Philip Glass Robert Coe David Gordon Joanne Akalaitis Michael Riesman Kurt Munkacsi Santo Loquasto Jennifer Tipton Wendall K. Ha

Total Page:16

File Type:pdf, Size:1020Kb

Philip Glass Robert Coe David Gordon Joanne Akalaitis Michael Riesman Kurt Munkacsi Santo Loquasto Jennifer Tipton Wendall K. Ha DISTRICT CURATORS, INC. and The George Washington University DANCE PRODUCTION GROUPS present A new version produced by the Brooklyn Academy of Music music composed by book by movement constructed by Philip Glass Robert Coe David Gordon directed by JoAnne Akalaitis musical director music mix by Michael Riesman Kurt Munkacsi vocal text for "A Gentleman's Honor" by David Byrne sets and costume designs by lighting designed by Santo loquasto Jennifer Tipton projections designed by Wendall K. Harrington Luminous! Productions, Inc. film designed and produced by Ken Kobland sound design by casting by Otts Munderloh Soble/La Padura music performed by The Philip Glass Ensemble A BROOKLYN ACADEMY OF MUSIC NEXT WAVE FESTIVAL PRODUCfiON This production is a free adaptation of an idea conceived by Rob Malasch and originally produced by the Holland Festival in 1982. THE PHOTOGRAPHER/FAR FROM THE TRUTH Tour booked by: IPA/INTERNATIONAL PRODUCfiON ASSOCIATES, INC. Made possible through the generous support of the Washington Patrons Committee and Photographic Sponsors, the G WU Department of Human Kinetics and Leisure Studies, and the National Endowment for the Arts. ~~1~----- FAR FROM THE TRUTH CAST (In Alphabetical Order) Mrs. Smith, Flora's friend . .............. .. .. .. ....... .. ... ....... .. ...... ... .. .... .... Wanda Bimson Eadweard, a photographer .. .... ........ ... ... .... .... .... .. ... .. .. ..... ... .. ... ... ....Jonathan Bolt Flora, Eadweard's wife, Harry's lover . .. .. ... ...... .. ...... .. .. .. ............ .... .. .... Cecile Callan The Eulogist/Prosecutor . ... ....... .. ...... .. .. .. .............. ... ... .. .. ... ..... .. .. William Duff-Griffin The Schoolgirl ... .... .. ...... ...... ...... .. ... .. ..... .. .. ..... .. ... .................. Susan Eschelbach* Harry, a drama critic, Flora's lover ........... .. .. ..... ....... ... .. .... .. .. .. .. .. .. Nick Flynn The Circus Woman ....... .. .... .. .... ......... ... .... ... ... ... .. .. .. ... .... .... .. ..... Margaret Hoeffel * The Messenger ......... .. .. .. .. ..... ........ ... .. ...... .. .. ... .... .. .... .. .... Keith Marshall* The Girl Athlete . ........ ..... .. .. ... ... .. .... .. .. .. ..... .. .. .. .. ......... Nina Martin* The Mesmerist . ...... ... .... .. ... .. .. .. .. .... ... .. ..... .... ... ... .. .. .. ... .. ...... Lola Pashalinski The Lecturer/The Woman In Water .. ...... .. ... .. ... .. .... .... .. .. .. ... .. .. ................... Valda Setterfield* The Advocate/Defense Attorney . ............... ... ....... ... .... .. ... .. ... ..... ...... Rocco Sisto The Moroccan ... ... .................. .. ... ... ..... .. ...... .. .. .. ..... ... .. ..... ....... Paul Thompson* Observers, Mourners, Jurists .. ... ... ...... ........ .. .. ... .. .... .. .. .. ...... ......... .... .. The Company *Members of the David Gordon/Pick-Up Company THE PHILIP GLASS ENSEMBLE Marin Alsop, violin Jon Gibson, flute, soprano saxophone Marrin Goldray, keyboards Jack Kripl, flute, piccolo, soprano saxophone, baritone saxophone Dora Ohrenstein, soprano, emulator Richard Peck, flute, alto saxophone, tenor saxophone Michael Reisman, keyboards, bass synthesizer Dan. Dryden, live sound mix TilE PHOTOGRAPHER is available on CBS Records #7 3684 BECOME A FRIEND OR PATRON OF DISTRICT CURATORS, SAVE A DISTRICT CURATORS EXHIBITION ON THESE EVENTS AND TAKE ANACTIVEPARTINWASHINGlON'S . •, ?