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MEL BOCHNER Selected Solo Exhibition Catalogues/Monographs

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MEL BOCHNER Selected Solo Exhibition Catalogues/Monographs 2017 Mel Bochner: Voices. New Haven: Peter Freeman, Inc., Yale University Press, 2017. 2015 Weiss, Jeffrey. Mel Bochner: Drawings 1966-1968. New York: Craig F Starr Gallery, 2015. 2014 Kleeblatt, Norman Mel Bochner Strong Language, New York: Yale University Press, New Haven, 2014. 2012 Borchardt-Hume, Achim and Doro Globus (eds). Mel Bochner: If The Colour Changes, London: Whitechapel Gallery, London: Ridinghouse, Munich: Haus der Kunst, and Porto: Museu de Arte Contemporânea de Serralves, 2012. Schwabsky, Barry. ‘Bochner’s Language-Colour Synthesis,’ Monoprints, New York: Two Palms, 2012. Theory of Sculpture: Fontana’s Light, Los Angeles: Marc Selwyn Fine Art, 2012. 2010 Weiss, Jeffrey. ‘Ad Infinitum,’ Mel Bochner Photographs and Not Photographs, San Francisco: Fraenkel Gallery, 2010. 2009 Casati, Marta. Mel Bochner Monoprints, Rivoli: Galleria Metroquadro, 2009. 2007 Paul, Frédéric and Mel Bochner. Mel Bochner, Bignan: Domaine de Kerguéhennec, 2007. Johanna Burton, James Meyer and James Rondeau. Mel Bochner: Language 1966– 2006, Chicago: Art Institute of Chicago, 2007. 2006 Fine, Ruth. Mel Bochner: Drawings from Four Decades, New York: Fifth Floor Foundation, 2006. 2003 Arditi, Fiamma. Mel Bochner: Opera Recenti, Rome: Galleria d’Arte il Gabbiano, 2003. 2002 Besacier, Hubert. Mel Bochner Measurements: Works from the 1960s/1990s, Dijon: FRAC Bourgogne, 2002. Rothkopf, Scott. Mel Bochner Photographs 1966–1969, New Haven: Yale University Press, 2002. 2001 Kuroiwa, Kyosuke. ‘Mel Bochner,’ Mel Bochner Paintings and Sculptures, Japan: Akira Ikeda Gallery, 2001. 1999 Mel Bochner, Rio de Janeiro: Centro de Arte Hélio Oiticica, 1999. 1998 Schwabsky, Barry and Mel Bochner. Mel Bochner: Drawings 1966–1973, New York: Lawrence Markey Gallery, 1998. 1997 Meyer, James and Christophe Laurent Jenny. ‘Mel Bochner: Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art’, Geneva: Cabinet des Estampes du Musée d’art et d’histoire, Musée d’art et d’histoire, 1997. 1995 Field, Richard. Mel Bochner: Thought Made Visible 1966–1973, New Haven: Yale University Art Gallery, 1995. 1985 King, Elaine. Mel Bochner: 1973–1985, Pittsburgh: Carnegie Mellon University, 1985. 1982 ‘Bochner à Senanque: deux moments d’un parcours,’ Mel Bochner: Oeuvres Recentes, Gordes: Renault Recherches Art et Industrie, Centre International de Creation Artistique, Abbaye de Senanque, 1982. 1976 Richardson, Brenda. Mel Bochner: Number and Shape, Baltimore: The Baltimore Museum of Art, 1976. Selected Group Exhibition Catalogues/Books 2017 Ehleiter, Regine. ‘What’s Unfolding,’ Oliver: Künstlerhaus Schloss Balmoral, 2017. Kornhoff, Was Sich Abzeichnet, Cologne: Salon Verlag, 2017. Dryansky, Larisa. Cartophotographies: De l’art conceptuel au Land Art, Coédition CTHS-INHA, Paris, 2017. 2016 Baldacci, Cristina. Archivi impossibili. Un’ossessione dell’arte contemporanea, Monza: Johan & Levi, 2016. 2011 Delahunty, Gavin and Christoph Schulz (eds), Alice in Wonderland: Through the Visual Arts, London: Tate Publishing, 2011. Wingate, Ealan and Emily Florido (eds), Robert Rauschenberg, London and Munich: Prestel, 2011. Dabrowski, Magdalena, Yve-Alain Bois, Aleksandra Shatskikh, Mark Francis, James Turrell, Donald Judd, Mel Bochner and John Coplans, Malevich and the American Legacy, New York: Gagosian Gallery, 2011. Mark Godfrey, Robin Kelsey, Anne Rorimer, Allen Ruppersberg, Guiliano Sergio, Joshua Shannon and Matthew S. Matthew S. Witkovsky ed. Witkovsky, Light Years: Conceptual Art and the Photograph, 1964–1977, Chicago: Art Institute of Chicago, 2011. Pascale, Mark. Drawings from the Collection of Irving Stenn, Jr., Chicago: Art Institute of Chicago, 2011. 