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The Church Missionary Society and the Christians of Kerala, 1813-1840
Half-Brothers in Christ: The Church Missionary Society and the Christians of Kerala, 1813-1840 by Joseph Gerald Howard M. A. (History), University at Buffalo, State University of New York, 2010 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of History Faculty of Arts and Social Sciences Joseph Gerald Howard 2014 SIMON FRASER UNIVERSITY Fall 2014 Approval Name: Joseph Gerald Howard Degree: Master of Arts (History) Title: Half-Brothers in Christ: The Church Missionary Society and the Christians of Kerala, 1813-1840 Examining Committee: Chair: Aaron Windel Assistant Professor of History Paul Sedra Senior Supervisor Associate Professor of History Derryl MacLean Supervisor Associate Professor of History Mary-Ellen Kelm Supervisor Professor of History Laura Ishiguro External Examiner Assistant Professor Department of History University of British Columbia Date Defended: August 28, 2014 ii Partial Copyright Licence iii Abstract In the 1810s, the Church Missionary Society (CMS) established the College at Cottayam in south India to educate boys intended for the priesthood in the local, indigenous church. While their goal was to help the church, their activities increased British power in the community. The results of CMS involvement included increasing interference of British officials in matters internal to the Malankara Church (e.g., episcopal succession), tacit recognition of the authority of colonial courts to resolve disputes in the church, and the fragmentation of the St. Thomas Christian community. These effects reshaped the church into something more consistent with British Christianity and more subject to British rule. Keywords: British Empire; Christianity; India; mission iv Dedication In memory of M. -
Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano. -
REPORT on ACTIVITIES in CREATING AWARENESS and COOPERATION AMONG ORTHODOX and EVANGELICAL CHURCHES in INDIA Fr
REPORT ON ACTIVITIES IN CREATING AWARENESS AND COOPERATION AMONG ORTHODOX AND EVANGELICAL CHURCHES IN INDIA Fr. Dr. Jossi Jacob Holy Trinity Theological College, Addis Ababa The history of the interactions between the Orthodox Church in India and the Evangelical Traditions goes back to early nineteenth century. In spite of the ruptures and tremors of the past the relationship and interactions had reaped mutual benefits too. We could trace in-numerous events of mutual interactions which happened in the nineteenth, twentieth and twenty first centuries. Several of the events had gone without any written records. I would like to particularly highlight the travels made by two of our luminary bishops to the western countries in the first half of the twentieth century. Those visionary leaders of the Church travelled extensively in the western European countries to make contacts and interactions with the Churches of Protestant traditions. In turn they had visitors from these respective Churches visiting the Malankara Orthodox Church and staying in the monasteries which these two bishops had found. There attempts were before the formal inception of the international ecumenical bodies. Later on the founding of the World Council of Churches, in the inception of which the Orthodox Church in India has played a role too, has added momentum to the fraternal ties between the traditions. Exploring to the early part of the 19th century, it is made clear that the cooperation in the beginning was mainly made in publishing the Holy Scripture, and in promoting western form of education in Keralite1 society. Later it has developed into theological higher education. -
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"We do not to aspire be historians, we simply profess to our readers lay before some curious reminiscences illustrating the manners and customs of the people (both Britons and Indians) during the rule of the East India Company." @h£ iooi #ld Jap €f Being Curious Reminiscences During the Rule of the East India Company From 1600 to 1858 Compiled from newspapers and other publications By W. H. CAREY QUINS BOOK COMPANY 62A, Ahiritola Street, Calcutta-5 First Published : 1882 : 1964 New Quins abridged edition Copyright Reserved Edited by AmARENDRA NaTH MOOKERJI 113^tvS4 Price - Rs. 15.00 . 