Part II Paper 1. HAP Bibliography
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History, Postcolonialism and Postmodernism in Toni Morrison's
History, Postcolonialism and Postmodernism in Toni Morrison’s Beloved Mariangela Palladino This paper examines Toni Morrison’s fifth novel, Beloved, which, together with Jazz and Paradise, constitute Morrison’s contribution to the process of re-writing black American history. Postcolonial thought has offered one of the most potent challenges to the notion of the ‘end of history’ posited by postmodernists of both left and right. Focusing principally on Beloved (1987), my paper explores how Toni Morrison insists upon the necessity of a conscious and inevitably painful engagement with the past. Uncovering a dense series of correspondences, drawing upon Christological symbols, nu- merology, and flower imagery, I argue that the principal character is closely identified with Christ throughout the novel, which in its final part refigures the Passion narrative. As a sacrificed black, female Christ, Beloved becomes a focus for Morrison’s concern with redemption through memory. I wish to briefly explore the debate on history between postmodernism and postcolonialism as it constitutes the framework to Toni Morrison’s de- ployment of Christological imagery in order to engage with history. If the dawn of postmodernism marked the beginning of a ‘posthistoric’ era which ‘stipulated that the segment of human life had ended for which history had claimed to offer explanation and understanding’ (Breisach 2003 10), this has been uncompromisingly contested by postcolonialism. The postcolonial claim for the unacknowledged role of the non-Western world in the constitu- tion of modernity is emphasized by Edward Said in Culture and Imperialism (1993) as follows: In the West, post-modernism has seized upon the ahistorical weightlessness, consumerism, and spectacle of the new order. -
Edward Said: the Postcolonial Theory and the Literature of Decolonization
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Scientific Journal (European Scientific Institute) European Scientific Journal June 2014 /SPECIAL/ edition vol.2 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 EDWARD SAID: THE POSTCOLONIAL THEORY AND THE LITERATURE OF DECOLONIZATION Lutfi Hamadi, PhD Lebanese International University, Lebanon Abstract This paper attempts an exploration of the literary theory of postcolonialism, which traces European colonialism of many regions all over the world, its effects on various aspects of the lives of the colonized people and its manifestations in the Western literary and philosophical heritage. Shedding light on the impact of this theory in the field of literary criticism, the paper focuses on Edward Said's views for the simple reason that he is considered the one who laid the cornerstone of this theory, despite the undeniable role of other leading figures. This theory is mainly based on what Said considers the false image of the Orient fabricated by Western thinkers as the primitive "other" in contrast with the civilized West. He believes that the consequences of colonialism are still persisting in the form of chaos, coups, corruption, civil wars, and bloodshed, which permeates many ex-colonies. The powerful colonizer has imposed a language and a culture, whereas those of the Oriental peoples have been ignored or distorted. Referring to some works of colonial and postcolonial novelists, the paper shows how being free from the repression of imperialism, the natives could, eventually, produce their own culture of opposition, build their own image, and write their history outside the frame they have for long been put into. -
History 594: Methods and Theory in the Historical Study of Religion (Women, War, and Religion in Early Medieval Europe) Dr
History 594: Methods and Theory in the Historical Study of Religion (Women, War, and Religion in Early Medieval Europe) Dr. Katherine E. Milco FALL 2020 ONLINE COURSE on Canvas Email: [email protected] Course Description: This course focuses on the topics of women, war, and religion in late antiquity and early medieval Europe. The emphasis is placed on the critical analysis of ancient texts, which is the essence of historical methodology that professional historians use today. The final third of the course will examine and evaluate different contemporary methodologies – postmodernism, Marxism, feminism, psychohistory, postcolonialism – that some professional historians use in the study of history. Course Objectives: 1. To learn how to use and analyze primary sources. 2. To learn the role of secondary sources in historical research: positive and negative. 3. To understand and utilize contemporary methodologies utilized in the discipline of history. Required Textbook: There is no required textbook for you to purchase. All readings will be provided to you free of charge via Canvas. Grading Scale: 95-100 A 80-82 B- 67-69 D+ 90-94 A- 77-79 C+ 63-66 D 87-89 B+ 73-76 C 60-62 D- 83-86 B 70-72 C- Lower than 60 F Evaluation: Reading Responses 80% Final Paper 20% Course Components: 1. Reading Responses: There are a total of 18 reading responses assigned over the course of the semester. These are responses that you give to questions that I pose about the text. For the first 7 weeks of the course, all the reading responses will answer questions that I pose about ancient source material. -
