Curierul Filatelic, Anul II, Nr

Total Page:16

File Type:pdf, Size:1020Kb

Curierul Filatelic, Anul II, Nr philatelica.roAnul V. nr. 6 (29) - noiembrie-decembrie 2013 editor-fondator: DAN N. DOBRESCU redactor-şef: LÁSZLÓ KÁLLAI Premiul „Eudoxiu Hurmuzaki” al Academiei Române pentru o lucrare de istoria filateliei Șerban Zainea coperta 4 ü and his stamps 100 de ani de la al doilea război balcanic pagina 10-15 ü pagina 4 ü Parfum Carte poștală ilustrată editată în Bulgaria, obliterată cu ștam- de trandafir (VIII) pila Serviciului Telegrafo-Poștal pagina 16-17ü Militar (OTPM) al Diviziei I Cavalerie, Mărci poștale dată timpurie 19 iulie 1913 personalizate (VI) Picture postal card printing pagina 28-31ü in Bulgaria, cancelled with OTPM postmark, Sticla, între mărgică early date July 13th, 1913 și fibra optică (X) pagina 32-35ü Întreguri poștale nesemnalate pagina 36-38ü Galeria celebrităților botoșănene (XX) pagina 44-47ü inEDITORIAL Top descoperiri românești (XIV) Ștefania Mărăcineanu - ploaia artificială Tezaurul filatelic Col (r) ing. Dănuț Puiu ȘERBAN aproape salvat Născută la data de 18 iunie 1882 în suburbia Sf. Ioan Moşi din Bucureşti, László KÁLLAI actuala zonă Bucur Obor, ca fiică na- Tezaurul filatelic din România a fost turală a Sevastiei, Ştefania Mărăci- salvat. După mai bine de cinci ani de neanu (a se vedea imaginea ală- „luptă” filatelică, Guvernul a decis turată) a avut o copilărie nefericită. scoaterea colecției filatelice naționale În foaia matricolă de absolvire a cla- din patrimoniul Companiei Naționale sei a IV-a primare (1892-1893) de la „Poșta Ro mâ nă” SA, societate ce ur- Azilul Elena Doamna, Ştefania apare mează să fie privatizată. Decizia poli- înregistrată ca orfană, fapt ce îşi pune tică m-a bucurat, mai ales că, într-o amprenta pe toată evoluţia sa. oarecare măsură, am contribuit și eu Ulterior va urma Şcoala Centrală de la campania ce a vizat salvarea tezau- fete, pentru ca în 1910 să termine Facul- rului filatelic românesc (am fost jurna- tatea de Ştiinţe a Universităţii din Bu- listul care a publicat pentru prima cureşti, secţia fizico-chimice. Biblioteca Naţională a României, continuare la pag. 1 continuare la pag. 2 Colecţii speciale, Arhiva istorică ^ ^ ilustrata maxima de pe coperta Pagină realizată de dr. Ioan DANILIUC Mănăstirea Antim din București și Antim Ivireanul. George Enescu. Realizare: Realizare: Grupa de maximafilie a AFB. Grupa de maximafilie a AFB. C.p.i. - Editura AXA Botoşani (foto I. Daniliuc). C.p.i. - Editura AXA Botoşani. Obliterare: ștampila ocazională comemorativă Obliterare: ștampila ocazională 300 de ani Mănăstirea Antim, Ziua internațională a muzicii, 27.09.2013, 033250 BUCUREȘTI 64 01.10.2013, 014700 BUCUREȘTI 1 Machetă ștampilă: dr. Ioan Daniliuc Machetă ștampilă: dr. Ioan Daniliuc Banca Națională a României. Realizare: Grupa de maximafilie a AFB. C.p.i. - FULL COLOR, București, Obliterare: ștampila ocazională Salonul carto-filatelic BUCUREȘTI 2013, 25.10.2013, 014950 BUCUREȘTI 13. Fotografii și ștampilă: dr. Ioan Daniliuc. philatelica.ro editorial În acest număr al revistei pre- Rezolvați! zentăm noi dovezi, aflate în arhiva Dan N. DOBRESCU, AIJP istorică a Bibliotecii Naționale a Ro- Revista philatelica.ro a semna- mâniei și nu pe site-uri, care atestă lat în urmă cu șase luni o eroare eroarea de machetare comisă. majoră de machetare la valoarea Nedreptățită în timpul vieții de 1 L din emisiunea Ziua mondială prin neatribuirea Premiului Nobel a proprietății intelectuale - Femeile pentru radioactivitate, Ștefania și inventica, prilej cu care ne-am Mărăcineanu continuă să fie ne- adresat, cu scrisoarea nr. 124/10.06.2013, Ministerului dreptățită și după moarte de Romfilatelia care îi înlo- Comu nicațiilor și Societății Informaționale - dlui Dan cuiește chipul său cu al Mariei Curie. Nica, ministru. Totuși frații noștri de peste Prut au reparat Nu am primit nici un răspuns, deși noi nu am solici- această nedreptate editând o marcă poștală perso- tat pedepsirea vinovațiilor, ci soluționarea problemei, nalizată care ne-o prezintă