>- CULTURAL RENAISSANCE. ,. , EADWEARD MUYBRIDGE 4126ATCONST11UT10N HALL I would like to order LAURIE ANDERSON 8 P.M. PRIORITY TICKET(s) An Historic Photo Exhibition Celebrating Ever since her first performance FOR LAURIE ANDERSON, April 26th at d.c. space in 1978 to her "The Photographer" triumphant sellout at Warner 0 FRIEND $50 priority seat, buffet at D.C. Space reception and free membership Theatre in 1983, Miss Anderson March IO-April28 has held a special place in the 0 PATRON $1 00 priority seat, buffet hearts of Washington. Her un­ ... reception and listings as 1984 Patron canny charm and sophisti­ cated wit make her the most , acclaimed ta lent of the 80s. .. .' . NAME She will return to Constitution Also at D.C. Space Hall for one show only to perform a range of ADDRESS March 10 ANTHONY STARK and JOHN DAVERIO new works and selections from United States I-IV CITY. STATE, ZIP DISTRICT CURATORS' PLANS 0 NEW MEMBER 0 RENEWING MEMBER ~:l:m~~:~~~a:usic !~orViolin and Pia~' FOR 1984 INCLUDE: 0 Enclosed is my check or money order. e Major multi-media productions by PHILIP 0 Please charge to my credit card: GLASS, LAURIE ANDERSON and others. 7th & E Sts. NW • Family Educational and Free Outdoor concerts 0 Visa/ Master # Exp. Date --- presented by the D.C. JAZZ WORKSHOP. 0 AmEx # ______ Exp. Date--- • A new series of solo piano concerts dedicated to pianist/ composer THELONIOUS MONK. SIGNATURE '= )1 >~~ Presented by • A list of rare area appearances ranging from Please make checks payable to District Curators. Inc. ~J~ 1 l STEEL PULSE to TERRY RILEY. and mail with this pledge to 930 F Street, NW, Suite District Curators, hi.c. · \ • As well as our regular programs of JAZZ. NEW 700, Washington, D.C. 20004. For further infor­ with support from the National Endowment for the Arts MUSIC. MEDIA and PERFORMANCE ART . mation and Charge-a-Ticket. call (202) 783-0360. About the Artists Philip Glass composes music for opera, film, achievement in 1981, and a Rockefeller and formance. In the summer of 1982, Mr. Gor­ theater, dance, chorus, and his own ensem­ NEA grant (1982-83) for a collaboration don further pursued his interest in video by ble. A graduate of Juilliard, Mr. Glass has with Jon Gibson on an opera about Darwin. co-directing and co-editing a half-hour video received numerous commissions and awards, Currently she is the recipient of a Rockefeller tape entitled 10 Minute TV with Edward including a composer-in-residence grant playwriting grant for residency at the Mark Steinberg. In the spring of 1983, he worked from the Ford Foundation, a Rockefeller Fel­ Taper Forum in Los Angeles. JoAnne Aka­ in collaboration with producer Kathryn lowship, and a Fulbright Schoia.rship, which laitis has been working in various capacities Esher and Twin Cities Public Television to enabled him to study with Nadia Boulanger in theater most of her life and hopes to con­ create a 30-minure program including in Paris. tinue to do so. dancers from Pick Up Co. and the New His commissions include the opera Dancer Ensemble (Minneapolis, Minne­ Satyagraha (for the City of Rotterdam, Robert Coe was born in Hollywood, Cali­ sota), entitled Limited Partnership. The pro­ 1980), which premiered in Holland and fornia, and attended Stanford University. gram is scheduled for airing in autumn subsequently was performed at the Brooklyn After graduate work in literature at the Uni­ 1983. Academy of Music in 1981 as part of the versity of Buffalo he moved to New York City NEXT WAVE series. A new production of in 1977, where he has written on a range of Santo Loquasto has been acclaimed for his Satygraha was featured in the 1982-83 cultural topics- especially theater, dance, designs for productions on and off Broad­ season of the Stuttgart Opera. and performance-for the Vtflage