The Epic Vantage-Point: Roman Historiographical Allusion Reconsidered
Histos () – THE EPIC VANTAGE-POINT: ROMAN HISTORIOGRAPHICAL ALLUSION RECONSIDERED Abstract: This paper makes the case that Roman epic and Roman historiographical allusive practices are worth examining in light of each other, given the close relationship between the two genres and their common goal of offering their audiences access to the past. Ennius’ Annales will here serve as epic’s representative, despite its fragmentary state: the fact that the epic shares its subject-matter with and pre-dates most of the Roman historiographical tra- dition as we know it suggests that the poem may have had a significant role in setting the terms on which the two genres interacted at Rome; and what the first surviving generation of its readers, as principally represented by Cicero, have to say about the epic rather con- firms that suggestion (§I). Points of contact between the genres on which the paper focuses are: extended repetition of passages recognisable from previous authors (§II); allusion that is contested among the speakers of a given text (§III); citation practices (§IV); and the recur- rence of recognisable material stemming from the Annales in the historiographical tradition’s latter-day, when all sense of that material’s original context has been lost, along with its ability to generate new meaning (§V). n this paper,1 I consider how reading Ennius’ Annales can shed light on the extent to which allusion, as it operates in historiography, is differentiable I from allusion in other genres. David Levene has made the argument that historiography -
Colonialism Postcolonialism
SECOND EDITION Colonialism/Postcolonialism is both a crystal-clear and authoritative introduction to the field and a cogently-argued defence of the field’s radical potential. It’s exactly the sort of book teachers want their stu- dents to read. Peter Hulme, Department of Literature, Film and Theatre Studies, University of Essex Loomba is a keen and canny critic of ever-shifting geopolitical reali- ties, and Colonialism/Postcolonialism remains a primer for the aca- demic and common reader alike. Antoinette Burton, Department of History, University of Illinois It is rare to come across a book that can engage both student and specialist. Loomba simultaneously maps a field and contributes provocatively to key debates within it. Situated comparatively across disciplines and cultural contexts, this book is essential reading for anyone with an interest in postcolonial studies. Priyamvada Gopal, Faculty of English, Cambridge University Colonialism/Postcolonialism moves adroitly between the general and the particular, the conceptual and the contextual, the local and the global, and between texts and material processes. Distrustful of established and self-perpetuating assumptions, foci and canonical texts which threaten to fossilize postcolonial studies as a discipline, Loomba’s magisterial study raises many crucial issues pertaining to social structure and identity; engaging with different modes of theory and social explanation in the process. There is no doubt that this book remains the best general introduction to the field. Kelwyn Sole, English Department, University of Cape Town Lucid and incisive this is a wonderful introduction to the contentious yet vibrant field of post-colonial studies. With consummate ease Loomba maps the field, unravels the many strands of the debate and provides a considered critique. -
“Sleeping Beauty”: Metamorphosis of a Literary and Cultural Trope in European Fairy Tales and Medicine, C
Lili Sarnyai Figuring “Sleeping Beauty”: Metamorphosis of a Literary and Cultural Trope in European Fairy Tales and Medicine, c. 1350-1700 A thesis submitted for the degree of Doctor of Philosophy 2016 Birkbeck, University of London 1 This is to certify that all the work presented in this thesis is my own. 2 Abstract This thesis takes an interdisciplinary approach to a recurrent cultural trope: the figure of the sleeping beauty. Sleeping beauties are young women—paradigms of femininity, paragons of virtue and physical perfection—who lose consciousness and become comatose and catatonic, for prolonged periods. In this unnatural state, these female bodies remain intact: materially incorrupt, aesthetically unblemished. Thus can the body of the sleeping beauty be defined as an enigma and a paradox: a nexus of competing and unanswered questions, uniquely worthy of investigation. This thesis examines the metamorphoses of the figure of the sleeping beauty in literature and medicine between c.1350 and 1700 in order to interrogate the enduring aesthetic and epistemological fascination that she exercises in different contexts: her potency to entrance, her capacity to charm, in both literary and philosophical realms. The widespread presence of the sleeping beauty in literature and art, as well as in the broader social sphere, over the centuries, indicates the figure’s important and ongoing cultural role. Central to this role is the figure’s dual nature and functionality. On the one hand, conceptualized as allegories, sleeping beauties act as receptacles for a complex matrix of patriarchal fears, desires and beliefs about the female body in general, and the virgin and maternal bodies in particular. -
