Origins Evolution the Father Nashville Legacy Success Bibliography
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans. -
Outlaws & Armadillos: Country's
® COUNTRY MUSIC HALL OF FAME AND MUSEUM ANNOUNCES NEXT MAJOR EXHIBITION: OUTLAWS & ARMADILLOS: COUNTRY’S ROARING ’70s The work above is by artist and illustrator Jim Franklin, who created posters for Austin’s Armadillo World Headquarters. The Country Music Hall of Fame and Museum commissioned the work for its exhibit Outlaws & Armadillos. Nashville, Tenn. – Jan. 11, 2018 – Willie Nelson. Waylon Jennings. Kris Kristofferson. Jessi Colter. Bobby Bare. Jerry Jeff Walker. David Allan Coe. Cowboy Jack Clement. Tom T. Hall. Billy Joe Shaver. Guy Clark. Townes Van Zandt. Tompall Glaser. Today, all names synonymous with the word “outlaw,” but 40 years ago they started a musical revolution by creating music and a culture that shook the status quo on Music Row and cemented their place in country music history and beyond. The Country Music Hall of Fame® and Museum's upcoming major exhibition, Outlaws & Armadillos: Country’s Roaring ’70s, will explore this era of cultural and artistic exchange between Nashville, Tenn., and Austin, Texas, revealing untold stories and never-seen artifacts. The exhibition, which opens May 25 for a nearly three-year run, will explore the complicated, surprising relationship between the two cities. While the smooth Nashville Sound of the late 1950s and ’60s was commercially successful, some artists, such as Nelson and Jennings, found the Music Row recording model creatively stifling. By the early 1970s, those artists could envision a music industry in which they would write, sing and produce their own music. At the same time, Austin was gaining national attention as a thriving music center with a countercultural outlook. -
ECH One Sheet
E. Christina Herr & Wild Frontier Contact: 505.890.8924 [email protected] EChristinaHerr.com Facebook.com/EChristinaHerrAndWildFrontier myspace.com/EChristinaHerr It’s easy to think Joni Mitchell’s long-lost but equally talented sister has suddenly found herself backed by a haunting Western band. —Santa Fe Reporter A sonic rodeo of original Americana, Alt Country Twang, old school Rock ‘n Roll and Spaghetti Western, E. Christina Herr & Wild Frontier evoke a compelling musical weather report from the West and Southwest of yesterday and today. Christina’s crystal clear alto voice and tremolo vibrato contrasts brilliantly with the ring of vintage acoustic and electric guitar twang, atmospheric pedal steel, driving upright bass and drums. She’s been compared to Emmylou Harris, Lucinda Williams, Joni Mitchell, Wanda Jackson and Chrissie Hynde. Wild Frontier reflects influences from the psychedelic Neil Young and Crazy Horse, the cosmic alt country of Gram Parsons and the Flying Burrito Brothers, Don Rich’s Bakersfield sound, John Ford’s atmospheric landscapes and Ennio Morricone’s Spaghetti Western soundtracks. The songs on Wild Frontier’s latest CD, Americana Motel, range from country two steps, and cowboy waltzes to old school rock n’ roll… With songs telling stories about desert cowboys, longed for road signs, burning embers and a tragic songwriter poet. All flavored with an original sound the band calls Western Gothic. Some of Wild Frontier’s recent appearances: Santa Fe Bandstand, Nashville Songwriter Showcase, WDVX Blue Plate Special, Knoxville TN, KBAC Free Fall, Santa Fe Performance Exchange, Albuquerque Old Town, New Mexico State Fair, The Cowgirl BBQ, RT 66 Casino, Buffalo Thunder Casino, The Alley Cantina, The Adobe Bar - Taos, Santa Fe Brewing Co, 2nd Street Brewery, Scalo Il Bar, Low Spirits and The Mineshaft Tavern… A song from Americana Motel is featured #1 on the No Depression Magazine Music Player. -
Jemf Quarterly
JEMF QUARTERLY JOHN EDWARDS MEMORIAL FOUNDATION VOL. XII SPRING 1976 No. 41 THE JEMF The John Edwards Memorial Foundation is an archive and research center located in the Folklore and Mythology Center of the University of California at Los Angeles. It is chartered as an educational non-profit corporation, supported by gifts and contributions. The purpose of the JEMF is to further the serious study and public recognition of those forms of American folk music disseminated by commercial media such as print, sound recordings, films, radio, and television. These forms include the music referred to as cowboy, western, country & western, old time, hillbilly, bluegrass, mountain, country ,cajun, sacred, gospel, race, blues, rhythm' and blues, soul, and folk rock. The Foundation works toward this goal by: gathering and cataloguing phonograph records, sheet music, song books, photographs, biographical and discographical information, and scholarly works, as well as related artifacts; compiling, publishing, and distributing bibliographical, biographical, discographical, and historical data; reprinting, with permission, pertinent articles originally appearing in books and journals; and reissuing historically significant out-of-print sound recordings. The Friends of the JEMF was organized as a voluntary non-profit association to enable persons to support the Foundation's work. Membership in the Friends is $8.50 (or more) per calendar year; this fee qualifies as a tax deduction. Gifts and contributions to the Foundation qualify as tax deductions. DIRECTORS ADVISORS Eugene W. Earle, President Archie Green, 1st Vice President Ry Cooder Fred Hoeptner, 2nd Vice President David Crisp Ken Griffis, Secretary Harlan Dani'el D. K. Wilgus, Treasurer David Evans John Hammond Wayland D. -
