David Cochran
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The University of Chicago the Styles of Volition
THE UNIVERSITY OF CHICAGO THE STYLES OF VOLITION: TOWARD A THEORY OF THE NOVELISTIC WILL A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE BY MARTIN RAYBURN CHICAGO, ILLINOIS DECEMBER 2018 TABLE OF CONTENTS Acknowledgments……………………………………………………………………………….iii Introduction……………………………………………………………………………………….1 Chapter I: Moby-Dick, Jonathan Edwards, and the Drama of the Will…………………………50 Chapter II: In the Hiatus of Action: Stranger-Sociality and the Suspenseful Will in the Novels of Patricia Highsmith………………………………………………………………………………91 Chapter III: The Possessed Will and the Gothic Mode in “Ligeia,” As I Lay Dying, and Beloved.......................................................................................................................................149 Conclusion: The Middle Passages of the Novelistic Will……………………………………. 203 Works Cited……………………………………………………………………………………211 ii ACKNOWLEDGMENTS First, I would like to thank my dissertation advisors, Bill Brown and Frances Ferguson. Ever since I began graduate school, I have looked forward to my meetings with Bill, who has unceasingly supported my rather tortuous intellectual trajectory. Frances has been a wonderful reader and perfectly demanding interlocutor. She also kept me focused on the finish line whenever I was tempted to slow down or veer off course. James Duesterberg and Andres Millan are my primary founts of intellectual rigor and conversational virtuosity. James and Andres see through any and all bullshit—personal, philosophical, institutional—and I feel incredibly lucky to have them as close friends and colleagues. Sonia Vora and Aleks Prigozhin were unfailingly generous in helping me structure my thoughts at the initial stages of writing. Sonia was always attentive to my unsolicited riffing, and offered unexpected and often brilliant thoughts in return. -
MA Issues in Modern Culture Reading List 20-21.Pdf
M.A. Issues in Modern Culture Reading List 2020–21 AUTHORS AUTUMN TERM 1. Gustave Flaubert Dr Scarlett Baron Gustave Flaubert, Madame Bovary [1857], trans. Margaret Mauldon (Oxford: Oxford University Press, 2008). Gustave Flaubert, ‘A Simple Heart’, in Three Tales [1877], trans. A.J. Krailsheimer (Oxford: Oxford University Press, 1991). Gustave Flaubert, Dictionary of Received Ideas [1913], in Bouvard and Pécuchet, with the Dictionary of Received Ideas, trans. A.J. Krailsheimer (Harmondsworth: Penguin, 1977). Further Reading: Gustave Flaubert, Selected Letters, trans. Geoffrey Wall (Harmondsworth: Penguin, 1997). Julian Barnes, Flaubert’s Parrot (London: Jonathan Cape, 1984) Jonathan Culler, Flaubert: The Uses of Uncertainty (London: Paul Elek, 1974). Stephen Heath, Flaubert: Madame Bovary (Cambridge: Cambridge University Press, 1992). Christopher Prendergast, The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert (Cambridge: Cambridge University Press, 1986). Francis Steegmuller, Flaubert in Egypt: A Sensibility on Tour [1972] (Harmondsworth: Penguin Classics, 1996). Geoffrey Wall, Flaubert: A Life (New York: Farrar, Straus and Giroux, 2001). Tim Unwin (ed.), The Cambridge Companion to Flaubert (Cambridge: Cambridge University Press, 2004). Jennifer Yee, The Colonial Comedy: Imperialism in the French Realist Novel (New York: Oxford University Press, 2016). 2. Henry James Professor Philip Horne Henry James, The Golden Bowl (1904), ed. Ruth Bernard Yeazell (Penguin Classics, 2009) This contains the ‘Preface’ to the (only very slightly different) New York Edition version of the novel (1909); the other Prefaces (collected in The Art of the Novel, ed. R.P. Blackmur, 1934; now U. of Chicago Press) Henry James, ‘The Lesson of Balzac’ (1905) Available at: https://archive.org/details/questionourspee01jamegoog/page/n9/mode/2up Secondary Reading: Nicola Bradbury, Henry James: The Later Novels (Oxford University Press, 1979). -
