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Valentine Concert Program Playbill Cover
From Broadway With Love From Broadway With Love ACT 1 ACT 2 Some Enchanted Evening (South Pacific) …….…...……………… Trey Shinault Wedding March (A Midsummer’s Night Dream) Six - Hand Piano … Nancy Burstein, Annie McGrath & Rosanne Reddin Adelaide’s Lament (Guys & Dolls) ……………….……………...…. Marsha Allen Aba Daba Honeymoon (Two Weeks With Love) ….. Katherine & Sarah Lenahan I Think That He Likes Me (Homemade Fusion) …….…………….. Kaitlin Bowles Gimme That Thing Called Love (Thoroughly Modern Millie) . Courtney Cummings Your Feet’s Too Big (Ain’t Misbehaven) ……….……………………. Mark Bzdick The Music That Makes Me Dance (Funny Girl) …….…………...… Mark Bzdick Part of Your World (Little Mermaid) ……………….....……………… Tiffany Bray Someone to Watch Over Me (Oh, Kay!) ……....…………….…… Gail Timmons I Know It’s Today (Shrek) ………………………………….....…. Brigit Davidson Say the Word (The Unauthorized Biography of Samantha Brown) ………... Randi Berg Johanna (Sweeney Todd) …………………………………….….….. Neil Hollands Let It Go (Frozen) …………………………………..…………..… Kelsey Helmick Not For the Life of Me (Thoroughly Modern Millie) ………… Carrie Grace Morgan I Am Aldolpho (The Drowsy Chaperone) …………………………..… Neil Hollands Once in A Lifetime (Stop the World, I Want to Get Off ) Piano Duet . Annie McGrath & Rosanne Reddin Happily Ever After (Once Upon a Mattress) ……………….. Carrie Grace Morgan All I Ask of You (Phantom of the Opera) …….……….… Adin Pace & Mike Godsil I Am Playing Me ( [title of show] ) ……...……………………….. Dorothy Douglas My Man (Funny Girl) …………………...…………..…….…. Deborah Soderholm I Have Found (The Royal Family of Broadway) ……………………….... Sue Mellon If the World Should End (Spider Man: Turn Off the Dark) ……………… Randi Berg Different (Honk!) …………………...……………….……………. Matthew Rivera I’ve Grown Accustomed to Her Face (My Fair Lady) ……..…… Matthew Rivera Ten Minutes Ago (Cinderella) …………………………………... Katherine Ruble I Never Has Seen Snow (House of Flowers) …......……………….... -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
Artistic Evolution at the Confluence of Cultures
Dochaku: Artistic Evolution at the Confluence of Cultures Toshiko Oiyama A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy School of Art, College of Fine Arts University of New South Wales 2011 Acknowledgements Had I known the extent of work required for a PhD research, I would have had a second, and probably a third, thought before starting. My appreciation goes to everyone who made it possible for me to complete the project, which amounts to almost all with whom I came in contact while undertaking the project. Specifically, I would like to thank my supervisors Dr David McNeill, Nicole Ellis, Dr Paula Dawson, Mike Esson and Dr Diane Losche, for their inspiration, challenge, and encouragement. Andrew Christofides was kind to provide me with astute critiques of my practical work, while Dr Vaughan Rees and my fellow PhD students were ever ready with moral support. Special thanks goes to Dr Janet Chan for giving me the first glimpse of the world of academic research, and for her insightful comments on my draft. Ms Hitomi Uchikura and Ms Kazuko Hj were the kind and knowledgeable guides to the contemporary art world in Japan, where I was a stranger. Margaret Blackmore and Mitsuhiro Obora came to my rescue with their friendship and technical expertise in producing this thesis. My sister Setsuko Sprague and my mother Nobuko Oiyama had faith in my ability to complete the task, which kept me afloat. Lastly, a huge thanks goes to my husband Derry Habir. I hold him partly responsible for the very existence of this project – he knew before I ever did that I wanted to do a PhD, and knew when and how to give me a supporting hand in navigating its long process. -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Audition Repertoire Choices: More Than Just Voice
Popular Song and Music Theater ASSOCIATE EDITOR: Robert Edwin Audition Repertoire Choices: More Than Just Voice cautioned that "no one can (Jo every- or her strengths. To personalize this thing well." They now must make process, allow me to track for you my some hard decisions about what they 2005-06 high school senior class, want to sing and act. To make these shed some light on the students' rep- choices effectively, my students must ertoire choices, and offer some in- take an honest and highly critical per- sight as to why and how they made sonal inventory of how they look, how their selections. they sound, and how they act. Let's start with Michaela, a beau- A glance in the studio mirror will tiful and very talented young woman remind them that they are a certain who came to my studio in her soph- physical "type." Are they tall or short, omore year as a classically trained thin or heavy, athletic or soft, beauti- singer. Although she had worked pro- ful or unattractive, handsome or fessionally in her late child years and homely, or somewhere in between? wanted a music theater career, she Robert Edwin A vocal warm up will reaffirm their was discouraged from using her belt Each and working range. Do they have voice and, as a result, had no techni- a high voice or a low voice, a big voice cal foundation for that style of singing. When asked to describe what I do or a small voice, a pretty voice or a Since the typical music theater col- as a teacher of singing, my short an- character voice, a flexible voice or a lege audition for women -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
Steve Wariner Two Teardrops Mp3, Flac, Wma