Voice, the · way, including Bent, The Cherry Orchard, Philip Glass' most celebrated collabora­ Soho Weekly News, the New York Times, Amen·can Buffalo, That Championship tion was with stage director/designer Robert the New York Tt"mes Magazine, and Season, A Comedy of Errors, The King of Wilson on the opera Einstein on the Beach, numerous other publications. His first book, Hearts, and The Suicide. He has received which premiered at the Avignon Festival in Dance in America, commissioned by the Tony, Drama Desk,Joseph Maharam, Obie, 1976 and toured throughout Europe, culmi­ WNET television series, will be published and Outer Critics Circle awards. As a de­ nating in two sold-out performances at the by E. P. Dutton in the fall of 1984. As a per­ signer for dance he has worked for Ameri­ Metropolitan Opera House. Akhnaton, Mr. former, he has danced with choreographers can Ballet Theatre, the J offrey, and New Glass' third full opera, has been commis­ Jane Comfort, Bill T. Jones, and Garry York City Ballet. Mr. Loquasto's film work sioned by the Stuttgart Opera for a world Reigenborn, and sung with composers Des includes costume designs for Woody Allen's premiere in March 1984. McAnuff and Laurie Anderson; as editor and Stardust Memon.es and A Midsummer On October 4, 1982, the film Koyaanis­ dramaturg for Laurie Anderson's United Night's Sex Comedy. He is a graduate of qatsz; with a score by Mr. Glass, premiered States: Parts I-IV, which premiered at BAM King's College and Yale Drama School. He at Radio City Music Hall as a New York Film in February 1983, he co-authored anum­ recently designed the New York Shake­ Festival selection. His first film score was ber of monologues and texts to music. The speare Festival production of Richard III, North Star: Mark Di Suvero, and Mr. Glass Photographer/Far From the Truth is his sec­ starrring Kevin Kline, and was the set con­ is the subject of a biographical film by Brit­ ond work for the theater; an earlier play, Ular sultant for Orgasmo Adulto Escapes from ish film-maker Peter Greenaway (The Babies, will be developed in workshop at the the Zoo, starring Estelle Parsons, at the Draughtsman 's Contract) which will Mark Taper Theater Lab in Los Angeles later Public Theatre. premiere in the fall of 1983 on British tele­ this year. visiOn . Jennifer Tipton (Lighting Designer)
Recommended publications
  • 2018 Annual Report
    MILLIONS OF LIVES SAVED. A NEW GENERATION TO PROTECT. 2018 ANNUAL REPORT TRUTH INITIATIVE® MARKS 20 YEARS & PREPARES FOR THE FUTURE TABLE OF CONTENTS 03 LETTER FROM THE CEO & PRESIDENT 07 YOUTH & YOUNG ADULT PUBLIC EDUCATION 15 RESEARCH & POLICY 21 COMMUNITY & YOUTH ENGAGEMENT 30 INNOVATIONS 35 FINANCIAL STATEMENTS & BOARD OF DIRECTORS LETTER FROM CEO & PRESIDENT ROBIN KOVAL champion for public health despite the fact that it continues to spend billions to heavily market deadly Truth Initiative had a remarkable year in 2018, filled tobacco products in the U.S. and beyond and stand with big wins and new challenges. The theme of this in the way of smoke-free laws and other tobacco year’s report — “Truth Initiative at 20: Millions control policies designed to protect the public of Lives Saved. A New Generation to Protect” — and encourage cessation. In this annual report, I highlights our historic progress these past 20 years am pleased to share our hard-fought progress in and the work that remains to be done. When our making tobacco use a thing of the past and tackling organization began in 1999, the teen smoking rate mounting challenges to protect a new generation. was an alarming 25%. In 2018, it fell to an all-time low of 4.6%, according to the annual Monitoring Our award-winning national truth® campaign the Future survey. This dramatic decline of more continues to be a force in youth culture with over than 80% reflects the hard work of Truth Initiative 80% brand recognition and powerful, cost-efficient and our collaboration with the many public health results.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • House Opens - Project: Archiveography Logo