HIST 5195-003 Readings in International and Global History
HIST 5195-003 Readings in International and Global History Professor Brad Simpson, Spring 2017 Mo 4:30PM - 7:30PM WOOD 4A Course Description and Objectives: This seminar will examine global and international history during the twentieth century from a variety of methodological and theoretical approaches. Its purpose is to survey some of the most innovative recent scholarship in the field (and a few that should cause us to think more critically about how we approach the field), work informed by considerations of gender, race, ideology, culture, development, domestic politics, international relations theory, political economy and recently released archival material from the former socialist bloc, some of which goes well beyond existing conceptions of foreign relations history. This course should be of interest to graduate students pursuing a project in US foreign relations, regional history, or international, transnational, and global history or seeking analytic purchase in such histories for their dissertation. For half of the semester (7 weeks) students will prepare a 2-3 page paper as a way of getting discussion going. Please bring copies of your paper to class and post them on the blackboard site. In these short papers the emphasis should be first on explaining the main points of the reading, and secondarily on offering a critique of those points. "Critique" does not mean tearing a book apart, but assessing a book's value, its importance, its place in the literature, and after that, what more we might have expected from it. Final Paper: Students will prepare a substantial review essay (15-20 pp) on a thematic topic of your choice in the field of international history or U.S. -
Robert C. Darnton Shelby Cullom Davis ‘30 Professor of European History Princeton University
Robert C. Darnton Shelby Cullom Davis ‘30 Professor of European History Princeton University President 1999 LIJ r t i Robert C. Darnton The French sociologist Pierre Bourdieu once remarked that Robert Damton’s principal shortcoming as a scholar is that he “writes too well.” This prodigious talent, which arouses such suspicion of aristocratic pretension among social scientists in republican France, has made him nothing less than an academic folk hero in America—one who is read with equal enthusiasm and pleasure by scholars and the public at large. Darnton’ s work improbably blends a strong dose of Cartesian rationalism with healthy portions of Dickensian grit and sentiment. The result is a uniquely American synthesis of the finest traits of our British and French ancestors—a vision of the past that is at once intellectually bracing and captivatingly intimate. fascination with the making of modem Western democracies came easily to this true blue Yankee. Born in New York City on the eve of the Second World War, the son of two reporters at the New York Times, Robert Damton has always had an immediate grasp of what it means to be caught up in the fray of modem world historical events. The connection between global historical forces and the tangible lives of individuals was driven home at a early age by his father’s death in the Pacific theater during the war. Irreparable loss left him with a deep commitment to recover the experiences of people in the past. At Phillips Academy and Harvard College, his first interest was in American history. -
September 2012 Passport the Society for Historians of American Foreign Relations Review Volume 43, Number 2, September 2012
asspVolume 43, Number 2,rtSeptember 2012 PThe Society for Historians of American Foreign Relations Review Inside... A Roundtable Discussion on Hiroshi Kitamura’s Screening Enlightenment The State of the FRUS Series The Sheridan Press The Convergence of Military and Diplomatic History ...and much more! Passport The Society for Historians of American Foreign Relations Review Editor Andrew L. Johns, Brigham Young University Consulting Editor Mitchell Lerner, The Ohio State University Production Editor Julie Rojewski, Michigan State University Editorial Assistant David Hadley, The Ohio State University Editorial Advisory Board and Terms of Appointment Robert Brigham, Vassar College (2010-2012) George White, Jr., York College/CUNY (2011-2013) Kimber Quinney, California State University-San Marcos (2012-2014) Cover Photo: At The Movies in the Early 1950s. Courtesy of John W. Bennett Archive, Rare Books and Manuscripts Library. The Ohio State University Libraries. All Rights Reserved. Passport Editorial Office: Peter Hahn, SHAFR Executive Director Mershon Center for International Security Studies, 1501 Neil Avenue, Columbus, OH 43201 [email protected] 614-292-1681 (phone) 614-292-2407 (fax) Passport is published three times per year (April, September, January), by the Society for Historians of American Foreign Relations, and is distributed to all members of the Society. Submissions should be sent to the attention of the editor, and are acceptable in all formats, although electronic copy by email to [email protected] is preferred. Submissions should follow the guidelines articulated in the Chicago Manual of Style. Manuscripts accepted for publication will be edited to conform to Passport style, space limitations, and other requirements. The author is responsible for accuracy and for obtaining all permissions necessary for publication. -
