19 Project 19 Commission * New York Philharmonic Debut (More)

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19 Project 19 Commission * New York Philharmonic Debut (More)

UPDATED September 15, 2021 Updates Are Bold NEW YORK PHILHARMONIC 2021–22 SEASON AT-A-GLANCE (all information subject to change) WORLD PREMIERES Mahogany L. BROWNE A Country of Water (World Premiere Poem) Gabriela ORTIZ Clara (New York Philharmonic Commission) Andreia PINTO CORREIA Os passaros de noite (The Birds of Night) (New York Philharmonic Commission) Sarah Kirkland SNIDER Forward into Light19 (New York Philharmonic Commission) Gregory SPEARS & Love Story (New York Philharmonic Commission) Tracy K. SMITH Joel THOMPSON & The Places We Leave (New York Philharmonic Commission) Tracy K. SMITH Joan TOWER 1920 / 201919 (New York Philharmonic Commission) US AND NEW YORK PREMIERES Hannah KENDALL Kanashibari (New York Premiere) Žibuoklė MARTINAITYTĖ Saudade (US Premiere) Nico MUHLY In Certain Circles (US Premiere–New York Philharmonic Co-Commission with the Orchestre de Paris, Düsseldorfer Symphoniker, and Royal Liverpool Philharmonic) Nina SHEKHAR Lumina (New York Premiere) John WILLIAMS Raiders of the Lost Ark in Concert (New York Premiere– score performed live to complete film) Additional works, to be premiered during Sound ON and Kravis Nightcap, will be announced. GUEST CONDUCTORS James Blachly* Santtu-Matias Rouvali Herbert Blomstedt Tugan Sokhiev Semyon Bychkov Jeannette Sorrell* Gustavo Dudamel Dalia Stasevska* Lina González-Granados Michael Tilson Thomas Manfred Honeck Thomas Wilkins Jakub Hrůša Simone Young Susanna Mälkki Long Yu 19 Project 19 commission * New York Philharmonic debut (more) SOLOISTS Debuts Justin Vivian Bond, vocalist Sheku Kanneh-Mason, cello Mahogany L. Browne, poet / speaker Igor Levit, piano Ray Chen, violin Beatrice Rana, piano Seong-Jin Cho**, piano Ryan Roberts, English horn Amanda Forsythe, soprano Golda Schultz, soprano Karen Gomyo**, violin Haochen Zhang**, piano John Holiday, countertenor Earl Howard, synthesizer Returning Leif Ove Andsnes, piano Frank Huang, violin Emanuel Ax, piano Katia and Marielle Labèque, pianos Joshua Bell, violin Branford Marsalis, saxophone Yefim Bronfman, piano Christopher Martin, trumpet Gautier Capuçon, cello Anthony McGill, clarinet Anthony Roth Costanzo, countertenor Itzhak Perlman, violin The Mary and James G. Wallach Nicholas Phan, tenor Artist-in-Residence Gil Shaham, violin Kevin Deas, bass Daniil Trifonov, piano Hilary Hahn, violin Yuja Wang, piano HOSTS, CURATORS, AND ENSEMBLES A Better Jamaica Apollo’s Singers Casita Maria Center for Arts & Education Jon Deak El Puente Flushing Town Hall Lina González-Granados Jamaica Center for Arts & Learning Nico Muhly National Black Theatre Nadia Sirota The Marie-Josée Kravis Creative Partner Sarah Kirkland Snider Thomas Wilkins ** New York Philharmonic subscription debut .

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For Release: Tk, 2013
FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014.
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[email protected] CHRISTOPH ESCHENBACH to CO
FOR IMMEDIATE RELEASE March 7, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] CHRISTOPH ESCHENBACH TO CONDUCT THE NEW YORK PHILHARMONIC MOZART’s Piano Concerto No. 22 with TILL FELLNER in His Philharmonic Debut BRUCKNER’s Symphony No. 9 April 19, 21, and 24, 2018 Christoph Eschenbach will conduct the New York Philharmonic in a program of works by Austrian composers: Mozart’s Piano Concerto No. 22, with Austrian pianist Till Fellner as soloist in his Philharmonic debut, and Bruckner’s Symphony No. 9 (Ed. Nowak), Thursday, April 19, 2018, at 7:30 p.m.; Saturday, April 21 at 8:00 p.m.; and Tuesday, April 24 at 7:30 p.m. German conductor Christoph Eschenbach began his career as a pianist, making his New York Philharmonic debut as piano soloist in Mozart’s Piano Concerto No. 24 in 1974. Both Christoph Eschenbach and Till Fellner won the Clara Haskil International Piano Competition, in 1965 and 1993, respectively. Mr. Fellner subsequently recorded Mozart’s Piano Concerto No. 22 on the Claves label in collaboration with the Clara Haskil Competition. The New York Times wrote of Mr. Eschenbach’s conducting Bruckner’s Symphony No. 9 with the New York Philharmonic in 2008: “Mr. Eschenbach, a compelling Bruckner interpreter, brought a sense of structure and proportion to the music without diminishing the qualities of humility and awe that make it so gripping. … the orchestra responded with playing of striking power and commitment.” Artists Christoph Eschenbach is in demand as a distinguished guest conductor with the finest orchestras and opera houses throughout the world, including those in Vienna, Berlin, Paris, London, New York, Boston, Chicago, Los Angeles, Milan, Rome, Munich, Dresden, Leipzig, Madrid, Tokyo, and Shanghai.
