What might we learn by rejecting anthropocentric assumptions about the body-mind’s inherent completeness, and exploring the radically plural ontologies offered by visions of shared, joint, or group body-minds? This paper turns to science fiction as a source of such visions, considering depictions of symbiotic and hive minds through the non-traditional models of ontology and agency. While science fiction has traditionally represented plural being as a troubling and fearful injury to wholeness, this paper aims to highlight the symbiotic Tok’ra1 of television series Stargate SG-1 as a model of excess being that not only challenges the naturalization of the “complete” body, but also asks us to interrogate presumed boundaries between self and other. -
BTLR Eng-V3.Pdf
This publication is available online at www.ic.gc.ca/eic/site/110.nsf/eng/00012.html To obtain a copy of this publication, or to receive it in an alternate format (Braille, large print, etc.), please fill out the Publication Request Form or contact: ISED Citizen Services Centre Innovation, Science and Economic Development Canada C.D. Howe Building 235 Queen Street Ottawa, ON K1A 0H5 Canada Telephone (toll-free in Canada): 1-800-328-6189 Telephone (international): 613-954-5031 TTY (for hearing impaired): 1-866-694-8389 Business hours: 8:30 a.m. to 5:00 p.m. (Eastern Time) Email: [email protected] Permission to Reproduce Except as otherwise specifically noted, the information in this publication may be reproduced, in part or in whole and by any means, without charge or further permission from the Department of Industry, provided that due diligence is exercised in ensuring the accuracy of the information reproduced; that the Department of Industry is identified as the source institution; and that the reproduction is not represented as an official version of the information reproduced, or as having been made in affiliation with, or with the endorsement of, the Department of Industry. For permission to reproduce the information in this publication for commercial purposes, please fill out the Application for Crown Copyright Clearance or contact the ISED Citizen Services Centre mentioned above. © Her Majesty the Queen in Right of Canada, as represented by the Minister of Industry, 2020 Cat. No. Iu-37-14/2020E-PDF ISBN 978-0-660-33365-6 Aussi offert en français sous le titre L’avenir des communications au Canada : le temps d’agir 3 Letter to the Honourable Minister of Innovation, Science and Industry and the Honourable Minister of Canadian Heritage January 29, 2020 Dear Minister Bains and Minister Guilbeault, On behalf of the members of the Broadcasting and Telecommunications Legislative Review Panel, I am pleased to submit to you our final Report with recommendations on modernizing the legislation governing Canada’s communications sector. -
2020 Annual Report
2020 ANNUAL REPORT INVESTING in POTENTIAL CHARACTER • SERVICE • LEADERSHIP The Loran Scholars Foundation is a national charity working in partnership Loran with universities, donors, and volunteers across the country to find and nurture young Canadians who show strength of character and commitment Scholars to service, challenging them to realize their full potential. make a NOT SIMPLY A SCHOLARSHIP – difference WE INVEST IN OUR COLLECTIVE FUTURE Taron Topham • We look beyond a student’s marks to find evidence of integrity, (Cronin Loran Scholar ’19) University of Saskatchewan determination, compassion, resilience, and a strong sense of inner Coming from the small farming community of direction. Grandview, MB, Taron Topham recognizes that becoming a Loran Scholar and moving to the • Our extensive network of 616 volunteers, 637 donors, and 527 alumni University of Saskatchewan in Saskatoon opened doors he never knew existed. “If I’d stayed in my supports and enhances each Loran Scholar’s growth, and amplifies home province, I wouldn’t necessarily have pushed their effect on the communities they serve. my boundaries," he says. "Being in a different situation encouraged me to switch from a Bachelor of Science to Nursing." • We believe our country needs unconventional leaders in every sector. As a first-year scholar, Taron quickly tapped We fund Loran Scholars to study in Canada and provide them with into the welcoming campus and community. He was involved with a Special Olympics fundraiser, a breadth of opportunities to enrich their education, so they re-invest joined an inter-faculty agriculture club, and played their talents in tackling our most complex problems and shaping recreational hockey.