    LIVE ARCHIVEOGRAPHY - PART TWO 1 HOUSE OPENS - PROJECT: ARCHIVEOGRAPHY LOGO AUDIO - 1971 - OBERLIN COLLEGE RECORDING - SUE TEPLEY - PIANO PROJECT - PHOTO ALBUM – LIVE ARCHIVEOGRAPHY SCRIPT PGS - AUDIO - 2013 - GORDON/CUNNINGHAM/GRAHAM/OLIVER/SETTERFIELD PROJECT - ARCHIVEOGRAPHY - PART TWO PROJECT - EVAN LESLIE - INTRODUCES PERFORMANCE LIVE ARCHIVEOGRAPHY - PART TWO 2 1984 - in the NY Times review of - A Plain Romance Explained - performed at the Joyce Theater - the critic writes - Gordon plays on the ideas of creative process and rehearsal as dancer Keith Marshall explains his steps and relationship to an invisible partner. When the other dancers do the same, the joke wears thin. Tedium sets in. PROJECT - PLAIN ROMANCE EXPLAINED - TRIO - PLUS TEXT David can’t help thinking - the joke wearing thin - and tedium - are his perverse choices of ingredients. He wantsa signal how sincerely he loves what he loves - and perversely laugh or groan - at his own sincerity. He wantsa present something that looks improvised - and is perversely rehearsed enough - to look improvised. And then - present it 2 times in a row. Or 3 - perversely - like repetition and argument - and argument - and repetition - and repetition. He wantsa do - and simultaneously - perversely undo - a climax. In 1984 - he creates a duet - for Keith Marshall - with an active missing partner - which is therefore - perversely - a solo. David must acknowledge - as he nears the end of this career - that it is the end of this career - and that perversity is - an inciting noun - and is - and was always - at work in his work. David wantsa eat his favorite Jewish rye bread - with caraway seeds - and - perversely - have it too.
    [Show full text]
  • GAP Signs Stir up College Campuses Nurturing, Says Msgr
    Promoting the Culture of Life and Fighting the Culture of Death since 1987 CATHOLIC • PrO-Life • PrO-FAMILY May-June 2007, Vol. 18 No. 3, Circ. 3534 www.defendlife.org • [email protected] Voice Mail: (410) 296-LIVE • Action Line: (410) 296-BORN Gen Y Catholics need GAP signs stir up college campuses nurturing, says Msgr. At UMBC, the graphic Genocide to be in the plaza in front of the Awareness Project display got University Center – the most heavily When Msgr. Stuart Swetland shuffled to the boondocks. traveled area on campus,” said Alex took over the Newman ministry at the At College Park, it was in heavily Vernet, treasurer for Rock for Life University of Illinois in 1997, he had his traveled Hornbake Plaza. at University of Maryland Baltimore work cut out for him. But at both campuses the County. The Catholic students at the controversial exhibit raised hackles, But college officials, claiming university were part of the Millennial engendered cheers and jeers, and the display would create a fire Generation, kids born roughly between brought the abortion issue front and hazard there, ordered it moved to a 1980-1994. center for hundreds of collegians to less congested but still well-traveled Also known as Generation Y, they ponder. area. had been born and raised in an era of “We were originally going See GAP, page 2 post-modern relativism. And like most See GEN Y, page 6 NARAL fundraiser targets ‘anti-choicers’ In a state where pro-abortion lawmakers have an undisputed stranglehold on the state legislature, extracting donations from the “pro- choice” faithful by raising the looming possibility of an “anti-choice” takeover can pose a challenge.
