The Naked Samoans Do Magic

Total Page:16

File Type:pdf, Size:1020Kb

The Naked Samoans Do Magic 22–25 March The Civic THE NAKED SAMOANS DO MAGIC THE CONCH & THE NAKED SAMOANS PERFORMERS ACKNOWLEDGEMENTS Thank you to all our supporters without whom this show would Mario Gaoa Merlin Connell-Nawalowalo not exist: Shimpal Lelesi Kasaya Manulevu Vanessa Byrnes and Unitec; Peter Robbie Magasiva Fay Tofilau Cleveland and Auckland University; Oscar Kightley Vaiari Vaeau-Ivirangi Propellor Studios; Avalon Studios; Charlie Unwin and Family; Anton Dave Fane Ren Slatter Parsons; Sophie Elworthy and Ia Heto Ah Hi Patrick Nawalowalo McCrory Corbans Estate Arts Centre; Andy Zhu and Northern Scaffolding; Lisa Taouma and Tiki Productions; Vanessa Kelly; Taki Rua Productions and Hau Kainga Wellington; the CREATIVE TEAM / CREW Tupu family; Genevieve Nauder and Denise Wiremu; Bridget Nawalowalo and Milika Nawalowalo McCrory; Producer Stage Management Anapela Polataivao Goretti Wickman Bronwyn Bradley and PIPA; Elspeth DIRECTORS’ NOTES The Conch – Nina Nawalowalo & Tom McCrory Sasha Gibb Morag Carter Tilley and Massey University; Jim Moriarty and Te Rakau Theatre; Mark Set Design Assistant Stage Manager Michaels and Les Mills; David Steele Ni sa Bula Vinaka and Jade Putt. Penny Fitt Jordan Keyzer Thank you for coming to this performance of Vinaka vakalevu to the Auckland Arts Festival Thank you also to the family and Magic Design Production Management friends of our full cast and crew; for The Naked Samoans Do Magic. for this very real opportunity; allowing us to Nina Nawalowalo Lisa Maule your generosity and care of the team bring this large scale work to the stage. throughout this enormous process. The Naked Samoans are a rare beautiful global Anton Van Helden Season Production Manager treasure. A comedy troupe, who like their To Jonathan Bielski – From the first visit to We dedicate this heroes from Abbot and Costello to the Marx The Conch offices in Wellington, Jonathan’s Lighting Design Nick Tauiliili show to you Lisa Maule all, and also to brothers, combine to create chemistry – a visionary way of supporting artists and Technical Operators the memory of joyful, skilled playfulness where the sum is inspiring creativity has held us. Thank Wayne Rogers. Sound Design Haami Hawkins At the beginning greater than the parts. We love them for the you. To David Inns – For your faith in and Chris Winter Eleanor Taylor of this journey, way they have held up a mirror for us to see commitment to our collective vision. To the Magician Wayne Rogers gave us ourselves, warts and all, and for the gift of full Festival team – the machine that works our first illusion– the Jarret Box. Music Selection Construction & Finish He was so excited about the show laughter which is equal parts joy and liberation. tirelessly in the background to get us from Tom McCrory Alan Curreri that he joined us in our first two So, after a successful collaboration between concept to stage. workshops, teaching and sharing Taylor Joynes The Conch and Oscar Kightly on The White Costume Design his magic with the team. Rob Edwards Guitar, there was a strong pull to go further. And to all of you here today, we look forward Sandra Tupu Bruce Stokell Sadly, life imitated art and late to spending this time with you and going on last year Wayne passed away. A The desire to bring back the Nakeds to the beautiful, spritely and generous New Zealand stage was irresistible and the this magical journey together. Multimedia Design Producers Assistant man, who gave us the spark which idea of them doing a magic show, while scary, Ed Hawkins Zandra Ah-Jay Maeepu became the magical inferno we Vinaka vakalevu incinerate your senses with tonight. made us giggle whenever we thought of it. Magic Consultant Rehearsal Technician Thank you to Wayne for being with Nina Nawalowalo, Ross Skiffington us on this journey. We hope we do Magic is about the rediscovery of a childlike Haami Hawkins you proud. Vinaka vakalevu. Artistic Director wonder at the world and laughter the and Choreography Chaperone liberation from fear. And at a time of fear Ross McCormack Salote Nawalowalo McCrory when the wonder at the world has drained Tom McCrory, from so many eyes, laughter and