pe adevărata Ștefania adică emiterea unei emisiuni în care să fie redată ade- Mărăcineanu, așa cum se poate vedea în paginile vărata imagine a Ștefaniei Mărăcineanu. prezentei reviste. Astfel de situații s-au întâmplat și la case mai mari, Ce părere aveți dle Ministru? Se poate și la noi sau dar care acolo s-au soluționat fără justificări și referințe nu se poate căci Romfilatelia este stat în stat. la site-ul antena3 sau la site-uri inexistente. Până atunci să auzim numai de bine. Muzeul Național Filatelic se reorganizează Legea 298/14 noiembrie 2013 tural național mobil, aflată în ad- privind protejarea patrimoniului ministrarea Muzeului Național de Muzeului Național Filatelic a fost Istorie a României se predă în cus- promulgată și publicată în Monito- todie la Banca Națională a Româ- rul Oficial, partea I, nr. 710 din 19 niei. Colecția filatelică a României noiembrie 2013. este compusă din mărci poștale și Prin această lege Muzeul Na - fiscale românești și străine, între- țional Filatelic se reorganizează ca guri poștale, proiecte și machete specimene, modelare și orice alte secție a Muzeului Național de Isto- de mărci poștale și de întreguri obiecte și înscrisuri având legătură rie a României. Colecția filatelică a poștale, matrițe pentru imprima- cu aceasta ce au fost deținute în României, proprietate publică a rea mărcilor poștale, plăci litogra- administrare de Compania Națio- statului, parte a patrimoniului cul- fice, eseuri, probe de tipar, nală „Poșta Română” - S.A. Tezaurul filatelic aproape salvat Opoziția lor are și o altă fațetă. În lipsa unui inventar amănunțit, urmare de pe coperta 1 măscăricilor politici continuă tot ce se află în afara actelor conta - chiar și după publicarea în Moni- bilicești trebuie salvat, susțin surse dată rezultatul controlului Curții torul Oficial a actului ce are meni- de Conturi la CNPR, raport ce îmi rea de a opri devalizarea tezau - din instituția de pe Calea Victoriei. citează o serie de dezvăluiri jurna- rului filatelic (Legea nr. 298/2013 Nu înțeleg de ce și de cine trebuie listice despre afacerea tezaurul fi- privind stabilirea unor măsuri salvate piese filatelice care prin în- latelic). Pe de altă parte am rămas pentru protejarea patrimoniului călcarea cu bună știință a legilor nu și cu un gust amar, având în ve- Muzeului Național Filatelic). Di - au fost luate în inventar. Nu vreau dere distrugerea parțială a tezau- rec torași pentru care mărcile poș- să mă gândesc la ceva rău, deși cele rului. Nu vreau să revin asupra tale sunt doar timbre, și au avut întâmplate până acum la MNF mă acestui aspect pentru că s-a vorbit de a face cu un timbru doar dacă fac să cred că se pregătește un în cercurile filatelice despre acest au cumpărat vreunul de la un ofi- aspect timp de mai bine de un de- ultim tun și anume subtilizarea a ciu poștal, au decis să obstruc - tot ce nu a fost trecut în inventar ceniu. Ce s-a pierdut din tezaur nu ționeze aplicarea legii. Ei vor să se va mai recupera niciodată. atace legea în instanță. Firește, îi timp de mai bine de două decenii. Traseiștii politici - politrucii înțeleg, ei nu au nici un interes ca Totuși, cel mai mult, mă irită spă l ă ței și afaceriști obscuri - care Muzeul să încapă pe mâini de faptul că nici o instituție a statului au ajuns în fruntea Muzeului Na - specialiști. Dacă pierd un post căl - român nu a considerat că devali- țional Filatelic au distrus o colec - duț cum vor mai obține contracte zarea tezaurului filatelic național ție ce în urmă cu trei decenii bănoase - plătite de falimentata înseamnă o faptă penală și ar tre- concura cu mari colecții la nivel Poșta Română - pentru editura bui căutați și trași la răspundere mondial. Distrugerea și piedicile controlată de ei. făptașii. pagina 1 ü ^ philatelica.ro filatelie tematica Top descoperiri românești (XIV) Ștefania Mărăcineanu - ploaia artificială urmare de pe coperta 1 În același an îşi va începe cariera didactică, fiind pro- fesoară suplinitoare la diferite şcoli din Bucureşti sau din provincie. Abia la începutul anului 1919 va susţine