Book Factsheet Patricia Highsmith Ripley Under Ground
Book factsheet Patricia Highsmith Crime fiction, General Fiction Ripley Under Ground 368 pages 11.6 × 18.4 cm January 1972 Published by Diogenes as Ripley Under Ground Original title: Ripley Under Ground World rights are handled by Diogenes Rights currently sold: Bulgarian (Fama) Chinese/CN (Shanghai Translation) Danish (Lindhardt & Ringhof) English/USA (Norton) Finnish (WSOY) French (Calmann-Lévy) Greek (Agra) Italian (La nave di Teseo) Japanese (Kawade Shobo) Korean (Eulyoo) Polish (Noir sur Blanc) Portuguese/BRA (Intrinseca) Portuguese/PT (Relógio d'Agua) Romanian (Art ) Russian (Azbooka-Atticus) Spanish/world (Anagrama) Swedish (Norstedts) Turkish (Can) Ukrainian (Hemiro) Vietnamese (BachvietBooks) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar In this harrowing illumination of the psychotic mind, the enviable Isaac Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But 2009: Cry of the Owl such a gracious life has not come easily. One inopportune inquiry, Director: Jamie Thraves one inconvenient friend, and Ripley's world will come tumbling down Screenplay: Jamie Thraves - unless he takes decisive steps. In a mesmerizing novel that coolly Cast: Paddy Considine, Julia Stiles subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil. -
Book Factsheet Patricia Highsmith the Tremor of Forgery
Book factsheet Patricia Highsmith Crime fiction, General Fiction The Tremor of Forgery 400 pages 11.3 × 18 cm July 2003 Published by Diogenes as Das Zittern des Fälschers Original title: The Tremor of Forgery World rights are handled by Diogenes Rights currently sold: English/UK (Little, Brown) English/USA (Grove /Atlantic) French (Calmann-Lévy) Italian (La nave di Teseo) Polish (Noir sur Blanc) Spanish/world (Anagrama) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar Isaac 2009: Cry of the Owl Director: Jamie Thraves Screenplay: Jamie Thraves Cast: Paddy Considine, Julia Stiles 2005: Ripley under Ground Director: Roger Spottiswoode Cast: Barry Pepper, Tom Wilkinson, Claire Forlani Howard Ingham, an American writer, is sent to Tunisia to gather 1999: The Talented Mr. Ripley Director: Anthony Minghella material for a movie. As his director fails to arrive as scheduled, Cast: Matt Damon, Gwyneth Paltrow, Jude Ingham decides to stay on and work instead on a novel. Gradually, Law, Cate Blanchett however, a series of peculiar events lures him inexorably into the deep, ambivalent shadows of this town, into deceit and away from 1996: Once You Meet a Stranger conventional morality. Director: Tommy Lee Wallace Cast: Jacqueline Bisset, Mimi Kennedy, Andi Chapman 1993: Trip nach Tunis Director: Peter Goedel Cast: Hunt David, Sillas Karen 1991: Der Geschichtenerzähler Director: Rainer Boldt Cast: Christine Kaufmann, Udo Schenk, Anke Sevenich 1 / 7 Movie adaptations (cont'd) 1989: A Curious Suicide Director: Bob Biermann Cast: Nicol Williamson, J. -
Schwanebeck, Wieland
This is a pre-copyedited, author-produced version of an article accepted for publication in Adaptation following peer review. The version of re- cord: Schwanebeck, Wieland. “Mr Ripley’s Renaissance: Notes on an Adaptable Character.” Adaptation, vol.6, no. 3, Oxford Academic, Dec. 2013, pp. 355–64 is available online at:https://academic.oup.com/adaptation/article/6/3/355/2583851, doi:10.1093/adaptation/apt017. Wieland Schwanebeck Mr. Ripley’s Renaissance: Notes on an Adaptable Character “I’m a creation. I’m a gifted improviser. I lack your conscience and, when I was young, that troubled me. It no longer does. I don't worry about being caught because I don't think anyone is watching. […] The one thing I know is that we’re constantly being born.” - John Malkovich in Ripley’s Game (2003) This speech, given by Tom Ripley (John Malkovich) midway through Liliana Cavani’s adaptation of Patricia Highsmith’s novel, Ripley’s Game (2003), puts forward the idea that fictional heroes enjoy the