Mark Cornish Cv Films 2021
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MEDIA RELEASE 29 July 2020 The past isn’t done with us yet… Catherine Văn-Davies leads the ensemble cast of new Australian drama series Hungry Ghosts Four-night special event on SBS Monday 24 August – Thursday 27 August at 9:30pm • INTERVIEWS AVAILABLE • IMAGES AND SCREENERS: HERE • FIRST LOOK TRAILER: HERE Chilling, captivating and utterly compelling, Hungry Ghosts follows four families that find themselves haunted by ghosts from the past. Filmed and set in Melbourne during the month of the Hungry Ghost Festival, when the Vietnamese community venerate their dead, this four-part drama series event from Matchbox Pictures premieres over four consecutive nights, Monday 24 August – Thursday 27 August at 9:30pm on SBS. When a tomb in Vietnam is accidentally opened on the eve of the Hungry Ghost Festival, a vengeful spirit is unleashed, bringing the dead with him. As these spirits wreak havoc across the Vietnamese-Australian community in Melbourne, reclaiming lost loves and exacting revenge, young woman May Le (Văn-Davies) must rediscover her true heritage and accept her destiny to help bring balance to a community still traumatised by war. Hungry Ghosts reflects the extraordinary lived and spiritual stories of the Vietnamese community and explores the inherent trauma passed down from one generation to the next, and how notions of displacement impact human identity – long after the events themselves. With one of the most diverse casts featured in an Australian drama series, Hungry Ghosts comprises more than 30 Asian-Australian actors and 325 -
BELOW Press Kit Draft
Below / Press Kit / Page 1 of 15 Screen Australia presents a GoodThing Productions Film in association with Screenwest and Lotterywest, Seville International, Film Victoria And Melbourne International Film Festival Premiere Fund Release: 2019 Running time: 93 minutes Language: English and Farsi Country of Origin: Australia Rating: TBC Aspect Ratio: 2.39/scope Year of Production: 2019 Website: https://goodthingproductions.com.au/projects/below/ Production Company: Australian Distributor: GoodThing Productions Madman Entertainment 42 Glasshouse Road Level 2, 289 Wellington Parade South Collingwood VIC 3066 East Melbourne VIC 3002 Contact: Nick Batzias Contact: Paul Wiegard [email protected] Tel: +61 3 9261 9200 Tel: +61 413 014 446 Press: Caroline Whiteway [email protected] Tel: +61 3 9261 9200 International Sales: Seville International 455, St Antoine Ouest, Bureau 300 Montreal Quebec N2Z1J1 Contact: Anick Poirer [email protected] Tel: +1 514 878 2282 The Filmmakers acknowledge the Traditional Owners, past, present, and emerging of the unceded lands where this film was made. © 2019 GoodThing Productions Company Pty Ltd, Screenwest (Australia) Ltd. Filmfest Limited Below / Press Kit / Page 2 of 15 KEY CAST: Dougie ......................................................... Ryan Corr Terry………..... ............................................... Anthony LaPaglia Azad ............................................................ Phoenix Raei Zahra……………….………….. ............................. Lauren Campbell Cheryl -
Miff Announces Record Slate of Premiere Fund Films for 2019 Festival
1 / 2 MIFF ANNOUNCES RECORD SLATE OF PREMIERE FUND FILMS FOR 2019 FESTIVAL Media Release Tuesday 18 June — Media Contact Luke McKinnon E [email protected] M (+61) 408 640 329 Tiki Menegola E [email protected] M (+61) 467 227 822 MIFF 2019 Media Centre The MIFF Premiere Fund delivers seven world and Australian premieres to the 68th Melbourne International Film Festival (MIFF), including Paul Ireland’s gritty reimagining of Shakespeare’s Measure for Measure staring Hugo Weaving and Maziar Lahooti’s highly anticipated directorial debut, Below. The Premiere Fund, which provides minority co-financing to new Australian quality theatrical (narrative and documentary) feature films that then premiere at MIFF, has invested in more than 70 projects including the MIFF 2019 slate. Four of this year’s suite of Premiere Fund films have also been directed by alumni of the MIFF Accelerator Lab for emerging screen directors, including: John Sheedy, Jayden Stevens, Rodd Rathjen and Maziar Lahooti. Reimagining the Bard’s