Remembering Waylon
FOR IMMEDIATE RELEASE Contact: Jaclyn Todisco 646-695-7053 [email protected] REMEMBERING WAYLON AN UNPRECEDENTED AUCTION FOCUSING ON THE LIFE AND TIMES OF WAYLON JENNINGS, THE LEGENDARY OUTLAW COUNTRY MUSICIAN WHO CARVED HIS WAY TO SUPER-STARDOM Memorable objects from Jennings’ career, plus remarkable items from many of his fellow musicians and friends including Hank Williams, John Lennon, Chet Atkins, Johnny Cash, Willie Nelson, and Muhammad Ali New York, NY (August 5, 2014) – On October 5 at Phoenix's stunning Musical Instrument Museum, New York City-based auction house Guernsey’s will resurrect the aura of outlaw country megastar Waylon Jennings with the sale of many of his personal belongings. For the first time, Jennings’ legions of fans will have a chance to own a piece of musical history. The featured collection is being offered by country music legend Jessi Colter, Jennings’ wife of more than thirty years with whom he often shared the stage. The event will help bring attention to the important care provided at the Phoenix Children’s Hospital. A driving force of the Outlaw Country movement that erupted in the ‘70s, Jennings rejected the conventions of country’s manufactured “Nashville Sound” and reached superstardom with his commanding baritone and stripped-down, updated honky tonk, which gave his music a gritty edge all its own. His style changed the face of country music and influenced countless musicians, as his songs consistently appeared on both Billboard’s country and pop charts throughout a career that spanned more than five decades. Jennings’ album Wanted! The Outlaws – featuring collaborations with his wife, Jessi Colter, Willie Nelson, and Tompall Glaser – peaked at No.1 on the charts and was the first country album to be certified platinum. -
Final Nominations List the National Academy of Recording Arts & Sciences, Inc
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8. -
Jelly Sanders 1976
Jelly Sanders 1976 California State College, Bakersfield San Joaquin Valley Oral History Project, Bakersfield Sound Recorded History INTERVIEWEE: Jelly Sanders PLACE OF BIRTH: Duncan, Oklahoma INTERVIEWER: Janna Jae (Greif) DATE OF INTERVIEW: November 22, 1976 PLACE OF INTERVIEW: Sanders’ home/Bakersfield NUMBER OF TAPES: 1 TRANSCRIBER: Kaye LeFebvre FILE IDENTIFIER(S): Jelly Sanders JJ: My name is Janna Jae and I am here with Jelly Sanders at his home in Bakersfield, California. Jelly has played an important part in the history of Country/Western music in Kern County and that is why I am here tonight to find a little bit more about his background and also some of his experiences with the early Country/Western music in Kern County. Jelly, where were you raised and how did you get started on the fiddle, which is your instrument? JS: Well, I was borned and raised in Duncan, Oklahoma. And then, when I was 17, I came to California and picked a lot of cotton and all that kind of stuff for a while and then I went to L.A. and started playing Country music. Of course, before I ever came here, I played a lot of country dances and stuff like that. JJ: In Oklahoma? JS: Yes. That was back in Oklahoma and (something wrong with the tape for about one minute.) JJ: In Oklahoma then, you were playing quite a bit of fiddle. JS: Well, yes. I started playing when I was five years old. And in fact, there’s my dad, I played several different instruments. My dad had a Martin guitar. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
BB-1971-12-25-II-Tal
0000000000000000000000000000 000000.00W M0( 4'' .................111111111111 .............1111111111 0 0 o 041111%.* I I www.americanradiohistory.com TOP Cartridge TV ifape FCC Extends Radiation Cartridges Limits Discussion Time (Based on Best Selling LP's) By MILDRED HALL Eke Last Week Week Title, Artist, Label (Dgllcater) (a-Tr. B Cassette Nos.) WASHINGTON-More requests for extension of because some of the home video tuners will utilize time to comment on the government's rulemaking on unused TV channels, and CATV people fear conflict 1 1 THERE'S A RIOT GOIN' ON cartridge tv radiation limits may bring another two- with their own increasing channel capacities, from 12 Sly & the Family Stone, Epic (EA 30986; ET 30986) month delay in comment deadline. Also, the Federal to 20 and more. 2 2 LED ZEPPELIN Communications Commission is considering a spin- Cable TV says the situation is "further complicated Atlantic (Ampex M87208; MS57208) off of the radiated -signal CTV devices for separate by the fact that there is a direct connection to the 3 8 MUSIC consideration. subscriber's TV set from the cable system to other Carole King, Ode (MM) (8T 77013; CS 77013) In response to a request by Dell-Star Corp., which subscribers." Any interference factor would be mul- 4 4 TEASER & THE FIRECAT roposes a "wireless" or "radiated signal" type system, tiplied over a whole network of CATV homes wired Cat Stevens, ABM (8T 4313; CS 4313) the FCC granted an extension to Dec. 17 for com- to a master antenna. was 5 5 AT CARNEGIE HALL ments, and to Dec. -