examenul de capacitate şi, ulterior, va obţine defitiva- tul, devenind titulară la catedra de ştiinţe fizico-chimice a Şcolii Centrale de fete. Imediat după terminarea Primului Război Mondial, România întregită intra într-o epocă nouă din punct de vedere al relaţiilor sale internaţionale, cu deosebire cele cu Franţa, şi acorda un interes crescut dezvoltării sale social-economice cu sprijinul statelor aliate. În aceste condiţii Ştefania va primi un concediu de studii şi va pleca la Paris unde îşi va susţine doctoratul în faţa unei comisii conduse de Marie Curie şi unde va începe, la Observatorul Astronomic, o perioadă de cercetare ştiinţifică în domeniul radioactivităţii. Profesorul Des- landres, directorul Observatorului, îi va pune la dispo- ziţie laboratorul de radioactivitate unde aceasta va studia fenomenul pus în evidenţă pe parcursul tezei de doctorat, cel de variaţie a timpului de înjumătăţire a ra- diaţiei poloniului şi ipoteza că plumbul utilizat în timpul experimentelor devine radioactiv. Fig. 2 Perioada 1925-1929, în care studiul radioactivităţii a presupus cercetarea efectelor datorate interacţiunii atmosferei, folosind nişte ionizatoare gigantice. cu mediul înconjurător (atmosfera terestră, radiaţia so- Faptul că Ştefania înţelegea foarte bine fenomenul lară, radiaţia cosmică etc) este cea în care Ştefania ob- este reliefat şi de descrierea pe care o făcea în cartea servă un fenomen ciudat: expunerea la soare a sa „Radioactivitatea”, publicată în 1936, metodei de in- substanţelor radioactive conduce la apariţia de preci- vestigare a fenomenului de emisie radioactivă cu aju- pitaţii sau cel puţin a condiţiilor specifice apariţiei lor. torul camerei Wilson: „Această metodă permite a se Fină observatoare a fenomenului fizic, ea nu este însă materializa particolele α prin dâra de apă, ce lasă pe luată în serios de îndrumătorul său. tot parcursul lor, din cauza ionilor la care dau naştere Imediat după revenirea în ţară Ştefania va înregistra aceste particole şi care ioni devin centre de condensare.
Recommended publications
  • (Re)Naming Streets in Contemporary Bucharest: from Power Distribution to Subjective Biography
    Page|69 (Re)Naming Streets in Contemporary Bucharest: From Power Distribution to Subjective Biography Ana-Maria Niculescu-Mizil University of Bucharest, Romania Abstract The present study is grounded on the premise that street names represent an embodiment of the socio-political order in the realm of everyday life (Azaryahu 2002, 135-144). It develops on three complementary axes of interest: a descriptive statistical analysis of power distribution among genders and professional categories in the current configuration of street names, a case study of Ion Câmpineanu Street as a ‘memorial landscape’ (Dwyer and Alderman 2008, 165 – 178) and the street's subjective history as it is recalled by locals in semi-structured interviews. Research’s findings sustain the idea that individuals invest personal or contextual significance endorsed with emotional resonance, in street names and rarely reflect upon the personalities naming their streets. The case study outlined Ion Câmpineanu Street as a self-contradictory, vivid landscape, an urban setting where several versions of history vindicate their memory. The analysis of street names in sector one reveals an unequal distribution among genders in favor of men, who are prominent in naming streets. The novelty in the present inquiry emerges from a gender sensitive approach upon the subject of street toponymy and social memory. Street names are understood as an embodied instrument employed in the social construction of gender in urban spaces. Keywords: social memory • memorial landscape • street toponymy • power relations • social construction of gender Introduction The cornerstone of the present research consists of Azaryahu's and Light, Nicolae and Suditu's findings according to which street names are established and modified according to principles which reflect the socio-political order of the moment (Azaryahu 1996).
