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Extreme Miniaturization of a New Amniote Vertebrate and Insights Into the Evolution of Genital Size in Chameleons
www.nature.com/scientificreports OPEN Extreme miniaturization of a new amniote vertebrate and insights into the evolution of genital size in chameleons Frank Glaw1*, Jörn Köhler2, Oliver Hawlitschek3, Fanomezana M. Ratsoavina4, Andolalao Rakotoarison4, Mark D. Scherz5 & Miguel Vences6 Evolutionary reduction of adult body size (miniaturization) has profound consequences for organismal biology and is an important subject of evolutionary research. Based on two individuals we describe a new, extremely miniaturized chameleon, which may be the world’s smallest reptile species. The male holotype of Brookesia nana sp. nov. has a snout–vent length of 13.5 mm (total length 21.6 mm) and has large, apparently fully developed hemipenes, making it apparently the smallest mature male amniote ever recorded. The female paratype measures 19.2 mm snout–vent length (total length 28.9 mm) and a micro-CT scan revealed developing eggs in the body cavity, likewise indicating sexual maturity. The new chameleon is only known from a degraded montane rainforest in northern Madagascar and might be threatened by extinction. Molecular phylogenetic analyses place it as sister to B. karchei, the largest species in the clade of miniaturized Brookesia species, for which we resurrect Evoluticauda Angel, 1942 as subgenus name. The genetic divergence of B. nana sp. nov. is rather strong (9.9‒14.9% to all other Evoluticauda species in the 16S rRNA gene). A comparative study of genital length in Malagasy chameleons revealed a tendency for the smallest chameleons to have the relatively largest hemipenes, which might be a consequence of a reversed sexual size dimorphism with males substantially smaller than females in the smallest species. -
What's the Download® Music Survival Guide
WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing. -
Science & Technology Developments
MARCH 2021 CONTENTS Cover Story - Draft national policy on migrant workers 1. ECONOMY 1.1 ESIC, other social security safety nets to cover gig economy workers 1.2 Govt. agrees to maintain States’ share in the divisible pool of taxes 1.3 ‘India’s weak fiscal position to remain a key credit challenge’ 1.4 For affluent, EPF is not nest egg but goose that lays golden eggs 1.5 Retail investors to be able to buy G-Secs directly: RBI 1.6 Pradhan Mantri Fasal Bima Yojana (PMFBY) 1.7 In PM’s words for pvt sector, India Inc sees booster shot 1.8 ‘Bad bank’ idea: Govt guarantee for ARC paper likely 1.9 RBI sets up panel for strengthening UCBs 1.10 PM reaffirms plan to include natural gas under GST regime 1.11 Cabinet approves PLI plan for telecom 1.12 Gadkari urges auto firms to raise localisation to 100% 1.13 What rise in bond yield means for investors and govt 1.14 RBI working paper defends 4% inflation target for India 2. INDIA AND WORLD 2.1 No Indian role in developing ECT in Colombo 2.2 For New Delhi, the tightrope on Myanmar is back 2.3 ECT fiasco: Indian envoy meets Gotabaya, Mahinda 2.4 ‘India ready to supply weapon systems to Indian Ocean nations’ 2.5 Ukraine looking at defence purchases from India 2.6 Israel wants India by its side against ICC ruling, Delhi silent 2.7 India is an important partner in the Indo-Pacific region, says U.S. -
Congo's Enough Moment
Congo’s Enough Moment The Case for Conflict Minerals Certification and Army Reform John Prendergast October 20101 At rare moments during the course of a war, a confluence of factors come together to provide a window of opportunity for real conflict transformation. Now Congo has a unique opportunity to bring an end to more than 125 years of having its people and resources pillaged by colonial powers, international traders, neighbors, and foreign and domestic armed groups. Growing international attention to atrocities in Congo, both recent and historical, and widespread interest in conflict minerals has