    [Show full text]
  • Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
    Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones.
    [Show full text]
  • STANDING with PLANNED PARENTHOOD John
    NEW MEDIA AND POLITICAL THREATS: STANDING WITH PLANNED PARENTHOOD John Remensperger A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the School of Journalism and Mass Communication. Chapel Hill 2013 Approved By: Daren C. Brabham Daniel Kreiss Frederic Stutzman © 2013 John Remensperger ALL RIGHTS RESERVED ii Abstract JOHN REMENSPERGER: New Media and Political Threats: Standing with Planned Parenthood (Under the direction of Dr. Daren C. Brabham) Much of the scholarship on the media strategies of social movement organizations (SMOs) has focused on how these organizations frame issues. More recently, scholars have written about the strategies of digitally native, online advocacy organizations like MoveOn.org. There is a lack of research, however, on how long-standing organizations adapt to new media environments in response to political threats. Planned Parenthood Federation of America’s implementation of tactics like the “Planned Parenthood Truth Tour” and other strategies suggest that older SMOs are attempting, via new media, to take advantage of enthusiasm and interest from publics as they arise. This thesis reveals ways in which existing SMOs prep for and subsequently leverage moments of political contention. It also shows how a long-standing organization that advocates for abortion rights utilizes new media in its political strategy, thus extending previous literature on abortion politics and providing normative guidelines for practitioners involved in similar contentious moments. iii Acknowledgments I would like to thank Dr. Daren Brabham, my committee chair, for his guidance, insights, and flexibility. I would like to thank Dr.
    [Show full text]
  • The Orchestra
    YOU HAVE A VOICE 02.06.20 | 8 p.m. Zellerbach Hall 19/20 Bryce Dessner Voy a Dormir Kelley O’Connor Mezzo Soprano Mary Kouyoumdjian Become Who I Am San Francisco Girls Chorus Johannes Brahms Symphony No. 1 In C Minor Berkeley Symphony 19/20 Season 5 Messages from the Music Director and the Board President 7 Board of Directors & Advisory Council 9 Orchestra 13 Season Sponsors 15 Ad Index: Support Businesses that Support Us 17 Tonight’s Program 19 Program Notes 33 Music Director Joseph Young 35 Composer Bios 39 Guest Artist Bios 45 Artistic Director René Mandel 47 About Berkeley Symphony 50 Music in the Schools 52 Invest in the Future of Berkeley Symphony 55 Annual Membership Support 61 Contact Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. February 6, 2020 3 4 February 6, 2020 Message from the Music Director little over three months ago, I made my first appearance as the Anew Music Director of Berkeley Symphony. Thanks to you, our dedicated audience, as well as the fabulous members of the Orches- tra, staff, board and volunteers, it was a truly magical evening. It photo by Jeff Roffman by photo is with great excitement and pride that I return to Berkeley to con- tinue on this new journey together. For tonight’s performance, I wanted to explore the theme of finding one’s voice, something that is perhaps even more essen- tial today than it ever has been.