magic are Executive Producer of The Conch WITH SUPPORT FROM more important than ever. From wonder theconch.co.nz 1hr 15mins no interval COMMISSIONED BY AUCKLAND ARTS FESTIVAL comes hope, from laughter in the face of fear PHOTOGRAPHY: JOHN MCDERMOTT AND CO-PRODUCED WITH THE CONCH comes the courage to act. THE NAKED SAMOANS aaf.co.nz ROBBIE Auckland Arts Festival is a place for ambitious ideas by storytellers, CONTACT MARIO GAOA DAVE FANE MAGASIVA provocateurs and creators. +64 (0)9 309 0101 The Festival reflects our contemporary, cosmopolitan city with its many communities. [email protected] Mario has been an arts practitioner Kiwi actor Robbie Magasiva David Fane a multi award-winning actor/ It challenges artists and audiences to be bold and take a risk. Through the work of Level 5, Wellesley Centre for the past 20 years. His humility has been a familiar face to New writer for both television and theatre. In artists from Aotearoa and across the world, we aim to unify, uplift, enlighten and stops us from printing all the works Zealand, boasting a lengthy a career that has spanned 25 years he 44-52 Wellesley Street he has been involved with during body of work from the stage is a familiar face to New Zealand and inspire the people of T¯amaki Makaurau and our many visitors. Auckland City 1010 that time. His focus over the last 10 to the screen spanning over Australia. His film credits include Sione’s has been been in film and television. two decades. After making Wedding; Sione’s Wedding 2: Unfinished Taking place annually in March, 2018 marks the 10th Auckland Arts Festival. PO Box 5419 Mario says his return to the stage is his big-screen debut in the hit Business; Love Birds; The Tatooist, This year more than 200,000 people are expected to attend the Festival, which Wellesley Street so he can play with his buddies. movie Stickmen, Robbie joined for which he was nominated for best comprises more than 50 events taking place in all corners of the Auckland region Auckland 1141, NZ Polynesian theatre troupe The supporting actor; and most recently Gary and many of which are free. “I grew up around cinema and to Naked Samoans. In 2015, Robbie of the Pacific. On the small screen the me it was the magic place I escaped was nominated for an award for award winning bro’Town, Outrageous to when it was school holiday time Most Outstanding Performance Fortune, 800 Words, Westside, Diplomatic (my Mum was an usher at the old by a Male Actor for his role in Immunity and many more. Last year he St James and Cinerama). And now Wentworth, which Robbie has was dual recipient of the Pacific Senior FESTIVAL PEOPLE years later I find myself in that space worked on since 2012. Artist award with Oscar Kightley. again. It’s not the cinema, but the magic I knew as a kid is here.” “We’ve been talking about coming “This show will knock your teeth out and back together for a long time put them back again. A masterpiece of Patron Chief Executive Creative Learning & Head of Sound now, but the timing hasn’t worked magical proportions” The Governor General, David Inns Community Engagement Sandy Gunn Her Excellency Assistant and the right process hadn’t come The Right Honourable Artistic Director Natasha Lay Head of AV forward. At first I was sceptical Jonathan Bielski Simon Baker IA HETO AH HI Dame Patsy Reddy, that this was going to be it – but GNZM, QSO Programme Administrator after our first workshop together, Business & Helen Winskill Marketing & and the seed of the idea began to OSCAR KIGHTLEY Board of Trustees Finance Director Communications Director grow, I was convinced.” John Judge (Chair) Shona Roberts Project Coordinator, Wha¯nui Thierry Pannetier Of Samoan and Tokelauan descent, Noma Sio-Faiumu Heto is the creative director of Angela Clatworthy Accounts & Payroll Marketing Contractor Rick Carlyon Kinetic Wayfinding; a theatre Oscar Kightley is a Samoan born writer/ Administrators Wha¯nui Project Assistant Sally Woodfield Evan Davies company focused on wellbeing and actor and director who grew up in New Suzanne Watt Amo Ieriko Sarah Judkins Content Editor social change through performing Zealand and who has helped create Mirena Tomas SHIMPAL LELISI Tarun Kanji Technical Manager Tim Wong arts. As a performer he