play about morality, mercy and justice into a topical tale of love and loyalty, Ireland and his co- writer, the late Damian Hill (West of Sunshine, MIFF 2018), have crafted a touching story about a young Muslim woman, Jaiwara, who falls for a non-Muslim musician, Claudio. Ireland’s film takes audiences on an emotional, action-packed ride, with a beautifully-shot Melbourne as the backdrop. As Jaiwara, Megan Hajjar is luminous. Harrison Gilbertson (My Mistress, MIFF Premiere Fund 2014), Fayssal Bazzi (The Merger, MIFF 2018) and Daniel Henshall (Acute Misfortune, MIFF Premiere Fund 2018) join Hugo Weaving in a diverse ensemble that also includes Doris Younane and Mark Leonard Winter in fervently penetrating performance as Angelo. -
Theatre Costume, Celebrity Persona, and the Archive
Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing. -
A Few Less Men
A FEW LESS MEN In Post Production, Readying for 2016 Global Release Makes Berlin Debut Sequel to Global Hit Comedy A FEW BEST MEN Starring XAVIER SAMUEL, KRIS MARSHALL & KEVIN BISHOP Set for 2016 Release Worldwide BERLIN (February 14, 2016) – Arclight Films and producers Laurence Malkin, Tania Chambers and Share Stallings (KILL ME THREE TIMES, DEATH AT A FUNERAL) and Gorean Films Limited are pleased to announce A FEW LESS MEN, the sequel to the global hit comedy A FEW BEST MEN, is now in post-production, readying for a 2016 worldwide release. Both films were written by Dean Craig (DEATH AT A FUNERAL, MOONWALKERS). Arclight Films will be showing footage from the film to buyers in Berlin for the very first time. The film stars Xavier Samuel (FURY, THE TWILIGHT SAGA), Kris Marshall (LOVE ACTUALLY, DEATH AT A FUNERAL) and Kevin Bishop (SUPER FUN NIGHT, MOONWALKERS) who are reprising their roles. A FEW LESS MEN is directed by Mark Lamprell (GODDESS). The film is financed by Ingenious, Screen Australia, ScreenWest and LotteryWest, Arclight Films, New Oz and The Post Lounge. Daniel Findlay is Co- Producing. Executive Producers are Dean Craig, Gary Hamilton, Mark Lazarus, James Vernon and Josh Kesselman. Rounding out the cast are Shane Jacobson (KENNY, ODDBALL), Ryan Corr (THE WATER DIVINER, HACKSAW RIDGE), Deborah Mailman (CLEVERMAN, THE SAPPHIRES, BRAN NUE DAE), Jeremy Sims (RUBEN GUTHRIE, UNDERBELLY), Lynette Curran (THESE FINAL HOURS, SOMERSAULT), Darren Gilshenan (RAKE, TOP OF THE LAKE), Pamela Shaw (SWINGERS, LUCKY STIFF) and Sacha Horler (THE DRESSMAKER, MY YEAR WITHOUT SEX). ”The film was an absolute blast to make and we could be more thrilled to give buyers a sneak peek of what’s to come,” added Producer Laurence Malkin. -
The Constitutive Role of African Australian Film1
Culture is Our Future: The Constitutive Role of African Australian Film1 Anne Harris2 Monash University “It doesn’t matter what tone of fuckin’ black you are, you are black.” (Deborah Mailman, Black Chicks Talking, 2001)3 Abstract ‘Culture is our Future’4 is one example of an emerging body of film and video by and about African Australians, and in which ethics and aesthetics sometimes compete. Australian media representations of African Australians have been persistently negative, and many look to the ability of film and video to represent a counter-narrative in the co- construction of cultural and subcultural identities. Drawing on Appadurai’s5 cultural imaginary and mediascapes, this article will contextualise these films in a consideration of larger ‘filmic diasporas’ which represent the diversity and richness of African communities emerging in multiple diasporic locations (particularly Australia), and competing within multiple aesthetics. Simultaneously, this critique interrogates how these examples of gender and race6 may also be used as ‘mechanisms of exclusion’7, and how African Australians remain ‘constitutively visible’8 despite mainstream media attempts to render them invisible. 1 Editor’s Note: This article was submitted and reviewed prior to the author’s uptake of the role of co-editor of ARAS. All review processes were conducted anonymously and processed by the other editors. 2 Author’s Note: The author gratefully acknowledges the contribution of the anonymous ARAS reviewers who have, through the journal’s review process, contributed to the clarity and depth of the argument presented here. 3 Deborah Mailman, Black Chicks Talking. Director, Leah Purcell, Bungabura Productions Pty. -