privilege of living multiple lives, and nobody’s fate illustrates this better than Tom Ripley’s own. Ripley’s renaissance on screen during the past decade not only saw him reenter the public consciousness, but also presented the viewers with a unique case of a serialized (anti-)hero: Unlike James Bond, with whose cinematic career Ripley shares some interesting similarities,1 Ripley’s on-screen embodiments hardly show any stable parameters, presenting the audience with a new version of masculinity each time an actor took on the character. No screenwriter, director or actor has ever worked on the character more than once, and none of the Ripley films have been located during the same period, in the same setting, or genre, though all of them resort to Highsmith’s constellation of an American impostor who is taken with European culture, a kind of “sociopath Jay Gatsby” (Oates 47) who never ages and who usually manages to get away with his horrendous crimes. -
Book Factsheet Patricia Highsmith a Dog's Ransom
Book factsheet Patricia Highsmith Crime fiction, General Fiction A Dog's Ransom 432 pages 11.3 × 18 cm January 2004 Published by Diogenes as Lösegeld für einen Hund Original title: A Dog's Ransom World rights are handled by Diogenes Rights currently sold: Danish (Lindhardt & Ringhof) English/UK (Little, Brown) English/USA (Norton) French (Calmann-Lévy) Italian (La nave di Teseo) Spanish/world (Anagrama) Turkish (Can) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar Isaac 2009: Cry of the Owl Director: Jamie Thraves Screenplay: Jamie Thraves Cast: Paddy Considine, Julia Stiles 2005: Ripley under Ground Director: Roger Spottiswoode Cast: Barry Pepper, Tom Wilkinson, Claire Forlani With an eerie simplicity of style, Patricia Highsmith turns our next- 1999: The Talented Mr. Ripley door neighbors into sadistic psychopaths, lying in wait among white Director: Anthony Minghella picket fences and manicured lawns. In A Dog's Ransom, Patricia Cast: Matt Damon, Gwyneth Paltrow, Jude Highsmith blends a savage humor with brilliant social satire in this Law, Cate Blanchett dark tale of a highminded criminal who hits a wealthy Manhattan couple where it hurts the most when he kidnaps their beloved poodle. 1996: Once You Meet a Stranger This work attests to Highsmith's reputation as »the poet of Director: Tommy Lee Wallace apprehension« (Graham Greene). -
Textures of Uncertainty Patricia Highsmith’S Minimalism
Ingrid Hotz-Davies Textures of Uncertainty Patricia Highsmith’s Minimalism Many critics have commented on the intractable nature of Patricia Highsmith’s fiction, so much so that Neil Gordon, for example, is amazed at “how radically Patricia Highsmith does not fit in,” how even her best-known cycle of novels, the Ripley Series,1 “has resolutely declined classification. More disturbing is it that even for its critics it has stubbornly refused, like a patient on a psycho- analyst’s couch, to lie down and tell its story” (Gordon 16). At the same time, if there is one thing critics and readers alike seem to agree on, it is that Highsmith stands as one of the great literary artists of unease, even dread.2 Whether we think of the decidedly queer story of murderous temptation in her first novel Strangers on a Train (1950), immediately turned into a film by Alfred Hitchcock (1951), her lesbian novel The Price of Salt, first published under the pseudonym Claire Morgan in 1952, The Cry of the Owl (1962), a relentless tale of stalkers and stalkers stalked,3 or indeed of her last novel Small g: A Summer Idyll published in the year of her death (1995), a “summer idyll” involving the patrons of a small cross-over gay bar in Zurich, which appears not so much idyllic as hang- ing in uneasy balance over a continually felt abyss of potential disaster and violence: hers is not a fictional universe one would, in Terry Castle’s words, be easily tempted to “cozy up to” (28). -
Identity and Language in the Postmodern Fiction of Chandler, Highsmith and Christie