25=^. DISTRIBUTORS DAS GUPTA & CO. PRIVATE LTD. 54-3, College Street, Calcutta-12. Published by Sri A. K. Dey for Quins Book Co., 62A, Ahiritola at Express Street, Calcutta-5 and Printed by Sri J. N. Dey the Printers Private Ltd., 20-A, Gour Laha Street, Calcutta-6. /n Memory of The Departed Jawans PREFACE The contents of the following pages are the result of files of old researches of sexeral years, through newspapers and hundreds of volumes of scarce works on India. Some of the authorities we have acknowledged in the progress of to we have been indebted for in- the work ; others, which to such as formation we shall here enumerate ; apologizing : — we may have unintentionally omitted Selections from the Calcutta Gazettes ; Calcutta Review ; Travels Selec- Orlich's Jacquemont's ; Mackintosh's ; Long's other Calcutta ; tions ; Calcutta Gazettes and papers Kaye's Malleson's Civil Administration ; Wheeler's Early Records ; Recreations; East India United Service Journal; Asiatic Lewis's Researches and Asiatic Journal ; Knight's Calcutta; India. -
The Surprising Consistency of Fanny Price
Clemson University TigerPrints All Theses Theses 5-2019 "I Was Quiet, But I Was Not Blind": The urS prising Consistency of Fanny Price Blake Elizabeth Bowens Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Bowens, Blake Elizabeth, ""I Was Quiet, But I Was Not Blind": The urS prising Consistency of Fanny Price" (2019). All Theses. 3081. https://tigerprints.clemson.edu/all_theses/3081 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. “I WAS QUIET, BUT I WAS NOT BLIND”: THE SURPRISING CONSISTENCY OF FANNY PRICE ——————————————————————————————————— A Thesis Presented to the Graduate School of Clemson University ——————————————————————————————————— In Partial Fulfillment of the Requirements for the Degree Master of Arts English ——————————————————————————————————— by Blake Elizabeth Bowens May 2019 ——————————————————————————————————— Accepted by: Dr. Erin Goss, Committee Chair Dr. Kim Manganelli Dr. David Coombs ABSTRACT Mansfield Park’s Fanny is not the heroine most readers expect to encounter in a Jane Austen novel. Unlike the heroines of Pride and Prejudice, or Emma, for example, she does not have to undergo any period of being wrong, and she does not have to change in order for her position to be accepted. In the midst of conversations about Fanny as a model of perfect conduct book activity, exemplary Christian morals, or Regency era femininity, readers and scholars often focus on whether or not Fanny exists as a perfect and consistent heroine, providing very strong and polarizing opinions on either side. -
Book Reviews
Numen 60 (2013) 135–154 brill.com/nu Book Reviews Protestantisch-westliche Mission und syrisch-orthodoxe Kirche in Kerala. Von den Anfängen bis 1840. By Reinhold Wagner. Wiesbaden: Harassowitz Verlag, 2011. 197 pp. ISBN 978–3447064279 (pbk.) Reinhold Wagner’s book is a welcome and well-researched study of a less- known chapter of the history of India. It focuses on the relations between the Syriac Orthodox Church in Kerala and Protestant missionaries in the eigh- teenth and nineteenth centuries (1750–1840). The study draws from rich docu- mentation, analyzed in much detail by the author, and provides a precise picture of the complex relations between Protestant missionaries from the Anglican Church Missionary Society (CMS) and the Syrian Orthodox Christians. In an opening chapter of the book (pp. 3–18), the author discusses the early contacts between Protestant missionaries and the Syriac Church of Kerala at the time of the Dutch occupation of the region. One of the fijirst documents about the South Indian Christian communities that was handed over to a Prot- estant group is a report written in Dutch and dating from approximately 1715. This text aside, Protestant missionaries based in Tranquebar had few relations with the Christian communities on the coast of Malabar. In a memorandum of 1810, and against the opinion of Anglican circles, two German missionaries expressed a reticence to hire members of Syriac Orthodox clergy as fellow mis- sionaries. This is a good example of the ambiguity of relations between Protes- tant missionaries and Syrian Orthodox Christians — an ambiguity that would persist during the whole period covered by the present book. -
“Fanny's Price” Is a Piece of Fan Fiction About Jane Austen's Mansfield Park. I Ch