07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website
78 Montague Road South Brisbane PO Box 3310 South Brisbane BC Queensland 4101 Telephone: 07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website: www.qldtheatreco.com.au Front cover: Georgina Symes Photo: Craig Ratcliffe The Crucible L-R: Brad McMurray, Melanie Zanetti, Francesca Savige, Nelle Lee, Bryan Nason, Amelia Dowd, Sue Dwyer, Chris Betts, Christopher Sommers, Andrew Buchanan, Robert Coleby, Bob Newman, Leo Wockner, Kathryn Marquet, Paul Bishop, James Stewart. Photo: Rob Maccoll Contents Letter to the Premier ..................................................................................................................................................2 Introduction Company profile ........................................................................................................................................... 3 Strategic overview ........................................................................................................................................4 Functions of the Company ............................................................................................................................ 5 Queensland Government objectives.............................................................................................................6 Chair’s report ............................................................................................................................................... 7 Artistic Director’s report ...............................................................................................................................8 -
The Paul Hogan Story
Coming to HOGES THE PAUL HOGAN STORY From Seven and FremantleMedia Australia (FMA) comes HOGES: The Paul Hogan story. An almost accidental supernova of raw comedic talent exploding onto the entertainment scene; first Australia, then the world. The story of how a married-at-18 Sydney Harbour Bridge rigger with five kids entered a TV talent contest on a dare from his work-mates to become a household name and an Oscar-nominated superstar. Embraced by all Australians and soon known simply as “Hoges,” he is joined on his meteoric journey by lifelong friend, producer and sidekick John “Strop” Cornell. Together, they first make Australians laugh, then proud with one of the most successful tourism campaigns in history selling Aussie hospitality to the world. This, with the runaway success of Crocodile Dundee, the highest US-grossing foreign film ever in its day, cements Hogan’s legacy. HOGES explores the factors which shaped this success – and at what cost success might have come. It entwines the story of his amazing journey with that of his close family life, of his two great loves, the pain of divorce, his struggle with the intense scrutiny of life in the public eye, but also of his enduring friendship with Cornell and the rollercoaster ride of their careers. FMA’s Jo Porter and Seven’s Julie McGauran are Executive Producers, Kevin Carlin (Molly, Wentworth) is Co-Producer and Director, Brett Popplewell is Producer and the script is by Keith Thompson (The Sapphires) and Marieke Hardy (Packed To The Rafters, The Family Law). The Hoges Story PART ONE PART TWO Poolside at Granville baths, a young Paul Hogan cracks jokes and pashes While the success of Crocodile Dundee catapults Hoges onto the world Noelene, his childhood sweetheart. -
Australian Cinema After Mabo Felicity Collins and Therese Davis Index More Information