    [Show full text]
  • Barry Lather
    Barry Lather Since the late 1990s, Lather has directed many large productions adding another stage to his director/choreographer career, directing world tours & live television performances for Usher, P.Diddy, Mariah Carey, Rihanna, Ciara, Pussycat Dolls, Sean Kingston, Ashlee Simpson, Pharrell, Gwen Stefani, and Seal. He also was creative consultant on Britney Spears’ “Dream within a Dream” world tour, working along with director Wade Robson. Lather was creative director for Usher’s Showtime special One Night, One Star, broadcast live from Puerto Rico; Usher’s “The Truth Tour” in 2005, and Usher & James Brown’s show stopping performance on the 2005 Grammy Awards. In 2010, Barry directed Usher’s performance on the hit show “So You Think You Can Dance”, Britain’s Got Talent, X Factor, 2010 BET Award performance, 2010 American Music Awards and the dynamic MTV Video Music Awards performance in Los Angeles. Barry worked with R & B singer Keri Hilson, Sean Kingston, Estelle, The Dream, Jason DeRulo, and directed & choreographed the innovative Freestyle Motocross theatrical show “Nuclear Cow- boyz” that toured the States in the winter/spring of 2011 & 2012. Barry directed Usher’s epic “OMG” World Tour in 2010-2011, Usher’s dynamic Grammy Award performance joined with Justin Bieber, R & B artist Miguel on the BET Awards and his fall Tour, Nicole Scherzinger’s T.V. performances on American Idol, Ellen & So You Think You Can Dance. In 2011, Barry directed and choreographed production performances on the Country Music Awards & a CMA Christmas TV Special.....and directed Usher and Romeo Santos performance on the Latin Grammy Awards in Las Vegas.
    [Show full text]
  • ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN on the BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work
    For Immediate Release March 13, 2012 ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN ON THE BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work Einstein on the Beach 2012-13 trailer: http://www.youtube.com/watch?v=OZ5hTfDzU9A&feature=player_embedded#! The Robert Wilson/Philip Glass collaboration Einstein on the Beach, An Opera in Four Acts is widely recognized as one of the greatest artistic achievements of the 20th century. Although every performance of the work has attracted a sold-out audience, and the music has been recorded and released, few people have actually experienced Einstein live. An entirely new generation—and numerous cities where the work has never been presented—will have the opportunity during the 2012-2013 international tour. The revival, helmed by Wilson and Glass along with choreographer Lucinda Childs, marks the first full production in 20 years. Aside from New York, Einstein on the Beach has never been seen in any of the cities currently on the tour, which comprises nine stops on four continents. • Opéra et Orchestre National de Montpellier Languedoc-Roussillon presents the world premiere at the Opera Berlioz Le Corum March 16—18, 2012. • Fondazione I TEATRI di Reggio Emilia in collaboration with Change Performing Arts will present performances on March 24 & 25 at Teatro Valli. • From May 4—13, 2012, the Barbican will present the first-ever UK performances of the work in conjunction with the Cultural Olympiad and London 2012 Festival. • The North American premiere, June 8—10, 2012 at the Sony Centre for the Performing Arts, as part of the Luminato, Toronto Festival of Arts and Creativity, represents the first presentation in Canada.
    [Show full text]
  • David L. Driscoll
    DAVID L. DRISCOLL Curriculum Vitae Dr. Driscoll, an applied anthropologist and epidemiologist, develops and evaluates evidence-based risk communication, health promotion, and disease prevention interventions. His multidisciplinary research designs link population-level health data and sociocultural context to create effective public health programs. His methodological experience spans a range of techniques, including unobtrusive structured observation, semistructured and structured individual and group interviews, focus group interviews, telephone interviews, group-administered questionnaires, and mail surveys. His analytical experience includes narrative and contextual qualitative analysis, perception mapping, univariate and multivariate quantitative approaches, and the triangulation of these analyses into a cohesive final product. Education Ph.D., Applied Anthropology, University of South Florida, Tampa, FL, 1999. M.P.H., Epidemiology, University of South Florida, Tampa, FL, 1999. M.A., Anthropology, Wake Forest University, Winston-Salem, NC, 1994. B.A., International Studies, George Mason University, Fairfax, VA, 1990. A.A., Virginia Western Community College, Roanoke, VA, 1988 Professional Experience 2008 to present Director and Associate Professor, Institute for Circumpolar Health Studies 3211 Providence Drive, Anchorage AK 99508-4614 phone - 907/786-6581 fax - 907/786-6576 [email protected] 2000 to 2008 Senior Medical Anthropologist RTI International, Health Communication Program, Research Triangle Park, NC 1997 to 1999