has also critically acclaimed award-winning work Margaret Kawharu MNZM Executive Assistant Nick Tomlin performed in critically acclaimed for the stage, small and big screens. Jim Moser Josie Maskell Campaign Executive theatre productions such as The movie he co-wrote and starred in, Ben Taufua Technical Administrator Alistair Kwun Frigate Bird Sings, Dawn Raids, Shimpal Lelisi got his break with Sione’s Wedding, broke domestic box Fred Ward Office Manager Catherine Hart My Penina, Music and Me and Pacific Theatre in the late 80s. office records on its release in 2006. In Donna Lynskey Media & PR Manager the award-winning Black Faggot. He was a co-creator, writer 2009, Oscar was made a New Zealand Founding Friends Artist Liaison & Siobhan Waterhouse Adrian Burr Head of Programming Logistics Manager Heto has also been a loved face and voice actor in the hit show Arts Foundation Arts Laureate, and in Media & PR Assistant Graeme Edwards Dolina Wehipeihana Megan Andrews on the big screen and for his role bro’Town and was a reporter/ the same year was given a medal from Josephine Granese Friedlander Foundation as Tyrone in the film Matariki he journalist on Tagata Pasifika.
Recommended publications
  • MOANA MAORI VERSION Press Release -FINAL
    ! CASTING BEGINS ON TE REO MAORI LANGUAGE VERSION OF WALT DISNEY ANIMATION STUDIOS’ MOANA Writer Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople) and Moana Actress Rachel House (“Gramma Tala”) Made the Announcement on behalf of the Matewa Media Trust, in Collaboration with The Walt Disney Studios Actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) will Reprise their Roles BURBANK, Calif., June 8, 2017 – Casting has begun on the Te Reo Maori language version of Walt Disney Animations Studios Academy Award®-nominated animated feature Moana. The Maori language version is being created by Taika Waititi’s Matewa Media Trust, in collaboration with The Walt Disney Studios. A Casting announcement was posted by Rachel House and Taika Waititi today on www.adrenalingroup.com/ casting. The recording process will take place over the next few months with actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) reprising their roles. Rob Ruha, multi- award-winning composer and solo artist, has joined the team as both Musical Director and as an integral part of the translation/adaptation team. Release details are to be announced, with the goal to have the film shared both in festivals and on DVD for educational purposes in Aotearoa (New Zealand) and beyond. "It's been a big dream of mine to see mainstream movies translated into te reo Maori,” says Waititi. “For indigenous audiences to hear films in their own language is a huge deal, helping to normalize the native voice and give a sense of identification.
    [Show full text]
  • Annual Report 2013/14
    New Zealand Film Commission Annual Report 2013/14 New Zealand Film Commission Annual Report 2013/14 1 PO Box 11-546 Wellington www.nzfilm.co.nz Funded by the New Zealand Government through the Ministry for Culture and Heritage and by the Lottery Grants Board Cover photos: Beyond the Edge Fantail What We Do in the Shadows Beyond the Edge G.19 Report of the New Zealand Film Commission for the year ended 30 June 2014 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2014. Dame Patsy Reddy Andrew Cornwell Chair Board Member New Zealand Film Commission Annual Report 2013/14 3 HIGHLIGHTS Changes to New Zealand’s screen incentives In 2013/14, New Zealanders saw great New Zealand films supported by were implemented to the NZFC. And there’s more to come, with some exciting projects receiving attract more large-budget development and production funding. local and international Beyond the productions. This funding coupled with the new screen incentive means there’ll be more Edge was named work in the screen industry in coming years, reinforcing the importance of second runner up in the People’s Choice Eight short the NZFC’s support for training and development of talented professionals. Award for Documentary films and at the 2013 Toronto Behind the scenes, the NZFC has changed some aspects of the way we International Film We’ve seven feature work to ensure we are better placed to help the industry grow.