AHA Colloquium
Cover.indd 1 13/10/20 12:51 AM Thank you to our generous sponsors: Platinum Gold Bronze Cover2.indd 1 19/10/20 9:42 PM 2021 Annual Meeting Program Program Editorial Staff Debbie Ann Doyle, Editor and Meetings Manager With assistance from Victor Medina Del Toro, Liz Townsend, and Laura Ansley Program Book 2021_FM.indd 1 26/10/20 8:59 PM 400 A Street SE Washington, DC 20003-3889 202-544-2422 E-mail: [email protected] Web: www.historians.org Perspectives: historians.org/perspectives Facebook: facebook.com/AHAhistorians Twitter: @AHAHistorians 2020 Elected Officers President: Mary Lindemann, University of Miami Past President: John R. McNeill, Georgetown University President-elect: Jacqueline Jones, University of Texas at Austin Vice President, Professional Division: Rita Chin, University of Michigan (2023) Vice President, Research Division: Sophia Rosenfeld, University of Pennsylvania (2021) Vice President, Teaching Division: Laura McEnaney, Whittier College (2022) 2020 Elected Councilors Research Division: Melissa Bokovoy, University of New Mexico (2021) Christopher R. Boyer, Northern Arizona University (2022) Sara Georgini, Massachusetts Historical Society (2023) Teaching Division: Craig Perrier, Fairfax County Public Schools Mary Lindemann (2021) Professor of History Alexandra Hui, Mississippi State University (2022) University of Miami Shannon Bontrager, Georgia Highlands College (2023) President of the American Historical Association Professional Division: Mary Elliott, Smithsonian’s National Museum of African American History and Culture (2021) Nerina Rustomji, St. John’s University (2022) Reginald K. Ellis, Florida A&M University (2023) At Large: Sarah Mellors, Missouri State University (2021) 2020 Appointed Officers Executive Director: James Grossman AHR Editor: Alex Lichtenstein, Indiana University, Bloomington Treasurer: William F. -
Postmodernism and Historiography
Durham E-Theses 'How warped the mirrors': postmodernism and historiography Olson, Ryan Scott How to cite: Olson, Ryan Scott (2002) 'How warped the mirrors': postmodernism and historiography, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3971/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 'How Warped the Mirrors' Postmodernism and Historiography Ryan Scott Olson The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. 2 1 JAN 200~l Submitted for the Master of Arts degree University of Durham Department of Theology 2002 The Copyright of this thesis rests with the author. No quotation of its contents should be published without his prior written consent and information derived from it should be acknowledged. -
Historical Argument and Practice Bibliography for Lectures 2019-20
HISTORICAL ARGUMENT AND PRACTICE BIBLIOGRAPHY FOR LECTURES 2019-20 Useful Websites http://www.besthistorysites.net http://tigger.uic.edu/~rjensen/index.html http://www.jstor.org [e-journal articles] http://www.lib.cam.ac.uk/ejournals_list/ [all e-journals can be accessed from here] http://www.historyandpolicy.org General Reading Ernst Breisach, Historiography: Ancient, Medieval, and Modern (Chicago: University of Chicago Press, 1983) R. G. Collingwood, The Idea of History (Oxford: Oxford University Press, 1946) Donald R. Kelley, Faces of History: Historical Inquiry from Herodotus to Herder (New Haven, CT: Yale University Press, 1998) Donald R. Kelley, Fortunes of History: Historical Inquiry from Herder to Huizinga (New Haven, CT: Yale University Press, 2003) R. J. Evans, In Defence of History (2nd edn., London, 2001). E. H. Carr, What is History? (40th anniversary edn., London, 2001). Forum on Transnational History, American Historical Review, December 2006, pp1443-164. G.R. Elton, The Practice of History (2nd edn., Oxford, 2002). K. Jenkins, Rethinking History (London, 1991). C. Geertz, Local Knowledge (New York, 1983) M. Collis and S. Lukes, eds., Rationality and Relativism (London, 1982) D. Papineau, For Science in the Social Sciences (London, 1978) U. Rublack ed., A Concise Companion to History (Oxford, 2011) Q.R.D. Skinner, Visions of Politics Vol. 1: Regarding Method (Cambridge, 2002) David Cannadine, What is History Now, ed. (Basingstoke, 2000). -----------------------INTRODUCTION TO HISTORIOGRAPHY---------------------- Thu. 10 Oct. Who does history? Prof John Arnold J. H. Arnold, History: A Very Short Introduction (2000), particularly chapters 2 and 3 S. Berger, H. Feldner & K. Passmore, eds, Writing History: Theory & Practice (2003) P.