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarBank@NUS THE CENTRE CANNOT HOLD: IDENTITY AND LANGUAGE IN THE POSTMODERN FICTION OF CHANDLER, HIGHSMITH AND CHRISTIE PHAY CHOONG SIEW JOSEPHINE (BA (Hons) NUS) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH LANGUANGE AND LITERATURE NATIONAL UNIVERSITY OF SINGAPORE 2012 Phay ii Acknowledgements I am deeply grateful to Dr. Susan Ang for correcting every draft of this thesis, for the books and films she recommended and lent me, and for her generous guidance, advice, and reassurance. Phay iii Contents Introduction: The Centre Cannot Hold—Crime Fiction and Postmodernism .................. 1 Crime Fiction and Postmodernism .................................................................................... 1 “The Centre Cannot Hold” .............................................................................................. 12 Defining (De)centredness ............................................................................................... 19 Raymond Chandler: Fragmented Worlds, Fractured Selves ............................................ 29 “I” is for Identity: The Private Eye/I and Centredness .................................................... 30 “L” is for Language: Language, Lies, and Links/Connections .......................................... 41 “P” is for Postmodern: Play-acting, the Press, and a World in Pieces ............................ 48 Patricia Highsmith: Deviance in the Open ......................................................................... -
Patricia Highsmith Ausstellung Im Strauhof Zürich 21
Patricia Highsmith Ausstellung im Strauhof Zürich 21. März – 28. Mai 2007 Einführung in die Ausstellungsthemen 1. Die Familie als Heimat und Hölle Stammbaum der Familie von Patricia Highsmith 2. Die Häuser Wohnorte von Patricia Highsmith 3. Jolly Little Switzerland 4. Musik und Kunst 5. Fantasie und Verbrechen 6. Die Gesellschaft als Gefängnis oder Die universelle Observation 7. Porträt mit Spiegel 8. Moral normal 9. Seltsame Sammler und Züchter 1. Die Familie als Heimat und Hölle Patricia Highsmith wurde in Fort Worth, Texas, geboren und verbrachte dort einen grossen Teil ihrer Kindheit, zeitweise unter der Obhut ihrer Grossmutter mütterlicherseits. Zu ihrer geschiedenen und wieder verheirateten Mutter hatte sie zeitlebens eine schmerzliche und konfliktreiche Beziehung. Nur sehr mühsam und zögernd konnte sie ihr eigenes Gefühlsleben entfalten. Das enge Zusammenleben mit einem geliebten Menschen hielt sie meist nur kurze Zeit aus. Ihr Werk zeugt von dieser schmerzlichen Realität, aber auch von einer unerbittlichen Klarsicht: Die Sehnsucht nach der intakten Familie steht dem ausweglosen Scheitern der Beziehungen gegenüber. In dieser Atmosphäre ist das elementare Gefühl der Liebe für Highsmith blosse Einbildung und Projektion, die früher oder später an der Wirklichkeit des anderen Menschen zerschellt. Von der Adoleszenz an war Patricias Verhältnis zu ihrer Mutter von ständigen Zwistigkeiten geprägt. Im Juni 1942 ohrfeigte Mary ihre Tochter, die darauf die Geschichte von einer Tochter schrieb, die sorgsam ihre kranke Mutter pflegt, um ihr schliesslich lächelnd mit einer Schere ins Herz zu stechen. Anfang der 1970er Jahre eskalierte der Streit zwischen Mutter und Tochter so weit, dass Patricia ihre Mutter, die in einem Zustand zunehmender geistiger Verwirrung in einem Alters- und Pflegeheim in Fort Worth wohnte, in den letzten zwanzig Lebensjahren nie mehr sah, keine Briefe mehr mit ihr austauschte und auf ihr Erbe verzichtete. -
Book Factsheet Patricia Highsmith Those Who Walk Away