shined a spotlight on eastern Congo as it has never done before—from the U.S. Congress, from regional heads of state, and from multinational companies. This has opened a significant new window for policy reform and it is time for the U.S. government and Secretary of State Hillary Clinton to help leverage the end of the war in eastern Congo through leadership on two of the issues that will catalyze a broader solution to the cycles of violence there: minerals certification and comprehensive army reform. Consumers and human rights activists in America and around the world are saying “Enough is Enough” of the killing, raping, and smuggling that has helped to satisfy our demand for cheaper cell phones, laptops, and other products powered in part by conflict minerals from the Congo. The result is congressional legislation—signed by President Obama—that requires real transparency from those companies profiting from this exploitation.2 That message has echoed from the board rooms of multinational compa- nies to the presidential palaces of Central African leaders, right down to the rank and file of the rebel groups and army units that feed off of the war. -
Deana Carter Danny Myrick
Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville. -
B I O G R a P H Y
B I O G R A P H Y Rita's credentials are the stuff of legend. After earning a degree in art at Florida State University, the Tennessee native decided to give music a shot before settling into a career as an art teacher. She moved to Memphis and was soon singing jingles, demos and background vocals for a number of area bands. Among them was a husband and wife duo, Delaney & Bonnie. When the pair signed their record deal, Rita suddenly found herself on big-time pop music's leading edge. Her reputation as an A-list backup singer spread quickly. Joe Cocker enlisted her in that role and as a featured soloist on his Mad Dogs and Englishmen tour. (Rita performed a song she'd co-written, “Superstar,” which would later be a huge hit for The Carpenters.) Work with other rock royalty followed, including tours and recordings with Eric Clapton, Jimi Hendrix, Bob Dylan, Leon Russell and Stephen Stills. In 1971, A&M Records moguls Herb Alpert and Jerry Moss signed her to the label, and one of the most enduring solo careers in all of music was underway. Rita released more than a dozen albums in the years to follow, including 1978's multi-platinum Anytime... Anywhere. Several of her singles would become classics; “We're All Alone,” “Higher And Higher” and “The Way You Do The Things You Do” all qualify as “career” songs. She’s performed with high-profile pals like George Harrison, Roger Waters, Robbie Robertson and Jimmy Buffett. In 1973, Rita married singer, songwriter and actor Kris Kristofferson. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
The Place Where Cultures Meet
THE PLACE WHERE TOUR CULTURES MEET PACKAGES WHERE ON THE A DAY OF CULTURES MEET WATER PLAY Experience the culture Soak in the beautiful Try our Traditional of the Haudenosaunee scenery of the Carolinian Haudenosaunee games people as you travel forests as you paddle after exploring the Six the Six Nations of down the Grand River by Nations Tourism displays. the Grand River. canoe or kayak. Then venture out to the Nature Trail, home to the Move through time as you While on this three-hour tour largest area of Carolinian explore rich, pre-contact listen to the Creation Story forest in Canada. history at Kanata Village and the rich history of the Six and Her Majesty’s Royal Nations people. The guided Enjoy a guided tour of Chapel of the Mohawks. tour will take you through rare Chiefswood National Historic Visit the Woodland Cultural ecosystems along the Grand Site and learn the history of Centre, take a guided tour of River as you learn about the the Haudenosaunee medicine Chiefswood National Historic importance of all living things game, Lacrosse. Test your site and Kayanase’s 17th within the Haudenosaunee skills in a scrimmage game century replica