Introduction to “Fanny’s Price” “Fanny’s Price” is a piece of fan fiction about Jane Austen’s Mansfield Park. I chose to write about Mansfield Park because while it interests me as a scholar, it is very unsatisfying to me as a reader. I was inspired to write this piece primarily by class discussion that led me to think of Fanny as sinister. One day, someone suggested that Fanny refuses to act in the play because she is always acting a part. I immediately thought that if Fanny was only acting righteous and timid, her real personality must be the opposite. On another day, Dr. Eberle mentioned a critical text accusing Fanny of being emotionally vampiric; immediately I thought of making her an actual vampire. When Frankenstein was brought up later, I realized that Fanny should be a vampire’s servant rather than a fully fledged vampire. She does not understand why Edmund prefers Mary, when he made her what she is. Because the film Mansfield Park makes Fanny essentially Jane Austen, it gives her power over all of the other characters and the plot. Watching it encouraged me to think of Fanny as manipulative. I find a reading of Fanny as a villain much more satisfying than my former reading of her as completely passive. I wrote “Fanny’s Price” in an alternate universe because that was the only way I could include real rather than metaphorical vampires. I wanted the vampires to be real because I feel that it raises the stakes for Mary, my heroine. I made Mary Crawford the heroine because of class discussion comparing her to Elizabeth Bennett. -
VOL 36, ISSUE 3 on Race and Colonialism WELCOME to THIS EDITION of ANVIL
ANVIL Journal of Theology and Mission Faultlines in Mission: Reflections VOL 36, ISSUE 3 on Race and Colonialism WELCOME TO THIS EDITION OF ANVIL ANVIL: Journal of Theology and Mission Lusa Nsenga-Ngoy VOL 36, ISSUE 3 2 ANVIL: JOURNAL OF THEOLOGY AND MISSION – VOLUME 36: ISSUE 3 THE EDITORIAL While it is premature to assess the legacy of this year in history, we can certainly agree that 2020 has brought to the fore the imperative need to revisit the past, paying particular attention to societal and systemic fractures adversely impacting the lives of many around the globe. In the wake of George Floyd’s murder, millions of people took to the streets of our cities demanding radical change, and calling for the toppling of an old order and its symbols of power, objectification and commodification. This issue of Anvil is inspired by a willingness to Harvey Kwiyani’s article offers us a crystal-clear view of offer an introspective response to this global wave how white privilege and white supremacy have provided of protest calling for racial justice and asking with the buttresses for empire and have made mission in insistence whether black lives do indeed matter in our their own image. To illustrate this, he movingly weaves societies and institutions. It felt imperative to ask the his own story from his childhood in Malawi to living in question of Church Mission Society and its particular George Floyd’s city of Minneapolis to now forming part contribution to the subject both in its distant and more of the tiny minority of black and brown people who contemporary history. -
Fanny's Heart Desire Described in Jane Austen's
FANNY’S HEART DESIRE DESCRIBED IN JANE AUSTEN’S MANSFIELD PARK THESIS Presented in partial fulfillment of the requirements for the completion of Strata I Program of the English Language Department Specialized in Literature By: RIRIN HANDAYANI C11.2007.00841 FACULTY OF LANGUAGES AND LETTERS DIAN NUSWANTORO UNIVERSITY SEMARANG 2012 1 PAGE OF APPROVAL This thesis has been approved by Board of Examiners, Strata 1 Study Program of English Department, Faculty of Languages and Letters, Dian Nuswantoro University on February 21st 2012. Board of Examiners Chairperson The 1st Examiner Haryati Sulistyorini, S.S., M.Hum. R. Asmarani S.S., M.Hum. The 2nd Examiner as 2nd Adviser The 3rd Examiner Sarif Syamsu Rizal, S.S., M.Hum. Valentina Widya, S.S., M.Hum. Approved by Dean of Faculty of Languages and Letters Achmad Basari, S.S., M.Pd. 2 MOTTO I hope you live a life you’re proud of, but if you find that you’re not. I hope you have strength to start all over again. Benjamin Button All our knowledge begins with the senses, proceeds then to the understanding, and ends with reason. Immanuel Kant Imagination is stronger than knowledge; myth is more potent than history, dreams are more powerful than facts, hope always triumphs over experience, laughter is the cure for grief, love is stronger than death. Robert Fulghum 3 DEDICATION To : - My beloved parents and siblings - Rinchun 4 ACKNOWLEDGEMENT At this happiest moment, I wish a prayer to the almighty who has blessed me during the writing of this paper. I would like, furthermore, to express my sincere thanks to: 1. -
“A Creditable Establishment”: the Irony of Economics in Jane Austen’S Mansfield Park