2010 Buchloh, Benjamin H.D. Birgit Pelzer, Herman and Nicole Daled, A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966– 1978, Munich: Haus der Kunst and Cologne : Verlag Buchhandlung Walther König, 2010. 2009 Wei Rales, Emily and Jeffrey Weiss. If We Could Imagine, Potomac: Glenstone Foundation, 2009. 2008 Bois, Yve-Alain. ‘What If…,’ Mel Bochner, Solar System & Rest Rooms: Writings and Interviews 1965–2007, Cambridge: MIT Press, 2008. 2007 Godfrey, Mark. Abstraction and the Holocaust, New Haven: Yale University Press, 2007. 2005 Burton, Johanna, Mark Godfrey and Boris Groys, Donna De Salvo ed. Open Systems: Rethinking Art c.1970, London: Tate Publishing, 2005. 2004 Iles, Chrissie et al., 2004 Whitney Biennial, New York: Whitney Museum of American Art, 2004. Armstrong, Philip, Laurie Lisbon and Stephan Melville eds. ‘Mel Bochner,’ As Painting: Division and Displacement, Cambridge: MIT Press, 2004. Zelavansky, Lynn. Beyond Geometry, Los Angeles: Los Angeles County Museum of Art and New Haven: Yale University Press, 2004. Goldstein, Ann. A Minimal Future? Art As Object 1958–1968, Los Angeles: Los Angeles County Museum of Art and Cambridge: MIT Press, 2004. 2001 Meyer, James. Minimalism: Art and Polemics in the Sixties, New Haven: Yale University Press, 2001. Rorimer, Anne. New Art in the 60s and 70s, Redefining Reality, London: Thames & Hudson, 2001. 1999 Todoli, Vicente (ed), Circa 1968, Porto: Museu de Arte Contemporânea de Serralves, 1999. Wilmes, Ulrich. ‘36 Photographs and 12 Diagrams,’ Das Gedächtnis öffnet seine Tore, Ostfildern-Ruit: Hatje Cantz Verlag, 1999. 1998 Godfrey, Tony. Conceptual Art (Art & Ideas), London: Phaidon, 1998. 1995 Goldstein, Ann and Anne Rorimer eds. Reconsidering the Object of Art: 1965–1975, Cambridge: MIT Press, 1995. 1994 Paoletti, John T. ‘The Form of Thought,’ Minimal to Conceptual Art Work from the Dorothy and Herbert Vogel Collection, Washington DC: National Gallery of Art, 1994. 1989 Gintz, Claude, Juliette Laffon and Angeline Scherf eds. L’Art conceptuel, une perspective, Paris: Musée d’Art Moderne de la Ville de Paris, 1989. 1980 Halbreich, Kathy. Mel Bochner/Richard Serra, Cambridge: Hayden Gallery and MIT Press, 1980. 1979 Anderson, Richard. The Minimal Tradition, Ridgefield: Aldrich Museum of Contemporary Art, 1979. 1976 Rose, Bernice: Drawing Now, New York: The Museum of Modern Art, 1976. 1975 Dunham, Carroll and Ragland Watkins ed. Mel Bochner, Barry Le Va, Dorothea Rockburne, Richard Tuttle, Cincinatti: The Contemporary Arts Center, 1975. 1973 Lippard, Lucy. Six Years: The Dematerialization of Art, New York: Praeger Books, 1973, (second edition: University of California Press, Berkeley, 1997). 1972 documenta (5), Kassel, 1972. 1970 McShine, Kynaston ed. Information, New York: The Museum of Modern Art, 1970. 1969 Szeemann, Harald. When Attitudes Become Form, Bern: Kunsthalle Bern, 1969. Selected Articles and Reviews 2014 Holmboe. Rye Dag, "Review: Mel Bochner Strong Language at the Jewish Museum," Apollo Magazine, July 19, 2014. Altman, Anna. 'Mel Bochner's Thesaurus Paintings,' The New Yorker, June 17, 2014. Kalina, Richard. 'Stop, Look And Listen! Mel Bochner Strong Language,' The Brooklyn Rail, June 5, 2014. Ken Johnson. 'Secret Power of Synonyms,' The New York Times, May 2, 2014. Pechman, Alexandra. 'The Painted Blah,' artnews, May 2014. 2013 Cullinan, Nicholas. 'Critic's Picks: Mel Bochner,' Artforum, February 2013 2012 Vogel, Carol. ‘Inside Art,’ The New York Times, June 29, 2012. Altug Evrim. ‘Mel Bochner at Egeran Gallery,’ Cumhuriyet, Istanbul, Turkey, June 3, 2012. Morse, Trent. ‘Mel Bochner,’ artnews, April 2012, p.107. Finkel, Jori. ‘Mel Bochner recreates a 1991 show for Marc Selwyn Fine Art,’ Los Angeles Times, March 4, 2012. Heinrich, Will. ‘Mel Bochner,’ Art in America, March 2012, pp.160–61. Vazquez, Edward. ‘Critics Picks: Mel Bochner,’ Artforum, February 2012. Winant, Carment. ‘Mel Bochner,’ frieze, no.144, January/February 2012. ‘Galleries: Downtown: Mel Bochner,’ The New Yorker, January 2, 2012. 