longhouse. culture. of lacrosse and archery. In Explore the Six Nations the summer months indulge community by bus to discover in canoeing/kayaking on the where we reside today. Grand River. Tel: 519.758.5444 Toll free: 1.866.393.3001 @sntourism 2498 Chiefswood Road @sixnations.tourism Ohsweken, ON N0A 1M0 @sixnationstourism sixnationstourism.ca Come celebrate our unique heritage and culture Did you know? Surround your senses with l We call ourselves “Haudenosaunee” or ‘the people of the longhouse’, the beat of the drums at our which refers to the large, long houses we once livedTemiscaming in with our Valley East Rayside-Balfour annual Grand River Champion extended families. -
Goober Peas P. Nutt, Lilsq., New York, John L. Peters, C.1864 B.R A.Lil.Blackmar, La
Goober peas P. Nutt, lilsq., New York, John L. Peters, c.1864 b.r A.lil.Blackmar, La. ,---- - -- - - - ---- ---- 12 Gooch, William Byron's farewell to the maid of Athens. Cincinnati, A.C.Peters & bro c1861-6fi] I I I l ____ _ • -------------------r #34 Gooch, lh. -- Danube river. Boston, Vllite, Smith, 1871 • ------- --- -----•---- -- -------~ r Langstroth. Goooh.wm. v.26.p.367 JUliette Waltz. By Wffi.Gooch. Boston, White Smith & Co •• 298 & 300 Washington St. 0.1872. 5 pp. no.3-5. 2nd & last pages blank • • ~-I Vol.50 Goooh, Willi~ (arrg.) I p.7 Only a. dream of home. •••Words and music by C. A. White. Arra.nged by Wm. Goooh. Boston, White, Smith & Company, 0.(1872). Plate no. 1113.4. 6pp • • -------- 1 '37 Gooch" W11Jj.8lll Reuben and Rachel. Boston" Vrlte" Smith, 1878. I I I I i I I I I j" - Good Poy, Uncle Sam. c1898 --·--1 [ Rosenfeld, Monroe H. No.43 Spanish American War Songs. I Song Sheet •••Words only. I • Good bye ..• cards interfiled with Goodbye (one word) • Good Clean Fun. Bock, Jerry. N.Y., Sunbeam Husic Corp., F 01960. I I Langstroth Good Company. I V.25, p.19l Song. Words by Dr. Chas. Mackay. Music by Stephen Adams. No imprint. 6pp. no. 2-5, last p. blank. On oover: ornate design; fig. 3t in 6-pt. star • L • J Good evenin' Seymour, Tot. c and others:!. N. 'i". t Davis, Coots and Engel Inc., 1930. copy 1 copy 2 together with "In my Heart - Its Youll • I- No -55 Good fellow gal Novelty waltz ballad. -
Appreciation of Popular Music 1/2
FREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION MUSIC DEPARTMENT APPRECIATION OF POPULAR MUSIC 1/2 Grade Level: 10-12 Credits: 2.5 each section BOARD OF EDUCATION ADOPTION DATE: AUGUST 30, 2010 SUPPORTING RESOURCES AVAILABLE IN DISTRICT RESOURCE SHARING APPENDIX A: ACCOMMODATIONS AND MODIFICATIONS APPENDIX B: ASSESSMENT EVIDENCE APPENDIX C: INTERDISCIPLINARY CONNECTIONS Course Philosophy “Musical training is a more potent instrument than any other, because rhythm, harmony, and melody find their way into the inward place of our soul, on which they mightily fasten, imparting grace, and making the soul of him who is educated graceful.” - Plato We believe our music curriculum should provide quality experiences that are musically meaningful to the education of all our students. It should help them discover, understand and enjoy music as an art form, an intellectual endeavor, a medium of self-expression, and a means of social growth. Music is considered basic to the total educational program. To each new generation this portion of our heritage is a source of inspiration, enjoyment, and knowledge which helps to shape a way of life. Our music curriculum enriches and maintains this life and draws on our nation and the world for its ever- expanding course content, taking the student beyond the realm of the ordinary, everyday experience. Music is an art that expresses emotion, indicates mood, and helps students to respond to their environment. It develops the student’s character through its emphasis on responsibility, self-discipline, leadership, concentration, and respect for and awareness of the contributions of others. Music contains technical, psychological, artistic, and academic concepts. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.