    [Show full text]
  • Theatre, Rugby and Samoan Masculine Identities
    1 Victoria University of Wellington School of English, Film, Theatre and Media Studies Blackout: Theatre, Rugby and Samoan Masculine identities Sepelini Mua’au A thesis submitted to the University of Wellington in partial fulfilment of the requirements for the degree of a Masters in Arts (Theatre) 2016 2 Blackout: Theatre, Rugby and Samoan Masculine identities Abstract This thesis examines key ideas concerning masculinity and Samoan identity, focusing on the external and internal pressures placed on Pacific Island athletes in New Zealand and abroad to inform the development of an original script, Blackout. In 2014, as part of an Honours script-writing course, I wrote a first draft for my first full- length play. Inspired by the work of Samoan playwright Oscar Kightley, Blackout is a play that intersects the story of four young Pacific Island boys in their last year of College with the journey of a talented young Pacific Islander in his mid-20s trying to make his way in the Professional Rugby world. This thesis is part of a practice- based research project, comprising a 60% theory-based thesis (25,000 words) and 40% practical component, developing the script through three workshop productions. The two working questions the thesis and production process centre on are, firstly how the experiences of young second generation Samoan males can be explored through a contemporary theatre text, enabling the research to develop the story and characters of the play. The second, how the development of this script can enhance an understanding of what it is to be an emerging playwright, grounding the piece in personal experiences and contributing discoveries for young Pacific Playwrights.
    [Show full text]
  • FRIDAY, AUGUST 28, 2020 HOME-DELIVERED $1.90, RETAIL $2.20 LIFE SENTENCE ‘Your Actions Were Inhuman’
    TE NUPEPA O TE TAIRAWHITI FRIDAY, AUGUST 28, 2020 HOME-DELIVERED $1.90, RETAIL $2.20 LIFE SENTENCE ‘Your actions were inhuman’ CHRISTCHURCH — The white people praying at the Al Noor and system has locked up this ideology Judge Mander said Tarrant had supremacist who slaughtered 51 Linwood mosques in Christchurch forever.” shown no empathy toward his worshippers at two New Zealand shocked New Zealanders and Tarrant pleaded guilty in March victims and remained detached and mosques was yesterday sentenced prompted new laws banning the to 51 counts of murder, 40 counts of self-centred. to life in prison without the deadliest types of semi-automatic attempted murder and one count of Tarrant arrived in New Zealand in possibility of parole, the first time weapons. They also prompted global terrorism, reversing his earlier not 2017, never sought work and began the maximum available sentence has changes to social media protocols guilty pleas. planning for his attack by stockpiling been imposed in the country. after the gunman livestreamed his He fired his lawyers and told high-powered weapons and joining Judge Cameron Mander said the attack on Facebook. the judge he didn’t shooting clubs, the judge said. crimes committed by 29-year-old During the four- wish to speak at “It appears that while travelling Australian Brenton Harrison Tarrant day sentencing No sentence will his sentencing. A in Europe you developed deep- were so wicked that a lifetime in jail hearing, 90 survivors ‘bring our loved ones standby lawyer seated radical views regarding the could not begin to atone for them.