Historic Preservation Commission Agenda
Development and Resource Mana~ementDe~artment 2600 Fresno Street, Third Floor Historic Preservation Commission Agenda DON SIMMONS Ph.D. Chair CHARLOTTE KONCZAL ESQ., Vice Chair Comrnission Members MARK SCOTT PATRICK BOYD City Managerllnterim Planning Director JOE MOORE MOLLY LM SMITH KARANA HATTERSLEY-DRAYTON, M.A. LISA WOOLF Secretary VACANCY Historic Preservation Project Manager WILL TACKETT, Supervising Planner Any interested person may appear at the public hearing and present written testimony, or speak in favor or against the matters scheduled on the agenda. If you challenge these matters in court, you may be limited to raising only those issues you or someone else raised in oral or written testimony at or before the close of the hearing. The meeting room is accessible to the physically disabled, and the services of a translator can be made available. Requests for additional accommodations for the disabled, signers, assistive listening devices, or translators should be made one week prior to the meeting. Please call the Historic Preservation Project Manager at 621-8520. The Historic Preservation Commission welcomes you to this meeting. I March 25,201 3 MONDAY 5:30 p.m. City Hall, Second Floor, CONFERENCE ROOM A, 2600 FRESNO STREET I. CALL TO ORDER AND ROLL CALL II. APPROVE MEETING MINUTES A. Approve Minutes of February 25, 201 3. Ill. APPROVE AGENDA Historic Preservation Commission Agenda Page 2 March 25,201 3 IV. CONSENT CALENDAR None V. CONTINUED MAITERS None VI. COMMISSION ITEMS A. Review and Receive Status Reports for Propertres on the Historrc Preservation Watch L~st Pursuant to FMC 12-1626: I. -
Teacher's Guide Country Music Hall of Fame® And
TEACHER’S GUIDE 1 TO THE 2 COUNTRY MUSIC HALL OF FAME® AND MUSEUM Teacher’s Guide to the Country Music Hall of Fame® and Museum 1 This teacher’s guide includes classroom lessons and can be used as interdisciplinary teaching designed to assist teachers in preparing their tools. All Language Arts standards apply to students for a visit to the Country Music Hall of grades K-12, though word choice may vary Fame and Museum. A poster, glossary, worksheets, slightly. Teacher Tips, included in most of the lyric sheets, and a CD are included and accompany lessons, provide more detailed instructions or specific lessons in this guide. The lessons engage suggestions for ways teachers can adapt lessons students and teachers in listening, observing, to the particular needs and interests of their writing, and discussing the characteristics of students. Because museums are special places museums, the history of country music, country containing valuable and delicate objects, a songs, and the people who have contributed to discussion about appropriate museum behavior the country music story. These lessons are prior to your visit may be helpful. complemented by a tour of the museum’s exhibits. The museum provides workshops for teachers They address specific curriculum objectives in several times a year. For workshop dates and language arts, music, social studies, and visual times and to learn more about our programs art for grades K-12. All curricular connections for teachers and students, please visit our Web site: are based on Tennessee State Curriculum -
AXS TV Canada Schedule for Mon. May 18, 2020 to Sun. May 24, 2020
AXS TV Canada Schedule for Mon. May 18, 2020 to Sun. May 24, 2020 Monday May 18, 2020 3:00 PM ET / 12:00 PM PT 6:00 AM ET / 3:00 AM PT The Big Interview Tom Green Live Styx - Dan Rather joins three of Styx’s legendary members for a Las Vegas performance and a Steve-O - Prepare for the unexpected when fearless daredevil and comedian Steve-O and offbeat candid interview about the past, present and future of one of rock’s most enduring bands. actress, comic, musician, and writer Charlyne Yi swing by to see Tom. 4:00 PM ET / 1:00 PM PT 7:00 AM ET / 4:00 AM PT The Top Ten Revealed The Very VERY Best of the 70s 60s Folk Songs - The 60s brought us so much change culturally, politically and musically. The Catchphrases - From slapstick to sassy, these catchphrases still have everyone talking. Find out folk scene was strong my friends! Let’s rank the tunes that got our minds thinking and our souls which catchphrases of the 70s made our list as Marion Ross, Anson Williams, Jaleel White, and singing. Find out which 60s folk songs make our list as rock experts like Don Dokken, Steve more, give us their opinions! Porcaro (Toto) and Kevin Cronin (REO Speedwagon) count us down! 7:30 AM ET / 4:30 AM PT 4:30 PM ET / 1:30 PM PT TrunkFest with Eddie Trunk The Day The Rock Star Died INKcarceration - This week on TrunkFest, Eddie heads to Ohio for INKcarceration Festival.