2011 Post, Ari. ‘“Amazing!” Mel Bochner in the Tower’, The Georgetowner, November 30, 2011. Kennicott, Philip. ‘Critics review: National Gallery’s “In the Tower: Mel Bochner,” The Washington Post, November 4, 2011. 2010 Baker, Ken. ‘Bochner Doesn’t Take Photographs,’ San Francisco Chronicle, September16–19, 2017, section F, p.4. Thompson, Anne. ‘Critics Picks: Mel Bochner,’ Artforum, June 22, 2010. Ollman, Leah. ‘Art Review: Mel Bochner at Marc Selwyn Fine Art’, Los Angeles Times, March 5, 2017. Schriber, Abbe. ‘1969 at PS1 Contemporary Art Center’, Artcritical.com, January 7, 2010. Wilmes, Ulrich. ‘Mel Bochner, Sprache, Raum, Bedeutung (Language, Space, Meaning’),’ Künstler – Kritisches Lexikon der Gegenwartskunst, Zeit Kunstverlag, Munich, 2010. 2009 Cash, Stephanie. ‘Dallas Scores Again,’ Art in America, October 2009, p.36. 2008 Lawn, Andrzej. ‘Flash Reviews: Mel Bochner,’ Flash Art, October 2008, p.260. Markus, David. ‘Mel Bochner,’ The Brooklyn Rail, June 2008. Coggins, David. ‘Mel Bochner,’ Time Out New York, May 15–21, 2017 p.74. Smith, Roberta. ‘Mel Bochner,’ The New York Times, May 2, 2008, section E, p.30. Lehrer-Graiwer, Sarah. ‘Critic’s Picks: Mel Bochner,’ Artforum, April 29, 2008. Varian, Elayne. ‘Interview’ in Mel Bochner, Solar System & Rest Rooms: Writings and Interviews 1965–2007,’ MIT Press, Cambridge, 2008, pp.56–60. 2007 Weiss, Jeffrey. ‘Event Horizon: Mel Bochner,’ Peter Freeman, Inc., New York and Galerie Nelson-Freeman, Paris, 2007. Mooney, Christopher ‘Mel Bochner: 1998–2007: Painting, Sculpture and Installation’, Art Review, May 2007, p.137. Grabner, Michelle ‘Mel Bochner: The Art Institute of Chicago,’ frieze, no.105, March 2007, p.191. Meyers, Terry R. ‘Reviews: Chicago, Mel Bochner: Language 1966–2006,
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  • Treatment of Donald Judd's Untitled 1977

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    Article: Treatment of Donald Judd’s Untitled 1977: Retention of the original acrylic sheets Author(s): Eleonora E. Nagy, Bettina Landgrebe, and Shelley M. Smith Source: Objects Specialty Group Postprints, Volume Eighteen, 2011 Pages: 113-125 Compilers: Sanchita Balachandran, Christine Del Re, and Carolyn Riccardelli © 2011 by The American Institute for Conservation of Historic & Artistic Works, 1156 15th Street NW, Suite 320, Washington, DC 20005. (202) 452-9545 www.conservation-us.org Under a licensing agreement, individual authors retain copyright to their work and extend publications rights to the American Institute for Conservation. Objects Specialty Group Postprints is published annually by the Objects Specialty Group (OSG) of the American Institute for Conservation of Historic & Artistic Works (AIC). A membership benefit of the Objects Specialty Group, Objects Specialty Group Postprints is mainly comprised of papers presented at OSG sessions at AIC Annual Meetings and is intended to inform and educate conservation-related disciplines. Papers presented in Objects Specialty Group Postprints, Volume Eighteen, 2011 have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Responsibility for the methods and materials described herein rests solely with the authors, whose articles should not be considered official statements of the OSG or the AIC. The OSG is an approved division of the AIC but does not necessarily represent the AIC policy or opinions. TREATMENT OF DONALD JUDD’S UNTITLED 1977: RETENTION OF THE ORIGINAL ACRYLIC SHEETS ELEONORA E.