    [Show full text]
  • Madeleine Sami
    Madeleine Sami Hair Black Eyes Brown Height 5'5'' / 165 cm DOB 1980 Notes: photograph #1,2 courtesy of The Breaker Upperers photograph #3 courtesy of Super City FEATURE FILM 2019 Baby, Done, 'Karen' Piki FIlms, Dir: Curtis Vowell 2019 Come to Daddy, 'Gladys (cameo)' Daddy Films Ltd, Dir: Ant Timpson 2018 The Breaker Upperers, 'Mel (lead)' Piki Films , Dir: Jackie van Beek & Madeleine Sami 2014 What We Do In The Shadows, 'Morana' Shadow Pictures, Dir: Taika Waititi & Jemaine Clement 2014 Slow West, 'Marimacho' Slow West (NZ) Ltd, Dir: John Maclean 2011 Sione's 2, 'Tania (supporting)' South Pacific Pictures, Dir: Simon Bennett 2008 Under the Mountain, 'Constable Green' Red Head Films, Dir: Jonathan King 2005 Sione's Wedding, 'Tania (supporting)' South Pacific Pictures, Dir: Chris Graham 2002 Perfect Strangers, 'Andrea (lead)' Huntaway Films, Dir: Gaylene Preston TELEVISION 2018 The Bad Seed, 'Detective Marie Da Silva (core cast)' South Pacific Pictures, Dir: Various 2013 Super City II, 'Ray / Ofa / Mary / Levi (lead)' Super Fumes Ltd, Dir: Oscar Kightley 2012 Top of the Lake: season I, 'Zena (supporting)' See Saw Films, Dir: Jane Campion 2010 Super City, 'Jo / Azeem / Linda / Pasha / Georgie (lead)' Super Fumes Ltd, Dir: Taika Waititi 2010 Radiradirah, 'Various (core cast in sketch show)' Firehorse Films, Dir: Various 2009 Jaquie Brown Diaries: season II, 'Sarita Singh (core cast)' Young, Gifted & Brown, Dir: Gerard Johnstone 2008 Diplomatic Immunity, 'Agent Bickler' South Pacific Pictures, Dir: Various 2008 Jaquie Brown Diaries: season
    [Show full text]
  • Media Release Strictly Embargoed Until 7.30Pm Wednesday 25 November 2020
    Media release Strictly embargoed until 7.30pm Wednesday 25 November 2020 AUCKLAND ARTS FESTIVAL 2021 FULL PROGRAMME LAUNCHED Te Ahurei Toi o Tāmaki | 4-21 March 2021 The full programme for the Auckland Arts Festival/Te Ahurei Toi o Tāmaki (AAF) 2021 has been launched. The 100% Aotearoa line-up was revealed tonight in a video streamed on AAF’s Facebook page and YouTube channel, following an initial reveal on 11 November that announced Taonga Moana, Pūmanawa, and Che-Fu & The Kratez, along with the Festival’s 2021 theme, Aroha. After cutting its 2020 season short due to COVID-19, in 2021 the Festival will take place between 4 and 21 March 2021 and feature a selection of more than 70 multi-art shows and events at theatres, galleries and unique indoor and outdoor venues across Tāmaki Makaurau. Event details can be found on the Festival’s brand new website (https://www.aaf.co.nz/), including everything from dance to theatre, live music to comedy, visual and digital art, talks and debate, community participation projects and more. The programme includes a wide-ranging series of free and ticketed shows, installations and exhibitions designed to unify, uplift and inspire. Early Bird discounts are available on most events until Thursday 31 December 2020. The Festival has commissioned world premieres of several new works, resuscitated some that were cancelled in 2020 due to the Covid-19 pandemic, and will provide employment for over 1,000 artists and 150 production and administration staff. All 2021 activity falls into three strands related to the overarching theme of Aroha: aroha ki ngā kōrero – the respect we hold for our stories; aroha ki te tangata – kindness, compassion and goodwill toward people; and aroha ki te taiao – our love and care for our natural environment – air, land and water.
