Indian Classical Music Songs
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Indian classical music songs Continue 1 Man of constant sorrow, Stanley Brothers, 1951 2 Blue Moon Kentucky, Bill Monroe and Bluegrass Boys, 1956 3 Daughter of a Miner, Loretta Lynn, 1960 4 Crazy Arms, Willie Nelson and Ray Price, 1956 5 Moms Don't Let Your Kids Grow Up to Be Cowboys, Waylon Jennings and Willie Nelson, 1978 6 Delta Dawn, Tanya Tucker, 1972 7 Remember when Alan Jackson, 2003 8 Standin' On the Corner (Blue Yodel #9), Jimmy Rogers, 1930 9 Before He Cheats, Carrie Underwood, 2005 10 Louisiana Woman, Mississippi Man, Loretta Lynn and Conway Twitty, 1973 11 Ring of Fire, Johnny Cash, 1963 12 I'm so lonely I could cry, Hank Williams, 1949 13 Songs of Rain, Gary Allen, 2003 Fancy Reba McEntire, 1990 15 I have a tiger by tail , Buck Owens and Buckaroos, 1965 16 Save the Horse (Ride Cowboy) Big and Rich, 2004 17 D-I-V-O-R-C-E, Tammy Wynette, 1968 18 Dance, Garth Brooks, 1989 19 Don't Go Home Drinkin' (with Lovin' on Your Mind), Loretta Lynn, 1966 20 Most Beautiful Girl, Charlie Rich, 1974 21 I Was a Country When Country Wasn't Cool, Barbara Mandrell, 1994 22 I'll Always Love You, Dolly Partton, 1974 23 Chattahoochee, Alan Jackson 1992 24 Flowers on the Wall, Statler Brothers, 1966 25 I Hope You Dance , Leigh Ann Womack, 2000 26 Forever and Ever Amen, Randy Travis, 1987 27 Guitars, Cadillac Dwight Yoakam, 1986 28 Mama Tried, Merle Haggard, 1968 29 Folsom Prison Blues, Johnny Cash, 1957 30 Hello Darlene, Conway Twitty, 1970 31 Stand By Your Man , Tammy Wynette, 1968 32 Crazy, Patsy Cline, 1961 33 Wagon Wheel, Old Crow Medicine Show, 2004 34 Friends in Low Places, Garth Brooks, 1990 35 Jolene, Dolly Parton, 1973 36 I Walk the Line, Johnny Cash, 1957 37 Player, Kenny Rogers, 1978 38 Devil Went Down to Georgia, Charlie Daniels Band, 1979 39 El Paso, Marty Robbins, 1959 40 (Take Me Home) Country Road, John Denver, 19591971 41 Breathe, Faith Hill, 1999 42 He stopped loving her today, George Jones, 1980 43 Always in my opinion Willie Nelson, 1982 44 It was not God who made Honky To Angels, Kitty Wells, 1952 45 Country Boy Can Survive, Hank Williams Jr., 1981 46 Harper Valley PTA, Ginny C. Riley, 1968 47 Seven-Year Pain, Rosanna Cash, 1981 48 Rhinestone Cowboy Glen Campbell, 1975 49 Coat of Many Flowers, Dolly Parton, 1971 50, Amazedstar, 1999 51 Wide Open Spaces, Dixie Chicks,1998 52 Old Dogs, Children and Watermelon Wine, Tom T. Hall, 1972 53 Don't Make My Brown Blue, Crystal Gayle, 1977 554 Sixteen Tennessee Ernie Ford, 1955 55 For good times, Ray Price, 1970 56 I Saw the Light, Hank Williams Jr., 1951 57 Margaritaville, Jimmy Buffett, 1977 5 8 Law of The Year, Buck Owens, 1963 59 Something similar, Tim McGraw, 1999 60 She's You, Patsy Kline,1962 61 All my exes live in Texas, Strait, 1987 62 Achy Breaky Heart, Billy Ray Cyrus, 1992 63 Back Door (La Porte en Arrier), D.L. Menard, 1962 64 Redneck Mother, Ray Wylie Hubbard, 1975 65 Strawberry Wine, Dina Carter, 1995 66 If you have money, I have time, Lefty Frizzell, 1950 67 Smoky Mountain Rain, Ronnie Milsap, 1980 68 Convoy, C.W. McCall, 1975 69 Wild and Blue, John Anderson, 1982 70 Your Heart Cheatin, Hank Williams, 1952 This content is created and supported by a third party, and imported to this to help users provide their email addresses. You may be able to find more information about this and similar content on piano.io This collection covers the best classical composers, performers and conductors, past and present, as well as the most iconic symphonies and operas in the world. Learn the stories behind these incredible works of art and let yourself be swept away by their movements. Music may be a universal language, but French, German, Italian and English are not. Find translations of famous arias into English along with their original lyrics, so you can better understand the music. Mike Prior/Getty Images While reggae, like any genre, is sometimes maligned by haters as everyone is sounding the same, we find the classic reggae canon overwhelming in its size and diversity. Given that what is considered early reggae is often considered to be a span of only about ten years, and has mostly been done on a relatively small island, the breadth and depth of the genre are impressive. However, over thousands of great parties, this era produced some really special songs - popular, influential, or just dance worthy - and these ten are as fresh and relevant today as they were the day they were released. Israelites, written by Desmond Decker and legendary producer Leslie Kong, became the first reggae song to truly become an international hit, reaching #1 in the UK charts and breaking into the Top 10 in