    [Show full text]
  • The Remaking of the Dacian Identity in Romania and the Romanian Diaspora
    THE REMAKING OF THE DACIAN IDENTITY IN ROMANIA AND THE ROMANIAN DIASPORA By Lucian Rosca A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Sociology Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Department Chairperson ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Fall Semester 2015 George Mason University, Fairfax, VA The Remaking of the Dacian Identity in Romania and the Romanian Diaspora A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University By Lucian I. Rosca Bachelor of Arts George Mason University, 2015 Director: Patricia Masters, Professor Department of Sociology Fall Semester 2015 George Mason University Fairfax, VA ACKNOWLEDGEMENTS I would like to thank my thesis coordinators: Professor Patricia Masters, Professor Dae Young Kim, Professor Lester Kurtz, and my wife Paula, who were of invaluable help. Fi- nally, thanks go out to the Fenwick Library for providing a clean, quiet, and well- equipped repository in which to work. ii TABLE OF CONTENTS Page List of Tables................................................................................................................... v List of Figures ...............................................................................................................
    [Show full text]
  • The Competitive Environment of Romanian Cultural Organizations: Sources of Opportunities for Raising Competitiveness in Urban Development Context
    International Journal of Business and Management Studies, CD-ROM. ISSN: 2158-1479 :: 1(1):541–552 (2012) THE COMPETITIVE ENVIRONMENT OF ROMANIAN CULTURAL ORGANIZATIONS: SOURCES OF OPPORTUNITIES FOR RAISING COMPETITIVENESS IN URBAN DEVELOPMENT CONTEXT Răzvan-Andrei Corboú and Ruxandra-Irina Popescu Academy of Economic Studies, Bucharest, Romania Nowadays, more and more cities all over the world use cultural organizations promotion as instrument for improving urban image, stimulating development, attracting tourists and investors. This is due to the fact that over time, cultural organizations have become a key element in urban competition, due to their significant potential of generating local revenues thus boosting cities economy. Moreover, in developed countries, the measurement of quality of life in big cities cannot be carried out without taking into consideration the opportunities for culture, art and creative activities. Thus, cities with strong cultural infrastructure represent big polarization centres, which must be taken into account in all urban and regional development programs. Regarding these aspects, the present study reflects the main characteristics, cultural actors involved and evolution of the most important cultural sectors in Romanian cities: public libraries, museums and museum collections, entertainment arts and cinema industry. The study also presents a series of recommendations for raising Romanian cultural organizations competitiveness, which might contribute to the development and promotion of host cities. Keywords:
    [Show full text]
  • The 2Nd EVVF European Vovinam Children and Junior Championship Iasi
    The 2nd EVVF European Vovinam Children and Junior 1 Iasi - ROMANIA 2017 Championship The 2nd EVVF European Vovinam Children and Junior 2 Iasi - ROMANIA 2017 Championship TABLE OF CONTENTS A.Welcome Speeches 4 B. Host Country 7 B1. About Romania 7 B2. About Iasi 9 B3. Romanian Vovinam Viet Vo Dao Federation 14 Staff of the Host Country 15 C. The Organizer 16 D. The Sport Center 17 E. The Transportation 18 F. The Accommodation 19 G. Meals 22 H. Competition Regulation 23 I. General Program 28 J. Competition Registration 29 K. Hotel Registration 29 L. Payment Details 29 M. Special Events 29 The 2nd EVVF European Vovinam Children and Junior 3 Iasi - ROMANIA 2017 Championship A. Welcome Speeches A1. Speech of the EVVF General Secretary Dear all, Romanian Vovinam Viet sponsors, especially to Mr. Vo Dao Federation, will Gabriel Nechita and Mrs. let me start by expressing be happy to welcome Roxana Nechita for their my thanks to all those you and provide you with contribution, involvement involved last year in the any assistance you might and help. EVVF European Vovinam need. We hope to set the Children and Junior best possible conditions This event is specially Championship in Belgium for the competition. targeted to the future and who contributed to generation of võ sinh in making it such a great On behalf of the European Europe. I hope every one success. Vovinam Viet Vo Dao of them, especially the Federation, I would like young athletes taking part The European Vovinam to thank our host - the in the competition, will Viet Vo Dao Federation is city of Iasi, the Romanian come back home with now proud to invite you Vovinam Viet Vo Dao a feeling of pride and to take part in the second Federation, Master Florin accomplishment.