    [Show full text]
  • A Perspective on the Changing Role of Pacific Islanders in New Zealand
    Intrepid Journey – A Perspective on the Changing Role of Pacific Islanders in New Zealand Judith Taumuafono 2007 This thesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communications Studies) TABLE OF CONTENTS Attestation of Authorship………………………………………………………………………………….4 Dedication………………………………………………………………………………………………………….5 Glossary………………………………………………………………………………………………………………6 Acknowledgements…………………………………………………………………………………………….7 Abstract………………………………………………………………………………………………………………8 i. Introduction……………………………………………………………………………………………..9 Approach and scope of thesis………………………………………………………………….10 Method of enquiry……………………………………………………………………………………11 Thesis structure……………………………………………………………………………………….12 1. In the beginning – New Zealand the land of opportunity……………………14 A look at the origins of New Zealand’s relationship with Pacific Island nations…………………………………………………………………………………………………….14 The early browning of Aotearoa: New Zealand the land of milk and honey……………………………………………………………………………………………………….17 Unravelling the theoretical approach to international immigration………19 The Muldoon years…………………………………………………………………………………..21 The early influence of the media in the portrayal of Pacific Islanders….24 Reading between the frames…………………………………………………………………..26 Conclusion………………………………………………………………………………………………..34 2. Beyond the controversial overstayers’ campaign: the evolution of Pacific Islanders in New Zealand’s mainstream media……………………….35 State of the nation…………………………………………………………………………………..35
    [Show full text]
  • 22 September 2013
    22 AUGUST – 22 SEPTEMBER 2013 REBUILDING THE HEART HIKITIA TE MANAWA FIVE AMAZING FESTIVAL WEEKENDS 2 3 The Festival this year is spread over five weekends and three FESTIVAL ENJOY FIVE main venues. Larger-scale shows are held at the Aurora Centre, Memorial Avenue. Theatre and some music will feature at the PARTNERS FESTIVAL Rudolf Steiner School, Opawa. WELCOME WEEKENDS The main music programme and Ideas Festival will be held at the Fletcher Building Festival Club, Market Square, The Arts Centre (facing on to Worcester Boulevard). We’ve kept our prices low, some events are free, some for adults and some for family. Come and celebrate the best of Christchurch, the best of New Zealand and the best international shows we could bring. CORNERSTONE PARTNERS INFRASTRUCTURE PARTNERS Photo: Ng Pae o te Mramatanga o te Ng Pae Photo: SIR TIPENE O’REGAN BOB PARKER CLARE MURRAY / Honorary Festival Patron Honorary Festival Patron LAUREN SEMPLE Co-Chairs Naia te mihi kau A major arts festival is a PHILIP TREMEWAN atu a Ngai Tahu, significant feature on the Festival Director STRATEGIC PARTNERS MEDIA PARTNERS Naia te uruhau a cultural landscape of any city. As we survey our city and look PHILIP CARTER Aoraki e paorooro ana. We are delighted to bring you FAMILY keenly towards the future, we this year’s festival, spanning five Ko tatou te ia kawe can take heart that an event like exciting weekends filled with haora, ko tatou te ia the Christchurch Arts Festival shows and activities to pull you kawe toto continues to bolster spirits and out of winter and reinvigorate Ki tenei te manawa inject vitality and enthusiasm.