    [Show full text]
  • Einstein on the Beach an Opera in Four Acts ROBERT WILSON & PHILIP GLASS
    CAL PERFORMANCES PRESENTS PROGRAM Friday, October 26, 2012, 6pm Saturday, October 27, 2012, 5pm Sunday, October 28, 2012, 3pm Zellerbach Hall Einstein on the Beach An Opera in Four Acts ROBERT WILSON & PHILIP GLASS Choreography by Lucinda Childs with Helga Davis Kate Moran Jennifer Koh Spoken Text Jansch Lucie Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The 2012 production of Einstein on the Beach, An Opera in Four Acts was commissioned by: The Lucinda Childs Dance Company Cal Performances; BAM; the Barbican, London; Luminato, Toronto Festival of Arts and Creativity; De Nederlandse Opera/The Amsterdam Music Theatre; Opéra et Orchestre Music Performed by National de Montpellier Languedoc-Rousillon; and University Musical Society of the The Philip Glass Ensemble University of Michigan. Michael Riesman, Conductor World Premiere: March 16, 2012, Montpellier, France. Music/Lyrics Direction/Set and Light Design Originally produced in 1976 by the Byrd Hoffman Foundation. Philip Glass Robert Wilson Lighting Sound Costumes Hair/Makeup Urs Schönebaum Kurt Munkasci Carlos Soto Campbell Young Associates: Because Einstein on the Beach is performed without intermission, the audience is invited to leave Luc Verschueren and re-enter the auditorium quietly, as desired. Café Zellerbach will be open for your dining pleasure, serving supper until 8pm and smaller bites, spirits, and refreshments thereafter. The Café is located on the mezzanine level in the lobby. Associate Producer Associate Producer Senior Tour Manager Production Manager Kaleb Kilkenny Alisa E. Regas Pat Kirby Marc Warren Music Director Co-Director Directing Associate Michael Riesman Ann-Christin Rommen Charles Otte These performances are made possible, in part, by the National Endowment for the Arts, and by Patron Sponsors Louise Gund, Liz and Greg Lutz, Patrick McCabe, and Peter Washburn.
    [Show full text]
  • Philip Glassand Laurie Anderson Featuring the Philip Glass Ensemble Michael Riesman, Conductor
    FEBRUARY 10 8:00 PM Words and Music in Two Parts Philip Glassand Laurie Anderson featuring The Philip Glass Ensemble Michael Riesman, conductor PRESENTING SPONSOR PERFORMANCE BENEFACTOR Roshan Cultural Heritage Institute Lisa Church 1998 2004 Uses the poetry of Jalaluddin Rumi, Receives fi rst Grammy nomination 13th-century Sufi mystic, as a source for his for his score in Stephen Daldry’s multimedia chamber opera Monsters of Grace. 2002 fi lm Th e Hours. 22 TICKET SERVICES 919.843.3333 #GLASSAT80 On Sunday afternoons between 1972 and 1974, music, fi lm, theater, and dance—Anderson savvy New Yorkers could climb six fl ights of stairs is singular in her omnivorous incorporation to a top-fl oor warehouse loft at 10 Bleecker Street of many disciplines into her own art. in SoHo. There, they would watch the Philip Glass Ensemble rehearse the composer’s massive, shimmering Music in Twelve Parts. Among regular “It is virtually attendees of these marathon performances was the boundary-crossing artist and musician Laurie impossible to Anderson. “I went to all his stuff and sat around separate out any one with the rest of the musicians, dancers, and artists for fi ve-hour rehearsals,” she later recalled. “It was aspect of her pieces pretty freeing; you could sit there and daydream.” for examination Soon afterwards, Anderson achieved similar fame in the downtown scene. Her fi rst major success without violating was Americans on the Move, an uncategorizable multimedia work that she debuted at Carnegie her own insistent Recital Hall and The Kitchen in 1979; four years violation of the later, she held court at the Brooklyn Academy of Music with United States, a four-part, two-evening genre boundaries spectacle in which she told sing-song allegories that organize the and played electric violin.
    [Show full text]