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ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
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Social Media Manager to the Join Its Marketing Department
Founded in 1842, the New York Philharmonic is the oldest symphony orchestra in the United States, and one of the oldest in the world. Each season the Philharmonic connects with up to 50 million music lovers through live concerts in New York City, worldwide tours, and residencies, as well as its digital recording series; international broadcasts on television, radio, and online; and through its varied education programs and expansive digital archive. With the renovation of David Geffen Hall, the New York Philharmonic is now poised for transformation, exciting growth, and development. The New York Philharmonic is looking for an ambitious and creative Social Media Manager to the join its Marketing department. This new role will be responsible for managing its social media channels to promote its mission and brand. The Social Media Manager will develop and project a unique brand voice for all social channels to engage with our community of audiences, partners, and influencers with a goal to increase brand affinity, engage audiences, and drive revenue. The Manager will oversee the social media process from beginning to end, from concept to execution, including content planning, content creation, cultivation of our global community of followers, and optimization and reporting, while working with stakeholders across the organization. Responsibilities: Help establish a social media strategy that will engage audiences with always-relevant content and align with organizational goals and marketing objectives. Plan and maintain the social media calendar. Schedule and post all social media content. Manage creative and copy from beginning to end, resulting in engaging posts in a variety of formats, working with in-house designers and content creators to develop engaging content.
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Ts 2017 BOCAMAG.COM FESTIVAL of the OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including
The Pink Panther Returns to azine A ag sso a M ci id at r io lo n F Cheap Eats 2017 BOCAMAG.COM FESTIVAL OF THE OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including... MARKETS Sergio Mendes Sarah Chang PLUS: Branford Marsalis RISING Jon Meacham and many more STARS OF BOCA THE PINK PANTHER and The Pink Panther character(s) are trademarks of Metro-Goldwyn-Mayer Studios Inc. © 2017 MGM. All Rights Reserved. Festival of the BOCA 131 2017 OFFICIALArts PROGRAM Festival of the BOCA This year’s celebration of the arts features performances by classical musicians, observations from popular authors and a special appearance Artsby the bumbling Inspector Clouseau. A 10-day celebration of music and literature. March 2-12, 2017 Sarah Chang February 2017 • • • • bocamag.com 132 Festival of the BOCA 2017 OFFICIALArts PROGRAM Performing Artists The Pink Panther Festival of the Arts BOCA will present the world premiere of the 1963 hit comedy, “The Pink Panther” with live orchestra, with the Henry Mancini Institute Orchestra performing Mancini’s Grammy-winning score. “The Pink Panther” and its famous saxophone theme music have become cross-generational American icons, spawn- ing a series of animated films that are instantly recognized by people young and old. Relive the original classic featuring David Niven, Peter Sellers and Robert Wagner on the giant screen at Mizner Park for a memorable and historic evening. La Boheme On March 4th Festival of the Arts Boca will bring Chatham Opera’s semi-staged produc- tion of Puccini’s “La Bohème” to Mizner Park. Puccini’s glorious, lush, romantic score will be presented in its original Italian with English supertitles in a new translation by the festival’s music director, Constantine Kitsopoulos.
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By MARTIN BOOKSPAN
December 31, 2007, 8:00pm on PBS New York Philharmonic New Year’s Eve Gala with Joshua Bell In September Live From Lincoln Center observed one of its longtime traditions: the Gala opening concert of the new season of the New York Philharmonic. On December 31 we'll re-invent another longtime Live From Lincoln Center tradition: the Gala New Year's Eve concert by the New York Philharmonic. Music Director Lorin Maazel will be on the podium for a program of music appropriate for the festive occasion, and the guest artist will be the acclaimed violinist, Joshua Bell. I first encountered Joshua Bell at the Spoleto Festival, U.S.A. in Charleston, South Carolina. He was then barely into his teens but he was already a formidable violinist, playing chamber music with some of the world's most honored musicians. Not long afterward he burst upon the international scene at what was described as "a sensational debut" with the Philadelphia Orchestra and its Music Director of the time, Riccardo Muti. Joshua Bell was brought up in Bloomington, Indiana, where his father was a Professor at Indiana University. I.U., as it is known in academia, is an extraordinary university, with a School of Music that is world-renowned. Among its outstanding faculty was the eminent violinist Josef Gingold, who became Josh's inspired (and inspiring) mentor and devoted friend. Indeed it was the presence of Gingold in Indiana that led to the establishment of the Indianapolis International Violin Competition. One way for a young musician to attract attention is to win one of the major international competitions.