    [Show full text]
  • Sione's Wedding Press
    CONTENTS Synopsis ......................................................................................................................................................................... 3 Cast Q&A’s Oscar Kightley.................................................................................................................................................. 4 Robbie Magasiva ............................................................................................................................................. 5 Shimpal Lelisi ................................................................................................................................................... 6 Iaheto Ah Hi ..................................................................................................................................................... 7 Teuila Blakely................................................................................................................................................... 8 Madeleine Sami ............................................................................................................................................... 9 David Fane..................................................................................................................................................... 10 Production story ........................................................................................................................................................... 11 Cast Biographies Oscar Kightley (Albert)
    [Show full text]
  • New Zealand Film Productions, 1990-2019
    NEW ZEALAND FILM PRODUCTIONS, 1990-2019 TITLE PRODUCTION CO. PRODUCERS SCRIPT DIRECTOR DOP PROD DESIGNER COSTUME DESIGN EDITOR SOUND DESIGN 100 MEN * Documentary Department of Post Vincent Burke Paul Oremland Paul Oremland Stuart Boone 2017 220 MILES * Documentary Link Productions Andrew James, Richard Richard Allan Litt Richard Allan Litt 2018 Allan Litt 43,000 FEET * Feature Special Problems Amber Easby, Heather Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley 2012 Lee 50 WAYS OF SAYING MF Films Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes FABULOUS * Feature 2005 5TH EYE, THE * CutCutCut Films Errol Wright Abi King-Jones, Errol Abi King-Jones Documentary 2016 Wright 6 DAYS * Feature 2017 General Film Corporation Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Philip Ivey Liz McGregor Dan Kircher 7 DAYS I-X * Teleseries Thedownlowconcept Jon Bridges, Rob Brown Josh Samuels, Sam Smith, Nigel Carpenter Luke Thompson Jason Pengelly, 2010-18 Amanda Alison, Aaron Sacha Campbell, John Beard, Dean Butler, Ed Whiteside Caruthers, Alex Casey, Andrew Fergus, Dean Watson + various 800 WORDS I-III * South Pacific Pictures, Chris Bailey, John James Griffin, Maxine Mike Smith, Pino Fred Renata, Dave Gary Mackay, Greg Sarah Aldridge Eric De Beus, Paul Thomas Miskin Teleseries 2015-18 Seven Productions Holmes, Kelly Martin, Fleming, Timothy Balme, Amenta, Michael Hurst, Garbett Allison Sutorius, Gary Hunt Julie McGauran, Chris Kate McDermott, Natalie Murray Keane
    [Show full text]
  • Contesting Representations of Diasporic Pacific Identities
    Between Marginality and Marketability: Contesting Representations of Diasporic Pacific Identities Paloma Fresno-Calleja, University of the Balearic Islands Abstract This article offers an analysis of recent works by New Zealand-born writers and artists of various Pacific descents. It focuses on their revision of popular and institutional representations of the diasporic Pacific community addressing the ambivalent tensions between the marginal and the marketable, which have dominated these representations in the last decades. On the one hand, these works condemn stereotypes of Pacific peoples as a burden to the New Zealand economy and a marginalised minority of inefficient, lazy or dependent people. On the other, they address more recent and complex representations of their culture as a marketable commodity and an exotic addition to New Zealand culture. Keywords: Pacific literature; Pacific diaspora; New Zealand’s ethnic minorities; representation; ethnic stereotypes Introduction In the last few decades New Zealand society has experimented radical changes due to increasing and more diverse immigration flows arriving in the country from the late 1980s. These demographic and social transformations have resulted in the consolidation of new economic patterns and social relations. This article focuses on how some of these changes have affected the New Zealand Pacific community and how New Zealand-born writers and artists of various Pacific descents have engaged in the revision of popular and institutional representations of the diasporic Pacific
    [Show full text]
  • Reverse Chameleon in the Kiwi Jungle
    Reverse chameleon in the Kiwi jungle: Identity construction of Pasifika theatre makers Thesis submitted in partial fulfilment for the requirements for the Degree Doctor of Philosophy University of Canterbury Kata Fülöp 2012 Word count: 98,765 1 Contents Contents ........................................................................................................................................ 2 1. Chapter 1: Introduction ...................................................................................................... 11 1.1 Thesis structure........................................................................................................... 13 1.2 Methods ...................................................................................................................... 15 1.3 Positioning .................................................................................................................. 15 1.4 Style ............................................................................................................................ 16 2. Chapter 2: Conceptual framework ..................................................................................... 17 2.1 Pacific migration to New Zealand ............................................................................... 17 2.2 Biculturalism and multiculturalism in New Zealand ................................................... 19 2.2.1 Biculturalism ........................................................................................................... 19 2.2.2
    [Show full text]