    [Show full text]
  • Romania Revealed: Saxon Villages, Transylvanian Cities and Byzantine Monasteries 2023
    Romania Revealed: Saxon Villages, Transylvanian Cities and Byzantine Monasteries 2023 24 MAY – 6 JUN 2023 Code: 22314 Tour Leaders Dr Adrian Jones, OAM Physical Ratings Explore Romania’s great scenic beauty & diverse culture in rich art collections, walled cities, medieval castles, Saxon fortified churches, frescoed Moldavian monasteries & secluded old villages. Overview Assoc. Professor Adrian Jones, OAM and arts educator and consultant Angelica Iacob lead this tour of little-known, extraordinarily diverse Romania. Moldavia's unique heritage of painted monasteries, where every inch of both inner and outer walls is covered with brilliantly coloured late medieval and early modern Byzantine paintings. Centuries-old wooden churches and villages nestled in medieval agricultural landscapes of isolated Maramures; one of the richest heritages of wood architecture in the world. Picturesque old Saxon cities originating from the 11th-century German migration to Transylvania. Medieval fortified churches built by German migrants; these once existed in Western Europe but are long gone from there. Grand country houses and palaces like Princess Marie of Romania's Pelisor, and Mogosoaia Palace, which fuses Italian Renaissance, Ottoman and indigenous elements in a unique harmony. Fine collections of Romanian and European art with brilliant Eastern icons and the works of masters such as Van Eyck, Brueghel, El Greco, Rembrandt and Brancusi. Priceless collections of gold artefacts, dating from the Paleolithic to the 20th century. Beautiful mountain landscapes, with some of Europe's most ancient forests. Some of the best collections of old Turkish carpets outside Istanbul's Topkapi Palace and the V & A, in old Saxon churches, especially Brasov's Black Church.
    [Show full text]
  • Forging Folklore, Disrupting Archives: Curatorial Explorations Between Tradition and Innovation
    Buchczyk, M., Nicolescu, G., & Urdea, A. (2017). Forging folklore, disrupting archives: curatorial explorations between tradition and innovation. MARTOR - The Museum of the Romanian Peasant Anthropology Review , 22, 129-147. http://martor.muzeultaranuluiroman.ro/archive/martor-22- 2017/magdalena-buchyczyk-gabriela-nicolescu-and-alexandra-urdea/ Publisher's PDF, also known as Version of record Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via National Museum of the Romanian Peasant at http://martor.muzeultaranuluiroman.ro/archive/martor-22-2017/magdalena- buchyczyk-gabriela-nicolescu-and-alexandra-urdea/. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Title: “Forging Folklore, Disrupting Archives: Curatorial Explorations between Tradition and Innovation” Authors: Magdalena Buchyczyk, Gabriela Nicolescu, and Alexandra Urdea How to cite this article: Buchczyk, Magdalena, Gabriela Nicolescu, and Alexandra Urdea. 2017. “Forging Folklore, Disrupting Archives: Curatorial Explorations between Tradition and Innovation.” Martor 22: 129-147. Published by: Editura MARTOR (MARTOR Publishing House), Muzeul Ţăranului Român (The Museum of the Romanian Peasant) URL: http://martor.muzeultaranuluiroman.ro/archive/martor-22-2017/ Martor (The Museum of the Romanian Peasant Anthropology Journal) is a peer-reviewed academic journal established in 1996, with a focus on cultural and visual anthropology, ethnology, museum studies and the dialogue among these disciplines.
    [Show full text]
  • Guide City Tour Bucharest Hopon-Hopoff Sightseeing Bus Tour : Sightseeing-Bus-Tours.Html
    Guide city tour Bucharest Hopon-hopoff sightseeing bus tour : http://romaniatourism.com/romania-maps/bucharest/bucharest-hopon-hopoff- sightseeing-bus-tours.html 1 Guide city tour Bucharest Stopp 1: Piata Presei - Herăstrău Park Sos. Kiseleff 32 Bucharest Romania , Herastrau Anyone who still thinks that Bucharest is a city of concrete and cement has clearly never been to the city’s lung, the incomparable Herastrau Park. Quite simply, this glorious park, spread over 187 hectares around Herastrau lake is one of the jewels in Bucharest’s crown, which might explain why half of the city chooses to spend its summer Sunday afternoons here. Herastrau was laid out from 1930-36 on what had until then been mainly marshland around the (natural) lake. The Village Museum - which occupies a large part of Herastrau and which is one of its most popular attractions was created at the same time. As early as the late 19th century, however, parts of the lakeshore served as a promenade for Bucharest’s wealthy, and the area surrounding the lake had long since become the most fashionable in the city. Indeed, the residence of Romania’s royal family, the Elisabeta Palace, is found inside Herastrau (although it is closed to the public). The name Herastrau has been in general use since the early 1960s. Herastrau was long neglected in the wake of the Romanian revolution of 1989, as the priorities of a country in transition lie elsewhere. In recent times however, the park has enjoyed much investment and has for a couple of years now once again been able to claim the title of the city’s best.
    [Show full text]
  • Constantin Brâncuși
    The International Women’s Association IWA of Bucharest MAGAZINE SEPTEMBER 2018 Celebrating 40 years of bringing people together Make Friends ∙ Explore Romania ∙ Support Charity A NOTE FROM GLADYS Online payment of annual dues is possible with a compatible Romanian bank account, and you are encour- aged to use this method to make advance payments to secure your registration for events involving fees, as Gladys Abankwa-Meier-Klodt well. While annual dues have been increased to RON350, IWA President members will no longer pay additional fees for our monthly coffee mornings. We kick off this “Discover Romania” season with our Dear IWA Members, returning, new and prospective: Welcome Coffee Morning and Mini Fair in September. In November, IWA marks its 40th anniversary, and Salut and welcome! at the monthly Coffee Morning, we plan to exhibit artwork created by members around this auspicious For some, September means a return to school, to theme. There’s no time like the present to get started a regular routine and inevitably, to a more hectic on your masterpiece! Here’s some more of what you pace. For others, a new life may be starting, far from can expect this year: a family concert at the Romanian the familiarity of a language, culture, friends or even Athenaeum at the end of September, trips, including furniture that one can call one’s own, and as the ups one to Târgoviște in October, entrepreneurship and tax and downs of settling in stretch endlessly toward the consulting workshops, earthquake preparedness training, horizon, a king’s ransom would seem a small price to virtual world travel with our new Cultural Kaleidoscope pay for a regular routine.
    [Show full text]
  • 2018 Meeting Preview
    SOCIETY OF PELVIC SURGEONS Buc h a r e s t & B r a s o v R o m a n i a , 2018 “Carol Davila” University of Medicine and Pharmacy Bucharest Medical School has a tradition of one and a half century, being the oldest in Romania. In 1857, Carol Davila, a graduate of medicine in Paris (France) founded the “National School of Medicine and Surgery” which evolved as the Faculty of Medicine, part of the Bucharest University. As a result 2 3 of the educational reform in 1948, the Institute of Medicine and Pharmacy was independently set up as a State Medical University. The university has a long tradition. Many professors have not only been masters of medical academic teaching, but also well known scientists: the names of Victor Babes, Ion Cantacuzino, Gheorghe Marinescu, Nicolae Paulescu, Thoma Ionescu, Mina Minovici, Grigore T. Popa, Mihai Ciuca, Ernest Juvara, and last, but not least, George Emil Palade, who was awarded the Nobel Prize and was declared the Honorary President of the University DISCOVER ROMANIA | Paloma Tours ABOUT ROMANIA Romania is a delightful country where nature, traditions and rural life still manage to coexist. From the wilderness of the Carpathian Mountains to the amazing diversity of the Danube Delta, from the foothills of Transylvania with lost villages among the meadows to the traditions still kept in Maramureș and 2 Bucovina, our country offers a huge amount of opportunities for 3 photographers. Romania is a country located at the crossroads of Central and Southeastern Europe, on the Lower Danube, within and outside the Carpathian arch, bordering on the Black sea.
    [Show full text]
  • An Image for the Nation
    An Image for the Nation: Architecture of the Balkan Countries at 19th Century Universal Exhibitions in Paris By Cosmin Tudor Minea Submitted to Central European University History Department In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Ilona Sarmany-Parsons Second Reader: Professor Nadia Al-Bagdadi Budapest, Hungary CEU eTD Collection 2014 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract In this research I analyse the architecture of the Balkan nations at four 19th century universal exhibitions in Paris as well as their reception by the French audience. I argue that by way of participating and designing “national” architecture, the countries from the Balkans had to pose new questions and find quick answers related to national representation, architecture and cultural heritage. None of these were truly defined at that time so with this occasion a big impetus was given to the development of national styles, to a number of architect’s careers and to researches on the historical architectural heritage. The participating countries, Romania, Greece, Serbia and Bulgaria, promoted themselves with national pavilions, restaurants and other decorations inspired by their most prized historical monuments, all with the purpose of promoting their nation.
    [Show full text]
  • Reenacting the Past: Romanian Art Since 1989 Mirela Tanta
    Reenacting the Past: Romanian Art Since 1989 Mirela Tanta Introduction In July 2007, a few months after Romania joined the European Union, on January 1, 2007, the archives of communism housed by the National Archives of Romania opened to the public. The following year, as a result of an agreement between the National Archives of Romania and the Institute for the Investigation of Communist Crimes in Romania, the online communism photo collection, containing photographs from 1945 to 1989 and from 1921 to 1944, became available on the Internet. Also in 2008, artists Ciprian Mureșan and Adrian Ghenie, in a conceptual response to this sudden presence of photographs documenting the communist history of Romania, started to paint Nicolae Ceaușescu as a mixture of personal and public snapshots of the communist leader’s life (fig. 1). “It was Ciprian’s idea,” Adrian stated in an interview with curator Magda Radu. “We wanted to find out if, given the imposed iconography [on communist artists back then and on ourselves now], it was still possible to make an aesthetically passable work.”1 Their project brings up a daring question, which I argue still standardizes today’s studies of art produced under dictatorships in Romania and elsewhere. Could these portraits function as inspirational art/propaganda and as visual signs open to varied interpretations? Or, in art critic Boris Groys’s words, “Can you have a good portrait of a bad dictator?”2 Ghenie explains, “My generation, we were all losers historically, economically. There was no culture of winning. Winning under a dictatorship is to make a deal with the power, which is a moral dead end.
    [Show full text]
  • National Inventory of Active Intangible Cultural Heritage Elements
    National Inventory of Active Intangible Cultural Heritage Elements The Art of the Traditional Blouse with Embroidery on the Shoulder (Altiță) - an Element of Cultural Identity of Romania I. Domain: - knowledge of traditional crafts - social practices, rituals and celebratory events II. Intangible cultural heritage element: - the art of the traditional blouse with embroidery on the shoulder (traditional blouse with altiță) - cultural identity element in Romania Standard term: Traditional Blouse with Embroidery on the Shoulder (traditional blouse with altiță) Local/regional names: ciupag (in Oltenia), ie cu umăraș (traditional blouse with shoulders in Southern Transylvania), ie fetească (traditional blouse in Transylvania), spăcel (traditional blouse in Arad), zoroclie blouse (traditional blouse for men made out of a thick cloth in Teleorman), mânecar (traditional short blouse in Loviște, Vâlcea), traditional blouse with twisted sleeves (in Vrancea), traditional blouse with lăncez (traditional blouse with smocking on its sleeves and at its collar in Neamț, Suceava). III. Area of occurrence It is widely spread on both sides of the Carpathian Mountains, in Moldova, Bucovina, Muntenia, Oltenia and Southern Transylvania. The traditional blouse with embroidery on the shoulder is an important means of asserting the individual in the community and expressing his or her cultural identity in most ethnographic areas of Romania. Like any Chancellery document is beautifully handwritten, the Carpathian shirt, a shirt that is crimped around the neck and with sleeves decorated with altiță, is a type of visual and documentary testament of high artistic performance. Created by countrywomen generation after generation, the blouse not only protects their bodies from weather, but it also communicates to people through a dress code specific to the traditional Romanian mentality using non-verbal messages about the status of the wearers: where they come from, their age, their ethnicity, and their civil status.
    [Show full text]