Book factsheet Patricia Highsmith Crime fiction, General Fiction Those Who Walk Away 368 pages 11.6 × 18.4 cm October 2004 Published by Diogenes as Venedig kann sehr kalt sein Original title: Those Who Walk Away World rights are handled by Diogenes Rights currently sold: English/UK (Little, Brown) English/USA (Grove /Atlantic) French (Calmann-Lévy) Greek (Minoas) Italian (La nave di Teseo) Russian (Azbooka-Atticus) Spanish/world (Anagrama) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar Isaac 2009: Cry of the Owl Director: Jamie Thraves Screenplay: Jamie Thraves Cast: Paddy Considine, Julia Stiles 2005: Ripley under Ground Director: Roger Spottiswoode Cast: Barry Pepper, Tom Wilkinson, Claire Forlani The honeymoon is over, as they say, the bride dead by her own hand. 1999: The Talented Mr. Ripley Ray Garrett, the grieving husband, convinces the police in Rome of Director: Anthony Minghella his innocence, but not his father-in-law, the American painter Ed Cast: Matt Damon, Gwyneth Paltrow, Jude Coleman, who shoots him at point-blank range and leaves him for Law, Cate Blanchett dead. Ray survives, however, and follows Coleman to Venice, where the two fall into an eerie game of cat-and-mouse: Coleman obsessed 1996: Once You Meet a Stranger with vengeance and Ray equally insistent on clearing his conscience. -
Book Factsheet Patricia Highsmith a Suspension of Mercy
Book factsheet Patricia Highsmith Crime fiction, General Fiction A Suspension of Mercy 384 pages 11.6 × 18.4 cm October 2006 Published by Diogenes as Der Geschichtenerzähler Original title: A Suspension of Mercy World rights are handled by Diogenes Rights currently sold: Danish (Lindhardt & Ringhof) English/UK (Little, Brown) English/USA (Norton) French (Calmann-Lévy) Italian (La nave di Teseo) Spanish/world (Anagrama) Swedish (Modernista) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar Isaac 2009: Cry of the Owl Director: Jamie Thraves Screenplay: Jamie Thraves Cast: Paddy Considine, Julia Stiles 2005: Ripley under Ground Director: Roger Spottiswoode Cast: Barry Pepper, Tom Wilkinson, Claire Forlani Being a writer – a harmless profession? After this book, everyone will 1999: The Talented Mr. Ripley agree: reading is safer! Sydney Bartleby has murdered his wife Alicia Director: Anthony Minghella a dozen times over. Of course he has – after all, he is a scriptwriter Cast: Matt Damon, Gwyneth Paltrow, Jude and author of crime thrillers, a profession in which he has achieved as Law, Cate Blanchett little success as he has in his marriage. When Alicia unexpectedly goes on a journey, her husband exploits her absence to perfect his 1996: Once You Meet a Stranger artistic methods. But when Alicia fails to return, Sydney's behaviour – Director: Tommy Lee Wallace in strict accordance with the script – becomes highly suspicious. -
Book Factsheet Patricia Highsmith This Sweet Sickness
Book factsheet Patricia Highsmith Crime fiction, General Fiction This Sweet Sickness 272 pages 11.3 × 18 cm January 1974 Published by Diogenes as Der süße Wahn Original title: This Sweet Sickness World rights are handled by Diogenes Rights currently sold: Danish (Lindhardt & Ringhof) English/UK (Little, Brown) English/USA (Norton) French (Calmann-Lévy) Greek (Metaichmio) Italian (La nave di Teseo) Korean (Openhouse) Polish (Noir sur Blanc) Spanish/world (Anagrama) Swedish (Modernista) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar Isaac 2009: Cry of the Owl Director: Jamie Thraves Screenplay: Jamie Thraves Cast: Paddy Considine, Julia Stiles 2005: Ripley under Ground Director: Roger Spottiswoode David Kelsey, a young scientist, has an unyielding conviction that life Cast: Barry Pepper, Tom Wilkinson, Claire will turn out all right for him; he just has to fix the Situation: he is in Forlani love with a married woman. Obsessed with Annabelle and the life he has imagined for them - including the fully furnished cabin he 1999: The Talented Mr. Ripley maintains for her - David prepares to win her over, whatever it takes. Director: Anthony Minghella In this riveting tale of a deluded loner, Patricia Highsmith reveals her Cast: Matt Damon, Gwyneth Paltrow, Jude uncanny ability to draw out the secret obsessions that overwhelm the Law, Cate Blanchett human heart.