“A Creditable Establishment”: The Irony of Economics in Jane Austen’s Mansfield Park by Kandice Sharren Bachelor of Arts, University of Victoria, 2009 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of English Kandice Sharren, 2011 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee “A Creditable Establishment”: The Irony of Economics in Jane Austen’s Mansfield Park by Kandice Sharren Bachelor of Arts, University of Victoria, 2009 Supervisory Committee Dr. Robert Miles, Department of English Supervisor Dr. Gordon Fulton, Department of English Departmental Member Dr. Andrea McKenzie, Department of History Outside Member iii Abstract Supervisory Committee Dr. Robert Miles, Department of English Supervisor Dr. Gordon Fulton, Department of English Departmental Member Dr. Andrea McKenzie, Department of History Outside Member This thesis contextualises Austen’s novel within the issues of political economy contemporary to its publication, especially those associated with an emerging credit economy. It argues that the problem of determining the value of character is a central one and the source of much of the novel’s irony: the novel sets the narrator’s model of value against the models through which the various other characters understand value. Through language that represents character as the currency and as a commodity in a credit economy, Mansfield Park engages with the problems of value raised by an economy in flux. Austen uses this slipperiness of language to represent social interactions as a series of intricate economic transactions, revealing the irony of social exchanges and the expectations they engender, both within and without the context of courtship. -
Mansfield Park Character Descriptions
MANSFIELD PARK CHARACTER DESCRIPTIONS WOMEN’S ROLES Fanny Price: (able to play Young Adult) Full of spirit. Her circumstances force her to “be good," but she has strong opinions and a big imagination. She may come off as shy, but she’s smart and wants to learn everything. She has a strong moral compass which keeps her out of trouble and makes her trustworthy to others. Hopelessly in love with Edmund Bertram. Mary Crawford: (able to play Young Adult) Mary is witty and capable of being hollow and flippant, but not fundamentally bad natured. She is ambitious and clear eyed about the truths of the world and society. She guards her heart, but is a bit of a flirt who intends to marry well. (Sister to Henry Crawford, no blood connection to Fanny Price). Maria Bertram: (able to play Young Adult) Maria is an elegant, mannered, accomplished and fashionable young woman who knows she has to marry Mr. Rushford- but later falls hard for Henry. (Sister to Tom and Edmund, Fanny’s cousin) Mrs. Norris/Mrs. Price: (DOUBLES- able to play 40-65) MRS. NORRIS is bossy and condescending with those who have no power; she feels as if she's in charge of the world. She sucks up to anyone of higher status than herself. A somewhat vicious, indomitable battleship of a woman. MRS. PRICE is a working class woman from Portsmouth. She’s fundamentally forward-looking, but a lifetime of disappointments have worn her down. She’s developed a certain brusque, vaguely-cheerful emotional-remove to deal with it all. -
In Defense of Patricia Rozema's Mansfield Park
In Defense of Patricia t Rozema’s Mansfield Park :Li DAVID MONAGHAN David Monaghan is Professor of English at Mount Saint Vincent University, Halifax, Nova Scotia. He is the author of Jane Austen: Structure and Social Vision and editor of two books of essays on Austen. His other books deal with John le Carré and the literature of the Falklands War. MANSFIELD PARK is the most controversial of all Jane Austen’s novels, mainly because readers are unable to agree in their assessment of the novel’s heroine, Fanny Price. In adapting the novel to the screen, Patricia Rozema adopts two positions that plunge her into the midst of this debate. First, as Alison Shea points out in the essay to which I am responding, she creates a heroine intended to correct the supposed inadequacies of Austen’s original, whom she judges to be “annoying,” “not fully drawn,” and “too slight and retiring and internal” (Herlevi). Second, she proposes that Mansfield Park is a novel about slavery, lesbianism, and incest. Not surprisingly, then, her film version of Mansfield Park has generated more heated discussion than any other adaptation of an Austen novel. At one extreme, Claudia Johnson describes the film as “an audacious and perceptive cinematic evocation of Jane Austen’s distinctively sharp yet forgiving vision” (10), while at the other John Wiltshire argues that “what the film represents is the marketing of a new ‘Jane Austen’ to a post-feminist audience now receptive to its reinvention of the novel” (135). It would be very difficult, in my view, to defend Rozema’s rather eccen- tric interpretation of Mansfield Park against the extremely effective critique offered by Ms.