the United States after its release in 1969. Desmond Dekker was already a well-known ska-artist, and musically Israelis are transient - he carries many elements of the classic ska, but is distinguished by the slow pace that characterized the new genre of reggae. The relatively simple lyrics, which speak briefly of the hardships of poverty, were difficult for an international audience not yet familiar with the Jamaican accent, not to mention the nuances of patois to understand, but Dekker's irresistible falsetet had no problems with captivating a global audience independently. This Rastafarian ballad, originally released in 1970, takes its lyrics from Psalm 137, which paints a picture of the Jewish exile that occurred after the destruction of the first temple. Because Rastas believes that they (and all people of African descent) are a lost tribe of Israel, images expulsions are a common theme in the Rastafarian letter. While river rivers has never become an international single hit in its original version (the cover of the disco vocal group Boney M made the chart), it remains a solidly popular song among Jamaican musicians and fans around the world, and it is probably the most famous explicitly religious Jamaican song ever recorded. Johnny Nash wrote and recorded this 1972 song, which reached #1 on the Billboard Charts in the United States and was certified gold, thus having a major role in the promotion and accounting of reggae in continental North America. It's up to the pace to feel good room with unabashedly positive lyrics and remains a staple in the sun's reggae repertoire. The cover version was recorded by Jimmy Cliff in 1993 for the soundtrack to the film Cool Runnings, about the Jamaican Olympic bobsleigh team, but Nash's original is still a stronger version. Little-known fact: Johnny Nash was actually an American by birth, but he recorded in Jamaica, befriended most of the other artists on this list, and had a few hits in the Caribbean. This ballad about unrequited love has become one of reggae's most-covered classics, with everyone from the Rolling Stones to UB40 offering their own versions, but there's nothing quite like the soaring tenor of Eric Donaldson and that iconic organ riff. Although he never charted outside of Jamaica, he was a mega-hit in the country and won the prestigious Jamaica Song Festival competition in 1971. You can't have a list of classic reggae songs without including Bob Marley, of course, but the question ultimately becomes: Which song? If you asked 10 fans of Bob Marley which of his songs was the most influential and timeless, you would probably get 10 answers. So, after a bit of confusion, we chose a song that the BBC called Song of the Century. Bob Marley has actually recorded One Love three times (in the studio, that is - there are a number of live recordings available as well): for the first time as a ska single from the original Wailers; the second, as part of All in One Medley (1970), which saw the Wailers rewrite their hits ska in reggae style; and finally a straight reggae throwdown, with extra-musical phrases from Curtis Mayfield written Impressions of the hit People Are Preparing, released in 1977 on the main album Exodus. They're all great, but the finale is a gorgeous, glorious record that stays as relevant as it does listen. Another seminal Rastafarian anthem, Satta Massagana (Give thanks in Amharic, the official language of Ethiopia) is an important part of the roots of the reggae canon and, indeed, is sometimes used as an anthem in Rastafarian services. The song itself was first recorded in 1969, but was not released until 1976, after being rejected by a number of labels. The song has a great old-school feel, with vocal harmonies surrounding the secondary melody and a slow, heavily beat rhythm, dirty, dirty, Horns. Perhaps more influential by Jamaican artists than at international, this song is nonetheless important to know. The title track of Peter Tosh's first solo album after leaving the Wailers, Legalize It is a song banned for marijuana. Now, Ganja is a communion in the Rastafarian religious movement, so Tosh actually makes a political statement about religious freedom with a song, but it has become an anthem for a certain segment of the pro-marijuana lobby, and therefore an avowed countercultural protest song. It doesn't hurt that he's got a big, catchy hook and lyrics that lend themselves to singing well together. Rastafarians regard the pan-African writer and speaker Marcus Garvey as an important prophet; in fact, the last prophet who spoke of the second coming of the messiah, which they believed took the form of Ras Tafari himself, Emperor haile Selassie of Ethiopia.