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Daniel Saidenberg Faculty Recital Series
Daniel Saidenberg Faculty Recital Series Frank Morelli, Bassoon Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Photo by Claudio Papapietro Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents Faculty Recital: Frank Morelli, Bassoon Jesse Brault, Conductor Jonathan Feldman, Piano Jacob Wellman, Bassoon Wednesday, January 17, 2018, 7:30pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series GIOACHINO From The Barber of Seville (1816) ROSSINI (arr. François-René Gebauer/Frank Morelli) (1792–1868) All’idea di quell metallo Numero quindici a mano manca Largo al factotum Frank Morelli and Jacob Wellman, Bassoons JOHANNES Sonata for Cello, No. 1 in E Minor, Op. 38 (1862–65) BRAHMS Allegro non troppo (1833–97) Allegro quasi menuetto-Trio Allegro Frank Morelli, Bassoon Jonathan Feldman, Piano Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C.
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San Francisco Symphony 2019–2020 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 12, 2019 SAN FRANCISCO SYMPHONY 2019–2020 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2019–20 season go on sale TUESDAY, March 12 at 10 am at www.sfsymphony.org/MTT25, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Discover how to receive free concerts with your subscription package. For additional details and questions visit www.sfsymphony.org/MTT25. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA Wednesday, September 4, 2019 at 8:00 pm Michael Tilson Thomas conductor and piano San Francisco Symphony ALL SAN FRANCISCO CONCERT with MICHAEL TILSON THOMAS Thursday, September 5, 2019 at 8 pm Saturday, September 7, 2019 at 8 pm Michael Tilson Thomas conductor Alina Ming Kobialka violin Hannah Tarley violin San Francisco Symphony BERLIOZ Overture to Benvenuto Cellini, Opus 23 SAINT-SAËNS Introduction and Rondo capriccioso, Opus 28 RAVEL Tzigane GERSHWIN Second Rhapsody for Orchestra with Piano BRITTEN Variations and Fugue on a Theme by Purcell San Francisco Symphony 2019-20 Season Calendar – Page 2 of 22 SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 12, 2019 at 8 pm Friday, September 13, 2019 at 8 pm Saturday, September 14, 2019 at 8 pm Sunday, September 15, 2019 at 2 pm Michael Tilson Thomas conductor San Francisco Symphony MAHLER Symphony No. 6 in A minor SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 19, 2019 at 2 pm Friday, September 20, 2019 at 8 pm Saturday, September 21, 2019 at 8 pm Sunday, September 22, 2019 at 2 pm Michael Tilson Thomas conductor Daniil Trifonov piano San Francisco Symphony John ADAMS New Work [SFS Co-commission, World Premiere] RACHMANINOFF Piano Concerto No.
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ARSC Journal
TOSCANINI LIVE BEETHOVEN: Missa Solemnis in D, Op. 123. Zinka Milanov, soprano; Bruna Castagna, mezzo-soprano; Jussi Bjoerling, tenor; Alexander Kipnis, bass; Westminster Choir; VERDI: Missa da Requiem. Zinka Milanov, soprano; Bruna Castagna, mezzo-soprano; Jussi Bjoerling, tenor; Nicola Moscona, bass; Westminster Choir, NBC Symphony Orchestra, Arturo Toscanini, cond. Melodram MEL 006 (3). (Three Discs). (Mono). BEETHOVEN: Symphony No. 9 in D Minor, Op. 125. Vina Bovy, soprano; Kerstin Thorborg, contralto; Jan Peerce, tenor; Ezio Pinza, bass; Schola Cantorum; Arturo Toscanini Recordings Association ATRA 3007. (Mono). (Distributed by Discocorp). BRAHMS: Symphonies: No. 1 in C Minor, Op. 68; No. 2 in D, Op. 73; No. 3 in F, Op. 90; No. 4 in E Minor, Op. 98; Tragic Overture, Op. 81; Variations on a Theme by Haydn, Op. 56A. Philharmonia Orchestra. Cetra Documents. Documents DOC 52. (Four Discs). (Mono). BRAHMS: Symphony No. 1 in C Minor, Op. 68; Concerto for Piano and Orchestra, No. 2 in B Flat, Op. 83. Serenade No. 1 in D, Op. 11: First movement only; Vladimir Horowitz, piano (in the Concerto); Melodram MEL 229 (Two Discs). BRAHMS: Symphony No. 1 in C Minor, Op. 68. MOZART: Symphony No. 40 in G Minor, K. 550. TCHAIKOVSKY: Romeo and Juliet (Overture-Fantasy). WAGNER: Lohengrin Prelude to Act I. WEBER: Euryanthe Overture. Giuseppe Di Stefano Presenta GDS 5001 (Two Discs). (Mono). MOZART: Symphony No. 35 in D, K. 385 ("Haffner") Rehearsal. Relief 831 (Mono). TOSCANINI IN CONCERT: Dell 'Arte DA 9016 (Mono). Bizet: Carmen Suite. Catalani: La Wally: Prelude; Lorelei: Dance of the Water ~· H~rold: Zampa Overture.