Steve Wariner Two Teardrops mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Two Teardrops Country: US Released: 1999 Style: Country MP3 version RAR size: 1563 mb FLAC version RAR size: 1886 mb WMA version RAR size: 1801 mb Rating: 4.8 Votes: 750 Other Formats: APE WMA VOX TTA RA DMF AA Tracklist Hide Credits Hands Of Time 1 2:37 Written-By – Bob DiPiero, Steve Wariner Two Teardrops 2 4:29 Written-By – Bill Anderson , Steve Wariner You Be My Everything 3 3:25 Written-By – Bill LaBounty, Steve Wariner I'm Already Taken 4 3:19 Written-By – Steve Wariner, Terry Ryan I've Been In That Movie 5 3:28 Written-By – Steve Wariner If You Don't Know By Now 6 3:30 Written-By – Janice Carnes, Rick Carnes, Steve Wariner Talk To Her Heart 7 2:39 Written-By – Bill Anderson , Jim Weatherly, Steve Wariner So Much 8 3:06 Electric Guitar – Ryan WarinerWritten-By – Marcus Hummon, Steve Wariner I'll Always Have Denver 9 4:38 Written-By – Bill Anderson , Steve Wariner That's Love For You 10 3:13 Written-By – Joe Barnhill, Steve Wariner Cry No More 11 4:20 Acoustic Guitar – Marcus HummonWritten-By – Marcus Hummon, Steve Wariner Since You Walked Away 12 4:12 Written-By – Don Cook, John Barlow Jarvis*, Steve Wariner For The First Time 13 4:11 Written-By – Alan Rich*, James Newton Howard, Jud Friedman Tattoos Of Life 14 3:10 Drums – John GardnerWritten-By – Max D. Barnes, Steve Wariner The Harry Shuffle (Instrumental) 15 1:36 Written-By – Steve Wariner Companies, etc. -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
RENT Study Guide.Pdf
A tool for using the theater across the curriculum to meet National Standards for Education • Production Overview RENT • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2008, Camp Broadway, LLC All rights reserved This publication is based on Rent with book, music and lyrics by Jonathan Larson. The content of the Rent edition of StageNOTES™: A Field Guide for Teachers is fully protected under the copyright laws of the United states of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD-ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly prohibited. Printed in the United States of America First Digital Edition: July 2008 For more information on StageNOTES™ and other theatre arts related programs, contact: Camp Broadway, LLC 336 West 37th Street, Suite 460 New York, New York 10018 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com 2 CONTENTS Using the Field Guide and Lessons...............................................................4 OF List of Characters and Synopsis................................................................5 LANGUAGE ARTS......................................................................................8 Language Arts Writing Lesson....................................................11 -
The Creation and Development of Rent by Jonathan Larson
ABSTRACT Title of Document: “OVER THE MOON”: THE CREATION AND DEVELOPMENT OF RENT BY JONATHAN LARSON Elizabeth Titrington, Master of Arts, 2007 Directed By: Professor Richard King Chair, Department of Musicology Despite its critical acclaim and commercial success , the hit musical Rent by Jonathan Larson has received scant attention in academic literature. The story of Rent has been told and retold in the popular media, but a look at Larson’s own drafts, notes, and other personal wri tings adds another important and largely missing voice – Larson’s own. In this study, I use the Jonathan Larson Collection, donated to the Library of Congress in 2004 , to examine this seminal work and composer by tracing Rent ’s development and documenting L arson’s creative process. My analysis of material from the Larson Collection and the interviews of others involved in Rent ’s development reveal s the story of how this unconventional rock musical made it to the stage, highlighting the importance of visio n, but also of revision and collaboration. “OVER THE MOON”: THE CREATION AND DEVELOPMENT OF RENT BY JONATHAN LARSON By Elizabeth Corbin Titrington Thesis submitted to the Faculty of the Graduate School of the University of Maryl and, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2007 Advisory Committee: Professor Richard King , Chair Professor Jonathan Dueck Professor Robert Provine © Copyright by Elizabeth Titrington 2007 Preface Although I cannot claim the status of Rent head – I do not know every word to “La Vie Bohème” by heart or have a website dedicated to the show – I admit to approach ing this project as a fan as well as scho lar. -
The Spiritist Review - 1862
The Spiritist Review - 1862 Journal of Psychological Studies ALLAN KARDEC Original Title – La Revue Spirite – Allan Kardec Translator: Luiz A.V. Cheim IDEAK - Instituto de Divulgação Espírita Allan Kardec THE SPIRITIST REVIEW – 1862 TABLE OF CONTENTS January 1862 Essay aBout the interpretation of the doctrine of the fallen angels Spiritist Communications and Publicity Control of the Spiritist Teaching Questions and Issues Proposed to Several Spiritist Groups About the Supernatural Poetry from Beyond the Grave BiBliography: Spiritism in its simplest expression BiBliography: Revelations from Beyond the grave BiBliography: A Will in Favor of Spiritism BiBliography: Letter to Mr. Mohéry with respect to Ms. Godu February 1862 Greetings from Last Year Is Spiritism Proven By Miracles? The Wind - Spiritist Fable Reincarnation in America New American Mediums in Paris Fund-Raising on Behalf of the Workers of Lyon Spiritist Teachings and Dissertations: Faith Spiritist Teachings and Dissertations: Hope Spiritist Teachings and Dissertations: Charity Forgetting Humiliation About Instinct Religious and Philosophical Meditations: The Cross Religious and Philosophical Meditations: How Blessed are the poor in spirit Religious and Philosophical Meditations: Slavery March 1862 To Our Correspondents The Spirits and the Family Crest Conversations from Beyond the Grave: Sr. JoBard Carrère, Verification of Identity Spiritist Teachings and Dissertations: Reincarnation Spiritist Teachings and Dissertations: Realism and Idealism in painting Spiritist Teachings