Cambridge University Press 0521834805 - Australian Cinema after Mabo Felicity Collins and Therese Davis Index More information Index Aboriginal racial stereotypes, 3 as ‘coming-of-age’ film, 167–8 Adelaide Festival of the Arts, 42 landscape in, 76 The Adventures of Priscilla, Queen of the politics of shame in, 168–9 Desert, 77, 116, 159 race and identity in, 163–5 After the Deluge,35 as road film, 165–7 ‘aftershock’, 75, 78, 81–6 Benjamin, Walter, 8, 10, 66, 78 ‘afterwardness’, 78, 87–90, 91–2, 174 Beresford, Bruce, 35 Akerman, Piers, 6, 63, 135–7, 147 Berlant, Lauren, 61 Alberti, Manuela, 76, 91–2 Berry, Chris, 159–60, 175 American Graffiti, 152, 159 Bilcock, Jill, 31 Anderson, Ian, 164 Black and White, 10–14, 76 Armstrong, Gillian Black Chicks Talking (television program), High Tide,97 17–18, 182 The Last Days of Chez Nous, 35, 77 Aboriginal identity in, 17, 18 My Brilliant Career,75 colonialism in, 18 Oscar and Lucinda, 77, 83 ‘recognition’ in, 18 Armstrong, Kerry, 34 Black Talk, 183 Australian film genre, 25–7 black trackers, 3, 141 Australian Film Industry awards, 27, 30, 33, Blainey, Geoffrey, 6 34, 162 Blair, Wayne, 183 Australian history, politicisation, 5–6, 13, 16, Blake, Rachael, 34 27 Blurred, 114 Australian Rules, 42, 52 Boseley, Nicholas, 183 Anglo-Celtic social imaginary in, 43–5 Bovell, Andrew, 34 aural images, 41 Bowman, Anthony J., 124 depiction of race, 45–8 Brady, Tait, 34 identity in, 54 The Breakfast Club, 159 landscape in, 76 Bringing Them Home (report), 7, 20, 42, 57, The Awful Truth, 124 80, 117, 133, 135, 136, 139, -
Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction …………………………………………………………………………. -
Author Title Place of Publication Publisher Date Special Collection Wet Leather New York, NY, USA Star Distributors 1983 up Cain
Books Author Title Place of publication Publisher Date Special collection Wet leather New York, NY, USA Star Distributors 1983 Up Cain London, United Kingdom Cain of London 197? Up and coming [USA] [s.n.] 197? Welcome to the circus shirkus [Townsville, Qld, Australia] [Student Union, Townsville College of [1978] Advanced Education] A zine about safer spaces, conflict resolution & community [Sydney, NSW, Australia] Cunt Attack and Scumsystemspice 2007 Wimmins TAFE handbook [Melbourne, Vic, Australia] [s.n.] [1993] A woman's historical & feminist tour of Perth [Perth, WA, Australia] [s.n.] nd We are all lesbians : a poetry anthology New York, NY, USA Violet Press 1973 What everyone should know about AIDS South Deerfield, MA, USA Scriptographic Publications Pty Ltd 1992 Victorian State Election 29 November 2014 : HIV/AIDS : What [Melbourne, Vic, Australia] Victorian AIDS Council/Living Positive 2014 your government can do Victoria Feedback : Dixon Hardy, Jerry Davis [USA] [s.n.] c. 1980s Colin Simpson How to increase the size of your penis Sydney, NSW, Australia Venus Publications Pty.Ltd 197? HRC Bulletin, No 72 Canberra, ACT, Australia Humanities Research Centre ANU 1993 It was a riot : Sydney's First Gay & Lesbian Mardi Gras Sydney, NSW, Australia 78ers Festival Events Group 1998 Biker brutes New York, NY, USA Star Distributors 1983 Colin Simpson HIV tests and treatments Darlinghurst, NSW, Australia AIDS Council of NSW (ACON) 1997 Fast track New York, NY, USA Star Distributors 1980 Colin Simpson Denver University Law Review Denver, CO, -
Vince Valitutti
VINCE VALITUTTI IMDB https://www.imdb.com/name/nm1599631/ Po Box 7140 GCMC Gold Coast~Qld 4217~ Australia Australian phone: +61-414069917 www.vincevalitutti.com [email protected] [email protected] FILM STILLS PHOTOGRAPHY 2020 : Godzilla vs Kong: Client: Legendary Ent, Warner Bros. Director: Adam Wingard Cast: Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Rebecca Hall, 2019 : Dora and the lost City of Gold: Client: Paramount Players, Walden Media Director: James Bobin Cast: Isabela Moner, Benicio Del Toro, Eva Longoria, Michael Pena, Eugenio Derbez 2018 : Swinging Safari: Client: Piccadilly Pictures, Wildheart Films Director: Stephan Elliot Cast: Kylie Minogue, Guy Pierce, Julian Mc Mahon, Radha Mitchell, Asher Keddie 2017 Kong Skull Island: Client: Warner Bros, Legendary Director: Jordan Vogt-Rodgers Cast: Samuel L. Jackson, Brie Larson, Tom Hiddleston, John Goodman, John C Riley 2017 Australia Day: Client: Hoodlum Entertainment Director: Kriv Stenders Cast: Bryan Brown, Matthew Le Nevez, Elias Anton, Sean Keenan, Daniel Weber 2016 The Shallows: Client: Sony Pictures Director: Jaume Collet Serra Cast: Blake Lively, Oscar Jaenada, Sedona Legge, 2014 The Inbetweeners 2: Client: Bwark productions Directors: Damon Beesley, Iain Morris Cast: James Buckley, Simon Bird, Joe Thomas, Blake Harrison, Freddie Stroma 2014 Unbroken (Additional stills): Client: Universal Pictures Directors: Angelina Jolie Cast: Jack O'Connell, Domhnall Gleeson, Jai Courtney, Finn Wittrock 2013 Nim’s Island 2: Client: Fox-Walden Director: