Rocky Road to a Real Transition
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Chinese Heroes : Being a Record of Persecutions Endured by Native
MEADLAM, A ) J)S772- Hf3 Stltara. N»ni fork CHARLES WILLIAM WASON COLLECTION CHINA AND THE CHINESE THE GIFT OF CHARLES WILLIAM WASON CLASS OF 1876 1918 Cornell University Library DS 772.H43 Chinese heroes :being a record of persec 3 1924 023 151 107 The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023151107 CHINESE HEROES BEING A RECORD OF PERSECUTIONS ENDURED BY NATIVE CHRISTIANS IN THE BOXER UPRISING BY ISAAC TAYLOR HEADLAND Author of ^* Chinese Mother Goose Rhymes," *^ The Chinese Boy and Girl,*^ etc. WITH ILLUSTRATIONS FROM PHOTOGRAPHS NEW YORK : EATON & MAINS CINCINNATI : JENNINGS & PYE Copyright by EATON & MAINS. 1902. Y 305- iT PREFACE MUCH has been written of the sufferings of foreigners in the recent Boxer uprising and correspondingly Httle of the conduct of the Chinese Christians. At a recent meeting of the North China Conference of the Methodist Epis- copal Church it was decided to inquire minutely into the persecutions from the standpoint of the natives, in the belief that a more adequate un- derstanding of their heroism would be a stimu- lant to the faith of the Church. A committee was therefore appointed, and the native pastors were requested to gather up and forward reports of such cases as might be considered representative of the persecutions as a whole. To these reports were added such in- cidents in the lives of certain of the members as would contribute to a proper estimate of their character, and thus enable the reader to see the persecutions in their proper settings. -
The Rocky Road to Energy Dominance: the Executive Branch's Limited Authority to Modify and Revoke Withdrawals of Federal Lands from Mineral Production
ARTICLES The Rocky Road to Energy Dominance: The Executive Branch's Limited Authority to Modify and Revoke Withdrawals of Federal Lands from Mineral Production HILLARY M. HOFFMANN* & ROBERT L. GLICKSMAN** ABSTRACT The Trump Administration's implementation of its America First Energy Plan, whose goal was achieving U.S. ªenergy dominance,º heavily relied upon public mineral development. Mineral development on federal lands is substan- tially governed by statute. The statutory legal mechanisms by which the Executive Branch can ªopenº or ªcloseº an area of federal lands to mineral development, whether onshore or offshore, are withdrawal, modi®cation, and revocation. The Federal Land Policy and Management Act (ªFLPMAº) and the Outer Continental Shelf Lands Act (ªOCSLAº) are the primary statutes that govern onshore and offshore mineral development on over 2 billion acres of federal lands. Both FLPMA and OCSLA authorize withdrawals, which the Executive can use to place federal lands off limits to mineral development. FLPMA also authorizes modi®cations and revocations of withdrawals, which can remove constraints on such development. The Trump Administration used both statutes in its quest to expand the areas that are available for private mineral development through modi®cation or revocation of withdrawals by prior administrations. The authority provided by FLPMA and OCSLA to determine the availability of federal lands for mineral development is subject to a series of substantive and procedural constraints. Because it regarded those constraints as undesir- able shackles on the implementation of its mineral development policies, and * Professor of Law, Vermont Law School; Visiting Robert H. McKinney Family Chair in Environmental Law, Indiana University Robert H. -
Of the GOSPEL Ricchiuti
the kaesi Afritan Union Mafiosi of So VOL. 19 — DECEMBER 1965 — No. 2 leaiattce By Paul B. of the GOSPEL Ricchiuti I F one were very still, and listened carefully, he could barely hear it. Faintly and ever so sweetly came a hushed melody threading its way down from the hills. The soft breezes of the night ushered it into the ancient town of Bethlehem. It was the fluted music of a shepherd settling his flock. All day there had been an unusually heavy tramping of feet, mingled with the sound of wheels turning upon the rocky road. Tired visitors had flooded into the town and overcrowded the inn. A man and his wife were even spending the night in a stable. It had been a hard day, but now night had fallen. "And there were in the same country shepherds abiding in the field, keeping watch over their flock by night And, lo, the angel of the Lord came upon them and the glory of the Lord shone round about them ; and they were sore afraid. And the angel said unto them Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the City of David a Saviour, which is Christ the Lord." Luke 2 :8-11. He brought good news joyous news. News to make everybody happy in all the world. News radiant with the glory of heaven. News that would change history — and a thousand million lives. Thrilled by the glowing vision, the shepherds left their sheep and hastened to Bethlehem "and found Mary, and Joseph, and the Babe lying in a manger." Luke 2:16. -
James Kirkwood Sr. Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
James Kirkwood Sr. 电影 串行 (大全) The Forbidden Thing https://zh.listvote.com/lists/film/movies/the-forbidden-thing-16028462/actors In The Heart of a https://zh.listvote.com/lists/film/movies/in-the-heart-of-a-fool-17630338/actors Fool Bob Hampton of https://zh.listvote.com/lists/film/movies/bob-hampton-of-placer-61450822/actors Placer The Eagle's Feather https://zh.listvote.com/lists/film/movies/the-eagle%27s-feather-24905833/actors Behind the Scenes https://zh.listvote.com/lists/film/movies/behind-the-scenes-3637484/actors The Painted Flapper https://zh.listvote.com/lists/film/movies/the-painted-flapper-3522154/actors The Ghost https://zh.listvote.com/lists/film/movies/the-ghost-3521019/actors Million Dollar Mystery https://zh.listvote.com/lists/film/movies/million-dollar-mystery-19573013/actors Marooned https://zh.listvote.com/lists/film/movies/marooned-21648771/actors A Strange Meeting https://zh.listvote.com/lists/film/movies/a-strange-meeting-2561940/actors A Change of Heart https://zh.listvote.com/lists/film/movies/a-change-of-heart-3602376/actors A Holy Terror https://zh.listvote.com/lists/film/movies/a-holy-terror-4657376/actors Jealousy and the https://zh.listvote.com/lists/film/movies/jealousy-and-the-man-3807563/actors Man The Branding Iron https://zh.listvote.com/lists/film/movies/the-branding-iron-16679458/actors That Royle Girl https://zh.listvote.com/lists/film/movies/that-royle-girl-7711269/actors A Wise Fool https://zh.listvote.com/lists/film/movies/a-wise-fool-17026308/actors A Convict's Sacrifice https://zh.listvote.com/lists/film/movies/a-convict%27s-sacrifice-3602398/actors -
Download File
Marion Leonard Lived: June 9, 1881 - January 9, 1956 Worked as: film actress, producer, screenwriter Worked In: United States by Sarah Delahousse It is well known that Florence Lawrence, the first “Biograph Girl,” was frustrated in her desire to exploit her fame by the company that did not, in those years, advertise their players’ names. Lawrence is thought to have been made the first motion picture star by an ingenious ploy on the part of IMP, the studio that hired her after she left the Biograph Company. But the emphasis on the “first star” eclipses the number of popular female players who vied for stardom and the publicity gambles they took to achieve it. Eileen Bowser has argued that Lawrence was “tied with” the “Vitagraph Girl,” Florence Turner, for the honorific, “first movie star” (1990, 112). In 1909, the year after Lawrence left Biograph, Marion Leonard replaced her as the “Biograph Girl.” At the end of 1911, Leonard would be part of the trend in which favorite players began to find ways to exploit their popularity, but she went further, establishing the first “star company,” according to Karen Mahar (62). Leonard had joined the Biograph Company in 1908 after leaving the Kalem Company, where she had briefly replaced Gene Gauntier as its leading lady. Her Kalem films no longer exist nor are they included in any published filmography, and few sources touch on her pre-Biograph career. Thus it is difficult to assess her total career. However, Marion Leonard was most likely a talented player as indicated by her rapid ascension to the larger and more prominent studio. -
Dorothy West (Actress) Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Dorothy West (actress) Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) A Strange Meeting https://bg.listvote.com/lists/film/movies/a-strange-meeting-2561940/actors The Roue's Heart https://bg.listvote.com/lists/film/movies/the-roue%27s-heart-3522553/actors The Spanish Gypsy https://bg.listvote.com/lists/film/movies/the-spanish-gypsy-3989411/actors The Thread of Destiny https://bg.listvote.com/lists/film/movies/the-thread-of-destiny-3989628/actors Examination Day at School https://bg.listvote.com/lists/film/movies/examination-day-at-school-3735884/actors The Newlyweds https://bg.listvote.com/lists/film/movies/the-newlyweds-3988491/actors The Oath and the Man https://bg.listvote.com/lists/film/movies/the-oath-and-the-man-3988525/actors The Chief's Daughter https://bg.listvote.com/lists/film/movies/the-chief%27s-daughter-3520255/actors I Did It https://bg.listvote.com/lists/film/movies/i-did-it-3147065/actors The House with Closed Shutters https://bg.listvote.com/lists/film/movies/the-house-with-closed-shutters-3987624/actors A Romance of the Western Hills https://bg.listvote.com/lists/film/movies/a-romance-of-the-western-hills-3602709/actors A Plain Song https://bg.listvote.com/lists/film/movies/a-plain-song-3602667/actors The Light That Came https://bg.listvote.com/lists/film/movies/the-light-that-came-3988006/actors The Impalement https://bg.listvote.com/lists/film/movies/the-impalement-3987666/actors A Victim of Jealousy https://bg.listvote.com/lists/film/movies/a-victim-of-jealousy-3602821/actors The Death Disc: A Story of the https://bg.listvote.com/lists/film/movies/the-death-disc%3A-a-story-of-the-cromwellian- -
The Sounds of Early Cinema
The Sounds of Early Cinema Edited by RICHARD ABEL and RICK ALTMAN The Sounds of Early Cinema indiana university press Bloomington and Indianapolis This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://iupress.indiana.edu Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2001 by Indiana University Press All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data The sounds of early cinema / edited by Richard Abel and Rick Altman. p. cm. Selected papers, rev., of Domitor’s four-day Fifth Biennual Conference, hosted by the Motion Picture Division of the Library of Congress, Washington, D.C., during the ¤rst week of June 1998. Papers in English; includes the original French texts of six papers in the appendix. Includes bibliographical references and index. ISBN 0-253-33988-X (cloth : alk. paper) — ISBN 0-253-21479-3 (pbk. : alk. paper) 1. Silent ¤lms—History and criticism—Congresses. 2. Motion pictures—Sound effects—Congresses. -
Motion Pictures 1894 to 1912
From the collection of the o Prefingep ^ - V Jjibrary t vv P San Francisco, California 2007 Digitized by tine Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation http://www.archive.org/details/motionpict18941912librrich Motion Pictures 1894-1912 Motion Pictures 1894-1912 Identified from the Records of the United States Copyright Office by Howard Lamarr Walls o 953 COPYRIGHT OFFICE i!V THE LIBRARY OF CONGRESS L. C. card, 53-60033 For sale by the Register of Copyrights, Library of Congress, Washington 25, D. C. Price J2 Copyright Office - The Labrary of Congress MOTION PICTURES. 1894-1912 Page 1 ERRATA AND ADDENDA 71 The following lists of corrections and additions to Motion Pictures . 1894-1912 have been compiled by the staff of the Copyright Office from information gathered and generously contributed by Miss Eliz- abeth Franklin of the Academy of Motion Picture Arts and Sciences during the course of twosununers' work on the paper print collec- tion of the Library of Congress. The corrections cover both typo- graphical errors and variances between information on the paper prints and in the record books of the office. Mr. Howard L. Walls was limited to the record books in making his original selection. Most of the additions consist of films not readily identifiable as such from the record book entries, since before 1912 motion pic- tures were registered simply as photographs. date January 9, 1894, ERRATA Belshazzar, copyright Page Page /enty-four motion pic- 16 DISCOVERIES OF BODIES. For DISCOV- 29Augl900: D18581. Registration number ERIES read DISCOVERY. should be D18582. ss J, photographs, be- 23 GIRLS SWIMMING. -
Biography of D.W. Griffith David Wark Griffith Was Born in La Grange
Biography of D.W. Griffith David Wark Griffith was born in La Grange, Kentucky on January 22, 1875. After stints as both writer and actor of poetry and plays, Griffith first entered the motion picture industry as an actor for Edison Studios in 1907. He moved over to Biograph in 1908 for the salary of $5 a day. Griffith's work at Biograph would forever change the way movies were made. Biograph was one of the first motion picture studios in America, when films were sold outright by the foot, and not rented as they are today. Films were silent and no more than one reel in length (a running time of about 12 minutes). At a price of 10-cents a foot, the cost of a reel of film was about $100. When Griffith first came to Biograph, the studio was only selling about 20 copies of each new film and was in poor financial condition. Biograph was in pressing need of a director. The job was offered to Griffith at an increase in salary, but he was reluctant to take it. He was working steadily and was afraid that if he failed he would lose his job as an actor. Henry Marvin, founder of Biograph, assured Griffith that if he did fail as a director, his acting chores would continue. Griffith reluctantly accepted. Griffith had only a rudimentary understanding of film making. He knew that film directors were no more than sheepherders, moving the actors from one place to another on the screen. The cameraman was king. Biograph had two: Arthur Marvin, brother of Griffith’s boss, and a German immigrant named G.W. -
Fighting for Their Lives: Why the Marginalized Irish from the 1840S-1910 Dominated American Prizefighting
Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 12-17-2018 Fighting for Their Lives: Why the Marginalized Irish from the 1840s-1910 Dominated American Prizefighting Owen Marshall Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/honors_proj Part of the History Commons Recommended Citation Marshall, Owen. (2018). Fighting for Their Lives: Why the Marginalized Irish from the 1840s-1910 Dominated American Prizefighting. In BSU Honors Program Theses and Projects. Item 419. Available at: https://vc.bridgew.edu/honors_proj/419 Copyright © 2018 Owen Marshall This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Fighting for Their Lives: Why the Marginalized Irish from the 1840s-1910 Dominated American Prizefighting Owen Marshall Submitted in Partial Completion of the Requirements for Commonwealth Honors in History Bridgewater State University December 17, 2018 Dr. Brian Payne, Thesis Advisor Dr. Sarah Wiggins, Committee Member Dr. Thomas Nester, Committee Member 1 One of the most recognizable figures in the world during his lifetime, heavyweight boxing champion Muhammad Ali, previously Cassius Clay and Cassius X, put his self-esteem on display with the simple declaration “I am the greatest.” This was a phrase he told himself long before he truly was the greatest, but he proved it to the world in 1964 when he defeated defending champion Sonny Liston. Upon knocking out his dangerous, violent, and cheating opponent, Ali whipped himself into a frenzy, as onlookers saw him fall over the ropes, scream at the ringside reporters who had previously doubted him, and chant “I am the greatest!” and “I’m a bad man!” as loudly as he could. -
Frontage Road 6.Pdf
Editor: Julie Fulbright Front cover photography by: Julie Fulbright The cover photo is of the trail between William Wordsworth’s two homes in Grasmere, England. Graphic Design and Production: Tony Bartolo and Brenda Ellis Printer: Caldwell Dockins, Cleveland, Tenn. Copyright: 2004 Cleveland State Community College All Rights Reserved Cleveland State Community College is accredited by the Commission on Colleges of the Southern Association of Colleges and Schools, 1866 Southern Lane, Decatur, Ga. 30033-4097, telephone number (404) 679-4501. Cleveland State Community College is an Affirmative Action/ Equal Employment Opportunity (AA/EEO) institution committed to the education of a non-racially identifiable staff and student body. The college does not permit discrimination on the basis of race, color, religious views, veteran status, political affiliation, gender, age, national origin, orientation or disability against employees, students and guests in any college sponsored or hosted educational program or activity including, but not limited to, the following: recruitment; admissions; academic and other educational program activities; housing; facilities; access to course offerings; counseling; financial assistance; employment assistance; health and insurance benefits and services; rules for marital and parental status; student services; and athletics. CSCC HS-04S171-4/12/04 Table of Contents Harry Dean–The Writer ................................................................................5 Clark Rose–Annessa’s Dad ...........................................................................6