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The Israel Philharmonic Orchestra
January 1987 Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium The Israel Philharmonic Orchestra Founded in 1936 by Bronislaw Huberman Music Director : Zubin Mehta FESTIVE JUBILEE SEASON THE ISRAEL PHILHARMONIC ORCHESTRA Founded in 1936 by Bronislaw Huberman • Music Director: Zubin Mehta The Fredric R. Mann Auditorium • P.O.Box 11292, 61112 Tel-Aviv; Telephone (03) 295092 The 51st Season / 1986-7 Festive Jubilee Season Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel, Mr. Chaim Herzog Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium January 1987 At 8.30 p.m. PUBLIC MANAGEMENT BOARD: Mr. D. Ben-Meir, Mr. A. Duizin Mr. Y. Ettinger, Mr. B. Gal-Ed, Mr. M.B. Gitter, Dr. A. Goldenberg, Mrs. A. Harris, Mr. P. Jacobi, Judge A.F. Landau (Chm'n), Mr. A. Levinsky, Mr. Z. Litwak*, Mr. Y. Mishori*, Mr. M. Neudorfer, Mr. Y. Oren, Mr. Y. Pasternak*, Mr. J. Pecker, Judge L.A. Rabinowitz, Mr. A. Shalev, Mr. N. Wolloch. (• IPO Management members) THE IPO FOUNDATION - Founding Members: Abba Eban (Chairman), David Blass, Yona Ettinger, Dr. Amnon Goldenberg, M.B. Gitter, Lewis Harris, Ernst Japhet, Y. Macht, Joseph Pecker, Raphael Recanati. Dr. Dapnna Schachner (Dir. Gen.) AMERICAN FRIENDS OF THE IPO: Zubin Mehta (Hon. Ch'mn); Fredric R. Mann (Pres.); Norman Bernstein, Itzhak Perlman (Vice Pres.); Susan B.
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To See the 2018 Tanglewood Schedule
summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary
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New York Philharmonic Announces 2021–22 Season Creating a Pathway to the Reopening of David Geffen Hall
NEW YORK PHILHARMONIC ANNOUNCES 2021–22 SEASON CREATING A PATHWAY TO THE REOPENING OF DAVID GEFFEN HALL THE ORCHESTRA TO PRESENT FULL SUBSCRIPTION SEASON AT TWO DIFFERENT LINCOLN CENTER VENUES: ALICE TULLY HALL AND ROSE THEATER AT JAZZ AT LINCOLN CENTER ___________________ CARNEGIE HALL TO PRESENT NEW YORK PHILHARMONIC IN FOUR CONCERTS ___________________ JAAP VAN ZWEDEN TO CONDUCT World, US, and New York Premieres plus Repertoire Ranging from Schubert, Mahler, and Shostakovich to Eastman, Chen Yi, and Walker ___________________ ARTIST-IN-RESIDENCE ANTHONY ROTH COSTANZO Authentic Selves: The Beauty Within Two Weeks Exploring the Complexity of Identity Featuring World Premieres and Community Partnerships Developed during NY Phil Bandwagon ___________________ GUSTAVO DUDAMEL CONDUCTS THE SCHUMANN CONNECTION Schumann Symphonic Cycle with World Premieres of Commissions Reflecting on the Robert-Clara Relationship ___________________ Ten World, US, and New York Premieres Sound ON and Kravis Nightcap Series Return ___________________ The New York Philharmonic announces its 2021–22 season, marking the Orchestra’s long-awaited return to subscription performances following an 18-month period of cancellations due to the pandemic. For the first time in modern history the Philharmonic will be performing outside its home for an entire season. While David Geffen Hall is currently undergoing major renovations and is scheduled to reopen in Fall 2022, the Orchestra and Music Director Jaap van Zweden will perform this season at two Lincoln Center venues: Alice Tully Hall and the Rose Theater at Jazz at Lincoln Center’s Frederick P. Rose Hall. In addition to these performances, the Philharmonic will be presented by Carnegie Hall in four orchestral concerts.
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